Last Life in the Universe (2004)
92%RT Audience Score: 90%
Awards & Nominations: 9 wins & 11 nominations
Photos
22
Tadanobu Asano and Sinitta Boonyasak in Last Life in the Universe (2003)
Tadanobu Asano and Sinitta Boonyasak in Last Life in the Universe (2003)
Pen-Ek Ra
Last Life in the Universe is a cinematic masterpiece that transcends the boundaries of traditional storytelling. With its slow pace and experimental approach, the film allows the audience to fully immerse themselves in the lives of its quirky characters. The Thai locales, stunning cinematography, and intricate shots are a feast for the eyes, while the offbeat romance is a delight for the soul. It’s a film that demands multiple viewings to fully appreciate its nuances and complexities. Last Life in the Universe is a true gem of the art-house genre, and a must-see for any cinephile looking for a unique and captivating experience.
Last Life in the Universe is a movie that’s like a fancy art exhibit – you don’t really get it, but you pretend to because you don’t want to look uncultured. It’s a slow-paced romance that’s set in Thailand and stars a suicidal librarian and a gangster’s girlfriend. The cinematography is pretty, and the characters are quirky, but the plot is a bit pretentious. Overall, it’s a movie that you’ll either love or hate, but you’ll definitely feel like you need to watch it again to fully understand it.
Production Company(ies)
Armory Films, 1993 Lucky Treehouse
Distributor
Palm Pictures
Release Type
Filming Location(s)
Bangkok International Airport, Bangkok, Thailand
MPAA / Certificate
Rated R for violence, sexual content, language and drug use
Year of Release
2003
-
Color:Color
-
Sound mix:Dolby Digital
-
Aspect ratio:1.85 : 1
-
Runtime:1h 48m
-
Language(s):Thai, Japanese, English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Apr 22, 2004 Wide
Release Date (Streaming): Feb 15, 2005
Genre(s)
Drama/Romance
Keyword(s)
starring Tadanobu Asano, Sinitta Boonyasak, Laila Boonyasak, Yutaka Matsushige, Riki Takeuchi, Takashi Miike, directed by Pen-Ek Ratanaruang, written by Pen-Ek Ratanaruang, Pradba Yoon, drama, romance, R rating, box office gross $31.7K, reviewed by Jeff Shannon, Andrew Sarris, G Allen Johnson, Michael Booth, Wesley Morris, Kevin Thomas, Jean-François Vandeuren, Ken Hanke, Pablo Villaça, Dennis Schwartz, Matt Bailey, Andrew Wright
Worldwide gross: $63,095
Worldwide gross (inflation-adjusted): $102,269
Worldwide gross ranking (inflation-adjusted): 3,025
Worldwide tickets sold (est.): 11,153
US/Canada gross: $32,014
US/Canada gross (inflation-adjusted): $51,891
US/Canada gross ranking (inflation-adjusted): 2,749
US/Canada opening weekend: $5,833
US/Canada opening weekend (inflation-adjusted): $9,455
US/Canada opening weekend ranking (inflation-adjusted): 2,714
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Sinitta Boonyasak – Noi
Laila Boonyasak – Nid
Yutaka Matsushige – Yukio
Riki Takeuchi – Takashi
Takashi Miike – Yakuza
Director(s)
Pen-Ek Ratanaruang
Writer(s)
Pen-Ek Ratanaruang, Pradba Yoon
Producer(s)
Wouter Barendrecht
Film Festivals
Awards & Nominations
9 wins & 11 nominations
Photos
22
Tadanobu Asano and Sinitta Boonyasak in Last Life in the Universe (2003)
Tadanobu Asano and Sinitta Boonyasak in Last Life in the Universe (2003)
Pen-Ek Ra
Academy Awards
All Critics (40) | Top Critics (17) | Fresh (36) | Rotten (4)
It’s an offbeat romance that defies easy labeling, recommendable as a film buff’s pleasure and a semi-audacious art-house curio.
October 1, 2004 | Rating: 2.5/4
Jeff Shannon
Seattle Times
TOP CRITIC
[Reflects] the growing interpenetration of many individual national cinemas into a cultural conglomerate that reflects the irresistible tide of cinematic globalization.
October 1, 2004
Andrew Sarris
Observer
TOP CRITIC
The film has a precise, slow pace that allows us to get to know these quiet, quirky characters, and an imaginatively experimental approach to their thoughts and dreams.
September 17, 2004 | Rating: 4/4
G. Allen Johnson
San Francisco Chronicle
TOP CRITIC
An absorbing series of intricately planned shots that play like installation art at a modern museum.
September 17, 2004 | Rating: 3/4
Michael Booth
Denver Post
TOP CRITIC
There is some lovely filmmaking here, and nice surprises.
August 20, 2004 | Rating: 3/4
Wesley Morris
Boston Globe
TOP CRITIC
The Thai locales, the stars and Doyle’s expressive cinematography add up to a disarmingly seductive yet always precarious film experience.
August 19, 2004 | Rating: 4/5
Kevin Thomas
Los Angeles Times
TOP CRITIC
Un film dont les élans singuliers mènent à la fascination.
July 4, 2007 | Rating: 8/10
Jean-François Vandeuren
Panorama
One fascinating — if not wholly accessible — movie.
December 21, 2006 | Rating: 4/5
Ken Hanke
Mountain Xpress (Asheville, NC)
Asano é sempre um ator interessante, mas a montagem é auto-indulgente e o roteiro, pretensioso.
September 26, 2005 | Rating: 2/5
Pablo Villaça
Cinema em Cena
Macabre film about a suicidal librarian.
April 29, 2005 | Rating: A
Dennis Schwartz
Dennis Schwartz Movie Reviews
A film that demands second and even third viewings in order to absorb all of its nuances.
March 1, 2005
Matt Bailey
Not Coming to a Theater Near You
This trip-hoppy tone poem left me feeling like I’d never seen a movie before.
December 5, 2004
Andrew Wright
The Stranger (Seattle, WA)…
Plot
A lonely librarian flees to Bangkok to avoid the Yakuza, where he meets a free-spirited bar hostess dealing with her sister’s death, and they form an odd bond over their sadnesses, but he doesn’t know the Yakuza have followed him.
Trivia
Goofs / Tidbits
Takashi Miike, known for his extreme and violent films, makes a brief appearance as a Yakuza member in Last Life in the Universe.
Pen-Ek-Ratanaruang.jpg
92%
The Corporation (2004)
92%RT Audience Score: 90%
Awards & Nominations: 12 wins & 1 nomination
The Corporation is a satisfyingly dense, thought-provoking rebuttal to some of capitalism’s central arguments.
The Corporation is a documentary that will make you want to grab your pitchfork and storm the nearest corporate office. With well-chosen interviews and a clever comparison to a psychopath, this film presents a strong case for why corporations are running amok. It’s a history lesson, a warning shot, and a damning personality profile all rolled into one. And let’s be real, who doesn’t love a good villain origin story? So grab some popcorn and get ready to root for the underdogs (aka the rest of us).
Production Company(ies)
Focus Features, Tohokushinsha Film Corporation, American Zoetrope
Distributor
Zeitgeist Films
Release Type
Streaming, Theatrical
Filming Location(s)
Vancouver, British Columbia, Canada
MPAA / Certificate
Not Rated
Year of Release
2004
-
Color:Color
-
Sound mix:Dolby SR
-
Aspect ratio:1.85 : 1
-
Runtime:2h 48m
-
Language(s):English, Spanish
-
Country of origin:United States
-
Release date:Release Date (Theaters): Sep 10, 2003 Original
Release Date (Streaming): Apr 5, 2005
Genre(s)
Documentary
Keyword(s)
documentary, capitalism, corporations, constitutional law, individuals, Mark Achbar, Jennifer Abbott, Joel Bakan, Noam Chomsky, Michael Moore, Ray Anderson, IBM, Nazi ties, human rights, critic reviews, box office performance, budget, producer, MPAA rating, English, Zeitgeist Films, Dolby SR, Milton Friedman, Samuel Epstein, Peter Drucker, Chris Barrett, Maude Barlow, Joshua Rothkopf, David Ansen, Roger Moore, Marta Barber, Marjorie Baumgarten, Eric Harrison, David Walsh, Richard Propes, Brian Costello, Cole Smithey, Mark Halverson, Robert Davis, Edgar C, Mark C, Bill C, Sarah P
Worldwide gross: $4,605,682
Worldwide gross (inflation-adjusted): $7,265,401
Worldwide gross ranking (inflation-adjusted): 2,062
Worldwide tickets sold (est.): 792,301
US/Canada gross: $3,493,516
US/Canada gross (inflation-adjusted): $5,510,974
US/Canada gross ranking (inflation-adjusted): 1,775
US/Canada opening weekend: $28,671
US/Canada opening weekend (inflation-adjusted): $45,228
US/Canada opening weekend ranking (inflation-adjusted): 2,241
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Samuel Epstein – Self
Peter Drucker – Self
Noam Chomsky – Self
Chris Barrett – Self
Maude Barlow – Self
Mark Achbar – Director, Producer
Jennifer Abbott – Director
Joel Bakan – Writer
Director(s)
Mark Achbar, Jennifer Abbott
Writer(s)
Joel Bakan
Producer(s)
Mark Achbar
Film Festivals
Awards & Nominations
12 wins & 1 nomination
Academy Awards
All Critics (112) | Top Critics (39) | Fresh (100) | Rotten (12)
Building its indictment carefully, with well-chosen interviews…The Corporation may leave you in a rage.
March 16, 2020
Joshua Rothkopf
In These Times
TOP CRITIC
This smart, informative and lively polemic makes a strong case for viewing the corporation–which enjoys the legal status of an individual–as a psychopath run amok.
March 13, 2018
David Ansen
Newsweek
TOP CRITIC
A history lesson, a warning shot and damning personality profile, all backed up with expert interviews.
October 29, 2004 | Rating: 4/5
Roger Moore
Orlando Sentinel
TOP CRITIC
Carries a powerful, albeit not new, message. It is frightening.
October 22, 2004 | Rating: 3/4
Marta Barber
Miami Herald
TOP CRITIC
There’s at least one great hour of filmmaking in The Corporation.
October 19, 2004 | Rating: 3/5
Marjorie Baumgarten
Austin Chronicle
TOP CRITIC
The rare movie that sets out to alter the audience’s consciousness — and succeeds.
September 17, 2004 | Rating: 4/4
Eric Harrison
Houston Chronicle
TOP CRITIC
Despite its denunciations of corporate malfeasance, Achbar, Abbott and Bakan’s work is curiously devoid of urgency. There is no crisis of the system.
February 15, 2021
David Walsh
World Socialist Web Site
This film should make you angry and a little more willing to resist corporate urges.
September 5, 2020 | Rating: 3.5/4.0
Richard Propes
TheIndependentCritic.com
Eye-opening docu on corporate power is timely, provocative.
September 21, 2015 | Rating: 4/5
Brian Costello
Common Sense Media
The 150-year old legal construct of the corporation, as a “person,” is dissected for all to see how its lack of accountability has enabled the faulty model to become a ruling institution, acting beyond the reach of any government.
June 10, 2009 | Rating: A-
Cole Smithey
ColeSmithey.com
August 7, 2008 | Rating: 4/5
Mark Halverson
Sacramento News & Review
As a clever joke, the filmmakers run down a list of the traits of a psychopath and find a corporate action to match each one. Diagnosis: psychopath. It’s cute, but it’s a logical fallacy.
June 3, 2008 | Rating: 3.5/5
Robert Davis
Paste Magazine…
Plot
The Corporation is a documentary that explores the idea of corporations as individuals and exposes their exploitation of human rights, including IBM’s Nazi ties.
Trivia
Goofs / Tidbits
No specific tidbit about the cast is mentioned on Fresh Kernels for The Corporation.
Mark-Achbar.jpg
92%
The Agronomist (2004)
92%RT Audience Score: 88%
Awards & Nominations: 3 wins & 2 nominations
A well-made, emotionally engaging documentary about Haitian social activist Jean Dominique.
The Agronomist is a film that tells the story of a man who fought for free speech in Haiti. Critics have praised the film for its portrayal of Dominique, a man who used his voice to make a difference in a time of despair. While some critics found the film to be lacking in certain areas, others found it to be a powerful tribute to a true hero. Overall, The Agronomist is a must-see for anyone who believes in the power of free speech and the importance of standing up for what you believe in. Plus, who doesn’t love a good hero story?
Production Company(ies)
Backup Media, Big Farm Broadcasting Authority of Ireland
Distributor
ThinkFilm
Release Type
Filming Location(s)
MPAA / Certificate
Rated PG-13 for some violent images and brief nudity
Year of Release
2004
-
Color:Color
-
Sound mix:Dolby SR
-
Aspect ratio:1.33 : 1
-
Runtime:1h 30m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Apr 23, 2004 Original
Release Date (Streaming): Nov 21, 2019
Genre(s)
Documentary
Keyword(s)
starring Jean Dominique, directed by Jonathan Demme, written by Jonathan Demme, Kevin McNamara, Peter Saraf, documentary, box office performance, budget, reviewed by Antonia Quirke, Peter Rainer, Jane Sumner, Marc Savlov, Tom Long, Peter Howell, Emanuel Levy, Jason Gorber, Philip Martin, Duane Dudek, Phil Villarreal, PG-13, Radio Haiti-Inter, Haitian social activist, Michéle Montas, assassination, historical footage, democracy, Wyclef Jean, original music, ThinkFilm, Surround
Worldwide gross: $226,189
Worldwide gross (inflation-adjusted): $356,810
Worldwide gross ranking (inflation-adjusted): 2,818
Worldwide tickets sold (est.): 38,911
US/Canada gross: $226,189
US/Canada gross (inflation-adjusted): $356,810
US/Canada gross ranking (inflation-adjusted): 2,418
US/Canada opening weekend: $30,855
US/Canada opening weekend (inflation-adjusted): $48,673
US/Canada opening weekend ranking (inflation-adjusted): 2,220
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Jonathan Demme – Director, Producer
Kevin McNamara – Producer
Peter Saraf – Producer
Wyclef Jean – Original Music
Director(s)
Jonathan Demme
Writer(s)
NA
Producer(s)
Jonathan Demme, Kevin McNamara, Peter Saraf
Film Festivals
Awards & Nominations
3 wins & 2 nominations
Academy Awards
All Critics (70) | Top Critics (29) | Fresh (66) | Rotten (4)
The hero of free speech, his voice so musical, cuts a memorable figure.
December 18, 2017
Antonia Quirke
London Evening Standard
TOP CRITIC
Free speech isn’t merely a shibboleth in The Agronomist. As embodied by Dominique, it’s a fire-breathing force.
August 7, 2004
Peter Rainer
New York Magazine/Vulture
TOP CRITIC
A lively, illuminating homage to an extraordinary man of courage, whose cry for his beloved country got him killed.
June 10, 2004 | Rating: B
Jane Sumner
Dallas Morning News
TOP CRITIC
Demme’s fine, riveting, and finally joyous film is a fitting capstone to the life of a man who made a difference in a time and place where it was (and is) so much easier not to.
June 6, 2004 | Rating: 3.5/5
Marc Savlov
Austin Chronicle
TOP CRITIC
It tells instead of shows for the most part, and the telling isn’t as effective as it should be.
May 28, 2004 | Rating: C-
Tom Long
Detroit News
TOP CRITIC
A portrait of an optimist in a time of despair.
May 14, 2004 | Rating: 3/5
Peter Howell
Toronto Star
TOP CRITIC
October 3, 2012 | Rating: B+
Emanuel Levy
EmanuelLevy.Com
An fine film, touching if not exceptional.
June 21, 2007 | Rating: B+
Jason Gorber
Film Scouts
… best read as a eulogy for a genuine hero, a natty, erudite little guy with a funny accent and a perceptible joy of life.
January 2, 2005 | Rating: B-
Philip Martin
Arkansas Democrat-Gazette
A compassionate and powerful tribute to a crusader doing battle with ‘no weapon other than his microphone and a thirst for truth.’
September 23, 2004 | Rating: 3/4
Duane Dudek
Milwaukee Journal Sentinel
His story makes us feel for the Haitian people and appreciate the glorious right of a free press.
July 30, 2004 | Rating: 3/4
Phil Villarreal
Arizona Daily Star
July 3, 2004 | Rating: 3.5/4
Rob Blackwelder
SPLICEDWire…
Plot
The Agronomist is a documentary about Haitian social activist Jean Dominique and his fight for democracy through his radio station, Radio Haiti-Inter, which represented the thoughts of the common people.
Trivia
Goofs / Tidbits
The film features Haitian social activist and radio host Jean Dominique, who was assassinated in 2000.
Jonathan-Demme.jpg
92%
The Story of the Weeping Camel (2004)
92%RT Audience Score: 87%
Awards & Nominations: Nominated for 1 Oscar
10 wins & 9 nominations total
The Story of the Weeping Camel is a cinematic masterpiece that captures the essence of nomadic life in the Gobi Desert with stunning visuals and a heartwarming story. The film’s patient and observational approach immerses the viewer in the world of the nomads, allowing us to appreciate their resilience, cheerfulness, and resourcefulness. The camel’s weeping is a poignant reminder of the deep connection between humans and animals, and the film’s subtle spiritual power is a testament to the beauty of the natural world. With its unique blend of documentary and poetic realism, The Story of the Weeping Camel is a must-see for anyone who loves cinema and humanity.
The Story of the Weeping Camel” is a heartwarming and unique film that will make you feel all the feels. From the stunning landscapes to the charming characters, this movie immerses you in the world of nomadic peoples and their way of life. And let’s not forget about the star of the show, the weeping camel, who will have you shedding tears right alongside her. It’s a simple yet beautiful tale that will leave you feeling uplifted and grateful for the human and animal connections we share.
Production Company(ies)
Bandai Visual Company, Cinequanon Eisei Gekijo
Distributor
ThinkFilm
Release Type
Theatrical, Theatrical (Limited)
Filming Location(s)
Aimak, Inner Mongolia, China
MPAA / Certificate
Rated PG for some mild thematic content
Year of Release
2004
-
Color:Color
-
Sound mix:Dolby Digital
-
Aspect ratio:1.85 : 1
-
Runtime:1h 30m
-
Language(s):Mongolian
-
Country of origin:Germany, Mongolia
-
Release date:Release Date (Theaters): Sep 6, 2003 Original
Release Date (Streaming): Jan 25, 2005
Genre(s)
Documentary
Keyword(s)
The Story of the Weeping Camel, PG, documentary, Mongolian, directed by Byambasuren Davaa and Luigi Falorni, produced by Tobias Siebert, starring Ikhbayar Amgaabazar, Zeveljamz Nyam, Amgaabazar Gonson, Chimed Ohin, Janchiv Ayurzana, Enkhbulgan Ikhbayar, reviewed by Nick Schager, Steven D Greydanus, Geoff Pevere, Liam Lacey, Peter Rainer, Jeannette Catsoulis, Tom Dawson, John A Nesbit, Agnieszka Tennant, Enrique Buchichio, Louis Proyect, box office gross $1.7M, budget unknown, rated PG for some mild thematic content, documentary about nomadic shepherds, Gobi desert, white camel calf, rejected by mother, two boys sent on journey to find musician, save calf’s life, resilience, cheerfulness, resourcefulness, vanishing way of life
Worldwide gross: $9,328,652
Worldwide gross (inflation-adjusted): $14,715,822
Worldwide gross ranking (inflation-adjusted): 1,827
Worldwide tickets sold (est.): 1,604,779
US/Canada gross: $1,763,052
US/Canada gross (inflation-adjusted): $2,781,191
US/Canada gross ranking (inflation-adjusted): 1,957
US/Canada opening weekend: $21,767
US/Canada opening weekend (inflation-adjusted): $34,337
US/Canada opening weekend ranking (inflation-adjusted): 2,335
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Zeveljamz Nyam – Zevel
Amgaabazar Gonson – Amgaa
Chimed Ohin – Chimed
Janchiv Ayurzana – Janchiv
Enkhbulgan Ikhbayar – Dude
Director(s)
Byambasuren Davaa, Luigi Falorni
Writer(s)
NA
Producer(s)
Tobias Siebert
Film Festivals
Awards & Nominations
Nominated for 1 Oscar
10 wins & 9 nominations total
Academy Awards
All Critics (103) | Top Critics (38) | Fresh (97) | Rotten (6)
Exudes a subtle spiritual power.
November 13, 2006 | Rating: B+
Nick Schager
Lessons of Darkness
TOP CRITIC
As unique as the title animal: unrushed as a donkey, shaggy as a llama, sturdy as a horse — and, it turns out, with a sensitive soft spot for music. Who’d’a thunk?
January 21, 2005 | Rating: A-
Steven D. Greydanus
Decent Films
TOP CRITIC
Chances are, if you’re susceptible to this movie’s gentle charms, you’ll weep when the camel does.
August 20, 2004 | Rating: 3/5
Geoff Pevere
Toronto Star
TOP CRITIC
The characters are charming, the colours of the carpets in their yurts colourful and the emphasis on family inescapable.
August 20, 2004 | Rating: 3/4
Liam Lacey
Globe and Mail
TOP CRITIC
A simple and radiant piece of humanism.
August 7, 2004
Peter Rainer
New York Magazine/Vulture
TOP CRITIC
An astonishing, mesmerizing film about a vanishing way of life
July 20, 2004 | Rating: 4/5
Jeannette Catsoulis
Las Vegas Mercury
TOP CRITIC
Davaa and Falorni immerse the viewer in their chosen world. Their patient, observational approach pays dividends, allowing us to appreciate the resilience, cheerfulness and resourcefulness of the nomads.
April 18, 2019 | Rating: 3/5
Tom Dawson
The List
a charmer
May 14, 2012 | Rating: B
John A. Nesbit
Old School Reviews
This quirky docudrama speaks a more universal language: Who does not feel for a child abandoned by his mother?
September 26, 2006 | Rating: 4/4
Agnieszka Tennant
Christianity Today
Un relato extraordinario, revelador de la naturaleza humana (y animal), a medio camino entre el registro documental y el realismo poético.
June 13, 2006 | Rating: 5/5
Enrique Buchichio
Uruguay Total
Beautiful and compassionate tale of nomadic peoples that ranks with the best of Robert Flaherty’s documentaries.
January 7, 2006
Louis Proyect
rec.arts.movies.reviews
Simple yet charming.
April 6, 2005 | Rating: 4/5
Ken Hanke
Mountain Xpress (Asheville, NC)…
Plot
Springtime in the Gobi Desert, South Mongolia. A family of nomadic shepherds assists the births of their camel herd. One of the camels has an excruciatingly difficult delivery but, with help from the family, out comes a rare white colt. Despite the efforts of the shepherds, the mother rejects the newborn, refusing it her milk and her motherly love. When any hope for the little one seems to have vanished, the nomads send their two young boys on a journey through the desert, to a a backwater town in search of a musician who is their only hope for saving the colt’s life.
Trivia
Goofs / Tidbits
There is no goofy or funny or odd comment about the film on Fresh Kernels.
Byambasuren-Davaa.jpg
92%
Control Room (2004)
92%RT Audience Score: 87%
Awards & Nominations: 9 wins & 10 nominations
A fascinating, enlightening behind-the-scenes look at the Al Jazeera network.
Control Room” is like watching a reality TV show, but instead of watching people argue over who ate the last slice of pizza, you’re watching journalists navigate the complexities of war and media. It’s a fascinating look at the behind-the-scenes of Al-Jazeera, and how they report on the Iraq War. The documentary doesn’t shy away from the messy and contradictory nature of journalism, but it also shows the emergence of a free press in the Arab world. It’s a must-watch for anyone interested in media and politics, and it’ll make you appreciate the hard work that journalists do (even if they sometimes eat the last slice of pizza).
Production Company(ies)
Twentieth Century Fox,
Distributor
Magnolia Films
Release Type
Theatrical
Filming Location(s)
MPAA / Certificate
Not Rated
Year of Release
2004
-
Color:Color
-
Sound mix:Dolby SR
-
Aspect ratio:1.85 : 1
-
Runtime:1h 25m
-
Language(s):Arabic, English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Jan 21, 2004 Original
Release Date (Streaming): Jun 15, 2017
Genre(s)
Documentary
Keyword(s)
Control Room, documentary, Arabic, Jehane Noujaim, Rosadel Varela, Hani Salama, Julia Bacha, media bias, Al-Jazeera, war in Iraq, American journalists, high-ranking U.S military officials, media perception, Magnolia Films, Dolby SR, Flat (1.85:1), Josh Rushing, Hassan Ibrahim, Tom Mintier, David Shuster, Nell Minow, Roger Moore, Anthony Lane, Geoff Pevere, Rene Rodriguez, Rick Groen, Armond White, Nick Rogers, Jim Lane, Prairie Miller, Robert Roten, Pablo Villaça, critic reviews, audience reviews, box office, gross USA, budget, MPAA rating, producer, director, writer, reviewed by, starring
Worldwide gross: $2,724,826
Worldwide gross (inflation-adjusted): $4,298,376
Worldwide gross ranking (inflation-adjusted): 2,215
Worldwide tickets sold (est.): 468,743
US/Canada gross: $2,589,616
US/Canada gross (inflation-adjusted): $4,085,084
US/Canada gross ranking (inflation-adjusted): 1,863
US/Canada opening weekend: $27,125
US/Canada opening weekend (inflation-adjusted): $42,789
US/Canada opening weekend ranking (inflation-adjusted): 2,260
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Hassan Ibrahim – Self
Tom Mintier – Self
David Shuster – Self
Jehane Noujaim – Director
Julia Bacha – Writer
Rosadel Varela – Producer
Hani Salama – Producer
Director(s)
Jehane Noujaim
Writer(s)
Julia Bacha, Jehane Noujaim
Producer(s)
Rosadel Varela, Hani Salama
Film Festivals
Awards & Nominations
9 wins & 10 nominations
Academy Awards
All Critics (111) | Top Critics (37) | Fresh (106) | Rotten (5)
Fascinating documentary for mature older teens+.
December 22, 2010 | Rating: 4/5
Nell Minow
Common Sense Media
TOP CRITIC
The optimistic viewer will see in all this blunt and messy contrariness the emergence of the first free press in the Arab world.
August 13, 2004 | Rating: 4/5
Roger Moore
Orlando Sentinel
TOP CRITIC
Given that most Americans know the network only by reputation, or via Donald Rumsfeld’s public denunciations of it, a little more objective information would not have gone amiss.
August 1, 2004
Anthony Lane
New Yorker
TOP CRITIC
Noujaim’s documentary is clearly sympathetic to the journalists of Al-Jazeera, who all seem to be professional, intelligent and reasonable, but it is not blindly biased.
July 16, 2004 | Rating: 4/5
Geoff Pevere
Toronto Star
TOP CRITIC
Modest in scope and not as well structured as it could have been, Control Room may not seem all that compelling 10 years down the road. But right now, at this very moment, it is essential, imperative viewing.
July 16, 2004 | Rating: 3.5/4
Rene Rodriguez
Miami Herald
TOP CRITIC
More illuminating than not, and shines its brightest light on a truth that war and warmongers so ferociously ignore: Look hard into the other’s camp and what you’ll likely see is yourself.
July 16, 2004 | Rating: 3/4
Rick Groen
Globe and Mail
TOP CRITIC
Control Room leave viewers susceptible to the deceptions of politicians and media charlatans.
June 28, 2019
Armond White
New York Press
“Control Room” acknowledges wartime journalism sits between objectivity and propaganda, indifference and passion. Neutrality doesn’t exist; to avoid gore is a stance. In a way, it’s TV’s true reality – the impossibility of objective footage of horror.
September 25, 2010 | Rating: 4/4
Nick Rogers
The Film Yap
August 7, 2008 | Rating: 3/5
Jim Lane
Sacramento News & Review
Is simply up to what all journalists should be about in the face of a corporatized, monolithic media – ruffling feathers. This advisory couldn’t have come sooner.
May 21, 2007
Prairie Miller
Long Island Press
Explores the difficulties that journalists face in a war situation better than most films do.
February 1, 2005 | Rating: B
Robert Roten
Laramie Movie Scope
Em um ano que gerou timos filmes como F9/11, Bush’s Brain, The Hunting of the President e Outfoxed, este ainda se destaca como o mais eloqente.
January 31, 2005 | Rating: 5/5
Pablo Villaça
Cinema em Cena…
Plot
A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world’s most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.
Trivia
Goofs / Tidbits
NA
Jehane-Noujaim.jpg
92%
Dig! (2004)
92%RT Audience Score: 90%
Awards & Nominations: 3 wins & 10 nominations total
So you wanna be a rock ‘n’ roll star? Dig! compellingly chronicles the ups and downs of the Dandy Warhols and the Brian Jonestown Massacre, two ambitious bands whose love/hate relationship embodies many of the potential pratfalls of the music business.
If you’re looking for a wild ride through the world of rock and roll, Dig! is the documentary for you. It’s like watching a train wreck, but with guitars and drugs instead of locomotives and cargo. The film follows the tumultuous relationship between the Brian Jonestown Massacre and the Dandy Warhols, two bands that couldn’t be more different. There’s drama, there’s tragedy, and there’s even a little bit of comedy. But most of all, there’s some seriously great music. So buckle up and get ready for a wild ride through the highs and lows of the music industry.
Production Company(ies)
Bold Films, Blumhouse Productions, Right of Way Films,
Distributor
Palm Pictures
Release Type
Filming Location(s)
Shackleford, Surrey, England, UK
MPAA / Certificate
Rated PG-13 for brief sensuality and partial nudity
Year of Release
2004
-
Color:Color
-
Sound mix:Dolby Atmos Dolby Digital
-
Aspect ratio:2.00 : 1
-
Runtime:1h 45m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Oct 1, 2004 Original
Release Date (Streaming): Apr 12, 2005
Genre(s)
Documentary
Keyword(s)
documentary, music, rock and roll, bands, Portland, San Francisco, alternative music, fame, ups and downs, love/hate relationship, music business, R rating, English, directed by Ondi Timoner, written by Ondi Timoner, produced by Ondi Timoner, cinematography by David Timoner and Vasco Nunes, reviewed by David Ansen, Peter Travers, Jamie Russell, Sacha Molitorisz, Roger Moore, Marta Barber, Mark Robertson, Dorothy Woodend, Dave Segal, Jay Antani, Urban Cinefile Critics, Jeffrey M Anderson, starring Courtney Taylor-Taylor, Anton Newcombe
Worldwide gross: $693
Worldwide gross (inflation-adjusted): $754
Worldwide gross ranking (inflation-adjusted): 3,161
Worldwide tickets sold (est.): 82
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Ondi Timoner – Writer
Ondi Timoner – Film Editing
Ondi Timoner – Producer
David Timoner – Cinematographer
Vasco Nunes – Cinematographer
Director(s)
Ondi Timoner
Writer(s)
Ondi Timoner
Producer(s)
Ondi Timoner
Film Festivals
Awards & Nominations
3 wins & 10 nominations total
Academy Awards
All Critics (75) | Top Critics (30) | Fresh (67) | Rotten (8)
It’s like a spectacular roadside accident: you can’t turn away.
March 13, 2018
David Ansen
Newsweek
TOP CRITIC
[An] unflinching look at the rock world.
August 14, 2007 | Rating: 4/4
Peter Travers
Rolling Stone
TOP CRITIC
Erratic, tragic, and absolutely hilarious: Dig! is fantastic filmmaking.
July 5, 2005 | Rating: 5/5
Jamie Russell
BBC.com
TOP CRITIC
Linked together by the deadpan, melancholy drawl of Taylor’s narration, it’s filled with parasites, charlatans and oddballs. Not to mention a succession of wonderful songs.
May 13, 2005
Sacha Molitorisz
Sydney Morning Herald
TOP CRITIC
It’s a classic music soap opera, but never told with a more raw scream for help at its center.
January 28, 2005 | Rating: 5/5
Roger Moore
Orlando Sentinel
TOP CRITIC
I must admit that I came out of DiG! with a certain degree of admiration for Newcombe — and for this documentary.
January 28, 2005
Marta Barber
Miami Herald
TOP CRITIC
While overall Dig! is a great film, it does feel a little drawn out in places.
April 24, 2019 | Rating: 4/5
Mark Robertson
The List
One of the things that the film also explores, quite consciously, is how the music industry is actually designed to work against artists.
August 24, 2017
Dorothy Woodend
The Tyee (British Columbia)
As tempest-in-a-teapot music documentaries go, Dig! is entertaining-especially if you like the good psychedelic-rock groups Brian Jonestown Massacre and/or the Dandy Warhols.
August 22, 2017
Dave Segal
The Stranger (Seattle, WA)
fulfills the function and promise of all great documentaries
January 20, 2012 | Rating: 3.5/4
Jay Antani
Cinema Writer
This remarkable first feature by Ondi Timoner transcends its subject matter by engaging our emotions and making us care about the likes of Anton Newcombe, even if we don’t like him very much.
October 18, 2008
Urban Cinefile Critics
Urban Cinefile
DIG! is also brave enough to show the real, ugly warts of the music business, whereas more established bands would probably prefer a polished, PR-approved vision.
May 26, 2006 | Rating: 3.5/4
Jeffrey M. Anderson
Combustible Celluloid…
Plot
An archaeologist embarks on the historically important excavation of Sutton Hoo in 1938.
Trivia
Goofs / Tidbits
The film features the self-conscious and career-minded Courtney Taylor-Taylor of the Dandy Warhols and the abrasive and unpredictable Anton Newcombe of the Brian Jonestown Massacre.
Ondi-Timoner.jpg
92%
James’ Journey to Jerusalem (2004)
92%RT Audience Score: 90%
Awards & Nominations: 8 wins & 8 nominations
Ra’anan Alexandrowicz’s debut feature, James’ Journey to Jerusalem, is a clever and thought-provoking allegory that explores the clash between modern capitalism and traditional Christian values. The film follows a devout Zulu Christian on a pilgrimage to Jerusalem, only to find that the city is more like hell than heaven. With sly humor and insightful commentary, Alexandrowicz examines the prevailing mores of contemporary Israeli society and the corrupting influence of wealth and power. The film’s likable performances and smart humor make it a deceptively gentle social satire that lingers long after the credits roll. James’ Journey to Jerusalem is a must-see for anyone interested in the intersection of faith, politics, and culture.
James’ Journey to Jerusalem is a hilarious and thought-provoking film that will have you laughing and questioning your own values. The story of a devout Zulu Christian on a pilgrimage to Israel is a perfect allegory for the clash of modern corruptions and simple Christian faith. The film’s sly and insightful fable will leave you wondering if it’s easier for a camel to go through the eye of a needle or for a rich man to enter the kingdom of God. With likable performances and smart humor, this deceptively gentle social satire is a must-see for anyone looking for a good laugh and a little introspection.
Production Company(ies)
Warner Bros.,
Distributor
Zeitgeist Films
Release Type
Filming Location(s)
MPAA / Certificate
Unrated
Year of Release
2004
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:NA
-
Runtime:1h 30m
-
Language(s):
-
Country of origin:United States
-
Release date:Release Date (Theaters): May 19, 2003 Original
Release Date (Streaming): Sep 28, 2004
Genre(s)
Drama
Keyword(s)
starring Siyabonga Melongisi Shibe, Arieh Elias, Salim Dau, Sandra Schonwald, Hugh Masebenza, Florence Bloch, directed by Ra’anan Alexandrowicz, written by Ra’anan Alexandrowicz, drama, $63.8K box office, reviewed by J.R Jones, Eric Harrison, Marjorie Baumgarten, Roger Moore, Carla Meyer, Marta Barber, David Walsh, Louis Proyect, Emanuel Levy, Rob Thomas, Jean Lowerison, MPAA rating not mentioned, producer Amir Harel, social satire, modern-day Jerusalem, Holy Land, pilgrimage, jail, deportation, illegal workers, corruption, Christian faith, capitalism, immigration, racism, adjustments to a new society, strong central performances, Zeitgeist Films
Worldwide gross: NA
Worldwide gross (inflation-adjusted): NA
Worldwide gross ranking (inflation-adjusted): NA
Worldwide tickets sold (est.): NA
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Arieh Elias – Sallah Shabati
Salim Dau – Shimi Shabati
Sandra Schonwald – Rachel
Hugh Masebenza – Skomboze
Florence Bloch – Re’uma
Director(s)
Ra’anan Alexandrowicz
Writer(s)
Ra’anan Alexandrowicz
Producer(s)
Amir Harel
Film Festivals
Awards & Nominations
8 wins & 8 nominations
Academy Awards
All Critics (43) | Top Critics (20) | Fresh (39) | Rotten (4)
This wonderful first feature by Ra’anan Alexandrowicz hinges on Jesus’s adage that “It is easier for a camel to go through the eye of a needle, than for a rich man to enter into the kingdom of God.”
June 29, 2022
J. R. Jones
Chicago Reader
TOP CRITIC
A pointed and funny allegory about a clash of values.
August 20, 2004 | Rating: 3/4
Eric Harrison
Houston Chronicle
TOP CRITIC
An intriguing fable.
May 22, 2004 | Rating: 3/5
Marjorie Baumgarten
Austin Chronicle
TOP CRITIC
This darkly comic parable wonderfully contrasts modern corruptions against simple Christian faith.
May 21, 2004 | Rating: 4/5
Roger Moore
Orlando Sentinel
TOP CRITIC
A sly and insightful fable about a religious pilgrimage derailed.
May 14, 2004 | Rating: 3/4
Carla Meyer
San Francisco Chronicle
TOP CRITIC
An engaging and poignant film, one that could only be done by an insider.
May 14, 2004 | Rating: 2.5/4
Marta Barber
Miami Herald
TOP CRITIC
James’ Journey to Jerusalem is a lively and intelligent film. It is strongest when most concrete-the relations between the three principal … , the images of Israeli urban society, the facts of economic life.
February 16, 2021
David Walsh
World Socialist Web Site
Story of a devout Zulu Christian who makes a pilgrimage to Israel, only to discover that it is more like hell than heaven.
August 27, 2007
Louis Proyect
rec.arts.movies.reviews
A personal film that examines unabashedly the previaling mores in contemporary Israeli society
November 9, 2006 | Rating: B-
Emanuel Levy
EmanuelLevy.Com
It works as a message movie about the evils of capitalism, but could have been a much richer film if it ever strayed off message.
June 17, 2004 | Rating: 2.5/4
Rob Thomas
Capital Times (Madison, WI)
A deceptively gentle social satire brimming with likable performances and smart humor.
June 10, 2004 | Rating: B+
Eric D. Snider
EricDSnider.com
One of those disarming little films like No Man’s Land that touches and amuses, all the while sneaking up on you with a message that lingers.
May 29, 2004
Jean Lowerison
San Diego Metropolitan…
Plot
James, a sheltered young man from a village, embarks on a journey to the Holy Land but finds himself jailed at an airport and rescued by an agent who sponsors illegal workers for the worst possible jobs, leading him on a journey of self-discovery and questioning his faith.
Trivia
Goofs / Tidbits
The film stars Siyabonga Melongisi Shibe as the protagonist, James.
Ra’anan-Alexandrowicz.jpg
92%
Kedi (2017)
92%RT Audience Score: 85%
Awards & Nominations: 7 wins & 22 nominations
Kedi is a cat fancier’s dream, but this thoughtful, beautifully filmed look at Istanbul’s street feline population offers absorbing viewing for filmgoers of any purr-suasion.
If you’re looking for a film that will make you want to adopt every cat in sight, Kedi is the purrfect choice. This documentary takes you on a journey through the streets of Istanbul, where you’ll meet some of the city’s most beloved feline residents. But it’s not just about the cats – Kedi also showcases the beauty and culture of Turkey, and the special bond between humans and animals. So sit back, relax, and let Kedi whisker you away on a heartwarming adventure.
Production Company(ies)
Universal Pictures, Studio Canal, Working Title Films,
Distributor
Oscilloscope Laboratories
Release Type
Streaming, Theatrical, Theatrical (Limited)
Filming Location(s)
Art District, Pomona, California, USA
MPAA / Certificate
Rated PG for mild crude humor and some double-entendres
Year of Release
2003
-
Color:Color
-
Sound mix:DTS Dolby Digital SDDS Dolby
-
Aspect ratio:1.85 : 1
-
Runtime:1h 20m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Feb 10, 2017 Limited
Release Date (Streaming): Nov 12, 2017
Genre(s)
Documentary
Keyword(s)
documentary, cats, Istanbul, street feline population, Ceyda Torun, Charlie Wuppermann, Gregor Kewel, Thomas Podstawski, Kira Fontana, Turkish, Oscilloscope Laboratories, 2016, $2.8M, 1h 20m, reviewed by Manuela Lazic, Tomris Laffly, Jimi Famurewa, Simran Hans, Kate Muir, Nigel Andrews, Cole Smithey, Sarah McMullan, Taylor Baker, Leigh Monson, Richard Propes, Ian W, John C, 98%, 131 Reviews, 85%, 5,000+ Ratings, won’t you be my neighbor, the painter and the thief, monkey kingdom, making waves: the art of cinematic sound, honeyland, directed by Ceyda Torun, produced by Ceyda Torun, produced by Charlie Wuppermann, executive producer Gregor Kewel, executive producer Thomas Podstawski, original music by Kira Fontana, limited release on Feb 10, 2017, streaming release on Nov 12, 2017, MPAA rating not applicable, cat fancier’s dream, absorbing viewing, filmgoers of any purr-suasion, mirrors to ourselves, joy, purpose, reflect on life, place in it, history, tradition, goodwill, magnificence, fragility
Worldwide gross: $133,960,541
Worldwide gross (inflation-adjusted): $217,132,856
Worldwide gross ranking (inflation-adjusted): 650
Worldwide tickets sold (est.): 23,678,610
US/Canada gross: $101,149,285
US/Canada gross (inflation-adjusted): $163,950,018
US/Canada gross ranking (inflation-adjusted): 468
US/Canada opening weekend: $38,329,160
US/Canada opening weekend (inflation-adjusted): $62,126,653
US/Canada opening weekend ranking (inflation-adjusted): 164
Budget and Earnings Details
Production budget (est.): $109,000,000
Production budget (inflation-adjusted): $176,675,020
Production budget ranking: 164
Marketing and distribution budget (inflation-adjusted est.): $95,139,498
Box office net earnings to date (inflation-adjusted est.): -$54,681,663
ROI to date (est.): -20%
ROI ranking: 1,499
Ceyda Torun – Producer
Charlie Wuppermann – Producer
Gregor Kewel – Executive Producer
Thomas Podstawski – Executive Producer
Kira Fontana – Original Music
Director(s)
Ceyda Torun
Writer(s)
NA
Producer(s)
Ceyda Torun, Charlie Wuppermann
Film Festivals
Awards & Nominations
7 wins & 22 nominations
Academy Awards
All Critics (131) | Top Critics (35) | Fresh (128) | Rotten (3)
Kedi (‘cat’ in Turkish) is much more than a cute film showing these felines’ day-to-day lives.
July 4, 2018 | Rating: 4/5
Manuela Lazic
Little White Lies
TOP CRITIC
The delightful Kedi portrays a complex city founded on history and tradition, and surrounded by goodwill, magnificence, and fragility.
October 29, 2017
Tomris Laffly
Film School Rejects
TOP CRITIC
Part wildlife documentary, part urban love letter. Kedi may only be a slender 79 minutes long, but it’s a lyrical and surprising philosophical tribute to the therapeutic power of pets.
July 6, 2017 | Rating: 3/5
Jimi Famurewa
Empire Magazine
TOP CRITIC
The cats are captured with adoring attentiveness, their intelligent eyes narrowing to slits, their darting movements, a patch of sun-warmed fur, the way one kitten clambers a market stall to paw a pile of oranges.
July 2, 2017 | Rating: 3/5
Simran Hans
Observer (UK)
TOP CRITIC
Filmed at whisker-height, this charming documentary enters the daily lives of the many street cats of Istanbul.
June 30, 2017 | Rating: 4/5
Kate Muir
Times (UK)
TOP CRITIC
You needn’t be a cat lover to enjoy Kedi, since the film will make you one anyway.
June 29, 2017 | Rating: 4/5
Nigel Andrews
Financial Times
TOP CRITIC
Kedi is an ideal family documentary that captures the beauty of Istanbul from a cats eye perspective.
March 29, 2022 | Rating: A+
Cole Smithey
ColeSmithey.com
If a film could climb into your lap and purr, Kedi is it.
November 30, 2021
Sarah McMullan
Stuff.co.nz
Episode 14: Doc Talk
September 1, 2021 | Rating: 70/100
Taylor Baker
Drink in the Movies
While not exactly life-changing, it’s far more competent and contemplative than what one would expect from a series of cat videos.
September 24, 2020 | Rating: 4/5
Leigh Monson
Substream Magazine
It doesn’t take long that the film is as much about the people of Turkey and this remarkable culture as it is about the cats.
September 13, 2020 | Rating: 3.5/4.0
Richard Propes
TheIndependentCritic.com
Kedi works as a purrfect antidote for all the ugliness going on in the world.
July 17, 2020
Dustin Chang
ScreenAnarchy…
Plot
Conrad and Sally Walden (Spencer Breslin and Dakota Fanning) are home alone with their pet fish. It is raining outside, and there is nothing to do. Until The Cat in the Hat (‘Mike Myers’) walks in the front door. He introduces them to their imagination, and at first it’s all fun and games, until things get out of hand, and The Cat must go, go, go, before their mother gets back, but their pompous neighbor has bigger plans for them.
Trivia
Goofs / Tidbits
Kira Fontana composed the original music for Kedi.
Ceyda-Torun.jpg
92%
The Magdalene Sisters (2003)
92%RT Audience Score: 89%
Awards & Nominations: 18 wins & 15 nominations total
A typical women-in-prision film made untypical because it’s based on real events.
The Magdalene Sisters is a movie that will make you want to scream at the screen and hug your loved ones at the same time. It’s a disturbing and heartbreaking portrayal of the atrocities that happened in the Catholic Church, but it’s also a gripping story of hope and power. The performances are outstanding, and the direction is excellent. It’s a movie that will stay with you long after it ends, and it’s definitely worth watching. Just make sure you have some tissues nearby.
Production Company(ies)
Twentieth Century Fox, Gordon Company, Silver Pictures,
Distributor
Miramax Films
Release Type
Theatrical, Theatrical (Limited)
Filming Location(s)
Dumfries & Galloway, Scotland, UK
MPAA / Certificate
Rated R for violence/cruelty, nudity, sexual content and language
Year of Release
2003
-
Color:Color
-
Sound mix:Dolby Digital
-
Aspect ratio:1.85 : 1
-
Runtime:1h 59m
-
Language(s):English, Latin
-
Country of origin:Ireland, United Kingdom
-
Release date:Release Date (Theaters): Aug 15, 2003 Wide
Release Date (Streaming): Mar 23, 2004
Genre(s)
Drama
Keyword(s)
Worldwide gross: $21,107,578
Worldwide gross (inflation-adjusted): $34,212,677
Worldwide gross ranking (inflation-adjusted): 1,503
Worldwide tickets sold (est.): 3,730,935
US/Canada gross: $4,890,878
US/Canada gross (inflation-adjusted): $7,927,486
US/Canada gross ranking (inflation-adjusted): 1,679
US/Canada opening weekend: $84,553
US/Canada opening weekend (inflation-adjusted): $137,050
US/Canada opening weekend ranking (inflation-adjusted): 1,821
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Geraldine McEwan – Sister Bridget
Anne-Marie Duff – Margaret
Nora Jane Noone – Bernadette
Dorothy Duffy – Rose, Patricia
Eileen Walsh – Crispina
Mary Murray – Una
Director – Peter Mullan
Producer – Frances Higson
Writer – Peter Mullan
Director(s)
Peter Mullan
Writer(s)
Peter Mullan
Producer(s)
Frances Higson
Film Festivals
Cannes
Awards & Nominations
18 wins & 15 nominations total
Academy Awards
All Critics (149) | Top Critics (48) | Fresh (135) | Rotten (14)
This drama about a shocking reality from recent history balances a light touch with searing intensity and a sense of moral outrage.
March 11, 2008
David Rooney
Variety
TOP CRITIC
Grimly believable.
March 11, 2008
Jonathan Rosenbaum
Chicago Reader
TOP CRITIC
A deliberately provocative film that triggers the audience’s emotions in order to highlight important issues of personal freedom. Amen to that.
December 30, 2006 | Rating: 4/5
Alan Morrison
Empire Magazine
TOP CRITIC
A grim and unmistakable masterpiece of bleak, black sorrow.
October 1, 2003 | Rating: 4/5
Marc Savlov
Austin Chronicle
TOP CRITIC
The Magdalene Sisters has the force of an alarm being sounded.
September 5, 2003 | Rating: 4/5
Jay Boyar
Orlando Sentinel
TOP CRITIC
Why was this film made after the homes had already been abolished? One reason, hardly trifling, is that it was made excellently. Thematically, however, it stings.
September 3, 2003
Stanley Kauffmann
The New Republic
TOP CRITIC
The Magdalene Sisters is an intense watch, but one that allows its central characters a sense of hope and power, even amid the atrocities.
December 8, 2021 | Rating: 4/5
Kat Halstead
Common Sense Media
A disturbing, heartbreaking and gripping portrait of religious paranoia manifested through violence.
April 29, 2009
Felix Vasquez Jr.
Cinema Crazed
The movie is an indictment of systems that perpetuate oppression and exploitation by making the administrators believe their every cruel act is justified and by compelling complicity in victims and bystanders.
March 11, 2008
Philip French
Observer (UK)
A damning indictment of the Catholic Church that lingers in the mind long after if ends. Angry, compassionate but never hysterical, this a true cinematic achievement.
March 11, 2008
James Mottram
Film4
December 7, 2007 | Rating: 3.5/5
Jennie Kermode
Eye for Film
This is a riveting piece of drama about a forgotten slice of history, no matter what the esteemed movie critics at the Vatican say about it.
September 27, 2007 | Rating: 5/5
Rob Gonsalves
eFilmCritic.com…
Plot
A thoroughly mind-provoking film about 3 young women who, under tragic circumstances, see themselves cast away to a Magdalene Asylum for young women in 1964. One of many like institutions, the asylums are run like prisons and young girls are forced to do workhouse laundry and hard labor. The asylum, one of many that existed in theocratic Catholic Ireland, is for supposedly ‘fallen’ women. Here, young girls are imprisoned indefinitely and endure agonizing punishments and a long, harsh working system which leaves them physically drained and mentally damaged. As the girls bond together, it soon becomes clear that the only way out of the Magdalene convent is to escape, but with twisted Sister Bridget running the wing, any chances seem limited…
Trivia
Goofs / Tidbits
NA
Peter-Mullan.jpg
92%
Winged Migration (2003)
92%RT Audience Score: 87%
Awards & Nominations: Nominated for 1 Oscar
5 wins & 16 nominations total
A marvel to watch.
Winged Migration” is a bird-tastic documentary that will have you soaring with excitement. The stunning photography captures the beauty and grace of these feathered creatures as they migrate across the globe. Who needs a narrator when you can just sit back and watch these birds in action? It’s like a nature show on steroids, and it’ll make you appreciate the winged wonders that share our planet. So grab some popcorn and get ready to take flight with “Winged Migration.
Production Company(ies)
Power Pictures, 2002 Ltd., Bórd Scannán na hÉireann Nederlandse Programma Stichting
Distributor
Sony Pictures Classics
Release Type
Filming Location(s)
Tonto National Forest, Arizona, USA
MPAA / Certificate
G
Year of Release
2003
-
Color:Color
-
Sound mix:DTS-ES Dolby Digital EX
-
Aspect ratio:1.85 : 1
-
Runtime:1h 31m
-
Language(s):English, French
-
Country of origin:United States
-
Release date:Release Date (Theaters): Apr 18, 2003 Original
Release Date (Streaming): Nov 22, 2005
Genre(s)
Documentary
Keyword(s)
documentary, bird migration, winter, journey, physical effort, dangers, waste, crabs, G rating, French language, Jacques Perrin, Christophe Barratier, Stéphane Durand, Francis Roux, Sony Pictures Classics, Dolby Stereo, Dolby Digital, Dolby A, Dolby SR, flat aspect ratio, narrator, director, co-director, writer, box office, gross USA, budget, reviewed by Nell Minow, Steven D Greydanus, Jamie Russell, Jay Boyar, Richard Nilsen, Marjorie Baumgarten, Ryan Cracknell, Jamie Gillies, Felix Vasquez Jr., Cole Smithey, Mark Halverson, Jennie Kermode, starring Jacques Perrin, produced by Jacques Perrin, bird species, cinematography, nature, survival, audience reviews, verified purchase, Fresh Kernels, Tomatometer, MCU movies, horror movies, Netflix series, TV shows, streaming movies, documentary filmmakers, film festivals, film industry, film critics, film reviews
Worldwide gross: $34,128,314
Worldwide gross (inflation-adjusted): $55,317,620
Worldwide gross ranking (inflation-adjusted): 1,285
Worldwide tickets sold (est.): 6,032,456
US/Canada gross: $11,689,053
US/Canada gross (inflation-adjusted): $18,946,456
US/Canada gross ranking (inflation-adjusted): 1,429
US/Canada opening weekend: $33,128
US/Canada opening weekend (inflation-adjusted): $53,696
US/Canada opening weekend ranking (inflation-adjusted): 2,186
Budget and Earnings Details
Production budget (est.): FRF 160,000,000
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Jacques Cluzard – Co-Director
Michel Debats – Co-Director
Stéphane Durand – Writer
Christophe Barratier – Producer
Francis Roux – Writer
Director(s)
Jacques Perrin
Writer(s)
Stéphane Durand, Jacques Perrin, Francis Roux
Producer(s)
Christophe Barratier, Jacques Perrin
Film Festivals
Awards & Nominations
Nominated for 1 Oscar
5 wins & 16 nominations total
Academy Awards
All Critics (132) | Top Critics (44) | Fresh (126) | Rotten (6)
As pretty and light as a feather on the wind.
December 29, 2010 | Rating: 4/5
Nell Minow
Common Sense Media
TOP CRITIC
In the tradition of the also nearly wordless Atlantis and Microcosmos… educational voiceover narration is superfluous: It’s enough simply to see.
December 26, 2003 | Rating: A-
Steven D. Greydanus
Decent Films
TOP CRITIC
Winged Migration is a quite astounding feat of cinema.
August 12, 2003 | Rating: 4/5
Jamie Russell
BBC.com
TOP CRITIC
After seeing these natural wonders, the elaborate special effects of such films as The Hulk and The Matrix Reloaded will seem like cheap parlor tricks.
July 11, 2003 | Rating: 5/5
Jay Boyar
Orlando Sentinel
TOP CRITIC
The photography is radiant.
July 11, 2003 | Rating: 4/5
Richard Nilsen
Arizona Republic
TOP CRITIC
As magnificent as it is perplexing.
July 6, 2003 | Rating: 3/5
Marjorie Baumgarten
Austin Chronicle
TOP CRITIC
Jacques Perrin’s spectacular documentary takes observation a step further as he literally seems to take flight with flocks of birds as they make their annual migration.
December 23, 2010
Ryan Cracknell
Movie Views
Filmed with exceptional care and remarkable photographic ingenuity, no other nature documentary is as personal and as close-up as this one to the peculiarities of birds.
October 17, 2009 | Rating: 80/100
Jamie Gillies
Apollo Guide
Craftily edited and staged, but still works as an entertaining, and visually stunning documentary.
April 29, 2009
Felix Vasquez Jr.
Cinema Crazed
The Oscar-nominated “Winged Migration” is a virtuosi technical achievement in documentary filmmaking due to its astonishingly intimate photography of the migrations of numerous species of birds across the earth’s northern and southern hemispheres.
April 19, 2009 | Rating: B+
Cole Smithey
ColeSmithey.com
August 7, 2008 | Rating: 4/5
Mark Halverson
Sacramento News & Review
December 7, 2007 | Rating: 4.5/5
Jennie Kermode
Eye for Film…
Plot
Winged Migration is a documentary that follows the epic journey of winter bird migration across all seven continents, showcasing the physical effort and dangers faced by the birds along the way.
Trivia
Goofs / Tidbits
One of the cast members of Winged Migration is actually a narrator – Jacques Perrin, who also happens to be the director and writer of the film.
Jacques-Perrin.jpg