Katie Walsh

A-List
Total Box Office Draw: NA
Movie Reviews
Critic
Average ROI: NA
ROI Rank: NA
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Movies
  • Title
    The Lost King
    John Wick: Chapter 4
    Jesus Revolution
    Of an Age
    Devotion
    Only in Theaters
    Utama
    Good Night Oppy
    Smile
    You Won’t Be Alone
    Puss in Boots: The Last Wish
    Paper Spiders
    Slalom
    Cow
    A Secret Love
    Time
    Dirty God
    Paddington 2
    American Made
    The Red Pill
    Princess Cyd
    Most Beautiful Island
    Gleason
    Notes on Blindness
    The Survivalist
    Breathe
    Score
    87%
    92%
    96%
    88%
    90%
    98%
    88%
    94%
    81%
    84%
    93%
    96%
    83%
    85%
    96%
    74%
    73%
    93%
    85%
    91%
    89%
    72%
    94%
    83%
    82%
    86%
    Year
    2023
    2023
    2023
    2023
    2022
    2022
    2022
    2022
    2022
    2022
    2022
    2021
    2021
    2020
    2020
    2020
    2019
    2018
    2017
    2016
    2017
    2017
    2016
    2016
    2016
    2015
    Box Office
    NA,$404,290,266,$52,245,256,NA,$21,754,392,NA,NA,NA,$217,408,513,$264,055,$471,316,550,$2,992,$573,005,$1,380,500,NA,NA,$204,591,$227,994,792,$134,866,593,NA,NA,$6,582,NA,$104,214,$56,971,$47,312,950
  •  

    Known For & ROIs
    The-Lost-King-2023.jpgJohn-Wick-Chapter-4-2023.jpgJesus-Revolution-2023.jpgOf-an-Age-2023.jpgDevotion-2022.jpg
    The Lost King
    John Wick: Chapter 4
    Jesus Revolution
    Of an Age
    Devotion
    NA
    ROI Commentary:

    Average ROI: NA
    ROI Rank: NA
     
    NA
     

    Bio:

    Katie Walsh is an American film critic and journalist based in Los Angeles. She is a regular contributor to the Los Angeles Times, The Playlist, and The Wrap. She is also a member of the Los Angeles Film Critics Association and the Online Film Critics Society. Walsh has written extensively about film, television, and culture for a variety of publications, including The New York Times, Variety, and The Hollywood Reporter. She is a passionate advocate for diversity in film and television, and her work has been recognized by the National Society of Film Critics, the Broadcast Film Critics Association, and the International Press Academy.
     

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Critic