The Damned United (2009)
RT Audience Score: 85%
Awards & Nominations: 5 nominations
Better than your average football pic, Damned United is carried by another star turn from Michael Sheen as Brian Clough.
The Damned United is a movie that will make you care about soccer, even if you’re not a fan. Michael Sheen’s performance is top-notch, and the story is both entertaining and heartbreaking. It’s a must-watch for anyone who loves sports movies or just great storytelling. Plus, it’s always fun to see a bunch of British guys yelling at each other on screen.
Production Company(ies)
National Geographic Documentary Films, Ventureland Storyteller Productions,
Distributor
Sony Pictures Classics
Release Type
Theatrical
Filming Location(s)
Scarborough, North Yorkshire, England, UK
MPAA / Certificate
Rated R for language
Year of Release
2009
-
Color:Color
-
Sound mix:Dolby Digital
-
Aspect ratio:1.85 : 1
-
Runtime:1h 37m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Oct 9, 2009 Limited
Release Date (Streaming): Oct 20, 2009
Genre(s)
Drama/Biography
Keyword(s)
starring Michael Sheen, Timothy Spall, Jim Broadbent, Stephen Graham, Joe Dempsie, Colm Meaney, directed by Tom Hooper, written by Peter Morgan, drama, biography, R rating, box office gross $449.6K, reviewed by Deborah Ross, Ed Koch, Graham Fuller, Fionnuala Halligan, Joe Williams, Roger Moore, Jason Best, Leigh Paatsch, David Harris, Dan DiNicola, Kelly Jane Torrance, Patrick Nabarro, Brian Clough, Leeds United Football Club, Don Revie, England boss, 1974 England, David Pearce, Andy Harries, Grainne Marmion, Sony Pictures Classics, English
Worldwide gross: $4,091,378
Worldwide gross (inflation-adjusted): $5,654,737
Worldwide gross ranking (inflation-adjusted): 2,138
Worldwide tickets sold (est.): 616,656
US/Canada gross: $449,865
US/Canada gross (inflation-adjusted): $621,763
US/Canada gross ranking (inflation-adjusted): 2,281
US/Canada opening weekend: $32,065
US/Canada opening weekend (inflation-adjusted): $44,317
US/Canada opening weekend ranking (inflation-adjusted): 2,249
Budget and Earnings Details
Production budget (est.): $10,000,000
Production budget (inflation-adjusted): $13,821,107
Production budget ranking: 1,540
Marketing and distribution budget (inflation-adjusted est.): $7,442,666
Box office net earnings to date (inflation-adjusted est.): -$15,609,036
ROI to date (est.): -73%
ROI ranking: 1,824
Timothy Spall – Peter Taylor
Jim Broadbent – Sam Longson
Stephen Graham – Billy Bremner
Joe Dempsie – Duncan McKenzie
Colm Meaney – Don Revie
Director(s)
Tom Hooper
Writer(s)
Peter Morgan
Producer(s)
Andy Harries, Grainne Marmion
Film Festivals
Awards & Nominations
5 nominations
Academy Awards
All Critics (138) | Top Critics (53) | Fresh (127) | Rotten (11)
Moves along crisply with, mercifully, very little on-pitch football and many beautifully crafted, touching moments.
August 29, 2018
Deborah Ross
The Spectator
TOP CRITIC
The story should have added up to an interesting and exciting movie, but it didn’t for me. It was not due to Sheen’s acting, but rather to a boring and confusing script.
January 17, 2018
Ed Koch
The Atlantic
TOP CRITIC
The Damned United eliminates the existential anguish and pain that propelled Peace’s novel, and curtails its lowering style.
October 20, 2014
Graham Fuller
Film Comment Magazine
TOP CRITIC
Offering just enough football to satisfy the fans in the stands, The Damned United is also a pleasingly high-quality British drama with some terrific performances.
December 15, 2009
Fionnuala Halligan
Screen International
TOP CRITIC
Two things that the British know that most Americans don’t: Michael Sheen is the best actor in the English-speaking world; and soccer is the only football that matters.
November 24, 2009 | Rating: 3/4
Joe Williams
St. Louis Post-Dispatch
TOP CRITIC
The Damned United is a most entertaining study in obsession wrapped in a traditional sports movie.
November 11, 2009 | Rating: 4/5
Roger Moore
Orlando Sentinel
TOP CRITIC
Even if you have next to no interest in football, The Damned United is enormously entertaining.
November 21, 2020
Jason Best
Movie Talk
A superb sports film, based on the best-selling book by David Peace.
April 20, 2020 | Rating: 4/5
Leigh Paatsch
Herald Sun (Australia)
The Damned United proves that Sheen is fully capable of carrying his own film.
October 11, 2019 | Rating: 3/5
David Harris
Spectrum Culture
The searing drama amasses its considerable force the old-fashioned way; it earns its wings by virtue of impeccable performances, strong direction and a stellar screenplay.
December 1, 2018
Dan DiNicola
The Daily Gazette (Schenectady, NY)
It’s entertaining even if you don’t quite follow all of the intricacies of the game, mostly thanks to the boisterous cast.
December 1, 2018 | Rating: 3/4
Kelly Jane Torrance
Washington Times
The Damned United is a populist – at times, almost cartoonish – attempt to make comprehensible the story behind Brian Clough’s ill-fated 44-day tenure at Leeds United.
November 3, 2018 | Rating: 2/5
PJ Nabarro
Patrick Nabarro…
Plot
Taking over England’s top football club Leeds United, previously successful manager Brian Clough’s abrasive approach and his clear dislike of the players’ dirty style of play make it certain there is going to be friction. Glimpses of his earlier career help explain both his hostility to previous manager Don Revie and how much he is missing right-hand man Peter Taylor who has loyally stayed with Brighton & Hove Albion.
Trivia
Goofs / Tidbits
NA
Tom-Hooper.jpg
90%
Bright Star (2009)
RT Audience Score: 90%
Awards & Nominations: Nominated for 1 Oscar
16 wins & 54 nominations total
Bright Star, directed by the illustrious Jane Campion, is a film that manages to capture the essence of springtime bliss and the beauty of love in its purest form. While some critics may argue that the attention to detail overshadows the emotional depth of the film, I would argue that the exquisite clothing, furniture, and highly-stylized behavior only serve to enhance the already stunning visuals. The love story between John and Fanny is both heartwarming and heartbreaking, drawing the viewer in and making us root for their happiness despite the inevitable heartbreak that lies ahead. With rapturous images and a vision that makes us long for a world as vivid and true as this one, Bright Star is a film that will leave you breathless and yearning for more.
Bright Star is a movie that will make you feel like you’re floating on a cloud of springtime bliss, even if you’re watching it in the dead of winter. The attention to detail is impeccable, from the clothing to the furniture to the highly-stylized behavior. And while some critics may say it lacks emotion, I say it’s a beautiful sanctuary of word and image that will leave you longing for a world as vivid and true as this one. Plus, who doesn’t love a good love story where the lovers fall in love in front of the whole family? It’s like a rom-com, but with more poetry and less awkward humor. Overall, Bright Star is a must-watch for anyone who wants to feel the warmth of spring in their heart, no matter the season.
Production Company(ies)
El Deseo Renn Productions, France 2 Cinéma
Distributor
Apparition
Release Type
Streaming, Theatrical, Theatrical (Limited)
Filming Location(s)
Elstree Studios, Borehamwood, Hertfordshire, England, UK
MPAA / Certificate
Rated PG for thematic elements, some sensuality, brief language and incidental smoking
Year of Release
2009
-
Color:Color
-
Sound mix:Dolby Digital
-
Aspect ratio:1.85 : 1
-
Runtime:1h 59m
-
Language(s):English, French
-
Country of origin:United Kingdom
-
Release date:Release Date (Theaters): Sep 16, 2009 Limited
Release Date (Streaming): Jan 26, 2010
Genre(s)
Drama/Romance
Keyword(s)
starring Abbie Cornish, Ben Whishaw, Paul Schneider, Kerry Fox, Edie Martin, Thomas Brodie-Sangster, directed by Jane Campion, written by Jane Campion, produced by Jan Chapman, Caroline Hewitt, drama, romance, PG rating, box office gross $4.4M, reviewed by Valerie Lapinski, Deborah Ross, Ed Koch, Caryn James, Nicola Evans, Christine Champ, CJ Sheu, Andrea Thompson, Felicia Feaster, PJ Nabarro, Nikki Baughan, Mattie Lucas, period drama, Jane Austen-esque, love story, poetry, John Keats, Fanny Brawne, 19th century, English literature, unrequited love, financial struggles, artistic passion, beautiful cinematography, refined direction, understated performances, attention to detail, natural world, lyrical prose, heart-breaking, tragic, romantic, aloof poet, high-spirited young woman, struggling poet, money troubles, poetic inspiration, period clothing, furniture, Apparition distribution
Worldwide gross: $14,374,652
Worldwide gross (inflation-adjusted): $19,867,361
Worldwide gross ranking (inflation-adjusted): 1,714
Worldwide tickets sold (est.): 2,166,561
US/Canada gross: $4,444,637
US/Canada gross (inflation-adjusted): $6,142,980
US/Canada gross ranking (inflation-adjusted): 1,749
US/Canada opening weekend: $189,703
US/Canada opening weekend (inflation-adjusted): $262,191
US/Canada opening weekend ranking (inflation-adjusted): 1,580
Budget and Earnings Details
Production budget (est.): $8,500,000
Production budget (inflation-adjusted): $11,747,941
Production budget ranking: 1,607
Marketing and distribution budget (inflation-adjusted est.): $6,326,266
Box office net earnings to date (inflation-adjusted est.): $1,793,153
ROI to date (est.): 10%
ROI ranking: 1,347
Ben Whishaw – John Keats
Paul Schneider – Mr. Brown
Kerry Fox – Mrs. Brawne
Edie Martin – Toots
Thomas Brodie-Sangster – Samuel
Director(s)
Jane Campion
Writer(s)
Jane Campion
Producer(s)
Jan Chapman, Caroline Hewitt
Film Festivals
Awards & Nominations
Nominated for 1 Oscar
16 wins & 54 nominations total
Academy Awards
Oscar Nominees
All Critics (179) | Top Critics (68) | Fresh (148) | Rotten (31)
Manages to bottle the fleeting feeling of spring bliss.
May 20, 2022
Valerie Lapinski
Vox
TOP CRITIC
Yes, it is a thing of beauty and, yes, things of beauty are joys for ever but we can also probably say this about them: they don’t always add up to the most affecting movies.
August 30, 2018
Deborah Ross
The Spectator
TOP CRITIC
Wonderful attention is paid to detail, including clothing, furniture and highly-stylized behavior. What is missing is emotion.
January 17, 2018
Ed Koch
The Atlantic
TOP CRITIC
Director Jane Campion’s most enthralling film since The Piano.
October 11, 2017
Caryn James
Marie Claire
TOP CRITIC
[Jane Campion] shows us here the beautiful sanctuaries that word and image create together, and the reasons why life requires us … to abandon them.
September 24, 2014
Nicola Evans
Film Comment Magazine
TOP CRITIC
May 6, 2011 | Rating: A
Christine Champ
Film.com
TOP CRITIC
Everything is simple and understated, allowing the big moments their space. … [Whishaw’s] line readings are disastrous. … Cornish is a revelation[.]
November 9, 2021
CJ Sheu
Review Film Review
Jane Campion’s “Bright Star” manages to accomplish quite a bit, not the least of which is a love story where the lovers not only rarely get any time alone together, but fall in love in front of the whole family.
October 8, 2020
Andrea Thompson
A Reel of One’s Own
Bright Star is filled with such an enormity of love and feeling, it nearly takes your breath away. The film’s rapturous images and Campion’s vision make you long for a world as vivid and true as this one.
January 24, 2020
Felicia Feaster
Charleston City Paper
The film succeeds in making the lustre of Keats’ words come borne out of the inspiration he finds in his love for Fanny Brawn and the transcendent beauty of the natural world.
October 31, 2019 | Rating: 4/5
PJ Nabarro
Patrick Nabarro
The love story between John and Fanny fuels the narrative and draws in the viewer – we root for their happiness even though we know only heartbreak lies ahead.
October 29, 2019 | Rating: 4/5
Nikki Baughan
Roll Credits
There are moments of great and sublime beauty at work here.
August 5, 2019 | Rating: 3.5/4
Mattie Lucas
From the Front Row…
Plot
It’s 1818 in Hampstead Village on the outskirts of London. Poet Charles Brown lives in one half of a house, the Dilkes family the other. Through association with the Dilkes, the fatherless Brawne family knows Mr. Brown. Mr. Brown and the Brawne’s eldest daughter, Fanny, don’t like each other. She thinks him arrogant and rude; he feels that she’s a pretentious flirt, knowing only how to sew (admittedly well as she makes all her own fashionable clothes), and voicing opinions on subjects about which she knows nothing. Insecure struggling poet John Keats comes to live with his friend, Mr. Brown. Miss Brawne and Mr. Keats have a mutual attraction to each other, but their relationship is slow to develop, in part, since Mr. Brown does whatever he can to keep the two apart. Other obstacles face the couple, including their eventual overwhelming passion for each other clouding their view of what the other does, Mr. Keats’ struggling career, which offers him little in the way of monetary security (which will lead to Mrs. Brawne not giving consent for them to marry), and health issues which had earlier taken the life of Mr. Keats’ brother, Tom.
Trivia
Goofs / Tidbits
Nothing goofy or funny or odd is said about the film on Fresh Kernels.
Jane-Campion.jpg
90%
The Day the Earth Stood Still (1951)
RT Audience Score: 87%
Awards & Nominations: 2 wins & 5 nominations
A crowd-pleasing tribute to the magic of silent cinema, The Artist is a clever, joyous film with delightful performances and visual style to spare.
The Artist is a movie that will make you laugh, cry, and appreciate the history of cinema all at once. It’s a love letter to the silent film era, complete with a charming dog and a leading man who oozes old Hollywood charisma. Jean Dujardin is a revelation, and his chemistry with Bérénice Bejo is electric. The black and white cinematography is stunning, and the score is pitch-perfect. It’s a film that will transport you to another time and leave you with a smile on your face. Plus, did I mention the dog? Seriously, that dog deserves an Oscar.
Production Company(ies)
Am Psycho Productions, Lions Gate Films, Muse Productions,
Distributor
Weinstein Co.
Release Type
Theatrical, Theatrical (Wide)
Filming Location(s)
White Rock, British Columbia, Canada
MPAA / Certificate
Rated PG-13 for some sci-fi disaster images and violence
Year of Release
2008
-
Color:Color
-
Sound mix:DTS Dolby Digital SDDS
-
Aspect ratio:2.35 : 1
-
Runtime:1h 40m
-
Language(s):English, Mandarin
-
Country of origin:United States
-
Release date:Release Date (Theaters): Nov 23, 2011 Limited
Release Date (Streaming): Apr 24, 2012
Genre(s)
Drama
Keyword(s)
starring Jean Dujardin, Bérénice Bejo, John Goodman, James Cromwell, Penelope Ann Miller, Missi Pyle, directed by Michel Hazanavicius, written by Michel Hazanavicius, drama, box office performance, budget, reviewed by Tara Brady, Candice Frederick, Christopher Kelly, Anna Smith, Robbie Collin, Jonathan Romney, James Wegg, Kent Garrison, PJ Nabarro, Patrick Nabarro, PG-13, silent cinema, sound in movies, matinee idol, ingenue, falling in love, cheating, wife, actress, popularity, fading career, rising star, Weinstein Co., Thomas Langmann, 1920s, black and white, visual style, audience score, Tomatometer, critic reviews, audience reviews, homage, metafilm, silent movies, talkies, Douglas Fairbanks, Lillian Gish, Uggy, canine performance, Blancanieves, horror movies, MCU movies, Netflix series, TV shows, streaming movies, box office, theaters, limited release, streaming release, distributor, producer
Worldwide gross: $233,093,859
Worldwide gross (inflation-adjusted): $321,077,884
Worldwide gross ranking (inflation-adjusted): 466
Worldwide tickets sold (est.): 35,013,946
US/Canada gross: $79,366,978
US/Canada gross (inflation-adjusted): $109,324,979
US/Canada gross ranking (inflation-adjusted): 687
US/Canada opening weekend: $30,480,153
US/Canada opening weekend (inflation-adjusted): $41,985,246
US/Canada opening weekend ranking (inflation-adjusted): 289
Budget and Earnings Details
Production budget (est.): $80,000,000
Production budget (inflation-adjusted): $110,196,943
Production budget ranking: 344
Marketing and distribution budget (inflation-adjusted est.): $59,341,054
Box office net earnings to date (inflation-adjusted est.): $151,539,887
ROI to date (est.): 89%
ROI ranking: 980
Bérénice Bejo – Peppy Miller
John Goodman – Al Zimmer
James Cromwell – Clifton
Penelope Ann Miller – Doris
Missi Pyle – Constance
Director(s)
Michel Hazanavicius
Writer(s)
Michel Hazanavicius
Producer(s)
Thomas Langmann
Film Festivals
Awards & Nominations
2 wins & 5 nominations
Academy Awards
All Critics (323) | Top Critics (81) | Fresh (307) | Rotten (16)
The fiction, ultimately, is the thing. The Artist, in the best possible sense, is more of a movie than a film. It’s played for laughs and tears; it switches from action to tenderness; it’s got a really funny dog.
February 20, 2019
Tara Brady
Irish Times
TOP CRITIC
The Artist is simply a pleasure to watch, if only for just two hours in time.
September 8, 2017 | Rating: A-
Candice Frederick
Reel Talk Online
TOP CRITIC
Michel Hazanavicius’ black-and-white, mostly silent comedy The Artist is a gorgeously made curiosity — a film that functions as a testament to its own obsession with other movies.
February 17, 2015
Christopher Kelly
Fort Worth Star-Telegram/DFW.com
TOP CRITIC
Uplifting, heart-warming, hilarious… not necessarily words you’d expect to apply to a black and white silent French film. But The Artist is no ordinary movie.
February 17, 2015 | Rating: 5/5
Anna Smith
Daily Mirror (UK)
TOP CRITIC
The Artist is drunk on the history of cinema and art, and culture buffs will get giddy on it.
February 17, 2015 | Rating: 5/5
Robbie Collin
Daily Telegraph (UK)
TOP CRITIC
Retro but totally modern, frivolous yet fundamentally serious, The Artist is a thing of grace and joy and a great American film — of the sort it takes the French to make.
February 17, 2015
Jonathan Romney
Independent on Sunday
TOP CRITIC
Words defeat me
May 8, 2022 | Rating: 4/5
James Wegg
JWR
The Artist holds up as a great technical achievement, but that’s about it.
December 26, 2021 | Rating: A-
Kent Garrison
Mad About Movies Podcast
Hazanavicius deserves credit for making his thesis on silent movies so digestible and entertaining, and there is much to engage with in The Artist.
October 25, 2021 | Rating: 3/5
PJ Nabarro
Patrick Nabarro
Jean Dujardin is like flashbulbs bursting in your eyeballs. He’s every inch the movie star the movie demands and then sixteen swaggering steps further. Total hammy megawatted perfection.
July 2, 2021
Jason Adams
My New Plaid Pants
Much care has been given to the look of the film. But its originality and effort stop there.
February 28, 2021
Joanne Laurier
World Socialist Web Site
The experiment in recreating a silent motion picture is superbly realized.
November 30, 2020 | Rating: 10/10
Mike Massie
Gone With The Twins…
Plot
Dr. Helen Benson is summoned to a military facility with several other scientists when an alien spacecraft of sorts arrives in New York City. Aboard is a human-like alien and a giant robot of immense size and power. The alien identifies himself as Klaatu and says he has come to save the Earth. The US military and political authorities see him as a threat however and decide to use so-called intensive interrogation techniques on him but Dr. Benson decides to facilitate his escape. When she learns exactly what he means when he says he is there to save the Earth, she tries to convince him to change his intentions.
Trivia
Goofs / Tidbits
Jean Dujardin’s performance in The Artist is described as “total hammy megawatted perfection.”
Michel-Hazanavicius.jpg
90%
Milk (2008)
RT Audience Score: 89%
Awards & Nominations: Won 2 Oscars
66 wins & 145 nominations total
Anchored by Sean Penn’s powerhouse performance, Milk is a triumphant account of America’s first openly gay man elected to public office.
Milk” is a movie that will make you laugh, cry, and feel all the emotions in between. Sean Penn’s performance is so good, you’ll forget he’s acting and start to believe he’s actually Harvey Milk. The supporting cast is just as impressive, with Emile Hirsch, Diego Luna, and James Franco all bringing their A-game. This movie is a must-see for anyone who wants to learn about the fight for LGBTQ+ rights and the incredible man who led the charge. Plus, it’s just a damn good movie.
Production Company(ies)
Lucasfilm,
Distributor
Focus Features
Release Type
Streaming, Theatrical
Filming Location(s)
Duboce Park, San Francisco, California, USA
MPAA / Certificate
Rated R for language, some sexual content and brief violence
Year of Release
2009
-
Color:Color
Black and White -
Sound mix:DTS Dolby Digital
-
Aspect ratio:1.85 : 1
-
Runtime:2h 8m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Nov 26, 2008 Limited
Release Date (Streaming): Mar 10, 2009
Genre(s)
Biography/Drama
Keyword(s)
starring Sean Penn, Emile Hirsch, Josh Brolin, Diego Luna, James Franco, Alison Pill, directed by Gus Van Sant, written by Dustin Lance Black, biography, drama, LGBTQ+, box office, budget, reviewed by Namrata Joshi, Nathan Lee, David Ansen, Nell Minow, Melissa Anderson, Cole Haddon, Candace Moore, Mike Massie, Richard Propes, Joanne Laurier, Debbie Lynn Elias, Nikki Baughan, R rating, Harvey Milk, San Francisco, Castro District, camera shop, Board of Supervisors, Dan White, Sean Penn’s performance, ensemble cast, civil rights, American history, streaming, rental, subscription, Tomatometer, audience score, critic reviews, audience reviews, horror movies, MCU movies, Netflix series, TV premiere dates, Fandango
Worldwide gross: $54,589,558
Worldwide gross (inflation-adjusted): $75,448,813
Worldwide gross ranking (inflation-adjusted): 1,152
Worldwide tickets sold (est.): 8,227,788
US/Canada gross: $31,841,299
US/Canada gross (inflation-adjusted): $44,008,201
US/Canada gross ranking (inflation-adjusted): 1,131
US/Canada opening weekend: $1,453,844
US/Canada opening weekend (inflation-adjusted): $2,009,373
US/Canada opening weekend ranking (inflation-adjusted): 1,205
Budget and Earnings Details
Production budget (est.): $20,000,000
Production budget (inflation-adjusted): $27,642,214
Production budget ranking: 1,192
Marketing and distribution budget (inflation-adjusted est.): $14,885,332
Box office net earnings to date (inflation-adjusted est.): $32,921,267
ROI to date (est.): 77%
ROI ranking: 1,021
Emile Hirsch – Cleve Jones
Josh Brolin – Dan White
Diego Luna – Jack Lira
James Franco – Scott Smith
Alison Pill – Anne Kronenberg
Director(s)
Gus Van Sant
Writer(s)
Dustin Lance Black
Producer(s)
Dan Jinks, Bruce Cohen
Film Festivals
Awards & Nominations
Won 2 Oscars
66 wins & 145 nominations total
Academy Awards
Oscar Best Writing Winners, Oscar Nominees, Oscar Screenplay Written Directly for the Screen Winners, Oscar Winners
All Critics (245) | Top Critics (70) | Fresh (227) | Rotten (18)
Penn is so well-tuned that not for a minute does his Milk lapse into a caricature.
January 31, 2019 | Rating: 3/4
Namrata Joshi
Outlook
TOP CRITIC
Milk is fortuitously, if inevitably, a movie of its moment.
March 20, 2018
Nathan Lee
Film Comment Magazine
TOP CRITIC
Penn may be the main attraction, but this is very much an ensemble piece. Emile Hirsch, as cheeky street kid turned activist Cleve Jones, Diego Luna as Milk’s annoyingly needy, unstable second lover and James Franco’s Scott, add to the communal spirit.
February 6, 2018
David Ansen
Newsweek
TOP CRITIC
February 18, 2012 | Rating: A-
Nell Minow
Movie Mom
TOP CRITIC
November 17, 2011 | Rating: 4/5
Melissa Anderson
Time Out
TOP CRITIC
At the moment, it’s my favorite movie of the year.
May 6, 2011 | Rating: A
Cole Haddon
Film.com
TOP CRITIC
Every queer person worth her salt should see this film at least once.
May 24, 2022
Candace Moore
Curve
A commanding and persuasive biopic that is easily the best thing to come from the hit-or-miss director in a very long time.
November 28, 2020 | Rating: 8/10
Mike Massie
Gone With The Twins
The best film of 2008.
September 16, 2020 | Rating: 4.0/4.0
Richard Propes
TheIndependentCritic.com
The artistic consequence of all this is a distinct unevenness…
September 2, 2020
Joanne Laurier
World Socialist Web Site
With Milk, Harvey’s legacy and voice live on and he still does give us hope. A film for our time. A film that is timely. A film not to be missed.
November 13, 2019
Debbie Lynn Elias
Behind The Lens
Milk is very much an accessible journey driven by a remarkably charismatic performance from Sean Penn.
October 30, 2019 | Rating: 4/5
Nikki Baughan
Roll Credits…
Plot
Using flashbacks from a statement recorded late in life and archival footage for atmosphere, this film traces Harvey Milk’s career from his 40th birthday to his death. He leaves the closet and New York, opens a camera shop that becomes the salon for San Francisco’s growing gay community, and organizes gays’ purchasing power to build political alliances. He runs for office with lover Scott Smith as his campaign manager. Victory finally comes on the same day Dan White wins in the city’s conservative district. The rest of the film sketches Milk’s relationship with White and the 1978 fight against a statewide initiative to bar gays and their supporters from public school jobs.
Trivia
Goofs / Tidbits
Sean Penn delivers a “powerhouse performance” in Milk, according to Fresh Kernels.
Gus-Van-Sant.jpg
90%
Frost/Nixon (2008)
RT Audience Score: 88%
Awards & Nominations: Nominated for 5 Oscars
23 wins & 81 nominations total
Frost/Nixon is weighty and eloquent; a cross between a boxing match and a ballet with Oscar worthy performances.
Frost/Nixon is like a game of cat and mouse, but instead of a mouse, it’s Richard Nixon and instead of a cat, it’s David Frost. The tension is palpable and the performances by Michael Sheen and Frank Langella are absolutely magnetic. It’s a political drama that’s both smart and crackling, and it’s no wonder it made a seamless transition from stage to screen. Plus, it’s always fun to watch a former president squirm.
Production Company(ies)
Warner Bros., Star Thrower Entertainment, Westbrook Studios,
Distributor
Universal Pictures
Release Type
Theatrical
Filming Location(s)
Palos Verdes Estates, California, USA
MPAA / Certificate
Rated R for some language
Year of Release
2009
-
Color:Color
-
Sound mix:SDDS Dolby Digital DTS
-
Aspect ratio:2.35 : 1
-
Runtime:2h 2m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Dec 25, 2008 Wide
Release Date (Streaming): Dec 2, 2008
Genre(s)
History/Drama
Keyword(s)
Frost/Nixon, R, History/Drama, 2h 2m, directed by Ron Howard, written by Peter Morgan, starring Frank Langella, Michael Sheen, Kevin Bacon, Rebecca Hall, Toby Jones, Matthew Macfadyen, produced by Tim Bevan, Eric Fellner, Brian Grazer, Ron Howard, reviewed by Deborah Ross, Tom Charity, Fionnuala Halligan, Christy Lemire, Dan Fienberg, Richard Roeper, Matt Brunson, James Croot, Nikki Baughan, more, box office gross of $18.6M, Oscar-worthy performances, Watergate scandal, one-on-one interview, candid and revealing, court of public opinion, British TV personality, former US president, mislead, unexpectedly, eloquent, weighty, ballet, boxing match, history, drama, some language, Universal Pictures, English, Caroline Cushing, Swifty Lazar, Jack Brennan, John Burt, MPAA rating R
Worldwide gross: $27,426,335
Worldwide gross (inflation-adjusted): $37,906,232
Worldwide gross ranking (inflation-adjusted): 1,460
Worldwide tickets sold (est.): 4,133,722
US/Canada gross: $18,622,031
US/Canada gross (inflation-adjusted): $25,737,709
US/Canada gross ranking (inflation-adjusted): 1,327
US/Canada opening weekend: $180,708
US/Canada opening weekend (inflation-adjusted): $249,758
US/Canada opening weekend ranking (inflation-adjusted): 1,593
Budget and Earnings Details
Production budget (est.): $25,000,000
Production budget (inflation-adjusted): $34,552,768
Production budget ranking: 1,067
Marketing and distribution budget (inflation-adjusted est.): $18,606,666
Box office net earnings to date (inflation-adjusted est.): -$15,253,202
ROI to date (est.): -29%
ROI ranking: 1,559
Michael Sheen – David Frost
Kevin Bacon – Jack Brennan
Rebecca Hall – Caroline Cushing
Toby Jones – Swifty Lazar
Matthew Macfadyen – John Burt
Director – Ron Howard
Producer – Tim Bevan, Eric Fellner, Brian Grazer, Ron Howard
Writer – Peter Morgan
Director(s)
Ron Howard
Writer(s)
Peter Morgan
Producer(s)
Tim Bevan, Eric Fellner, Brian Grazer, Ron Howard
Film Festivals
Awards & Nominations
Nominated for 5 Oscars
23 wins & 81 nominations total
Academy Awards
Oscar Nominees
All Critics (258) | Top Critics (73) | Fresh (239) | Rotten (19)
This is a splendid film that’s genuinely fascinating and gripping, and you don’t get many of those for the pound these days.
August 29, 2018
Deborah Ross
The Spectator
TOP CRITIC
In its glib and reductionist way, it works like a charm. Or better yet, like television. Which, finally, is a compliment.
October 28, 2014
Tom Charity
CNN.com
TOP CRITIC
The magnificently-flawed former US president Richard Milhous Nixon, as embodied by Frank Langella, is a magnetic presence in Ron Howard’s adaptation of Peter Morgan’s stageplay.
October 28, 2014
Fionnuala Halligan
Screen International
TOP CRITIC
You never feel like you’re watching a play on film: The way Morgan has opened up the proceedings in his screenplay feels organic under the direction of Ron Howard, who has crafted his finest film yet, and one of the year’s best.
October 28, 2014 | Rating: 4/4
Christy Lemire
Associated Press
TOP CRITIC
Many viewers will just go along with Frost/Nixon because of how great Sheen and Langella absolutely are.
October 28, 2014
Dan Fienberg
HitFix
TOP CRITIC
Nixon is infinitely more complex than George W. Bush, which is probably why this one slice of his life is more intriguing than “W,” which covers decades.
February 8, 2009 | Rating: 4.5/5
Richard Roeper
Richard Roeper.com
TOP CRITIC
Peter Morgan adapts his own play, and together he and director Ron Howard open it up so that the end result feels much more vibrant than merely a constricted stage piece plunked down in front of a camera.
September 24, 2021 | Rating: 3.5/4
Matt Brunson
Film Frenzy
Already an award-winning play, Frost/ Nixon made a seamless transition to celluloid.
June 14, 2021 | Rating: 4.5/5
James Croot
Stuff.co.nz
Plays out like a tense cat-and-mouse thriller – which is quite a feat for what is essentially a series of interviews.
November 28, 2020 | Rating: 8/10
Mike Massie
Gone With The Twins
Sheen… gradually conveys the grit that lies beneath Frost’s jet-set charm, the unexpected steeliness behind the catchphrases and mannerisms.
November 14, 2020
Jason Best
What’s On TV
As these two men slowly but surely change the face of both television and politics, so Frost/Nixon develops into a beautifully crafted, expertly handled drama of the highest order.
October 31, 2019 | Rating: 5/5
Nikki Baughan
Roll Credits
A smart, crackling political drama marked by excellent performances and a finely tuned screenplay.
July 7, 2019 | Rating: 3.5/4
Mattie Lucas
From the Front Row…
Plot
Writer Peter Morgan’s legendary battle between Richard Nixon, the disgraced president with a legacy to save, and David Frost, a jet-setting television personality with a name to make, in the story of the historic encounter that changed both their lives. For three years after being forced from office, Nixon remained silent. But in summer 1977, the steely, cunning former commander-in-chief agreed to sit for one all-inclusive interview to confront the questions of his time in office and the Watergate scandal that ended his presidency. Nixon surprised everyone in selecting Frost as his televised confessor, intending to easily outfox the breezy British showman and secure a place in the hearts and minds of Americans (as well as a $600,000 fee). Likewise, Frost’s team harbored doubts about their boss’ ability to hold his own. But as cameras rolled, a charged battle of wits resulted.
Trivia
Goofs / Tidbits
Frank Langella’s portrayal of Richard Nixon in Frost/Nixon is considered one of his best performances and earned him an Academy Award nomination for Best Actor.
Ron-Howard.jpg
90%
Momma’s Man (2008)
RT Audience Score: 85%
Awards & Nominations: 3 wins & 3 nominations
Moody yet touching, Momma’s Man successfully illustrates with elegant simplicity the struggles of a man consumed with his adolescence.
Momma’s Man is a film that will make you laugh, cry, and feel all the feels. It’s a quirky and charming indie movie that tells the story of a man who just can’t seem to leave his childhood home. The awkward pauses and moments of self-examination give it a rich texture, and the acting is extraordinary. It’s a lovely work, sad and funny, and definitely worth a watch. Plus, who doesn’t love a good melancomedy?
Production Company(ies)
Paramount Pictures,
Distributor
NA
Release Type
Theatrical
Filming Location(s)
Chambers Street, New York City, New York, USA
MPAA / Certificate
Not Rated
Year of Release
2009
-
Color:Color
-
Sound mix:Dolby Digital
-
Aspect ratio:1.85 : 1
-
Runtime:NA
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Streaming): May 5, 2009
Genre(s)
Drama
Keyword(s)
starring Matt Boren, Ken Jacobs, Flo Jacobs, Dana Varon, Richard Edson, Piero Arcilesi, directed by Azazel Jacobs, written by Azazel Jacobs, drama, box office performance, budget, reviewed by Ben Kenigsberg, Rob Nelson, J.R Jones, Edward Porter, David Jenkins, Wendy Ide, Robert Koehler, Ian Buckwalter, Philip French, Nicholas Barber, Jon Fortgang, Kevin Harley, producer Hunter Gray, Alex Orlovsky, MPAA rating, adolescence, nostalgia, family, coming of age, New York City, Los Angeles, business meeting, safety of childhood, leaving childhood, low-fi, American independent film, minimalist approach, extraordinary sensitivity, thirtysomething men, eccentric family, anxiety, struggles, adulthood, touching, moody, elegant simplicity, critic reviews, audience score, Tomatometer, streaming, rent/buy, runtime, cast and crew, photos, original language, release date
Worldwide gross: $123,385
Worldwide gross (inflation-adjusted): $170,532
Worldwide gross ranking (inflation-adjusted): 2,957
Worldwide tickets sold (est.): 18,597
US/Canada gross: $100,435
US/Canada gross (inflation-adjusted): $138,812
US/Canada gross ranking (inflation-adjusted): 2,606
US/Canada opening weekend: $11,072
US/Canada opening weekend (inflation-adjusted): $15,303
US/Canada opening weekend ranking (inflation-adjusted): 2,595
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Ken Jacobs – Dad
Flo Jacobs – Mom
Dana Varon – Laura
Richard Edson – Tom
Piero Arcilesi – Dante
Director(s)
Azazel Jacobs
Writer(s)
Azazel Jacobs
Producer(s)
Hunter Gray, Alex Orlovsky
Film Festivals
Awards & Nominations
3 wins & 3 nominations
Academy Awards
All Critics (46) | Top Critics (26) | Fresh (42) | Rotten (4)
November 17, 2011 | Rating: 4/5
Ben Kenigsberg
Time Out
TOP CRITIC
Jacobs’s low-fi third feature forges unique stylistic territory for the American independent film.
August 24, 2009
Rob Nelson
indieWire
TOP CRITIC
This simple but assured indie drama about the safety of childhood and the necessity of leaving it is particularly affecting because writer-director Azazel Jacobs draws so heavily on his own life.
May 29, 2009
J. R. Jones
Chicago Reader
TOP CRITIC
The film is decidedly low-key. As such movies go, it’s enjoyable, though you might find yourself wishing Mikey would just pull himself together.
May 13, 2009 | Rating: 3/5
Edward Porter
Times (UK)
TOP CRITIC
Awkward pauses and gestures and moments of self-examination give it a rich texture. It’s a lovely work, sad and funny. A melancomedy, if you will.
May 8, 2009 | Rating: 5/6
David Jenkins
Time Out
TOP CRITIC
Slyly funny and genuinely original, Momma’s Man represents that rarest of things, a truly independent American movie.
May 8, 2009 | Rating: 4/5
Wendy Ide
Times (UK)
TOP CRITIC
Momma’s Man is not a document of an artist making a film as an exorcism, but a memoir of recent things past, when the act of doing away with childish matters was confronted and done.
October 2, 2017
Robert Koehler
Cinema Scope
Jacobs’ minimalist approach demands acting of extraordinary sensitivity, which he gets from his cast, particularly from Matt Boren in the lead role.
June 12, 2010 | Rating: 9.2/10
Ian Buckwalter
DCist
This is one of the most tiresome recent examples of American independent cinema.
May 13, 2009
Philip French
Observer (UK)
It’s a quiet film, with its own measured pace, but it has more painfully astute observations than most comedies with 10 times the budget.
May 13, 2009
Nicholas Barber
Independent on Sunday
Azazel Jacobs’ film is an enjoyably idiosyncratic tribute to his own eccentric family, and it adopts a fascinatingly novel approach to the strange anxieties of thirtysomething men.
May 8, 2009 | Rating: 3.5/5
Jon Fortgang
Film4
Azazel Jacobs’ lo-fi indie comedy unfolds slowly but with patient precision.
May 8, 2009 | Rating: 4/5
Kevin Harley
Total Film…
Plot
Mikey visits his parents in their downtown loft and becomes overwhelmed with nostalgia for his adolescence, leading him to stay longer than planned and struggle with his fears of adulthood in Momma’s Man.
Trivia
Goofs / Tidbits
The film Momma’s Man stars Matt Boren, Ken Jacobs, Flo Jacobs, Dana Varon, Richard Edson, and Piero Arcilesi.
Azazel-Jacobs.jpg
90%
Up the Yangtze (2007)
RT Audience Score: 83%
Awards & Nominations: 14 wins & 11 nominations
Up the Yangtze is a visually stunning meditation about the changes confronting modern China.
Up the Yangtze is a documentary that explores the impact of modernization on China’s longest river, and it’s a real eye-opener. The film doesn’t shy away from the harsh realities of progress, but it also manages to find moments of beauty and hope amidst the tragedy. It’s a poignant reminder that every choice we make has consequences, and that we need to think carefully about the kind of world we want to create. Plus, the scenery is absolutely stunning – it’s worth watching just for the breathtaking shots of the river and the surrounding landscape. Overall, Up the Yangtze is a must-see for anyone interested in the intersection of culture, politics, and the environment.
Production Company(ies)
Distributor
Zeitgeist
Release Type
Filming Location(s)
China
MPAA / Certificate
Not Rated
Year of Release
2008
-
Color:Color
-
Sound mix:Dolby Digital
-
Aspect ratio:1.85 : 1
-
Runtime:1h 33m
-
Language(s):English, Mandarin
-
Country of origin:United States
-
Release date:Release Date (Theaters): Apr 25, 2008 Limited
Release Date (Streaming): Oct 7, 2008
Genre(s)
Documentary
Keyword(s)
documentary, China, Three Gorges Dam, modernization, economy, construction, displacement, families, teenagers, cruise lines, Yangtze River, consumer capitalism, society, progress, government, critic reviews, Yung Chang, directed by Yung Chang, written by Yung Chang, box office, Zeitgeist, produced by Zeitgeist, MPAA rating, English, genre, budget, reviewed by David Fear, Hank Sartin, Richard Nilsen, Tirdad Derakhshani, John Hartl, Michael O’Sullivan, Mattie Lucas, Louis Proyect, Kelly Vance, Jeffrey Overstreet, Nora Lee Mandel, Sarah Boslaugh, audience score, runtime, distributor, starring Chen Bo Yu, Yu Shi
Worldwide gross: $1,029,211
Worldwide gross (inflation-adjusted): $1,417,699
Worldwide gross ranking (inflation-adjusted): 2,510
Worldwide tickets sold (est.): 154,602
US/Canada gross: $783,969
US/Canada gross (inflation-adjusted): $1,079,887
US/Canada gross ranking (inflation-adjusted): 2,168
US/Canada opening weekend: $15,851
US/Canada opening weekend (inflation-adjusted): $21,834
US/Canada opening weekend ranking (inflation-adjusted): 2,486
Budget and Earnings Details
Production budget (est.): CA$1,000,000
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Yung Chang – Writer
Director(s)
Yung Chang
Writer(s)
Yung Chang
Producer(s)
NA
Film Festivals
Awards & Nominations
14 wins & 11 nominations
Academy Awards
All Critics (53) | Top Critics (22) | Fresh (51) | Rotten (2)
November 18, 2011 | Rating: 4/5
David Fear
Time Out
TOP CRITIC
November 17, 2011 | Rating: 3/5
Hank Sartin
Time Out
TOP CRITIC
The movie never editorializes; it simply presents. It is tragedy, not statistics.
July 10, 2008 | Rating: 4/5
Richard Nilsen
Arizona Republic
TOP CRITIC
Myth and reality, past and present, tradition and progress go head to head in Yung Chang’s remarkable documentary about China’s longest river, Up the Yangtze.
July 3, 2008 | Rating: 3.5/4
Tirdad Derakhshani
Philadelphia Inquirer
TOP CRITIC
The tone is finally one of wistful resignation.
June 27, 2008 | Rating: 3/4
John Hartl
Seattle Times
TOP CRITIC
There’s plenty for the director to focus on. Examining the dam’s environmental impact alone would take another whole movie. Instead, [director] Yung trains his lens mainly on the cultural impact.
June 26, 2008
Michael O’Sullivan
Washington Post
TOP CRITIC
A poignant reminder of the human, natural, and historical cost of technological advancement, where the price is not only tangible, but the very soul of a nation.
July 6, 2019 | Rating: 3.5/4
Mattie Lucas
From the Front Row
Modernization is a double-edged sword as this superb documentary illustrates.
July 7, 2012
Louis Proyect
rec.arts.movies.reviews
Up the Yangtze drips with irony, something only the rich can afford.
August 15, 2011
Kelly Vance
East Bay Express
Yung gets to the broken heart of a dying culture by conveying the impact of the dam on two individuals affected by, and participating in, the government’s vision for ‘progress.’
December 12, 2008 | Rating: A
Jeffrey Overstreet
Looking Closer
Very visually documents the human cost of the abrupt changes in the Chinese economy, and intimately into the sociological changes wrought by the astounding Three Gorges Dam.
November 21, 2008 | Rating: 9/10
Nora Lee Mandel
Film-Forward.com
A cruise on the Yangtze, site of the Three Gorges Dam (the largest hydroelectric project in the world) is a fitting metaphor for the promise and cost of China’s rapid modernization.
September 19, 2008 | Rating: 8/10
Sarah Boslaugh
Playback:stl…
Plot
A luxury cruise boat motors up the Yangtze – navigating the mythic waterway known in China simply as “The River.” The Yangtze is about to be transformed by the biggest hydroelectric dam in history. At the river’s edge – a young woman says goodbye to her family as the floodwaters rise towards their small homestead. The Three Gorges Dam – contested symbol of the Chinese economic miracle – provides the epic backdrop for Up the Yangtze, a dramatic feature documentary on life inside modern China.
Trivia
Goofs / Tidbits
NA
Yung-Chang.jpg
90%
Encounters at the End of the World (2007)
RT Audience Score: 83%
Awards & Nominations: Nominated for 1 Oscar
2 wins & 16 nominations total
Encounters at the End of the World offers a poignant study of the human psyche amid haunting landscapes.
Encounters at the End of the World” is a documentary that takes you on a journey to the coldest place on Earth, Antarctica. While some may expect to see more penguins, this film offers a unique perspective on the people who live and work in this extreme environment. Director Werner Herzog’s respect for the environment is evident, and the breathtaking footage of the natural wonders of the pole will leave you in awe. Plus, who knew penguins could be so scandalous? This film reveals some surprising revelations about these adorable creatures, including their “prostitution” habits and even some gay penguins. Overall, “Encounters at the End of the World” is a fascinating and thought-provoking documentary that will leave you with a newfound appreciation for the beauty and fragility of our planet.
Production Company(ies)
Distributor
ThinkFilm
Release Type
Theatrical
Filming Location(s)
Antarctica
MPAA / Certificate
G
Year of Release
2008
-
Color:Color
-
Sound mix:Dolby Digital
-
Aspect ratio:1.85 : 1
-
Runtime:1h 39m
-
Language(s):English, Spanish
-
Country of origin:United States
-
Release date:Release Date (Theaters): Jun 11, 2008 Limited
Release Date (Streaming): Nov 18, 2008
Genre(s)
Documentary
Keyword(s)
documentary, Antarctica, human psyche, Werner Herzog, Henry Kaiser, English, G, McMurdo Station, scientists, wildlife, natural wonders, box office, gross USA, ThinkFilm, reviewed by Ty Burr, David Fear, Ben Kenigsberg, Roger Moore, Edward Porter, Trevor Johnston, Brian Eggert, Mattie Lucas, Jerry White, Nick Rogers, Ian Buckwalter, Louise Keller, starring Werner Herzog, directed by Werner Herzog, written by Werner Herzog, produced by Henry Kaiser, MPAA rating G, untouched landscape, unique people, risky research, haunting landscapes, environmental effects, fate of humanity, underwater footage, dirty buildings, noisy, cluttered, seals, penguins, wanderers, truck drivers, welders, Antarctic research center, poignant study, desolate, beautiful landscape, untouched by human hands, volatile conditions, awe-inspiring natural wonders
Worldwide gross: $1,205,464
Worldwide gross (inflation-adjusted): $1,660,481
Worldwide gross ranking (inflation-adjusted): 2,463
Worldwide tickets sold (est.): 181,077
US/Canada gross: $944,933
US/Canada gross (inflation-adjusted): $1,301,609
US/Canada gross ranking (inflation-adjusted): 2,122
US/Canada opening weekend: $17,730
US/Canada opening weekend (inflation-adjusted): $24,422
US/Canada opening weekend ranking (inflation-adjusted): 2,440
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Scott Rowland – Self
Stefan Pashov – Self
Doug MacAyeal – Self
Ryan Andrew Evans – Self
Kevin Emery – Self
Director(s)
Werner Herzog
Writer(s)
Werner Herzog
Producer(s)
Henry Kaiser
Film Festivals
Awards & Nominations
Nominated for 1 Oscar
2 wins & 16 nominations total
Academy Awards
All Critics (112) | Top Critics (42) | Fresh (105) | Rotten (7)
November 24, 2011 | Rating: 3/4
Ty Burr
Boston Globe
TOP CRITIC
November 16, 2011 | Rating: 4/5
David Fear
Time Out
TOP CRITIC
November 16, 2011 | Rating: 4/5
Ben Kenigsberg
Time Out
TOP CRITIC
May 13, 2009 | Rating: 3/5
Roger Moore
Orlando Sentinel
TOP CRITIC
This documentary about life in and around a vast scientific research centre in Antarctica. None of these meetings, however, is as interesting as the interspersed footage of the pole’s natural wonders.
April 28, 2009 | Rating: 3/5
Edward Porter
Times (UK)
TOP CRITIC
Seemingly off-hand, cumulatively imposing, utterly masterful.
April 24, 2009 | Rating: 5/6
Trevor Johnston
Time Out
TOP CRITIC
An exceptionally beautiful and thoughtful documentary.
April 4, 2022 | Rating: 4/4
Brian Eggert
Deep Focus Review
A minor miracle of a movie, one that dares, even for an instant, to reach out and touch the face of god.
July 7, 2019 | Rating: 3.5/4
Mattie Lucas
From the Front Row
Some TV viewers may tune in expecting more penguins; what they get instead is a portrait of people in search of the sublime.
March 30, 2018
Jerry White
Cinema Scope
Damnably frustrating and fascinating, Herzog’s questions deconstruct Earth’s DNA in a scientific process going beyond statistics to ancestry or spirituality – an idea that we’re witnesses and valets who are here and, sooner than we think, will be gone.
September 25, 2010 | Rating: 4/4
Nick Rogers
The Film Yap
Respect for the environment is not a moral issue for Herzog, but a common sense issue of survival. In the harsh environs of the polar regions, his point is made with crystalline clarity.
June 12, 2010 | Rating: 8.9/10
Ian Buckwalter
DCist
The footage is breathtaking. We also are privileged to watch seals feeding their young, but the revelations about penguin ‘prostitutes’ are perhaps the film’s most extraordinary. Gay penguins? Insane penguins?
September 10, 2009
Louise Keller
Urban Cinefile…
Plot
Acclaimed filmmaker Werner Herzog travels to Antarctica to explore the minds of scientists studying the continent’s wildlife and natural wonders in Encounters at the End of the World.
Trivia
Goofs / Tidbits
Werner Herzog, the acclaimed filmmaker, serves as both the director and writer of Encounters at the End of the World.
Werner-Herzog.jpg
90%
Tuya’s Marriage (2006)
RT Audience Score: 83%
Awards & Nominations: 7 wins & 2 nominations
The breathtaking landscapes of Inner Mongolia are a powerful backdrop for this quietly intense, dryly comical film.
Tuya’s Marriage is a film that will make you laugh, cry, and appreciate the beauty of Mongolia. The performances from both the experienced actress Yu Nan and the non-pros Bater and Sen’ge are impressive and heartwarming. The film’s refusal to pass judgment and its gentle comic touches make it a refreshing watch. Plus, who doesn’t love a good romantic comedy set in an authentic Mongolian landscape? It’s a must-watch for anyone looking for a unique and sincere film experience.
Production Company(ies)
Tremolo Productions,
Distributor
NA
Release Type
Filming Location(s)
MPAA / Certificate
Not Rated
Year of Release
2007
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:1.85 : 1
-
Runtime:NA
-
Language(s):Mandarin
-
Country of origin:United States
-
Release date:Release Date (Streaming): Oct 28, 2008
Genre(s)
Drama/Romance
Keyword(s)
Tuya’s Marriage, Drama, Romance, Inner Mongolia, divorce, disabled, peasant, injury, work, children, husband, medical care, wealthy, oilman, schoolmate, neighbor, landscapes, intense, comical, Chinese, directed by Quanan Wang, starring Yu Nan, reviewed by Kirk Honeycutt, Dennis Fisher, Geoff Andrew, Andrea Gronvall, Derek Elley, John Hartl, David D’Arcy, Mattie Lucas, Brian D Johnson, Dorothy Woodend, Annie Wagner, Kelly Vance, produced by x, written by x, box office gross $87.3K, MPAA rating, Bater, Sen’ge, herdsman, equestrian, fable, modernization, grasslands life, romantic comedy, patriotism, authentic, understated, sincere
Worldwide gross: $2,476,766
Worldwide gross (inflation-adjusted): $3,548,135
Worldwide gross ranking (inflation-adjusted): 2,274
Worldwide tickets sold (est.): 386,929
US/Canada gross: $88,148
US/Canada gross (inflation-adjusted): $126,278
US/Canada gross ranking (inflation-adjusted): 2,628
US/Canada opening weekend: $2,619
US/Canada opening weekend (inflation-adjusted): $3,752
US/Canada opening weekend ranking (inflation-adjusted): 2,821
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Quanan Wang – Director
Director(s)
Quanan Wang
Writer(s)
NA
Producer(s)
NA
Film Festivals
Awards & Nominations
7 wins & 2 nominations
Academy Awards
All Critics (40) | Top Critics (17) | Fresh (38) | Rotten (2)
Yu is an experienced and most talented actress. But the real surprise here is how well the non-pros — Bater, a Mongolian herdsman, and Sen’ge, an equestrian — perform.
September 23, 2020
Kirk Honeycutt
Hollywood Reporter
TOP CRITIC
The weight of the performances from Yu Nan and Bater is enough to make for a satisfying, if uneven, film.
November 24, 2011
Dennis Fisher
Boston Globe
TOP CRITIC
A refusal to pass judgment and a palpable chemistry between the actors ensure that the film succeeds both as a fable about the pitfalls of rapid modernisiation, and as tough, unsentimental drama.
November 17, 2011
Geoff Andrew
Time Out
TOP CRITIC
This 2006 drama is refreshing not only for its gentle comic touches but for director Wang Quanan’s refusal to sentimentalize China’s vanishing nomadic culture: life is harsh and no one’s a saint, including his outspoken heroine.
December 9, 2008
Andrea Gronvall
Chicago Reader
TOP CRITIC
Made with a scrupulous attention to the slow-moving realities of grasslands life but lacking in dramatic heft.
October 18, 2008
Derek Elley
Variety
TOP CRITIC
[Yu Nan] owns the role of Tuya, delivering a wide-ranging performance that might be called ‘star-making’ if she didn’t already suggest the confidence of an established star.
August 29, 2008 | Rating: 3/4
John Hartl
Seattle Times
TOP CRITIC
Funny, tender, and vividly shot, this delightful comedy is far more satisfying as story and cinema than other features recently shot in Mongolia.
September 23, 2020
David D’Arcy
Screen International
Beneath its sparse exterior lies an achingly romantic tale of longing, devotion, and the lengths that people are willing to go to for love.
July 6, 2019 | Rating: 3.5/4
Mattie Lucas
From the Front Row
Now that the dust is settling from the Bejiing Olympics, here’s a chance to [experience] a very different kind of Chinese spectacle.
December 16, 2017
Brian D. Johnson
Maclean’s Magazine
It’s beautiful and ordinary, strange and utterly familiar all at the same time — a wonderful film.
August 22, 2017
Dorothy Woodend
The Tyee (British Columbia)
The arid landscape, seen with a patriotic affection, is a stirring sight. More wonderful, though, is the story: unusual, understated, and sincere.
August 21, 2017
Annie Wagner
The Stranger (Seattle, WA)
An authentic Mongolian romantic comedy, perhaps the first.
August 15, 2011
Kelly Vance
East Bay Express…
Plot
After an injury leaves her unable to work, Tuya is forced to divorce her disabled husband and find a new husband to support them and their children, but struggles to choose between a wealthy oilman and her neighbor who promises to care for her husband’s medical needs in Tuya’s Marriage.
Trivia
Goofs / Tidbits
Yu Nan delivers a standout performance as Tuya in this film.
Quanan-Wang.jpg
90%
The Counterfeiters (2007)
RT Audience Score: 88%
Awards & Nominations: Won 1 Oscar
7 wins & 10 nominations total
The Counterfeiters is a gripping account of one prisoner’s moral dilemma, superbly portrayed by Karl Markovics.
The Counterfeiters” is a movie that will leave you on the edge of your seat, wondering what will happen next. It’s a true story about a group of Jews and criminals who are forced to counterfeit money for the Nazis during World War II. The film is both disturbing and captivating, with incredible performances from the cast. The moral complexities of the situation are explored, but not to their fullest extent. However, what really steals the show is the long, dour, hound-dog face of Markovics, who plays Saloman. His performance is breathtaking and well-deserving of the film’s 2008 Oscar for Best Foreign Language Film. Overall, “The Counterfeiters” is a must-see for anyone interested in history, thrillers, or just great cinema.
Production Company(ies)
Distributor
Sony Pictures Classics
Release Type
Theatrical, Theatrical (Limited)
Filming Location(s)
Nice, Alpes- Maritimes, France
MPAA / Certificate
Rated R for some strong violence, brief sexuality/nudity and language
Year of Release
2008
-
Color:Color
-
Sound mix:Dolby Digital
-
Aspect ratio:1.85 : 1
-
Runtime:1h 39m
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Language(s):German, Russian, English, Hebrew
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Country of origin:Austria, Germany
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Release date:Release Date (Theaters): Feb 22, 2008 Limited
Release Date (Streaming): Aug 5, 2008
Genre(s)
History/Drama
Keyword(s)
starring Karl Markovics, August Diehl, Devid Striesow, Martin Brambach, Dolores Chaplin, August Zirner, Josef Aichholzer, Nina Bohlmann, Babette Schröder, directed by Stefan Ruzowitzky, written by Stefan Ruzowitzky, History, Drama, $5.5M box office, reviewed by David Ansen, Steven Rea, Paul Byrnes, Jim Schembri, David Stratton, Roger Moore, Carlos Marañón, Felicia Feaster, Mattie Lucas, Sarah Manvel, Diane Carson, R MPAA rating, Nazi-era, concentration camp, fake foreign currency, Salomon Sorowitsch, Adolf Burger, Friedrich Herzog, Holst, Red-Haired Woman, Dr Klinger, Sony Pictures Classics, German, Dolby SRD, Dolby SR
Worldwide gross: $18,814,713
Worldwide gross (inflation-adjusted): $25,916,548
Worldwide gross ranking (inflation-adjusted): 1,611
Worldwide tickets sold (est.): 2,826,232
US/Canada gross: $5,488,570
US/Canada gross (inflation-adjusted): $7,560,295
US/Canada gross ranking (inflation-adjusted): 1,691
US/Canada opening weekend: $87,514
US/Canada opening weekend (inflation-adjusted): $120,547
US/Canada opening weekend ranking (inflation-adjusted): 1,865
Budget and Earnings Details
Production budget (est.): 4200000
Production budget (inflation-adjusted): $5,785,340
Production budget ranking: 1,848
Marketing and distribution budget (inflation-adjusted est.): $3,115,405
Box office net earnings to date (inflation-adjusted est.): $17,015,803
ROI to date (est.): 191%
ROI ranking: 648
August Diehl – Adolf Burger
Devid Striesow – Friedrich Herzog
Martin Brambach – Holst
Dolores Chaplin – Red-Haired Woman
August Zirner – Dr. Klinger
Stefan Ruzowitzky – Director/Writer
Josef Aichholzer – Producer
Nina Bohlmann – Producer
Babette Schröder – Producer
Director(s)
Stefan Ruzowitzky
Writer(s)
Stefan Ruzowitzky
Producer(s)
Josef Aichholzer, Nina Bohlmann, Babette Schröder
Film Festivals
Berlin
Awards & Nominations
Won 1 Oscar
7 wins & 10 nominations total
Academy Awards
All Critics (128) | Top Critics (47) | Fresh (119) | Rotten (9)
It’s details like that-too bizarre not to be true-that give “The Counterfeiters” its bitter wallop. It’s an astonishing tale of cunning, compromise and survival.
February 6, 2018
David Ansen
Newsweek
TOP CRITIC
As writer-director Stefan Ruzowitzky shows, powerfully, affectingly, in The Counterfeiters, the privileges experienced by this small team of Jews and criminals came at a price.
October 18, 2008 | Rating: 3.5/4
Steven Rea
Philadelphia Inquirer
TOP CRITIC
The winner of this year’s Oscar for best foreign-language film puts devils, as well as angels, on the head of the pin.
June 8, 2008 | Rating: 4/5
Paul Byrnes
Sydney Morning Herald
TOP CRITIC
This Oscar-winning film ranks as the most unnerving, disturbing, true-life account yet of endurance under Nazi oppression.
June 8, 2008 | Rating: 4.5/5
Jim Schembri
The Age (Australia)
TOP CRITIC
Ruzowitzky has some fine performers in the three key roles but there is a hint of unsubtlety in some of the other characters and situations. The obvious is rammed home.
May 15, 2008 | Rating: 3.5/5
David Stratton
At the Movies (Australia)
TOP CRITIC
This dark, absorbing thriller is not just a moral exercise in the awful choices faced by those determined to survive history’s worst genocide. It invites us to imagine ourselves in the shoes of a not-quite-lovable rogue.
April 24, 2008 | Rating: 5/5
Roger Moore
Orlando Sentinel
TOP CRITIC
[The protagonist] illuminates a depth that’s lacking in the entertaining class struggle that became the world’s most macabre money factory. [Full review in Spanish]
November 5, 2020 | Rating: 3.5/5
Carlos Marañón
Cinemanía (Spain)
And though the story line is fascinating, things grow relatively slack in the film’s middle passage.
January 28, 2020
Felicia Feaster
Charleston City Paper
While it is compulsively watchable, I never felt that the moral complexities were explored to their fullest extent.
July 6, 2019 | Rating: 3/4
Mattie Lucas
From the Front Row
Is this how we confront evil in 2007, not by documenting it faithfully or fighting it openly, but instead by blaming its victims for their victimhood?
August 7, 2018
Sarah Manvel
Cinemattraction
What makes this film a must-see is Markovics, who plays Saloman. Not just his performance, but his face-a long, dour, hound-dog face that suggests a cosmic shrug, splitting the difference between resignation and resistance.
November 30, 2017
Brian D. Johnson
Maclean’s Magazine
The breathtaking performances and superb style earned The Counterfeiters the 2008 Oscar for Best Foreign Language Film.
August 29, 2017
Diane Carson
KDHX (St. Louis)…
Plot
The Counterfeiters is the true story of the largest counterfeiting operation in history, set up by the Nazis in 1936. Salomon “Sally” Sorowitsch is the king of counterfeiters. He lives a mischievous life of cards, booze, and women in Berlin during the Nazi-era. Suddenly his luck runs dry when arrested by Superintendent Friedrich Herzog. Immediately thrown into the Mauthausen concentration camp, Salomon exhibits exceptional skills there and is soon transferred to the upgraded camp of Sachsenhausen. Upon his arrival, he once again comes face to face with Herzog, who is there on a secret mission. Hand-picked for his unique skill, Salomon and a group of professionals are forced to produce fake foreign currency under the program Operation Bernhard. The team, which also includes detainee Adolf Burger, is given luxury barracks for their assistance. But while Salomon attempts to weaken the economy of Germany’s allied opponents, Adolf refuses to use his skills for Nazi profit and would like to do something to stop Operation Bernhard’s aid to the war effort. Faced with a moral dilemma, Salomon must decide whether his actions, which could prolong the war and risk the lives of fellow prisoners, are ultimately the right ones.
Trivia
Goofs / Tidbits
Karl Markovics delivers a superb portrayal of Salomon Sorowitsch in The Counterfeiters.
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