Anton Bitel

A-List

Total Box Office Draw: NA

Critic

Average ROI: NA
ROI Rank: NA
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Movies

Title
La Civil
The Pale Blue Eye
Amigo
Smile
Happening
Resurrection
Candyman
Why Don’t You Just Die!
Bumblebee
Suspiria
Mandy
Cure
Most Beautiful Island
Tampopo
The Wailing
Bone Tomahawk
Demon
The Guest
Under the Skin
Hard to be a God
Computer Chess
Beyond The Hills
The Girl with the Dragon Tattoo
King of Devil’s Island
Puss in Boots
The White Ribbon
Aruitemo Aruitemo
Tokyo Sonata
Triangle
Appaloosa
Baghead
4 Months, 3 Weeks and 2 Days
Times and Winds
My Kid Could Paint That
12:08 East of Bucharest
Syndromes and a Century
Red Road
The Cave of the Yellow Dog
Half Nelson
Monster House
A Scanner Darkly
The Death of Mr. Lazarescu
Fateless
Paprika
Independent Lens
Sketches of Frank Gehry
CSA: The Confederate States of America
2046
War of the Worlds
Tony Takitani
Rois et Reine
3-Iron
The Amityville Horror
Lost Embrace
Ushpizin
Keane
Guerrilla: The Taking of Patty Hearst
Bon Voyage
Tae Guk Gi: The Brotherhood of War
Spring, Summer, Fall, Winter…and Spring
Dawn of the Dead
Good Bye, Lenin!
Primer
Buffalo Soldiers
The Man Without a Past
Le Cercle Rouge
Adaptation
Secretary
Igby Goes Down
Metropolis
All or Nothing
Metropolis
Ginger Snaps
Trembling Before G-d
Pitch Black
Twin Falls Idaho
The Blair Witch Project
Existenz
Starship Troopers
The Man on the Train
The Game
Waterworld
True Romance
Basic Instinct
Candyman
The Rocket
Darkman
The Exorcist III
Revanche
Tremors
Day of the Dead
Repo Man
The Thing
An American Werewolf in London
Escape from New York
Flash Gordon
Cruising
Phantasm
Dawn of the Dead
Halloween
Carrie
Dark Star
The Cuckoo
Frankenstein
The Discreet Charm Of The Bourgeoisie
2001: A Space Odyssey
Blow-Up
To Kill A Mockingbird
Forbidden Planet
Johnny Guitar
Pickpocket
The Cabinet of Dr. Caligari

Score
89%
77%
95%
81%
83%
84%
81%
91%
84%
86%
81%
90%
72%
90%
91%
84%
75%
82%
73%
81%
73%
88%
87%
92%
83%
85%
95%
82%
78%
70%
68%
90%
87%
87%
86%
85%
82%
91%
88%
78%
75%
89%
90%
89%
87%
80%
72%
88%
94%
87%
86%
93%
55%
84%
92%
79%
88%
80%
89%
95%
81%
94%
79%
78%
94%
88%
90%
84%
83%
85%
85%
87%
86%
85%
69%
82%
74%
85%
80%
87%
82%
56%
94%
68%
74%
90%
74%
66%
88%
83%
82%
88%
96%
87%
84%
79%
60%
76%
93%
91%
82%
73%
91%
92%
94%
97%
85%
94%
89%
91%
91%
94%

Year
2023
2022
2022
2022
2022
2022
2021
2020
2018
2018
2018
2017
2017
2016
2016
2016
2016
2014
2014
2014
2013
2012
2011
2010
2011
2010
2008
2008
2009
2008
2008
2007
2008
2007
2006
2007
2006
2005
2006
2006
2006
2005
2005
2006
2006
2006
2005
2004
2005
2005
2004
2004
2005
2004
2005
2005
2005
2005
2004
2004
2004
2004
2004
2002
2002
1970
2003
2002
2002
2001
2002
2002
2001
2001
2000
2000
1999
1999
1997
1997
1997
1995
1993
1992
1992
1991
1990
1990
1990
1990
1985
1984
1982
1981
1981
1980
1980
1979
1979
1978
1976
1974
1975
1974
1972
1970
1967
1963
1958
1954
1953
1920

Box Office
NA,NA,NA,$217,408,513,NA,NA,$77,411,570,$40,995,$467,989,645,$7,942,093,$1,552,727,$26,620,002,$6,582,$444,213,$49,851,770,$382,579,NA,$2,700,051,$5,866,389,$1,299,035,$127,852,$673,493,$232,617,430,$4,360,391,$554,987,477,$19,319,671,$3,511,120,$943,547,$1,333,377,$27,712,362,$140,106,$10,174,839,$387,396,$258,316,$523,703,$70,649,$1,128,345,$3,447,214,$4,660,481,$141,861,243,NA,$216,922,$2,512,009,NA,NA,NA,$744,165,$20,205,757,$603,873,119,$556,268,$3,839,556,$3,403,957,$107,516,369,$2,298,732,NA,NA,$105,054,$14,339,171,$76,287,982,$8,945,072,$102,278,712,$79,316,957,NA,$2,300,684,$9,564,237,$471,766,$32,801,173,$9,304,609,$6,919,198,NA,NA,$1,349,711,$2,554,$788,896,$53,187,659,$985,341,$248,639,099,$2,856,712,$121,214,377,$7,281,450,$48,323,859,$264,218,220,$13,088,850,$352,927,224,$77,411,570,$46,704,056,$48,878,502,$39,024,251,$15,645,616,$16,667,084,$5,000,000,$129,000,$19,629,760,$30,678,488,$25,274,965,$27,177,647,$19,814,523,$11,988,469,$102,278,712,$47,160,000,$33,800,000,NA,$109,114,817,$86,273,333,$17,432,$65,877,808,$35,329,$599,146,NA,$4,604,NA,$8,811

Known For & ROIs

La Civil

The Pale Blue Eye

Amigo

Smile

Happening

ROI Commentary:

Average ROI: NA
ROI Rank: NA

NA

Bio:

Anton Bitel is a British film critic and journalist. He has written for Sight & Sound, Little White Lies, The Guardian, and Empire, among other publications. He is also the editor of the online magazine Electric Sheep, which focuses on cult and horror films. He is a regular contributor to the podcast The Geek Show, and has written two books on horror films. He is a passionate advocate for independent and genre cinema.

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