Ford v Ferrari (2019)
RT Audience Score: 98%
Awards & Nominations: Won 2 Oscars
25 wins & 91 nominations total
Ford v Ferrari delivers all the polished auto action audiences will expect — and balances it with enough gripping human drama to satisfy non-racing enthusiasts.
If you’re into cars, speed, and adrenaline, then Ford v Ferrari is the movie for you! It’s got all the slick racing scenes you could hope for, but it’s not just about the cars. There’s some real human drama in there too, so even if you’re not a racing enthusiast, you’ll still be hooked. It’s like the perfect blend of Fast and Furious and a tear-jerking drama. So buckle up and get ready for a wild ride!
Production Company(ies)
Chernin Entertainment, TSG Entertainment, Turnpike Films,
Distributor
20th Century Fox
Release Type
Theatrical, Theatrical (Wide)
Filming Location(s)
Savannah, Georgia, USA
MPAA / Certificate
Rated PG-13 for some language and peril
Year of Release
2019
-
Color:Color
-
Sound mix:Dolby Atmos Dolby Digital
-
Aspect ratio:2.39 : 1
-
Runtime:2h 32m
-
Language(s):English, Italian, French, Japanese
-
Country of origin:United States
-
Release date:Release Date (Theaters): Nov 15, 2019 Wide
Release Date (Streaming): Nov 15, 2019
Genre(s)
Biography
Keyword(s)
starring Matt Damon, Christian Bale, Jon Bernthal, Caitriona Balfe, Tracy Letts, Josh Lucas, directed by James Mangold, written by Jez Butterworth, John-Henry Butterworth, Jason Keller, produced by Peter Chernin, Jenno Topping, James Mangold, biography, box office performance, budget, reviewed by Clarisse Loughrey, Robert Daniels, Stephen Romei, Stephanie Zacharek, Matthew Lickona, Justin Chang, Brian Eggert, Jeffrey Harris, Taylor Baker, Lauren Bradshaw, Lonita Cook, PG-13, 24 Hours of Le Mans, Enzo Ferrari, Ford Motor Co., Carroll Shelby, Ken Miles, racing, automotive design, corporate interference, laws of physics, personal demons, Dolby Atmos, Scope (2.35:1)
Worldwide gross: $225,508,210
Worldwide gross (inflation-adjusted): $260,564,485
Worldwide gross ranking (inflation-adjusted): 565
Worldwide tickets sold (est.): 28,414,884
US/Canada gross: $117,624,357
US/Canada gross (inflation-adjusted): $135,909,597
US/Canada gross ranking (inflation-adjusted): 562
US/Canada opening weekend: $31,474,958
US/Canada opening weekend (inflation-adjusted): $36,367,883
US/Canada opening weekend ranking (inflation-adjusted): 356
Budget and Earnings Details
Production budget (est.): $97,600,000
Production budget (inflation-adjusted): $112,772,363
Production budget ranking: 335
Marketing and distribution budget (inflation-adjusted est.): $60,727,918
Box office net earnings to date (inflation-adjusted est.): $87,064,204
ROI to date (est.): 50%
ROI ranking: 1,149
Christian Bale – Ken Miles
Jon Bernthal – Lee Iacocca
Caitriona Balfe – Mollie Miles
Tracy Letts – Henry Ford II
Josh Lucas – Leo Beebe
Director – James Mangold
Producers – Peter Chernin, Jenno Topping, James Mangold
Writers – Jez Butterworth, John-Henry Butterworth, Jason Keller
Director(s)
James Mangold
Writer(s)
Jez Butterworth, John-Henry Butterworth, Jason Keller
Producer(s)
Peter Chernin, Jenno Topping, James Mangold
Film Festivals
Telluride, Toronto
Awards & Nominations
Won 2 Oscars
25 wins & 91 nominations total
Academy Awards
Oscar Best Achievement in Editing Winners, Oscar Best Achievement in Sound Editing Winners, Oscar Nominees, Oscar Winners
All Critics (357) | Top Critics (58) | Fresh (329) | Rotten (28)
[Ford v Ferrari] may relish in the high life, but its final moments feel devastatingly hollow.
December 6, 2019 | Rating: 4/5
Clarisse Loughrey
Independent (UK)
TOP CRITIC
While Ford v. Ferrari finishes first on a technical level, it serves as a myopic altar to a sport and era of white-male dominance.
November 24, 2019 | Rating: C-
Robert Daniels
Mediaversity Reviews
TOP CRITIC
You see the concentration. You see the sweat. You see the danger. You see the madness.
November 22, 2019 | Rating: 4/5
Stephen Romei
The Australian
TOP CRITIC
Ford v Ferrari is a little too long; some scenes leave unnecessary skidmark trails. But the movie still has amiable style and energy to spare. It’s fast but never furious.
November 22, 2019
Stephanie Zacharek
TIME Magazine
TOP CRITIC
Think Iron Man and Captain America, only it’s a (mostly) true story and what’s at stake is not the fate of the universe, nor even an auto race, but the glorious, endless pursuit of perfection.
November 22, 2019 | Rating: 3/5
Matthew Lickona
San Diego Reader
TOP CRITIC
It is a beautifully controlled and assembled piece of filmmaking.
November 19, 2019
Justin Chang
FilmWeek (KPCC – NPR Los Angeles)
TOP CRITIC
Mangold transitions flawlessly into the period and subject matter, as one might expect. He’s among our most talented journeymen directors.
February 23, 2022 | Rating: 3.5/4
Brian Eggert
Deep Focus Review
James Mangold proves to be one of the better working directors in the business today with Ford v Ferrari. The film features an impeccable cast, led by an excellent performance by Christian Bale.
February 20, 2022 | Rating: 9/10
Jeffrey Harris
411mania
Episode 53: Honey Boy / Earthquake Bird / Ford v Ferrari
December 1, 2021 | Rating: 80/100
Taylor Baker
Drink in the Movies
Ford V Ferrari is a thrilling crowd-pleaser that works whether you know the outcome of the story or whether it’s all new to you.
October 20, 2021 | Rating: B+
Lauren Bradshaw
Fangirl Freakout
It is an Oscar bait-y movie… The whole cast brings it together.
September 16, 2021
Lonita Cook
KCTV5 News at 9
Ford v Ferrari, the latest from James Mangold, is infused with love of the cinematic experience.
September 8, 2021
Cory Woodroof
Nashville Scene…
Plot
As Enzo Ferrari’s fast Rosso-Corsa racing cars dominate the mid-1960s motorsport world, the American car designer, Carroll Shelby, is forced to retire after winning the demanding 1959 ’24 Hours of Le Mans’ endurance race. But, before long, an unexpected proposition by the Vice President of Henry Ford’s motor company, Lee Iacocca, will offer an opportunity to beat the Italians at their own game. Now, under those pressing circumstances, the British sports car driver and racing engineer, Ken Miles, reluctantly agrees to lend a hand and improve the firm’s image, as Ford’s race team has less than ninety days to rewrite history. As a result, the non-conformist duo comes up with the mighty Ford GT40 Mk I high-performance racing car. Can Shelby and Miles break Ferrari’s streak?
Trivia
Goofs / Tidbits
Christian Bale’s performance in Ford v Ferrari is praised by critics, with many calling him one of the best actors of this era.
James-Mangold.jpg
96%
Mucho Mucho Amor: The Legend of Walter Mercado (2020)
RT Audience Score: 92%
Awards & Nominations: 4 wins & 9 nominations
An absorbing and affectionate tribute to a unique individual, Mucho Mucho Amor should prove fascinating for Walter Mercado fans as well as first-timers.
If you’re a Walter Mercado fan, or even if you’ve never heard of the guy, you’re gonna wanna check out Mucho Mucho Amor. It’s a totally captivating and heartwarming tribute to one of the most unique people to ever grace our screens. Seriously, this dude was a legend. And this documentary does an amazing job of showing us just how much he meant to his fans, and how much he loved them right back. So if you’re in the mood for a little bit of magic, a lot of glitter, and a whole lotta love, give Mucho Mucho Amor a watch. You won’t regret it!
Production Company(ies)
Distributor
NA
Release Type
Filming Location(s)
MPAA / Certificate
TV-14
Year of Release
2020
-
Color:Color
-
Sound mix:Stereo
-
Aspect ratio:16:9 HD
-
Runtime:NA
-
Language(s):
-
Country of origin:United States
-
Release date:Release Date (Streaming): Jul 8, 2020
Genre(s)
Documentary
Keyword(s)
starring Walter Mercado, directed by Cristina Constantini, directed by Kareem Tabsch, produced by Cristina Costantini, produced by Alex Fumero, executive produced by Lisa Leingang, documentary, Puerto Rican, astrologer, psychic, life, career, post-fame seclusion, tribute, unique individual, fascinating, uplifting, charming, sunny horoscope forecast, celebration, enlightening, wild ride, loving portrait, vital record, outsized figure, ahead of his time, transcended the laws of the universe, insightful interviews, tight editing, revealing archival footage, stunning tarot-inspired animations, Latin-America, preponderant, present, mysterious, commented figure, hope, love, peace, astrology, eternal legend, unapologetic authenticity, life coach, motivational speaker, sartorial icon, exuberant, strange, bitter-sweet, astro pop history, caped wizard, love, glam, touches hearts, audience
Worldwide gross: NA
Worldwide gross (inflation-adjusted): NA
Worldwide gross ranking (inflation-adjusted): NA
Worldwide tickets sold (est.): NA
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Cristina Constantini – Director
Kareem Tabsch – Director
Cristina Costantini – Producer
Alex Fumero – Producer
Lisa Leingang – Executive Producer
Director(s)
Cristina Constantini, Kareem Tabsch
Writer(s)
NA
Producer(s)
Cristina Costantini, Alex Fumero, Kareem Tabsch
Film Festivals
Awards & Nominations
4 wins & 9 nominations
Academy Awards
All Critics (66) | Top Critics (18) | Fresh (66)
It is a charming, uplifting documentary, as effective a tonic as a sunny horoscope forecast.
September 28, 2020
John Doyle
Globe and Mail
TOP CRITIC
The film is a fond farewell to Mercado and a celebration of his life, and enlightening both for Mercado newbies and those who grew up at his proverbial knee.
July 16, 2020
Alissa Wilkinson
Vox
TOP CRITIC
…fascinating and uplifting…
July 16, 2020 | Rating: 3.5/4
Richard Roeper
Chicago Sun-Times
TOP CRITIC
The film is a wild ride and a loving portrait, providing a vital record of this outsized figure who was so ahead of his time it seemed as though he transcended the laws of the universe.
July 10, 2020 | Rating: B+
Jude Dry
indieWire
TOP CRITIC
It is a practically impossible task to bring the otherwordly down to Earth. But in these quiet moments, “Mucho Mucho Amor” finds the truth amid all the invention.
July 10, 2020
Carolina A. Miranda
Los Angeles Times
TOP CRITIC
Mucho Mucho Amor works for many reasons — the insightful interviews, the tight editing, revealing archival footage, and some stunning tarot-inspired animations — but also in its recognition that not all that glitters is gold.
July 9, 2020
Ashlie D. Stevens
Salon.com
TOP CRITIC
For almost everyone in Latin-America, Walter Mercado was a preponderant, present, mysterious and commented figure. A man that lived for hope, love and peace through astrology. An eternal legend. Impressive documentary. [Full review in Spanish]
July 5, 2022 | Rating: 8/10
Victor Pineyro
Seventh Art Studio
Mucho Mucho Amor celebrates Mercados unapologetic authenticity and the greatest love of his life: his audience. Less a psychic than a life coach and motivational speaker, we confess, weve fallen for him too.
March 20, 2022 | Rating: 3.5/4
David Reddish
Queerty
Walter Mercado was a saint.
March 11, 2022
Cory Woodroof
Williamson Home Page
Walter Mercado was a sartorial icon who is more than worthy of your attention.
September 10, 2021
Jason Shawhan
Nashville Scene
Bubbly Netflix doc reveals an exuberant, strange, bitter-sweet bit of astro pop history, celebrating a dazzling figure, one Walter Mercado, caped wizard.
July 31, 2021 | Rating: 3/5
Milana Vujkov
Lola On Film
With a whole lot of love and a whole lot of glam, Walter Mercado touches hearts from across all over the world.
April 23, 2021
Natalie Valencia
Bust Magazine…
Plot
Mucho Mucho Amor: The Legend of Walter Mercado is a documentary about the life and career of Puerto Rican astrologer and psychic Walter Mercado, including his post-fame seclusion.
Trivia
Goofs / Tidbits
The documentary features Puerto Rican astrologer and psychic Walter Mercado discussing his life and career.
Cristina-Constantini.jpg
96%
Making Waves: The Art of Cinematic Sound (2019)
RT Audience Score: 93%
Awards & Nominations: 1 win & 9 nominations
Making Waves: The Art of Cinematic Sound pays an all-too-rare tribute to an aspect of filmmaking that’s utterly fascinating but often overlooked.
If you’re a movie buff, you know that sound is just as important as the visuals. But let’s be real, how often do we really appreciate the art of cinematic sound? That’s where Making Waves comes in, giving us a much-needed reminder that sound is more than just explosions and dialogue. It’s a whole world of creativity and technical wizardry that deserves recognition. So if you’re ready to dive deep into the world of movie sound, grab some popcorn and settle in for a wild ride. Making Waves is a must-see for anyone who wants to truly appreciate the magic of cinema.
Production Company(ies)
Ain’t Heard Nothin’ Yet Corp. Goodmovies Entertainment,
Distributor
Matson Films
Release Type
Streaming, Theatrical, Theatrical (Limited)
Filming Location(s)
Los Angeles, California, USA
MPAA / Certificate
Unrated
Year of Release
2019
-
Color:Color
Black and White -
Sound mix:Dolby
-
Aspect ratio:1.78 : 1
-
Runtime:1h 34m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Oct 25, 2019 Limited
Release Date (Streaming): Feb 11, 2020
Genre(s)
Documentary
Keyword(s)
Making Waves: The Art of Cinematic Sound, documentary, English, directed by Midge Costin, produced by Bobette Buster, Midge Costin, Karen Johnson, written by Bobette Buster, sound design, film history, cinema, sound designers, visionary directors, critic reviews, reviewed by Michael Hale, Ed Potton, Mark Feeney, Nigel Andrews, Larushka Ivan-Zadeh, Peter Bradshaw, Tony Black, Andrew Gaudion, Carla Hay, Steven Sheehan, Matthew Pejkovic, Robert Roten, box office performance, gross USA $51.6K, MPAA rating, Erik Aadahl, Ioan Allen, Richard L Anderson, Richard Beggs, Anna Behlmer, Mark Berger, produced by Matson Films
Worldwide gross: $63,998
Worldwide gross (inflation-adjusted): $73,947
Worldwide gross ranking (inflation-adjusted): 3,054
Worldwide tickets sold (est.): 8,064
US/Canada gross: $53,144
US/Canada gross (inflation-adjusted): $61,405
US/Canada gross ranking (inflation-adjusted): 2,731
US/Canada opening weekend: $12,348
US/Canada opening weekend (inflation-adjusted): $14,268
US/Canada opening weekend ranking (inflation-adjusted): 2,614
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Ioan Allen – Self
Richard L. Anderson – Self
Richard Beggs – Self
Anna Behlmer – Self
Mark Berger – Self
Director(s)
Midge Costin
Writer(s)
Bobette Buster
Producer(s)
Bobette Buster, Midge Costin, Karen Johnson
Film Festivals
Awards & Nominations
1 win & 9 nominations
Academy Awards
All Critics (66) | Top Critics (13) | Fresh (64) | Rotten (2)
Celebrating the magic of cinema as much as it explains it, Making Waves will have cinephiles listening to their favourite movies with fresh ears.
November 15, 2019
Michael Hale
Sight & Sound
TOP CRITIC
You wouldn’t seize on film sound as the sexiest of subjects, yet Midge Costin’s documentary is a doozy, as inspiring as it is informative.
November 3, 2019 | Rating: 4/5
Ed Potton
Times (UK)
TOP CRITIC
The blend of historical overview, film clips, tech info, and inside business on offer is pretty irresistible.
November 1, 2019 | Rating: 3/4
Mark Feeney
Boston Globe
TOP CRITIC
Just see this film. And then wonder if “see” is any longer an adequate verb for the act of experiencing great cinema.
October 30, 2019 | Rating: 4/5
Nigel Andrews
Financial Times
TOP CRITIC
Midge Costin’s marvellous documentary opens our eyes to a subtle art typically dismissed as the boring ‘loo break’ category of movie awards ceremonies.
October 30, 2019 | Rating: 4/5
Larushka Ivan-Zadeh
Metro Newspaper (UK)
TOP CRITIC
If it feels like a feelgood in-house promotional video for Hollywood technicians … well, they’ve got an awful lot to feel good about.
October 30, 2019 | Rating: 4/5
Peter Bradshaw
Guardian
TOP CRITIC
Making Waves manages to cover an array of different areas and delivers a comprehensive, enlightening and relaxed journey through the history of sound and film.
February 16, 2021 | Rating: 3/5
Tony Black
Cultural Conversation
Making Waves manages to construct a detailed look at the wide and expansive field of sound design with a compelling sense of adoration for its subject.
August 28, 2020 | Rating: 4/5
Andrew Gaudion
VultureHound
Although a few of the people interviewed in Making Waves come across as a bit dull, Making Waves is still worth seeing for the way it gives valuable history lessons in cinema.
July 12, 2020
Carla Hay
Culture Mix
It’s a lot to cover in 90 minutes, and given the breadth of the subject it’s something only a Mark Cousin-esque full-length TV series could give real justice to.
February 6, 2020 | Rating: 6/10
Steven Sheehan
The Digital Fix
Succeeds as an accessible and entertaining ode to the innovators, the craftsmen, and the technology that continues to give the cinema experience new life.
February 3, 2020 | Rating: 4/5
Matthew Pejkovic
Matt’s Movie Reviews
This documentary offers a rich, comprehensive treatment of sound in movies that gives the viewer some appreciation of the effort it takes to make a movie with a good sound design.
January 24, 2020 | Rating: B
Robert Roten
Laramie Movie Scope…
Plot
An exploration of the history, artistry, and emotional power of cinema sound, as revealed by legendary sound designers and visionary directors, via interviews, clips from movies, and a look at their actual process of creation and discovery.
Trivia
Goofs / Tidbits
The documentary features interviews with sound designers and editors such as Erik Aadahl, Ioan Allen, Richard L. Anderson, and Anna Behlmer.
Midge-Costin.jpg
96%
Fiddler: A Miracle of Miracles (2019)
RT Audience Score: 98%
Awards & Nominations: 1 nomination
Fiddler: A Miracle of Miracles takes a delightfully engaging look at the history of a beloved musical and its deep cultural impact.
If you’re a fan of musicals, you gotta check out Fiddler: A Miracle of Miracles. This flick is like a time machine that takes you back to the origins of one of the most beloved musicals of all time. And let me tell you, it’s a wild ride.
The documentary explores the cultural impact of Fiddler on the Roof, and it’s fascinating to see how this show has touched so many people over the years. From Broadway to Hollywood, Fiddler has been a staple of the entertainment industry for decades.
But what really makes this movie special is the way it tells the story. The filmmakers use a mix of interviews, archival footage, and behind-the-scenes glimpses to create a truly engaging experience. You’ll laugh, you’ll cry, and you’ll definitely tap your toes along to the music.
Overall, Fiddler: A Miracle of Miracles is a must-see for anyone who loves musicals, history, or just a good story. It’s a true miracle of cinema!
Production Company(ies)
Distributor
Samuel Goldwyn Films, Roadside Attractions
Release Type
Theatrical, Theatrical (Limited)
Filming Location(s)
MPAA / Certificate
Rated PG-13 for some thematic elements/disturbing images.
Year of Release
2019
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:NA
-
Runtime:1h 32m
-
Language(s):
-
Country of origin:United States
-
Release date:Release Date (Theaters): Aug 23, 2019 Limited
Release Date (Streaming): Oct 1, 2019
Genre(s)
Documentary/Music
Keyword(s)
Fiddler on the Roof, documentary, music, tradition, religion, anti-Semitism, social change, gender roles, sexuality, race, archival footage, musical luminaries, cultural impact, PG-13, English, Max Lewkowicz, Valerie Thomas, Sheldon Harnick, Austin Pendleton, Lin-Manuel Miranda, Harvey Fierstein, Fran Lebowitz, Calvin Trillin, critic reviews, box office, Samuel Goldwyn Films, Roadside Attractions, reviewed by Kevin Maher, Leslie Felperin, Josh Kupecki, Nell Minow, G Allen Johnson, Claudia Puig, Amelie Lasker, Diane Pershing, Richard Crouse, Chuck Wilson, Roberto Friedman, directed by Max Lewkowicz, produced by Max Lewkowicz and Valerie Thomas, written by Max Lewkowicz and Valerie Thomas, released in theaters on August 23, 2019, released on streaming on October 1, 2019, $547.5K gross in the USA, starring Sheldon Harnick, Austin Pendleton, Lin-Manuel Miranda, Harvey Fierstein, Fran Lebowitz, Calvin Trillin
Worldwide gross: $558,816
Worldwide gross (inflation-adjusted): $645,686
Worldwide gross ranking (inflation-adjusted): 2,687
Worldwide tickets sold (est.): 70,413
US/Canada gross: $549,386
US/Canada gross (inflation-adjusted): $634,791
US/Canada gross ranking (inflation-adjusted): 2,278
US/Canada opening weekend: $36,425
US/Canada opening weekend (inflation-adjusted): $42,087
US/Canada opening weekend ranking (inflation-adjusted): 2,264
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Austin Pendleton – Self
Lin-Manuel Miranda – Self
Harvey Fierstein – Self
Fran Lebowitz – Self
Calvin Trillin – Self
Director(s)
Max Lewkowicz
Writer(s)
Max Lewkowicz, Valerie Thomas
Producer(s)
Max Lewkowicz, Valerie Thomas
Film Festivals
Awards & Nominations
1 nomination
Academy Awards
All Critics (47) | Top Critics (14) | Fresh (46) | Rotten (1)
While never preachy, the director Max Lewkowicz nonetheless makes the case that Fiddler remains a vital and urgent piece of art about refugees, intolerance and the perennial clash of modernity with, yep, sing it with me, tradition!
December 13, 2019 | Rating: 4/5
Kevin Maher
Times (UK)
TOP CRITIC
The clip of the Temptations singing a cover of If I Were a Rich Man is worth the price of admission alone.
December 12, 2019 | Rating: 3/5
Leslie Felperin
Guardian
TOP CRITIC
This film will be a treasure trove of insight into not just the making of a musical, but of women and men who had the courage of their convictions in the face of odds set against them.
September 12, 2019 | Rating: 3.5/5
Josh Kupecki
Austin Chronicle
TOP CRITIC
It reminds us of why “Fiddler” is so enduring simply through the characters, story, and music that will still be touching audiences in another 50 years.
September 10, 2019 | Rating: B+
Nell Minow
Movie Mom
TOP CRITIC
What makes it brilliant is that it demonstrates how universal this distinctly Jewish musical has become, how it has been embraced by many cultures and how it is still influential today.
August 29, 2019
G. Allen Johnson
San Francisco Chronicle
TOP CRITIC
It made me totally want to go see [Fiddler on the Roof] again… A really enlightening documentary.
August 26, 2019
Claudia Puig
FilmWeek (KPCC – NPR Los Angeles)
TOP CRITIC
Funny and clever, and it makes me want to go and watch the musical again, which I’d say is the best thing such a documentary can do.
February 25, 2021
Amelie Lasker
FF2 Media
For musical comedy (or drama) buffs… and everyone else, too.
February 12, 2021
Diane Pershing
Malibu Times
This isn’t just a Broadway origin story, it’s a testament to the enduring power of art to speak to specific situations while illuminating broader issues.
January 31, 2021 | Rating: 4/5
Richard Crouse
Richard Crouse
Footage of Tevye and his wife Golda singing “Do You Love Me?” in a recent Tokyo staging is so moving one wishes to see the entire production.
July 29, 2020
Chuck Wilson
L.A. Weekly
Director Max Lewkowicz assembled an extraordinary collection of talking heads to discuss their lives with “Fiddler”.
May 28, 2020
Roberto Friedman
Bay Area Reporter
Most of all, Lewkowicz shows how even though “Fiddler” – both the original musical and the 1971 Norman Jewison-directed movie – is primarily a Jewish story, it still manages to speak to audiences across both generations and national boundaries.
January 24, 2020
Dan Webster
Spokesman-Review (Washington)…
Plot
Fiddler: A Miracle of Miracles explores the legacy of the long-running, award-winning musical “Fiddler on the Roof” and its themes of tradition, religion, and social change.
Trivia
Goofs / Tidbits
The documentary features interviews with musical luminaries such as Lin-Manuel Miranda and Fran Lebowitz.
Max-Lewkowicz.jpg
96%
Love, Antosha (2019)
RT Audience Score: 93%
Awards & Nominations: 10 nominations
Using raw materials left behind by its subject, Love, Antosha takes a thoughtful — and powerful — look at a life and career cut short.
Love, Antosha is a total tear-jerker! This flick is all about the life and times of the late Anton Yelchin, and it’s a real doozy. The filmmakers used all sorts of raw materials to put this thing together, and it shows. They really did the guy justice. It’s a powerful look at a life that was cut way too short. Bring tissues, folks. You’re gonna need ’em.
Production Company(ies)
Lurker
Distributor
Lurker Productions
Release Type
Theatrical, Theatrical (Limited)
Filming Location(s)
MPAA / Certificate
Rated R for language, some sexual content and nudity
Year of Release
2019
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:NA
-
Runtime:1h 32m
-
Language(s):English, Russian
-
Country of origin:United States
-
Release date:Release Date (Theaters): Aug 2, 2019 Limited
Release Date (Streaming): Nov 15, 2019
Genre(s)
Documentary
Keyword(s)
Love, Antosha, Anton Yelchin, documentary, Garret Price, Drake Doremus, Adam Gibbs, R-rated, English, Kristen Stewart, Chris Pine, John Cho, Simon Pegg, J.J Abrams, Willem Dafoe, box office, gross USA, $19.9K, critic reviews, Roxana Hadadi, Randy Cordova, Pat Padua, Peter Rainer, Matthew Lickona, Josh Kupecki, Casey Cipriani, Dan Buffa, Matt Cipolla, David Lamble, Jared Mobarak, Jennie Kermode, audience score, Tomatometer, reviewed by, produced by, directed by, written by, genre, life and career, journals, interviews, family, friends, colleagues, tribute, warmth, compassion, tragic death, actor’s personality, remembrance, featured audience reviews, horror movies, MCU movies, Netflix series, TV shows, streaming movies, theaters, box office performance, movie and TV guides, 2022’s most anticipated movies and TV & streaming, renewed & cancelled TV shows 2022, best 2022 horror movies ranked by Tomatometer, TV premiere dates 2022, worst horror movies of all time, Fandango
Worldwide gross: $62,900
Worldwide gross (inflation-adjusted): $72,678
Worldwide gross ranking (inflation-adjusted): 3,056
Worldwide tickets sold (est.): 7,926
US/Canada gross: $50,168
US/Canada gross (inflation-adjusted): $57,967
US/Canada gross ranking (inflation-adjusted): 2,737
US/Canada opening weekend: $7,150
US/Canada opening weekend (inflation-adjusted): $8,261
US/Canada opening weekend ranking (inflation-adjusted): 2,739
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Chris Pine – Self
John Cho – Self
Simon Pegg – Self
J.J. Abrams – Self
Willem Dafoe – Self
Director(s)
Garret Price
Writer(s)
NA
Producer(s)
Drake Doremus, Adam Gibbs
Film Festivals
Sundance
Awards & Nominations
10 nominations
Academy Awards
All Critics (61) | Top Critics (17) | Fresh (59) | Rotten (2)
Though clearly an adoring tribute, Love, Antosha allows its subject a sort of complicated humanity that expands our understanding of him.
September 19, 2019 | Rating: B+
Roxana Hadadi
AV Club
TOP CRITIC
It serves as both a celebration of Yelchin’s life and a tribute to his parents, particularly his mother. That infuses the film with a warmth and compassion that keeps it from feeling like a funeral-service memorial.
September 4, 2019 | Rating: 4.5/5
Randy Cordova
Arizona Republic
TOP CRITIC
Mostly, the Antosha of “Love, Antosha” seems like a good kid: someone whose life — and tragic death — should inspire us to spend our brief time here as wisely and as well as he did.
August 28, 2019 | Rating: 3/4
Pat Padua
Washington Post
TOP CRITIC
It’s very powerful and also very sad.
August 23, 2019
Peter Rainer
FilmWeek (KPCC – NPR Los Angeles)
TOP CRITIC
The title is how the immigrant’s child closed his frequent and heartfelt letters to his fiercely devoted mother Irina, and the film plays a bit like her loving reply: a tribute to the son whose grave she still visits daily.
August 23, 2019 | Rating: 2/5
Matthew Lickona
San Diego Reader
TOP CRITIC
Unfortunately, Love, Antosha, while providing the requisite information, never rises above a sapling.
August 22, 2019 | Rating: 2.5/5
Josh Kupecki
Austin Chronicle
TOP CRITIC
…ultimately, Love, Antosha is a love letter from Yelchin’s parents.
November 19, 2020
Casey Cipriani
Bustle
…the documentary doesn’t focus on his passing, instead shining a light on the things movie fans often forget or simply don’t see: the oddball nature of an actor’s personality.
November 6, 2020
Dan Buffa
KSDK News (St. Louis)
Much of the documentary plays it straight, and its openness to truth is what keeps it from feeling piecemeal.
July 28, 2020 | Rating: 4/5
Matt Cipolla
Film Monthly
A deeply moving portrait of the extraordinary life and death of Russian-American film actor Anton Yelchin (1989-2016).
May 27, 2020
David Lamble
Bay Area Reporter
Love, Antosha can’t be anything but a love-fest, don’t think it isn’t earned. [Rather than] lament about what will now never be, enjoy it as a reason to appreciate what was.
December 24, 2019 | Rating: 7/10
Jared Mobarak
Jaredmobarak.com
This is the kind of remembrance most actors could only dream of. It’s also tremendous fun to watch.
November 11, 2019 | Rating: 4.5/5
Jennie Kermode
Eye for Film…
Plot
A portrait of the extraordinary life and career of actor Anton Yelchin.
Trivia
Goofs / Tidbits
Love, Antosha features interviews with actors Kristen Stewart, Chris Pine, John Cho, Simon Pegg, and Willem Dafoe, among others.
Garret-Price.jpg
96%
The Peanut Butter Falcon (2019)
RT Audience Score: 96%
Awards & Nominations: 20 wins & 16 nominations
A feelgood adventure brought to life by outstanding performances, The Peanut Butter Falcon finds rich modern resonance in classic American fiction.
If you’re looking for a movie that’ll make you feel all warm and fuzzy inside, The Peanut Butter Falcon is your jam. The cast is on point, bringing their A-game to this adventure flick that feels like a modern take on a classic American story. It’s got all the feels, and you’ll be rooting for the characters every step of the way. Trust us, this movie is the real deal.
Production Company(ies)
Armory Films, 1993 Lucky Treehouse
Distributor
Roadside Attractions
Release Type
Filming Location(s)
Savannah, Georgia, USA
MPAA / Certificate
Rated PG-13 for thematic content, language throughout, some violence and smoking
Year of Release
2019
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:2.39 : 1
-
Runtime:1h 36m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Aug 23, 2019 Wide
Release Date (Streaming): Aug 27, 2019
Genre(s)
Adventure
Keyword(s)
starring Shia LaBeouf, Dakota Johnson, Zack Gottsagen, John Hawkes, Bruce Dern, Thomas Haden Church, directed by Tyler Nilson, Michael Schwartz, written by Tyler Nilson, Michael Schwartz, adventure, PG-13, box office performance, budget, reviewed by Wenlei Ma, Stephen Romei, Jake Wilson, Mark Kermode, Wendy Ide, Kevin Maher, Brian Eggert, Daisy Leigh-Phippard, Hosea Rupprecht, Pauline Center for Media Studies, MPAA rating, produced by Tim Zajaros, Christopher Lemole, Albert Berger, Ron Yerxa
Worldwide gross: $133,031,473
Worldwide gross (inflation-adjusted): $153,711,819
Worldwide gross ranking (inflation-adjusted): 825
Worldwide tickets sold (est.): 16,762,467
US/Canada gross: $20,457,151
US/Canada gross (inflation-adjusted): $23,637,308
US/Canada gross ranking (inflation-adjusted): 1,355
US/Canada opening weekend: $204,793
US/Canada opening weekend (inflation-adjusted): $236,629
US/Canada opening weekend ranking (inflation-adjusted): 1,607
Budget and Earnings Details
Production budget (est.): $6,200,000
Production budget (inflation-adjusted): $7,163,818
Production budget ranking: 1,802
Marketing and distribution budget (inflation-adjusted est.): $3,857,716
Box office net earnings to date (inflation-adjusted est.): $142,690,285
ROI to date (est.): 1,295%
ROI ranking: 91
Dakota Johnson – Eleanor
Zack Gottsagen – Zak
John Hawkes – Duncan
Bruce Dern – Carl
Thomas Haden Church – The Salt Water Redneck
Director(s)
Tyler Nilson, Michael Schwartz
Writer(s)
Tyler Nilson, Michael Schwartz
Producer(s)
Tim Zajaros, Christopher Lemole, Albert Berger, Ron Yerxa
Film Festivals
Awards & Nominations
20 wins & 16 nominations
Academy Awards
All Critics (222) | Top Critics (37) | Fresh (210) | Rotten (12)
The Peanut Butter Falcon is a sweet, tender and joyful portrayal of an unlikely friendship, and it won’t fail to charm.
February 28, 2020 | Rating: 3.5/5
Wenlei Ma
News.com.au
TOP CRITIC
What follows could be a bit corny. Indeed it is a bit corny, and that is part of its charm. Life is a bit corny too.
February 1, 2020 | Rating: 3.5/5
Stephen Romei
The Australian
TOP CRITIC
As calculated as the film might be, it’s hard to dislike. And while Nilson and Schwartz use Gottsagen’s sincerity as a guarantee of their own good intentions, this never feels as exploitative as it might have.
January 29, 2020 | Rating: 3/5
Jake Wilson
The Age (Australia)
TOP CRITIC
You know where you are, you can feel the location…really atmospheric with a lovely story.
October 24, 2019
Mark Kermode
Kermode & Mayo’s Film Review
TOP CRITIC
Perhaps against the odds, this shambling buddy movie really works.
October 20, 2019 | Rating: 4/5
Wendy Ide
Observer (UK)
TOP CRITIC
Like a Disney family drama from TV times past, this feelgood road movie is so homely, so warm and fuzzy, and so darn wholesome that it’s almost too much.
October 18, 2019 | Rating: 3/5
Kevin Maher
Times (UK)
TOP CRITIC
The Peanut Butter Falcon makes a strong case for the value of sentimentality.
February 23, 2022 | Rating: 3/4
Brian Eggert
Deep Focus Review
It might be pretty optimistic in its wholesomeness, but whats the point of the movies if they cant be? Especially in a film that is committed to its faithful and hopeful representation for a community that is almost never shown on screen whatsoever.
February 21, 2022
Daisy Leigh-Phippard
Screen Queens
Peanut Butter Falcon excels as a story of simple kindness.
August 12, 2021
Hosea Rupprecht
Pauline Center for Media Studies
Swept up in those bayou waters, we all root for Zack and happily accept whatever good fortune the writers provide for him.
July 23, 2021
Robin Holabird
KUNR (Reno, NV)
One of the year’s biggest and most welcome surprises.
April 29, 2021 | Rating: 4/5
Olly Richards
NME
Far from its tale of friendship and personal growth, ‘The Peanut Butter Falcon’ is an adventure comedy that is too condescending in tone for my taste. [Full review in Spanish]
March 14, 2021 | Rating: 5/10
Yasser Medina
Cinemaficionados…
Plot
The Peanut Butter Falcon is an adventure story set in the world of a modern Mark Twain that begins when Zak (22), a young man with Down syndrome, runs away from the nursing home where he lives to chase his dream of becoming a professional wrestler by attending the wrestling school The Salt Water Redneck. Through circumstances beyond their control Tyler (32), a small-time outlaw on the run, becomes Zak’s unlikely coach and ally. Together they wind through deltas, elude capture, drink whisky, find God, catch fish, and convince Eleanor (28), a kind nursing home employee with a story of her own, to join them on their journey.
Trivia
Goofs / Tidbits
Shia LaBeouf delivers another nuanced performance from a character that I suspect was probably two-dimensional on the page.
Tyler-Nilson.jpg
96%
End of the Century: The Story of the Ramones (2004)
RT Audience Score: 94%
Awards & Nominations: 4 wins & 9 nominations
End of the Century is a punk rock documentary that is as exhilarating as it is informative. The film takes a comprehensive look at the rise of the Ramones, a band that became legendary without the typical stardom that usually accompanies fame. The revelations in the film may even deepen your appreciation for the music, as it’s incredible that so much dumb fun was generated out of such pain. The film does a fine job explaining the band’s importance without airbrushing their foibles, making it necessary viewing for any music fan. It’s a deliriously musical portrait of a band that was too tough to die, and one that will leave you feeling both entertained and enlightened.
If you’re looking for a documentary that’s as punk as the band it’s about, End of the Century is it. This film is a wild ride through the history of The Ramones, complete with interviews from the band members themselves and those who knew them best. You’ll learn about their rise to fame, their struggles with addiction, and their impact on the music industry. And if you’re not a fan of punk music, don’t worry – this movie is so entertaining, you’ll be singing “Hey Ho, Let’s Go” by the end of it.
Production Company(ies)
Distributor
NA
Release Type
Filming Location(s)
MPAA / Certificate
Unrated
Year of Release
2019
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:2.00 : 1
-
Runtime:NA
-
Language(s):Spanish, Catalan
-
Country of origin:United States
-
Release date:Release Date (Theaters): Jan 19, 2003 Wide
Release Date (Streaming): Mar 15, 2005
Genre(s)
Documentary
Keyword(s)
End of the Century, documentary, The Ramones, punk band, rock history, rebellious, minimalist, counterculture icons, Punkology, Joey, Johnny, Dee Dee, Queens kids, underground gigs, Rock and Roll Hall of Fame, archive concert footage, candid interviews, Michael Gramaglia, Jim Fields, directed by, Jim Fields, Michael Gramaglia, produced by, David Bowles, cinematographer, critic reviews, Peter Travers, Rolling Stone, Jamie Russell, BBC.com, Roger Moore, Orlando Sentinel, Bruce Westbrook, Houston Chronicle, Jason Anderson, Globe and Mail, Chris Vognar, Dallas Morning News, Brian Costello, Common Sense Media, Jason Gorber, Film Scouts, Jim Agnew, Film Threat, James Sanford, Kalamazoo Gazette, Louis Proyect, rec.arts.movies.reviews, Urban Cinefile Critics, audience score, genre, English, box office, gross USA, budget, MPAA rating, producer names, reviewed by, writer names, written by, starring
Worldwide gross: $103,047
Worldwide gross (inflation-adjusted): $119,066
Worldwide gross ranking (inflation-adjusted): 3,011
Worldwide tickets sold (est.): 12,984
US/Canada gross: $66,309
US/Canada gross (inflation-adjusted): $76,617
US/Canada gross ranking (inflation-adjusted): 2,699
US/Canada opening weekend: $10,063
US/Canada opening weekend (inflation-adjusted): $11,627
US/Canada opening weekend ranking (inflation-adjusted): 2,674
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Jim Fields – Director
Jim Fields – Producer
Michael Gramaglia – Producer
David Bowles – Cinematographer
Jim Fields – Cinematographer
Director(s)
Michael Gramaglia, Jim Fields
Writer(s)
NA
Producer(s)
Jim Fields, Michael Gramaglia
Film Festivals
Awards & Nominations
4 wins & 9 nominations
Academy Awards
All Critics (62) | Top Critics (31) | Fresh (59) | Rotten (3)
August 14, 2007 | Rating: 4/4
Peter Travers
Rolling Stone
TOP CRITIC
An exhilaratingly brilliant film about the rise and rise of the punk band that was too tough to die.
December 21, 2004 | Rating: 4/5
Jamie Russell
BBC.com
TOP CRITIC
A deliriously musical portrait of a band that became famous and legendary without the headlining stardom that usually accompanies that.
December 17, 2004 | Rating: 4/5
Roger Moore
Orlando Sentinel
TOP CRITIC
A comprehensive look at the punk pioneers that never wears out its welcome.
November 19, 2004 | Rating: 3/4
Bruce Westbrook
Houston Chronicle
TOP CRITIC
The revelations may even deepen your appreciation for the music — it’s incredible that so much dumb fun was generated out of such pain.
November 12, 2004 | Rating: 3/4
Jason Anderson
Globe and Mail
TOP CRITIC
A film that does a fine job explaining their importance without airbrushing their foibles.
November 4, 2004 | Rating: A-
Chris Vognar
Dallas Morning News
TOP CRITIC
Stellar docu on influential punk band; talk of drugs, drink.
July 20, 2012 | Rating: 5/5
Brian Costello
Common Sense Media
Everything you want to know about the Ramones, as told by many of the people who were there to remember.
June 21, 2007 | Rating: B
Jason Gorber
Film Scouts
Necessary viewing for any music fan.
July 13, 2005 | Rating: 4/5
Jim Agnew
Film Threat
an extensive, bittersweet scrapbook… (that) pays tribute to both the band’s punky, never-say-die spirit and to the hard-driving, often exhilarating music they created.
February 5, 2005
James Sanford
Kalamazoo Gazette
Rise and fall of punk rock pioneers
January 27, 2005
Louis Proyect
rec.arts.movies.reviews
One of the most appealing themes running through this rock-doc is the admission by all concerned that The Ramones were never great musicians and never needed to be.
January 7, 2005
Urban Cinefile Critics
Urban Cinefile…
Plot
“End of the Century” is a documentary that follows the rise of punk band The Ramones from their earliest gigs in the 1970s to their induction into the Rock and Roll Hall of Fame in 2002, featuring rare archive concert footage and candid interviews with the band members.
Trivia
Goofs / Tidbits
The documentary features candid interviews with the band members of The Ramones.
Michael-Gramaglia.jpg
96%
Toy Story 4 (2019)
RT Audience Score: 94%
Awards & Nominations: Won 1 Oscar
57 wins & 67 nominations total
Heartwarming, funny, and beautifully animated, Toy Story 4 manages the unlikely feat of extending — and perhaps concluding — a practically perfect animated saga.
If you’re looking for a movie that’ll make you laugh, cry, and feel all warm and fuzzy inside, then Toy Story 4 is the flick for you. This animated masterpiece is so good, it’s almost criminal. Seriously, how do they keep making these movies better and better?
The animation is top-notch, with every detail meticulously crafted to perfection. And the humor? Oh man, it’s hilarious. You’ll be laughing so hard, you might just fall out of your seat. But don’t worry, the heartwarming moments will make you forget all about that embarrassing incident.
And let’s not forget about the story. It’s a rollercoaster of emotions, with twists and turns that’ll keep you on the edge of your seat. And the ending? Well, let’s just say it’s the perfect conclusion to a practically perfect saga.
So grab some popcorn, sit back, and get ready for a wild ride. Toy Story 4 is a must-see movie that’ll leave you feeling all warm and fuzzy inside.
Production Company(ies)
Pixar Animation Studios, Walt Disney Pictures,
Distributor
Walt Disney
Release Type
Theatrical, Theatrical (Wide)
Filming Location(s)
Pixar Animation Studios – 1200 Park Avenue, Emeryville, California, USA
MPAA / Certificate
G
Year of Release
2019
-
Color:Color
-
Sound mix:IMAX 6-Track Auro 11.1 12-Track Digital Sound Dolby Digital Dolby Surround 7.1
-
Aspect ratio:2.39 : 1
-
Runtime:1h 40m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Jun 21, 2019 Wide
Release Date (Streaming): Oct 1, 2019
Genre(s)
Comedy/Adventure
Keyword(s)
starring Tom Hanks, Tim Allen, Annie Potts, Tony Hale, Keegan-Michael Key, Madeleine McGraw, directed by Josh Cooley, written by Andrew Stanton, Stephany Folsom, comedy, adventure, fantasy, G rating, box office gross $434.0M, reviewed by Donald Clarke, Ben Sachs, A.A Dowd, Scott Marks, Stephen Romei, Udita Jhunjhunwala, Bianca Garner, Brian Eggert, David Gonzalez, Steve Crum, Tomatometer 97%, audience score 94%, Pixar, Woody, Buzz Lightyear, Bo Peep, Forky, Ducky, Bonnie, Mark Nielsen, Jonas Rivera, Galyn Susman, DTS, Dolby Digital, Dolby Atmos, Scope (2.35:1), Toy Story franchise, heartwarming, funny, beautifully animated, road trip, unexpected reunion, long-lost friend, worlds apart, franchise storytelling, minor adventure, new direction, tearjerker, emotional, polished, characters we love, new characters, lengthy epilogue, overwhelming positivity, worst of the four, serious series
Worldwide gross: $1,073,394,593
Worldwide gross (inflation-adjusted): $1,240,258,655
Worldwide gross ranking (inflation-adjusted): 71
Worldwide tickets sold (est.): 135,251,762
US/Canada gross: $434,038,008
US/Canada gross (inflation-adjusted): $501,511,187
US/Canada gross ranking (inflation-adjusted): 77
US/Canada opening weekend: $120,908,065
US/Canada opening weekend (inflation-adjusted): $139,703,773
US/Canada opening weekend ranking (inflation-adjusted): 47
Budget and Earnings Details
Production budget (est.): $200,000,000
Production budget (inflation-adjusted): $231,090,908
Production budget ranking: 53
Marketing and distribution budget (inflation-adjusted est.): $124,442,454
Box office net earnings to date (inflation-adjusted est.): $884,725,293
ROI to date (est.): 249%
ROI ranking: 535
Tim Allen – Buzz Lightyear (Voice)
Annie Potts – Bo Peep (Voice)
Tony Hale – Forky (Voice)
Keegan-Michael Key – Ducky (Voice)
Madeleine McGraw – Bonnie (Voice)
Director(s)
Josh Cooley
Writer(s)
Andrew Stanton, Stephany Folsom
Producer(s)
Mark Nielsen, Jonas Rivera, Galyn Susman
Film Festivals
Awards & Nominations
Won 1 Oscar
57 wins & 67 nominations total
Academy Awards
Oscar Best Animated Feature Film Winners, Oscar Nominees, Oscar Winners
All Critics (457) | Top Critics (81) | Fresh (443) | Rotten (14)
Not absolute top-flight Pixar. No embarrassment either.
December 10, 2019 | Rating: 3/5
Donald Clarke
Irish Times
TOP CRITIC
Pixar by the numbers, this third and largely unnecessary sequel to Toy Story delivers everything you’d expect from the animation studio, minus the warmth, wit, and dread.
December 10, 2019
Ben Sachs
Chicago Reader
TOP CRITIC
Toy Story 4 is so fast and light on its feet that it’s easy to ignore that it’s a pretty minor adventure.
December 10, 2019 | Rating: B
A.A. Dowd
AV Club
TOP CRITIC
Why the need for Part 4? There are new characters to merchandise!
July 9, 2019 | Rating: 2/5
Scott Marks
San Diego Reader
TOP CRITIC
This fourth Toy Story is the directorial debut of American animator, screenwriter and voice actor Josh Cooley. He does his best with what he has, but the script lacks spark.
June 28, 2019 | Rating: 2.5/5
Stephen Romei
The Australian
TOP CRITIC
Toy Story has been winning and warming hearts since 1995. Debutant director Josh Cooley takes charge of this fourth instalment, which boasts exemplary digital artistry.
June 28, 2019
Udita Jhunjhunwala
Livemint
TOP CRITIC
Toy Story 4 is a wonderful film, but as a sequel its a masterful display of how to move forward with franchise storytelling.
May 3, 2022
Bianca Garner
In Their Own League
Toy Story 4’s willingness to go to strange and dark places is part of its charm.
March 2, 2022 | Rating: 4/4
Brian Eggert
Deep Focus Review
I found myself sobbing at the films conclusion because while Toy Story 3 felt like the conclusion to everyones story, Toy Story 4 showed us it was only Andys story that was complete. The toys story concluded with this film.
February 18, 2022 | Rating: 4/4
David Gonzalez
Reel Talk Inc.
The second Toy Story was a sensation that led to Toy Story 3 and now 4. And what sensation exists in Toy Story 4!
February 13, 2022 | Rating: A
Steve Crum
Crum on Showbiz
These characters actually experience and that tiny shift really refreshes the franchise.
September 29, 2021
Lonita Cook
KCTV5 News at 9
Kudos to Pixar for making yet another film that satisfies on so many levels.
August 12, 2021
Hosea Rupprecht
Pauline Center for Media Studies…
Plot
Woody, Buzz Lightyear and the rest of the gang embark on a road trip with Bonnie and a new toy named Forky. The adventurous journey turns into an unexpected reunion as Woody’s slight detour leads him to his long-lost friend Bo Peep. As Woody and Bo discuss the old days, they soon start to realize that they’re two worlds apart when it comes to what they want from life as a toy.
Trivia
Goofs / Tidbits
Tom Hanks voices the character of Woody in Toy Story 4.
Josh-Cooley.jpg
96%
Be Natural: The Untold Story of Alice Guy-Blaché (2019)
RT Audience Score: 96%
Awards & Nominations: 11 wins & 11 nominations
Be Natural: The Untold Story of Alice Guy-Blaché aims an overdue spotlight on a cinematic innovator’s career, with the added benefit of absorbing historical context.
If you’re a movie buff, you gotta check out Be Natural: The Untold Story of Alice Guy-Blaché. It’s like a time machine that takes you back to the early days of cinema and introduces you to a badass lady who was way ahead of her time. Alice Guy-Blaché was a true innovator, and this documentary finally gives her the recognition she deserves. Plus, you’ll learn a ton about the history of film and how it evolved over the years. So grab some popcorn and get ready to be entertained and educated at the same time!
Production Company(ies)
Wildwood Enterprises Artemis Rising Foundation Foothill Productions,
Distributor
Zeitgeist Films, Kino Lorber
Release Type
Filming Location(s)
Los Angeles, California, USA
MPAA / Certificate
Not Rated
Year of Release
2018
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:NA
-
Runtime:1h 43m
-
Language(s):English, French
-
Country of origin:United States
-
Release date:Release Date (Theaters): Mar 15, 2019 Limited
Release Date (Streaming): Jul 23, 2019
Genre(s)
Documentary
Keyword(s)
Be Natural: The Untold Story of Alice Guy-Blaché, documentary, English, Pamela B Green, Joan Simon, Zeitgeist Films, Kino Lorber, Jodie Foster, directed by Pamela B Green, written by Pamela B Green and Joan Simon, produced by Pamela B Green, executive produced by Geralyn White Dreyfous and Jodie Foster, box office gross of $101.1K, film history, female film director, Alice Guy-Blaché, feminist, cinema pioneer, film industry, film-making, film innovation, film business, film artist, film career, filmography, film legacy, film restoration, film preservation, film archives, film footage, film clips, film interviews, film narration, film critics, film reviews, film analysis, film appreciation, film education, film documentary, film biography, film tribute, film festival, film awards, film recognition, film influence, film impact, film inspiration, film empowerment, film equality, film diversity, film representation, film culture, film society, film industry reform, film activism, film advocacy, film community, film fans
Worldwide gross: $193,387
Worldwide gross (inflation-adjusted): $227,573
Worldwide gross ranking (inflation-adjusted): 2,912
Worldwide tickets sold (est.): 24,817
US/Canada gross: $115,804
US/Canada gross (inflation-adjusted): $136,275
US/Canada gross ranking (inflation-adjusted): 2,612
US/Canada opening weekend: $3,237
US/Canada opening weekend (inflation-adjusted): $3,809
US/Canada opening weekend ranking (inflation-adjusted): 2,819
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Pamela B. Green – Director, Writer, Producer
Joan Simon – Writer
Geralyn White Dreyfous – Executive Producer
Director(s)
Pamela B. Green
Writer(s)
Pamela B. Green, Joan Simon
Producer(s)
Pamela B. Green
Film Festivals
Awards & Nominations
11 wins & 11 nominations
Academy Awards
All Critics (93) | Top Critics (24) | Fresh (89) | Rotten (4)
The highlight of this documentary is the footage of Alice herself, witty, energetic, and creative. This recognition of her contributions is long overdue and most welcome.
October 13, 2021
Nell Minow
AWFJ Women on Film
TOP CRITIC
It’s the awkward editing, superfluous celebrity interviews, and an emphasis on the search for inconsequential facts that obscure what should be its focus – Guy-Blaché’s formidable talent.
March 25, 2020
Kathleen Sachs
Chicago Reader
TOP CRITIC
Cineastes, film nerds and feminists alike will be gripped by this documentary portrait of Alice Guy-Blaché. Who? That’s the point.
January 17, 2020 | Rating: 4/5
Kevin Maher
Times (UK)
TOP CRITIC
A playful but ardent documentary tribute to Guy Blaché, a film-maker fully deserving the overworked title of pioneer.
January 15, 2020 | Rating: 4/5
Danny Leigh
Financial Times
TOP CRITIC
[A] hectic, garrulous, fascinating documentary…
January 15, 2020 | Rating: 4/5
Peter Bradshaw
Guardian
TOP CRITIC
The ingrained sexism it highlights could form the basis of several sequels.
January 14, 2020 | Rating: 4/5
Anna Smith
Time Out
TOP CRITIC
Ginger Rogers did everything Fred Astaire did, except backwards and in heels. Alice didit in corsets and with no clear rules about how to even go about creating cinema. Businesswoman and artist both, the first female filmmaker is revealed in full glory.
February 21, 2022
Daisy Leigh-Phippard
Screen Queens
May this documentary correct the injustices done to this pivotal filmmaker’s legacy, simply because she was a woman.
October 13, 2021
Sandie Angulo Chen
AWFJ Women on Film
Presented in a visually lively style, Be Natural: The Untold Story of Alice Guy Blache goes way beyond merely chronicling the facts of Alice Guy Blache’s life…
October 13, 2021
Cate Marquis
AWFJ Women on Film
It’s a great and inspiring story timely told. Pamela Green’s well-researched documentary starts at the happenstance start of auteur Alice Guy Blache’s cinema career and follows her fortunes…
October 13, 2021
Jennifer Merin
AWFJ Women on Film
As a chronicle of an outrageously overlooked female pioneer in an industry that’s been dominated by men for far too long, Green’s documentary is a must-see for anyone who considers themselves a feminist.
October 13, 2021
Betsy Bozdech
AWFJ Women on Film
It helps that Jodie Foster’s captivating voice (with impeccable French pronunciation) acts as the narrator of the film, but the feeling persists that further refinement was required. [Full review in Spanish]
July 21, 2021 | Rating: 3.5/5
Antonio G. Spíndola
Cine Premiere…
Plot
Pamela B. Green’s energetic film about pioneer filmmaker Alice Guy-Blaché is both a tribute and a detective story, tracing the circumstances by which this extraordinary artist faded from memory and the path toward her reclamation.
Trivia
Goofs / Tidbits
Jodie Foster serves as the narrator for Be Natural: The Untold Story of Alice Guy-Blaché.
Pamela-B.-Green.jpg
96%
63 Up (2019)
RT Audience Score: 94%
Awards & Nominations: 2 wins & 2 nominations
Episodes
3
TOP-RATED
Tue, Jun 4, 2019
S1.E1
Episode #1.1
East Ender Tony dreamed of being a jockey but became a taxi driver instead. He reveals what he has been up to sin
The latest installment of the “Up” series, 63 Up, is a testament to the power of documentary filmmaking and the human experience. Director Michael Apted has crafted a masterpiece that spans over half a century, chronicling the lives of a group of individuals from childhood to retirement age. The film is a poignant reminder of the fleeting nature of life and the importance of cherishing every moment. With each passing installment, the participants become more than just subjects, they become a part of our own lives. Apted’s skillful direction and the participants’ candidness make 63 Up a must-see for anyone who appreciates the art of storytelling and the beauty of the human spirit.
63 Up is like watching a real-life version of Boyhood, but instead of one kid growing up, it’s a whole group of people. It’s fascinating to see how their lives have changed over the years and how they’ve stayed the same. Plus, it’s a great reminder that life is short and we should make the most of it. So, grab some popcorn and settle in for a journey through the ups and downs of life.
Production Company(ies)
Distributor
BritBox
Release Type
Theatrical, Theatrical (Limited)
Filming Location(s)
MPAA / Certificate
Unrated
Year of Release
2019
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Color:Color
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Sound mix:Dolby
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Aspect ratio:1.66 : 1
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Runtime:2h 18m
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Language(s):
-
Country of origin:United Kingdom
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Release date:Release Date (Theaters): Nov 27, 2019 Limited
Release Date (Streaming): Mar 9, 2021
Genre(s)
Documentary
Keyword(s)
documentary, British children, socioeconomic backgrounds, human experience, Michael Apted, directed by Michael Apted, written by, genre, box office performance, budget, reviewed by, producer, MPAA rating, 63 Up, 63 Up movie, 63 Up documentary, 63 Up film, 63 Up review, 63 Up cast, 63 Up crew, 63 Up director, 63 Up writer, 63 Up producer, 63 Up budget, 63 Up box office, 63 Up rating, 63 Up genre, 63 Up documentary genre, 63 Up British children, 63 Up socioeconomic backgrounds, 63 Up human experience, Michael Apted documentary, Michael Apted British children, Michael Apted socioeconomic backgrounds, Michael Apted human experience, reviewed by critics, Michael Apted director, Michael Apted producer, Michael Apted writer, British documentary, British film, British cinema, British movies, British TV, British TV shows, British cinema history, British culture, British society, British class system, British education system, British politics, British economy, British social issues, British identity, British diversity, British multiculturalism, British history, British traditions, British values, British way of life, British humor, British accents, British actors, British actresses, British celebrities, British entertainment, British media, British news, British journalism, British storytelling
Worldwide gross: NA
Worldwide gross (inflation-adjusted): NA
Worldwide gross ranking (inflation-adjusted): NA
Worldwide tickets sold (est.): NA
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Director(s)
Michael Apted
Writer(s)
NA
Producer(s)
NA
Film Festivals
Awards & Nominations
2 wins & 2 nominations
Episodes
3
TOP-RATED
Tue, Jun 4, 2019
S1.E1
Episode #1.1
East Ender Tony dreamed of being a jockey but became a taxi driver instead. He reveals what he has been up to sin
Academy Awards
All Critics (56) | Top Critics (22) | Fresh (55) | Rotten (1)
Watching 63 Up as a stand-alone endeavor may not seem remarkable. In fact, it may even be a little boring. But watching it as part of the larger picture imbues it with immediacy and power.
February 22, 2020 | Rating: 3.5/4
James Berardinelli
ReelViews
TOP CRITIC
There is a touching universality to these life stories, which at this point have a lulling near-sameness…
February 20, 2020 | Rating: 3.5/4
Moira MacDonald
Seattle Times
TOP CRITIC
At first glance, 21 Up played as somewhat of a novelty. That was over forty years ago. Today, it stands as one of cinema’s greatest achievements, a use of the medium that’s at once blatantly logical and profoundly affecting.
January 29, 2020 | Rating: 5/5
Scott Marks
San Diego Reader
TOP CRITIC
This film and its predecessors are a mirror to all.
January 23, 2020 | Rating: A
Tom Long
Detroit News
TOP CRITIC
Kim Horton skillfully weaves together clips from past films – the participants’ lives inside a fishbowl literally flashing before our eyes – and both Apted’s narration and his gently needling, off-camera interrogations give you all the context you need.
January 9, 2020 | Rating: 4.5/5
Kimberley Jones
Austin Chronicle
TOP CRITIC
Because of this sense of an approaching end-in a world which, in any case, is tending to see the future in apocalyptic terms-63 Up may be the most revealing episode yet.
December 20, 2019
Jonathan Romney
Film Comment Magazine
TOP CRITIC
With each installment, and each passing seven-year period, I find myself growing more attached to these people, and less prepared to say goodbye.
March 2, 2020
Susannah Gruder
Hyperallergic
In the span of a minute, we see a hopeful young boy grow into a disaffected young man, then into a mellowed older man. It’s impossible not think of ourselves, our parents and our children, and how quickly life happens to us.
February 21, 2020 | Rating: 3.5/4
Rob Thomas
Capital Times (Madison, WI)
With 63 Up, the quiet wonder of simply executing such a project reigns — the potentially mundane resonates profoundly when watching a human life arc or veer before your eyes.
February 7, 2020
Chance Solem-Pfeifer
Willamette Week
There can never be an unimportant chapter in the lives of real human beings. For that reason, the new 63 Up demands watching just as much as any of the previous eight.
January 24, 2020 | Rating: 4.25/5
Cameron Meier
Orlando Weekly
Though no one perspective is universal, 63 Up’s remains admirably considered, sweeping, and reflective, which is all just as it should be. It’s less an elegy than an ode to life.
January 23, 2020
George Elkind
Metro Times (Detroit, MI)
As a whole the ‘Up’ series is truly an extraordinary cinematic accomplishment…As befits the age of the principals, this installment feels more leisurely and autumnal than earlier ones, but that certainly doesn’t make it any less affecting.
January 21, 2020 | Rating: B+
Frank Swietek
One Guy’s Opinion…
Plot
63 Up is a documentary that explores the lives of British children from different socioeconomic backgrounds who are revisited every seven years to discuss their experiences and hopes for the future.
Trivia
Goofs / Tidbits
The film is a documentary, so there is no traditional cast.
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