Tomboy (2011)
90%RT Audience Score: 83%
Awards & Nominations: 10 wins & 6 nominations
Tomboy, the second film by director Celine Sciamma, is a poignant and nuanced exploration of childhood, gender identity, and self-acceptance. With stunning performances from its young cast, particularly Zoé Héran as the androgynous Laure, the film captures the fleeting moments of childhood innocence before the harsh realities of the world come crashing in. Sciamma’s direction is precise and observant, never preachy or heavy-handed, and she deftly weaves in allusions to gender roles and societal expectations. While some may find fault with the rushed third act, Tomboy remains a powerful and moving coming-of-age portrait that deserves to be seen by as many people as possible.
Tomboy is a film that will make you laugh, cry, and question your own childhood memories. With a stunning performance by Zoé Héran, this coming-of-age story about gender identity is both subtle and emotional. It’s like getting a backstage pass to a childhood paradise, but with a twist. The film’s natural and believable performances from its adolescent cast will leave you feeling moved and inspired. And while the third act may be a bit rushed, it doesn’t take away from the film’s ample goodwill. So grab some popcorn, sit back, and enjoy the ride.
Production Company(ies)
Paramount Pictures,
Distributor
NA
Release Type
Theatrical, Theatrical (Limited)
Filming Location(s)
Seine-et- Marne, France
MPAA / Certificate
Not Rated
Year of Release
2011
-
Color:Color
-
Sound mix:Dolby Digital
-
Aspect ratio:1.85 : 1
-
Runtime:NA
-
Language(s):French
-
Country of origin:France
-
Release date:Release Date (Streaming): Nov 6, 2012
Genre(s)
Drama
Keyword(s)
Tomboy, drama, French-Canadian, 10-year-old girl, gender identity, childhood, coming-of-age, family, friendship, acceptance, gender roles, emotional, heartwarming, charming, natural performances, rogynous, non-binary, trans, Zoé Héran, Malonn Lévana, Sophie Cattani, Mathieu Demy, Jeanne Disson, Yohan Vero, directed by Céline Sciamma, written by Céline Sciamma, produced by Bénédicte Couvreur, reviewed by Chris Chang, Stanley Kauffmann, Jon Frosch, Joe Williams, J.R Jones, Brian Tallerico, Dustin Chang, Bianca Garner, Yasser Medina, David Lamble, Ian Thomas Malone, genre: drama, box office: $113.8K, MPAA rating: not rated
Worldwide gross: $1,437,501
Worldwide gross (inflation-adjusted): $1,892,467
Worldwide gross ranking (inflation-adjusted): 2,430
Worldwide tickets sold (est.): 206,376
US/Canada gross: $129,834
US/Canada gross (inflation-adjusted): $170,926
US/Canada gross ranking (inflation-adjusted): 2,574
US/Canada opening weekend: $7,078
US/Canada opening weekend (inflation-adjusted): $9,318
US/Canada opening weekend ranking (inflation-adjusted): 2,719
Budget and Earnings Details
Production budget (est.): 1000000
Production budget (inflation-adjusted): $1,316,498
Production budget ranking: 2,065
Marketing and distribution budget (inflation-adjusted est.): $708,934
Box office net earnings to date (inflation-adjusted est.): -$132,965
ROI to date (est.): -7%
ROI ranking: 1,428
Malonn Lévana – Jeanne
Sophie Cattani – Mother
Mathieu Demy – Father
Jeanne Disson – Lisa
Yohan Vero – Vince
Director(s)
Céline Sciamma
Writer(s)
Céline Sciamma, Céline Sciamma
Producer(s)
Bénédicte Couvreur
Film Festivals
Awards & Nominations
10 wins & 6 nominations
Academy Awards
All Critics (70) | Top Critics (34) | Fresh (67) | Rotten (3)
Since we are dealing with fresh-faced tweens, we are spared the gender histrionics to be found in the likes of The Crying Game or Boys Don’t Cry. Those are indeed bigger films. But sometimes small things can pay off quite nicely.
November 5, 2013
Chris Chang
Film Comment Magazine
TOP CRITIC
Tomboy is a lovely reminder that the French have long been famous for a quite different sort of film-about children.
June 19, 2013
Stanley Kauffmann
The New Republic
TOP CRITIC
Brisk, precisely observed, and bracingly non-preachy in its examination of a very tricky subject.
March 7, 2012
Jon Frosch
The Atlantic
TOP CRITIC
Writer and director Celine Sciamma adorns the thorny dilemma with resonant allusions to gender roles…
January 27, 2012 | Rating: 3/4
Joe Williams
St. Louis Post-Dispatch
TOP CRITIC
Modestly conceived and executed.
January 26, 2012
J. R. Jones
Chicago Reader
TOP CRITIC
The film’s greatest accomplishment is writer/director Celine Sciamma’s stunning ability to draw natural, believable performances from her adolescent cast, who never hit a false note in this moving film.
January 26, 2012 | Rating: 4.0/5.0
Brian Tallerico
HollywoodChicago.com
TOP CRITIC
As with her debut, Celine Sciamma has a knack for getting amazing performances out of her young actors. Particularly, Zoé Héran is a revelation. Her portrayal of a confused child (not of her sexuality but the sexual politics) is touching and deeply felt.
March 21, 2021
Dustin Chang
Floating World
Featuring an excellent and stunning performance by Zoé Héran, Tomboy is a film that needs to be seen by as many people as possible.
February 3, 2021
Bianca Garner
In Their Own League
‘Tomboy’, Céline Sciamma’s second film as a director, to me seems as a subtle and very emotional coming-of-age portrait of childhood, self-acceptance and gender identity. [Full review in Spanish]
January 9, 2021 | Rating: 7/10
Yasser Medina
Cinemaficionados
Observing Laure (the impeccably androgynous Zoe Heran) interact with her loving parents and sassy but thoroughly feminine kid sister is getting a privileged, all-access pass to a childhood paradise immediately before the loss of innocence…
June 10, 2020
David Lamble
Bay Area Reporter
Tomboy falls apart when it comes time to deal with the stakes at hand, an irresponsibly rushed third act that squanders the film’s ample goodwill.
May 9, 2020
Ian Thomas Malone
Ian Thomas Malone
For much of the film, Mikhael is prevailingly happy. They have no label for their new gender presentation, and perhaps it’s too early to define it, although as an adult, modern audience we may see them as trans or non-binary. [TOP 50 FILMS OF THE DECADE]
December 4, 2019
Orla Smith
Seventh Row…
Plot
A family moves into a new neighborhood, and a 10-year-old born Laure deliberately presents as a boy named Mickäel to the neighborhood children. It is heavily implied that Mickäel is a closeted transgender boy. This film follows his experiences with his newfound friends, his potential love interest, Lisa, his younger sister and his parents. It focuses in on the significance of gender identity in social interaction from an early age, the difficulties of being transgender and young, and how Mickäel navigates these in the background of childhood play and love.
Trivia
Goofs / Tidbits
Zoé Héran’s portrayal of Laure in Tomboy is described as “impeccably androgynous” by one critic.
Céline-Sciamma.jpg
90%
50/50 (2011)
90%RT Audience Score: 88%
Awards & Nominations: 12 wins & 28 nominations
A good-hearted film about a difficult topic, 50/50 maneuvers between jokes and drama with surprising finesse.
50/50″ is the kind of movie that will make you laugh, cry, and hug your friends a little tighter. With a cast that includes Joseph Gordon-Levitt and Seth Rogen, you know you’re in for a good time. The film tackles a tricky subject with thoughtfulness and wit, and it’s not syrupy or over-the-top. It’s a heartwarming and honest look at dealing with adversity, and it’s sure to stay with you long after the credits roll. Plus, Rogen’s character Kyle is the kind of friend we all need in our lives. Don’t miss this gem of a movie!
Production Company(ies)
Ghost Pictures, Passion Pictures,
Distributor
Summit Entertainment
Release Type
Filming Location(s)
Vancouver, British Columbia, Canada
MPAA / Certificate
Rated R for language throughout, sexual content and some drug use
Year of Release
2011
-
Color:Color
-
Sound mix:Dolby Digital SDDS Datasat
-
Aspect ratio:1.85 : 1
-
Runtime:1h 39m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Sep 30, 2011 Wide
Release Date (Streaming): Jan 17, 2012
Genre(s)
Comedy/Drama
Keyword(s)
starring Joseph Gordon-Levitt, Seth Rogen, Anna Kendrick, Bryce Dallas Howard, Philip Baker Hall, Anjelica Huston, directed by Jonathan Levine, written by Will Reiser, comedy, drama, box office performance, budget, reviewed by Sara Michelle Fetters, Robbie Collin, Peter Bradshaw, Nigel Andrews, Charlotte O’Sullivan, Matt Bochenski, Jack Fleischer, Richard Propes, Felicia Feaster, Micheal Compton, Stephen Saito, Kelly Jane Torrance, produced by Evan Goldberg, Seth Rogen, Ben Karlin, MPAA rating R, cancer, friendship, therapy, mortality, survival, chemotherapy, surgery, family, love, support, humor, tragedy, emotion, honesty, heartwarming, poignant, touching, inspiring, uplifting, realistic, relatable, bittersweet, life-affirming, poignant, heart-wrenching, tear-jerking, inspiring, hopeful, moving, powerful, memorable
Worldwide gross: $41,097,853
Worldwide gross (inflation-adjusted): $54,105,236
Worldwide gross ranking (inflation-adjusted): 1,294
Worldwide tickets sold (est.): 5,900,244
US/Canada gross: $35,014,192
US/Canada gross (inflation-adjusted): $46,096,109
US/Canada gross ranking (inflation-adjusted): 1,110
US/Canada opening weekend: $8,644,095
US/Canada opening weekend (inflation-adjusted): $11,379,933
US/Canada opening weekend ranking (inflation-adjusted): 919
Budget and Earnings Details
Production budget (est.): $8,000,000
Production budget (inflation-adjusted): $10,531,983
Production budget ranking: 1,648
Marketing and distribution budget (inflation-adjusted est.): $5,671,473
Box office net earnings to date (inflation-adjusted est.): $37,901,780
ROI to date (est.): 234%
ROI ranking: 565
Seth Rogen – Kyle
Anna Kendrick – Katherine
Bryce Dallas Howard – Rachael
Philip Baker Hall – Alan
Anjelica Huston – Diane
Director(s)
Jonathan Levine
Writer(s)
Will Reiser
Producer(s)
Evan Goldberg, Seth Rogen, Ben Karlin
Film Festivals
Awards & Nominations
12 wins & 28 nominations
Academy Awards
All Critics (200) | Top Critics (63) | Fresh (186) | Rotten (14)
The honesty driving this picture is undeniable and is evident in every frame, Adam a compelling protagonist and for my part I couldn’t take my eyes off of him.
January 27, 2012 | Rating: 3/4
Sara Michelle Fetters
MovieFreak.com
TOP CRITIC
This frequently funny and moving film proves humour can be wrung from tricky subjects, providing it’s done with sufficient thoughtfulness and wit.
November 25, 2011 | Rating: 3/5
Robbie Collin
Daily Telegraph (UK)
TOP CRITIC
This film leaves a strange taste in the mouth.
November 25, 2011 | Rating: 1/5
Peter Bradshaw
Guardian
TOP CRITIC
So well-meaning you want to hug it.
November 25, 2011 | Rating: 3/5
Nigel Andrews
Financial Times
TOP CRITIC
A rom-com with brains that – at key moments – feels as sly and sweet as Annie Hall.
November 25, 2011 | Rating: 4/5
Charlotte O’Sullivan
London Evening Standard
TOP CRITIC
It’s not a major landmark on anybody’s rsum, but it’s nothing to be ashamed of either.
November 24, 2011 | Rating: 3/5
Matt Bochenski
Little White Lies
TOP CRITIC
50/50 is a gentle touch comedy. It’s not wacky or zany, and while it is heartwarming, it’s not syrupy.
March 24, 2021
Jack Fleischer
Battleship Pretension
Rogen’s Kyle is the kind of friend I want by my side when my health finally starts getting worse.
September 7, 2020 | Rating: 3.5/4.0
Richard Propes
TheIndependentCritic.com
Gordon-Levitt always suggests an actor with his heart in the right place and an urgent need to remind viewers of all the pain and tumult beneath the surface of things.
January 17, 2020
Felicia Feaster
Charleston City Paper
A surprisingly low-key drama with humorous moments, this is an honest and heartfelt piece of work — a straightforward but genuinely honest look at dealing with adversity.
May 7, 2019
Micheal Compton
Bowling Green Daily News
It’s good “50/50” is the kind that stays with you, perhaps a generation from now being namechecked for comfort just as “Terms of Endearment” is in this film.
January 8, 2019
Stephen Saito
Moveable Fest
Rogen is a funnyman who’s growing up without losing any of his ribald charm.
January 5, 2019 | Rating: 3.5/4
Kelly Jane Torrance
Washington Examiner…
Plot
Adam is a 27 year old writer of radio programs and is diagnosed with a rare form of spinal cancer. With the help of his best friend, his mother, and a young therapist at the cancer center, Adam learns what and who the most important things in his life are.
Trivia
Goofs / Tidbits
Seth Rogen’s character in 50/50 is described as the kind of friend you want by your side when your health starts getting worse.
Jonathan-Levine.jpg
90%
Project Nim (2011)
90%RT Audience Score: 82%
Awards & Nominations: Nominated for 1 BAFTA Award
16 wins & 30 nominations total
Equal parts hilarious, poignant, and heartbreaking, Project Nim not only tells a compelling story masterfully, but also raises the flag on the darker side of human nature.
Project Nim is a documentary that will make you laugh, cry, and question everything you thought you knew about animal testing. It’s like a rollercoaster ride of emotions, but instead of loops and drops, you get heartbreak and existential dread. But seriously, it’s a must-watch for anyone who cares about the ethical treatment of animals and the consequences of playing god with their lives. Just make sure you have a box of tissues handy.
Production Company(ies)
Act III Communications, Buttercup Films Ltd., The Princess Bride Ltd.,
Distributor
Roadside Attractions
Release Type
Filming Location(s)
New York, USA
MPAA / Certificate
Rated PG-13 for some strong language, drug content, thematic elements and disturbing images
Year of Release
2011
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:NA
-
Runtime:1h 39m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Jul 8, 2011 Limited
Release Date (Streaming): Dec 6, 2011
Genre(s)
Documentary
Keyword(s)
Project Nim, documentary, Herb Terrace, sign language, animals, humans, language barrier, Columbia University, Simon Chinn, Elizabeth Hess, James Marsh, PG-13, English, Roadside Attractions, Bern Cohen, Reagan Leonard, Anna May Marsh, Dennis Lauricella, Robert Nesi, reviewed by Deborah Ross, David Rooney, Marjorie Baumgarten, Jim Schembri, Leah Rozen, Jake Wilson, Eve Tushnet, Dustin Chang, Jordan M Smith, Richard Propes, Brian D Johnson, Mattie Lucas, directed by James Marsh, written by Elizabeth Hess, produced by Simon Chinn, box office performance, budget, critic reviews, MPAA rating, documentary genre
Worldwide gross: $612,839
Worldwide gross (inflation-adjusted): $806,801
Worldwide gross ranking (inflation-adjusted): 2,644
Worldwide tickets sold (est.): 87,983
US/Canada gross: $411,184
US/Canada gross (inflation-adjusted): $541,323
US/Canada gross ranking (inflation-adjusted): 2,307
US/Canada opening weekend: $25,820
US/Canada opening weekend (inflation-adjusted): $33,992
US/Canada opening weekend ranking (inflation-adjusted): 2,341
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Reagan Leonard – self
Anna May Marsh – self
Dennis Lauricella – self
Robert Nesi – self
James Marsh – Director
Director(s)
James Marsh
Writer(s)
Elizabeth Hess
Producer(s)
Simon Chinn
Film Festivals
Awards & Nominations
Nominated for 1 BAFTA Award
16 wins & 30 nominations total
Academy Awards
All Critics (147) | Top Critics (54) | Fresh (143) | Rotten (4)
This is a compelling and engrossing film but, like I said, it’s not pretty, and it will break your heart. It broke my heart and, I’m not going to lie, I full-on wept.
August 31, 2018
Deborah Ross
The Spectator
TOP CRITIC
This haunting life story is an exquisite example of non-fiction filmmaking as full-bodied, emotionally complex drama.
January 4, 2012
David Rooney
Hollywood Reporter
TOP CRITIC
There is no question Nim was exploited for human gain, yet there are important aspects which Marsh leaves unexplored.
December 9, 2011 | Rating: 2.5/5
Marjorie Baumgarten
Austin Chronicle
TOP CRITIC
Tales of the attacks Nim inflicted on his many carers are horrific, but there is a pervasive sense there was nothing else they could have expected.
October 18, 2011 | Rating: 3/5
Jim Schembri
The Age (Australia)
TOP CRITIC
Project Nim nimbly serves up a profoundly sad tale that raises as many thought-provoking questions as it answers.
October 7, 2011
Leah Rozen
TheWrap
TOP CRITIC
The film teases us with a paradox: arguably Nim’s keepers were wrong to try to endow their protege with human attributes, but can we empathise with his suffering without making the same mistake?
September 30, 2011 | Rating: 3.5/5
Jake Wilson
The Age (Australia)
TOP CRITIC
The filmmaker doesn’t actually hold these foolish humans’ emotions, longings and aspirations in contempt…
July 1, 2021
Eve Tushnet
Patheos
Nim is obviously a sentient being and also a wild animal. While not making a villain out of just one person, Marsh reflects on how we tend to treat animals in general. It’s a heartbreaking doc and one of the year’s best.
March 21, 2021
Dustin Chang
Floating World
Sleek editing and a wealth of archival footage unveil a sad, and thought-provoking tale of humans overstepping their reach in the name of science without regard to the well being of other living creatures.
November 19, 2020 | Rating: 4/5
Jordan M. Smith
IONCINEMA.com
Easily one of 2011’s best documentaries.
September 20, 2020 | Rating: 3.5/4.0
Richard Propes
TheIndependentCritic.com
By turns funny, sad and frightening, this documentary is Dickensian tale of an epic experiment that made a minor celebrity of a chimpanzee named Nim.
August 19, 2019
Brian D. Johnson
Maclean’s Magazine
A harrowing and intensely powerful tale of an animal who was perhaps more human than the actual humans around him.
August 5, 2019 | Rating: 3.5/4
Mattie Lucas
From the Front Row…
Plot
In the 1970s, a team of researchers raise a baby chimp as a human child in an experiment to break the language barrier between animals and people, in the documentary Project Nim.
Trivia
Goofs / Tidbits
The film features a cast of real-life people involved in the controversial experiment, including the chimp’s various caretakers and the professor behind the project.
James-Marsh.jpg
90%
The Fighter (2010)
90%RT Audience Score: 89%
Awards & Nominations: Won 2 Oscars
74 wins & 123 nominations total
Led by a trio of captivating performances from Mark Wahlberg, Christian Bale, and Amy Adams, The Fighter is a solidly entertaining, albeit predictable, entry in the boxing drama genre.
The Fighter is a knockout movie that packs a punch with its impressive performances and emotional storyline. Wahlberg and Bale deliver powerful performances, while Leo and Adams bring depth to their characters. Sure, it may be a conventional boxing flick, but it’s the heart of the “tough people” of Lowell that makes this movie stand out. And if you’re expecting non-stop fighting, you may be disappointed, but you’ll leave feeling emotionally punch-drunk on a better film than you expected. So, grab some popcorn and get ready to root for the underdog in this touching and soulful movie.
Production Company(ies)
The Mirisch Company, Alpha
Distributor
Paramount Pictures
Release Type
Theatrical
Filming Location(s)
Lowell, Massachusetts, USA
MPAA / Certificate
Rated R for language throughout, drug content, some violence and sexuality
Year of Release
2010
-
Color:Color
-
Sound mix:DTS Dolby Digital Dolby Surround 7.1
-
Aspect ratio:2.35 : 1
-
Runtime:1h 56m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Dec 17, 2010 Wide
Release Date (Streaming): Mar 15, 2011
Genre(s)
Drama/Biography
Keyword(s)
starring Mark Wahlberg, Christian Bale, Amy Adams, Melissa Leo, Jack McGee, Mickey O’Keefe, directed by David O Russell, written by Scott Silver, Paul Tamasy, Eric Johnson, drama, biography, box office performance, budget, reviewed by Candice Frederick, Philip French, David Sexton, Peter Bradshaw, Kevin Maher, Sukhdev Sandhu, Robin Holabird, James McMahon, Joanne Laurier, Mike Massie, Richard Propes, MPAA rating R, boxing, family, redemption, Micky Ward, Dicky Eklund, Charlene Fleming, Alice Ward, George Ward, produced by David Hoberman, Todd Lieberman, Ryan Kavanaugh, Mark Wahlberg, Dorothy Aufiero, Paul Tamasy
Worldwide gross: $129,190,869
Worldwide gross (inflation-adjusted): $175,620,326
Worldwide gross ranking (inflation-adjusted): 770
Worldwide tickets sold (est.): 19,151,617
US/Canada gross: $93,617,009
US/Canada gross (inflation-adjusted): $127,261,700
US/Canada gross ranking (inflation-adjusted): 599
US/Canada opening weekend: $300,010
US/Canada opening weekend (inflation-adjusted): $407,830
US/Canada opening weekend ranking (inflation-adjusted): 1,451
Budget and Earnings Details
Production budget (est.): $25,000,000
Production budget (inflation-adjusted): $33,984,663
Production budget ranking: 1,079
Marketing and distribution budget (inflation-adjusted est.): $18,300,741
Box office net earnings to date (inflation-adjusted est.): $123,334,922
ROI to date (est.): 236%
ROI ranking: 559
Christian Bale – Dicky Eklund
Amy Adams – Charlene Fleming
Melissa Leo – Alice Ward
Jack McGee – George Ward
Mickey O’Keefe – Self
Director(s)
David O. Russell
Writer(s)
Scott Silver, Paul Tamasy, Eric Johnson
Producer(s)
David Hoberman, Todd Lieberman, Ryan Kavanaugh, Mark Wahlberg, Dorothy Aufiero, Paul Tamasy
Film Festivals
Awards & Nominations
Won 2 Oscars
74 wins & 123 nominations total
Academy Awards
Oscar Nominees, Oscar Winners
All Critics (253) | Top Critics (63) | Fresh (229) | Rotten (24)
Overall The Fighter is a touching, soulful knockout of a movie.
September 9, 2017 | Rating: A
Candice Frederick
Reel Talk Online
TOP CRITIC
Both Wahlberg and Bale are excellent in their different registers, as are Melissa Leo and Amy Adams as the differently calibrated women.
February 7, 2011
Philip French
Guardian
TOP CRITIC
Wahlberg, always so physically solid, is deep inside himself in this role.
February 4, 2011 | Rating: 4/5
David Sexton
London Evening Standard
TOP CRITIC
The Fighter looks at first as if it is going to be a far more interesting movie than the straightforward and even rather undemanding drama we finally get.
February 3, 2011 | Rating: 3/5
Peter Bradshaw
Guardian
TOP CRITIC
Russell throws so much at the screen that there is little time to make your mind up.
February 3, 2011 | Rating: 3/5
Kevin Maher
Little White Lies
TOP CRITIC
[A] rickety, unfocused contraption of a film that sputters and chugs along without offering any hint of why its director thought it was worth making.
February 3, 2011 | Rating: 3/5
Sukhdev Sandhu
Daily Telegraph (UK)
TOP CRITIC
Wahlberg’s ripped physique look right, and he acts his part well.
August 10, 2021
Robin Holabird
Robin Holabird
You may come to see The Fighter expecting fighting. If you can overlook that primal disappointment, chances are you’ll leave feeling emotionally punch-drunk on a better film than you expected.
May 25, 2021 | Rating: 4/5
James McMahon
NME
While The Fighter is in some ways more conventional than the filmmaker’s previous efforts, its heart lies, as Russell puts it, with the “tough people” of Lowell.
March 1, 2021
Joanne Laurier
World Socialist Web Site
Populated by quite a few impressive performances and an equal assemblage of dislikable characters.
November 29, 2020 | Rating: 7/10
Mike Massie
Gone With The Twins
A conventional boxing flick where boxing isn’t so much a plot device as it is the world in which these people live.
September 7, 2020 | Rating: 3.5/4.0
Richard Propes
TheIndependentCritic.com
A story of comebacks, in life, love, family, and boxing. At times it can be kind of a mess, where you’re not entirely sure what the real story is, but the strength of the acting carries you through the rough patches.
July 14, 2020 | Rating: B+
Brent McKnight
The Last Thing I See…
Plot
The Fighter is a drama about boxer “Irish” Micky Ward’s unlikely road to the world light welterweight title. His Rocky-like rise was shepherded by half-brother Dicky, a boxer-turned-trainer on the verge of being KO’d by drugs and crime.
Trivia
Goofs / Tidbits
Christian Bale won the Academy Award for Best Supporting Actor for his role in The Fighter.
David-O.-Russell.jpg
90%
Inception (2010)
90%RT Audience Score: 91%
Awards & Nominations: Won 4 Oscars
157 wins & 220 nominations total
Smart, innovative, and thrilling, Inception is that rare summer blockbuster that succeeds viscerally as well as intellectually.
Inception is like a wild ride on a rollercoaster, but instead of loops and drops, you’re navigating through dreams within dreams. Christopher Nolan’s mind-bending thriller is a cinematic masterpiece that will leave you questioning reality and your own sanity. The visual effects are stunning, the action is heart-pumping, and the cast delivers top-notch performances. Don’t worry if you get a little lost in the plot, just sit back, relax, and let the dream world take over. It’s a trip you won’t forget.
Production Company(ies)
Channel 4 News Channel 4 Frontline
Distributor
Warner Bros. Pictures
Release Type
Theatrical, Theatrical (Limited)
Filming Location(s)
Fortress Mountain, Kananaskis Country, Alberta, Canada
MPAA / Certificate
Rated PG-13 for sequences of violence and action throughout
Year of Release
2010
-
Color:Color
-
Sound mix:Dolby Digital DTSS DDS
-
Aspect ratio:2.39 : 1
-
Runtime:2h 28m
-
Language(s):English, Japanese, French
-
Country of origin:United States, United Kingdom
-
Release date:Release Date (Theaters): Jul 16, 2010 Wide
Release Date (Streaming): Dec 7, 2010
Genre(s)
Action
Keyword(s)
starring Leonardo DiCaprio, Joseph Gordon-Levitt, Elliot Page, Tom Hardy, Ken Watanabe, Dileep Rao, directed by Christopher Nolan, written by Christopher Nolan, produced by Christopher Nolan, Emma Thomas, action, corporate espionage, dreams, thief, mind-bending, psychological thriller, PG-13, sequences of violence, sequences of action, box office success, $292.6M, Dolby Digital, DTS, SDDS, Scope (2.35:1), reviewed by Taylor Hatmaker, Ange Anderson, Caryn James, Candice Frederick, Tom Charity, Stephen Whitty, Fausto Fernandez, Fico Cangiano, Steven Hale, Andrea Hubert, Mike Massie, Richard Propes, 87% Tomatometer, 91% audience score
Worldwide gross: $836,848,102
Worldwide gross (inflation-adjusted): $1,137,600,028
Worldwide gross ranking (inflation-adjusted): 81
Worldwide tickets sold (est.): 124,056,710
US/Canada gross: $292,587,330
US/Canada gross (inflation-adjusted): $397,739,272
US/Canada gross ranking (inflation-adjusted): 121
US/Canada opening weekend: $62,785,337
US/Canada opening weekend (inflation-adjusted): $85,349,541
US/Canada opening weekend ranking (inflation-adjusted): 101
Budget and Earnings Details
Production budget (est.): $160,000,000
Production budget (inflation-adjusted): $217,501,843
Production budget ranking: 81
Marketing and distribution budget (inflation-adjusted est.): $117,124,742
Box office net earnings to date (inflation-adjusted est.): $802,973,443
ROI to date (est.): 240%
ROI ranking: 549
Joseph Gordon-Levitt – Arthur
Elliot Page – Ariadne
Tom Hardy – Eames
Ken Watanabe – Saito
Dileep Rao – Yusuf
Christopher Nolan – Director, Producer, Writer
Emma Thomas – Producer
Director(s)
Christopher Nolan
Writer(s)
Christopher Nolan
Producer(s)
Christopher Nolan, Emma Thomas
Film Festivals
Awards & Nominations
Won 4 Oscars
157 wins & 220 nominations total
Academy Awards
All Critics (362) | Top Critics (89) | Fresh (315) | Rotten (47)
Inception engaged on a mainly intellectually level, but that isn’t to say that film didn’t pack an emotional impact.
June 9, 2021
Taylor Hatmaker
Autostraddle
TOP CRITIC
Inception is an intriguing, frustrating film, but ultimately satisfying.
December 30, 2020
Ange Anderson
Bitch Media
TOP CRITIC
This endlessly fascinating swirl of a film could have come only from Nolan, who blends the cerebral twistiness of Memento (his thriller that moves backward in time) with the spectacular action of his Batman megahit, The Dark Knight.
February 7, 2018
Caryn James
Newsday
TOP CRITIC
Awesome doesn’t even begin to describe the sleek, clever, mind-blowing madness that is director Christopher Nolan’s aptly titled psychological (read: trippy) thriller Inception.
September 11, 2017 | Rating: A
Candice Frederick
Reel Talk Online
TOP CRITIC
A spectacular fantasy thriller based on Nolan’s own original screenplay, Inception is the smartest CGI head-trip since The Matrix.
July 20, 2015
Tom Charity
CNN.com
TOP CRITIC
It’s just grade-A filmmaking.
July 20, 2015 | Rating: 3.5/4
Stephen Whitty
Newark Star-Ledger
TOP CRITIC
Blows up completely the notion of reality based on an extraordinary overlay of Borgian levels… [Full review in Spanish]
June 21, 2022 | Rating: 4/5
Fausto Fernandez
Fotogramas
Nolan’s “dream within a dream” heist film, not only keeps you on the edge of your seat with incredible visual effects and memorable action set pieces, but also makes you a part of the puzzle-solving team from beginning to end. [Full review in Spanish]
May 6, 2022 | Rating: 5/5
Fico Cangiano
CineXpress Podcast
It’s not nearly as confusing as many make it out to be, but if you do find yourself losing the plot a bit, remember you’re at the movies and just let it overwhelm you. That’s part of the fun.
September 13, 2021
Steven Hale
Nashville Scene
“They say we only use a fraction of our brain’s potential” we are told in Inception. The same will never be said of Nolan.
May 19, 2021 | Rating: 4.5/5
Andrea Hubert
NME
Mind-blowing doesn’t even begin to describe director Christopher Nolan’s latest foray into the mystifying realm of the subconscious.
November 29, 2020 | Rating: 10/10
Mike Massie
Gone With The Twins
Joseph Gordon Levitt gives the film’s workhorse performance with tremendous heart and muscle.
September 12, 2020 | Rating: 3.5/4.0
Richard Propes
TheIndependentCritic.com…
Plot
Dom Cobb is a skilled thief, the absolute best in the dangerous art of extraction, stealing valuable secrets from deep within the subconscious during the dream state, when the mind is at its most vulnerable. Cobb’s rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible, inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse: their task is not to steal an idea, but to plant one. If they succeed, it could be the perfect crime. But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming.
Trivia
Goofs / Tidbits
Leonardo DiCaprio stars as Dom Cobb, a thief with the rare ability to enter people’s dreams and steal their secrets from their subconscious.
Christopher-Nolan.jpg
90%
Best Worst Movie (2010)
90%RT Audience Score: 84%
Awards & Nominations: 3 wins & 1 nomination
Good-natured and mirthful, Best Worst Movie is a sweet deconstruction of how a cinematic folly can become a triumph.
Best Worst Movie is a hilarious and heartwarming documentary that proves that even the worst movies can have a cult following. Watching the cast and crew of Troll 2 come to terms with their infamy is both cringe-worthy and endearing, and the film’s exploration of the strange world of B-movie fandom is fascinating. Whether you’re a die-hard fan of Troll 2 or just love a good underdog story, Best Worst Movie is a must-see. Plus, who doesn’t love a good laugh at a terrible movie?
Production Company(ies)
Mosfilm Vtoroe Tvorcheskoe Obedinenie
Distributor
Area23a
Release Type
Theatrical
Filming Location(s)
MPAA / Certificate
Not Rated
Year of Release
2009
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:1.78 : 1
-
Runtime:1h 31m
-
Language(s):English, Italian
-
Country of origin:United States
-
Release date:Release Date (Theaters): Apr 23, 2010 Limited
Release Date (Streaming): Nov 16, 2010
Genre(s)
Documentary
Keyword(s)
documentary, Troll 2, Michael Stephenson, Mary Francis Groom, Brad Klopman, Claudio Fragasso, B-movie, cult classic, former child actor, Alabama dentist, ill-fated sequel, behind-the-scenes, cinematic folly, triumph, good-natured, mirthful, deconstruction, box office, gross USA, budget, critic reviews, Laura Kern, J.R Jones, Bill Goodykoontz, Perri Nemiroff, Brian Tallerico, Roger Ebert, Jason Adams, Richard Propes, Federico Furzan, Debbie Lynn Elias, David Harris, audience reviews, pathos, underground cultural phenomenon, bloated runtime, bittersweet, funny, exciting, moving, terrible movie
Worldwide gross: $109,895
Worldwide gross (inflation-adjusted): $151,887
Worldwide gross ranking (inflation-adjusted): 2,977
Worldwide tickets sold (est.): 16,563
US/Canada gross: $109,895
US/Canada gross (inflation-adjusted): $151,887
US/Canada gross ranking (inflation-adjusted): 2,591
US/Canada opening weekend: $5,503
US/Canada opening weekend (inflation-adjusted): $7,606
US/Canada opening weekend ranking (inflation-adjusted): 2,757
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Michael Stephenson – Self
Darren Ewing – Self
Jason Wright – Self
Randall Colburn – Self
Adam Deyoe – Self
Director(s)
Michael Stephenson
Writer(s)
Michael Stephenson
Producer(s)
Mary Francis Groom, Brad Klopman
Film Festivals
Toronto
Awards & Nominations
3 wins & 1 nomination
Academy Awards
All Critics (70) | Top Critics (24) | Fresh (66) | Rotten (4)
[The] doc offers fittingly low-tech amusement throughout –which is a hell of a lot more than can be said about the tediously incomprehensible movie it champions.
June 28, 2013
Laura Kern
Film Comment Magazine
TOP CRITIC
Troll 2 has become a midnight favorite, and Stephenson looks at the phenomenon while catching up with his profoundly untalented costars and the grouchy Italian director.
December 30, 2010
J. R. Jones
Chicago Reader
TOP CRITIC
A documentary so enthusiastic, good-natured and sweet about such an abject disaster that it almost makes Troll 2 worthwhile.
August 19, 2010 | Rating: 4/5
Bill Goodykoontz
Arizona Republic
TOP CRITIC
Delivers a well-rounded look at a remarkable turn of events without ever overdramatizing the actors’ despair or over glamorizing their fame.
August 13, 2010 | Rating: 4/5
Perri Nemiroff
CinemaBlend
TOP CRITIC
It’s not often that a behind-the-scenes documentary is more entertaining than the movie itself but Best Worst Movie is not your typical Hollywood tale. There’s nothing typical about Troll 2.
July 30, 2010 | Rating: 3/4
Brian Tallerico
Movie Retriever
TOP CRITIC
This curiously touching doc has a bittersweet ending.
July 29, 2010 | Rating: 3/4
Roger Ebert
Chicago Sun-Times
TOP CRITIC
Y’all, I can’t exclaim this loudly enough: Best Worst Movie is a really wonderful accomplishment.
July 2, 2021
Jason Adams
My New Plaid Pants
There’s something completely joyous about watching a film in which the entire cast has sort of surrendered themselves to the journey.
September 2, 2020 | Rating: 3.5/4.0
Richard Propes
TheIndependentCritic.com
An endearing look into love for cinema, in all its forms and results. [Full review in Spanish].
June 3, 2020 | Rating: 3/4
Federico Furzan
Cinelipsis
Follow your dreams. Follow your heart. BEST WORST MOVIE — living proof that time does heal all wounds — and bad movies.
November 7, 2019
Debbie Lynn Elias
Behind The Lens
After an hour of non-stop adulation, Best Worst Movie begins to wear out its welcome.
October 24, 2019 | Rating: 3/5
David Harris
Spectrum Culture
Takes cinematic trash and turns it into comedy gold.
August 5, 2019 | Rating: 3/4
Mattie Lucas
From the Front Row…
Plot
In 1989, unwitting Utah actors starred in the undisputed Worst Movie in History: TROLL 2. Two decades later, the legendarily inept film’s child star unravels the improbable, heartfelt story of an Alabama dentist-turned-cult movie icon and an Italian filmmaker who come to terms with this genuine, internationally revered cinematic failure.
Trivia
Goofs / Tidbits
The documentary Best Worst Movie features former child actor Michael Stephenson, who starred in the infamous B-movie Troll 2.
Michael-Stephenson.jpg
90%
The Secret of Kells (2010)
90%RT Audience Score: 85%
Awards & Nominations: Nominated for 1 Oscar
7 wins & 7 nominations total
Beautifully drawn and refreshingly calm, The Secret of Kells hearkens back to animation’s golden age with an enchanting tale inspired by Irish mythology.
The Secret of Kells” is a visually stunning animated film that draws inspiration from Celtic mythology and medieval manuscripts. Critics have praised its unique and enchanting style, with some even comparing it to the works of Pixar. However, some have criticized its simple narrative, which may not fully engage all viewers. Overall, “The Secret of Kells” is a low-key pleasure that is worth seeking out for its beautiful animation and fascinating portrayal of medieval Celtic spirituality. Plus, who doesn’t love a good pagan-Christian balancing act?
Production Company(ies)
Ashton Productions, The Mirisch Corporation,
Distributor
GKIDS
Release Type
Theatrical, Theatrical (Limited)
Filming Location(s)
Cartoon Saloon, The Maltings, Tilbury Place, James’ Street, Kilkenny, Kilkenny County, Ireland
MPAA / Certificate
Not Rated
Year of Release
2016
-
Color:Color
-
Sound mix:Dolby Digital Dolby SR
-
Aspect ratio:1.85 : 1
-
Runtime:1h 18m
-
Language(s):English, Irish, Gaelic
-
Country of origin:Belgium, France, Ireland
-
Release date:Release Date (Theaters): Mar 5, 2010 Limited
Release Date (Streaming): Oct 5, 2010
Genre(s)
Adventure/Fantasy
Keyword(s)
Adventure, Fantasy, English, Tomm Moore, Nora Twomey, Didier Brunner, Tomm Moore, Viviane Vanfleteren, Paul Young, Fabrice Ziolkowski, Brendan Gleeson, Evan McGuire, Christen Mooney, Liam Hourican, Mick Lally, Michael McGrath, GKIDS, $686.4K, 90%, 85%, reviewed by Chris Chang, Derek Malcolm, Marc Lee, Peter Bradshaw, Alice Levick, Helen O’Hara, Yasser Medina, Mattie Lucas, Brandy McDonnell, Josh Larsen, David Keyes, David Nusair, starring Brendan Gleeson, Evan McGuire, Christen Mooney, Liam Hourican, Mick Lally, Michael McGrath, directed by Tomm Moore, Nora Twomey, written by Fabrice Ziolkowski, produced by Didier Brunner, Tomm Moore, Viviane Vanfleteren, Paul Young, MPAA rating, Irish mythology, calligraphy, illuminator, Viking war party, monastery, enchanting tale, box office performance, budget, critic names, producer names, MPAA rating
Worldwide gross: $1,803,412
Worldwide gross (inflation-adjusted): $2,222,703
Worldwide gross ranking (inflation-adjusted): 2,387
Worldwide tickets sold (est.): 242,389
US/Canada gross: $676,775
US/Canada gross (inflation-adjusted): $834,124
US/Canada gross ranking (inflation-adjusted): 2,230
US/Canada opening weekend: $39,826
US/Canada opening weekend (inflation-adjusted): $49,085
US/Canada opening weekend ranking (inflation-adjusted): 2,216
Budget and Earnings Details
Production budget (est.): $8,000,000
Production budget (inflation-adjusted): $9,859,989
Production budget ranking: 1,682
Marketing and distribution budget (inflation-adjusted est.): $5,309,604
Box office net earnings to date (inflation-adjusted est.): -$12,946,890
ROI to date (est.): -85%
ROI ranking: 1,927
Evan McGuire – Brendan – Voice
Christen Mooney – Aisling – Voice
Liam Hourican – Leonardo – Voice
Mick Lally – Aidan – Voice
Michael McGrath – Adult Brendan – Voice
Director(s)
Tomm Moore, Nora Twomey
Writer(s)
Fabrice Ziolkowski
Producer(s)
Didier Brunner, Tomm Moore, Viviane Vanfleteren, Paul Young
Film Festivals
Awards & Nominations
Nominated for 1 Oscar
7 wins & 7 nominations total
Academy Awards
Oscar Nominees
All Critics (83) | Top Critics (33) | Fresh (75) | Rotten (8)
Kells has a decidedly pleasing-to-the-eye, retro-cartoon vibe ( … ) an intriguing and rare artistic subgenre
November 13, 2013
Chris Chang
Film Comment Magazine
TOP CRITIC
Tomm Moore’s Irish animation, drawn with painstaking reference to both Celtic myth and medieval manuscripts, possesses a lively originality that shows Europe’s animators not far behind America’s and in some ways in front of them.
October 6, 2010 | Rating: 3/5
Derek Malcolm
London Evening Standard
TOP CRITIC
The look of the film is simply ravishing.
September 30, 2010 | Rating: 4/5
Marc Lee
Daily Telegraph (UK)
TOP CRITIC
A low-key pleasure.
September 30, 2010 | Rating: 3/5
Peter Bradshaw
Guardian
TOP CRITIC
A feast for the eyes that manages to be both whimsical and sinister.
September 30, 2010 | Rating: 4/5
Alice Levick
Little White Lies
TOP CRITIC
Unlike anything else you’ve seen, and very much worth seeking out, this is a unique and beautiful creation.
September 29, 2010 | Rating: 5/5
Helen O’Hara
Empire Magazine
TOP CRITIC
‘The Secret of Kells’ is an independent animated film that, in my opinion, has an imaginative visual style, as well as allusions to Irish mythology, but its narrative is as soft as the sheets of a century-old manuscript. [Full review in Spanish]
September 17, 2020 | Rating: 5/10
Yasser Medina
Cinemaficionados
Its skillful balancing act of paganism and Christianity in its evocation of medieval Celtic spirituality is both fascinating and enchanting.
August 5, 2019 | Rating: 2.5/4
Mattie Lucas
From the Front Row
The rich colors, lavish designs and charming characters are capable of captivating even the most avid fans of computer animation.
August 13, 2018 | Rating: 4/4
Brandy McDonnell
The Oklahoman
Very few animated films have had such a mesmerizing, puzzle-like quality.
September 5, 2013 | Rating: 3.5/4
Josh Larsen
LarsenOnFilm
This is perhaps the most enchanting and zealous animated endeavor you will see this side of the Pixar lineup.
August 29, 2013 | Rating: 4/4
David Keyes
Cinemaphile.org
…there’s never a point at which the viewer is wholeheartedly drawn into the admittedly simple narrative.
March 19, 2011 | Rating: 2/4
David Nusair
Reel Film Reviews…
Plot
Young Brendan lives in a remote medieval outpost under siege from barbarian raids. But a new life of adventure beckons when a celebrated master illuminator arrives from the isle of Iona carrying an ancient but unfinished book, brimming with secret wisdom and powers. To help complete the magical book, Brendan has to overcome his deepest fears on a dangerous quest that takes him into the enchanted forest where mythical creatures hide. It is here that he meets the fairy Aisling, a mysterious young wolf-girl, who helps him along the way. But with the barbarians closing in, will Brendan’s determination and artistic vision illuminate the darkness and show that enlightenment is the best fortification against evil?
Trivia
Goofs / Tidbits
Brendan Gleeson voices the character of Abbot Cellach in The Secret of Kells.
Tomm-Moore.jpg
90%
Ajami (2010)
90%RT Audience Score: 81%
Awards & Nominations: Nominated for 1 Oscar
15 wins & 10 nominations total
This multi-character drama balances intimate portrayals and broad political implications to paint a bracing and moving portrait of the Middle East conflict.
Ajami is a movie that will make you confront your own prejudices, but don’t worry, it’s not all doom and gloom. Sure, there’s a looming threat of violence, but the emotional responses of the Muslims and Jews are surprisingly similar. Plus, the non-professional actors bring a sense of realism to the everydayness of the picture. It’s like watching a contemporary crime thriller, but with a bracing insight into a troubled situation without any insipid platitudes. So grab some popcorn and get ready for a gripping ride through the streets of Jaffa.
Production Company(ies)
Communicado Productions, New Zealand Film Commission Avalon, NFU
Distributor
Kino International
Release Type
Theatrical, Theatrical (Limited)
Filming Location(s)
Jaffa, Israel
MPAA / Certificate
Not Rated
Year of Release
2009
-
Color:Color
-
Sound mix:Dolby Digital Dolby SR
-
Aspect ratio:1.85 : 1
-
Runtime:2h 0m
-
Language(s):Arabic, Hebrew
-
Country of origin:Israel
-
Release date:Release Date (Theaters): Feb 3, 2010 Limited
Release Date (Streaming): Aug 17, 2010
Genre(s)
Drama
Keyword(s)
starring Shahir Kabaha, Ibrahim Frege, Fouad Habash, Youssef Sahwani, Ranin Karim, Nisrine Rihan, directed by Scandar Copti, Yaron Shani, written by Scandar Copti, Yaron Shani, drama, box office performance, budget, reviewed by Deborah Ross, Ed Koch, Chris Chang, Tim Robey, Peter Bradshaw, Matt Bochenski, Joanne Laurier, John Powers, Enrique Buchichio, Dennis Schwartz, Sean Axmaker, Alistair Harkness, multi-ethnic neighborhood, Tel Aviv, Middle East conflict, revenge killing, political implications, intimate portrayals, Moshe Danon, Thanassis Karathanos, Kino International, Arabic, 2h 0m, $621.2K, limited release, streaming release, producer Moshe Danon, Thanassis Karathanos, MPAA rating
Worldwide gross: $1,331,651
Worldwide gross (inflation-adjusted): $1,840,489
Worldwide gross ranking (inflation-adjusted): 2,439
Worldwide tickets sold (est.): 200,708
US/Canada gross: $622,403
US/Canada gross (inflation-adjusted): $860,230
US/Canada gross ranking (inflation-adjusted): 2,222
US/Canada opening weekend: $35,792
US/Canada opening weekend (inflation-adjusted): $49,469
US/Canada opening weekend ranking (inflation-adjusted): 2,213
Budget and Earnings Details
Production budget (est.): $1,000,000
Production budget (inflation-adjusted): $1,382,111
Production budget ranking: 2,061
Marketing and distribution budget (inflation-adjusted est.): $744,267
Box office net earnings to date (inflation-adjusted est.): -$285,888
ROI to date (est.): -13%
ROI ranking: 1,470
Ibrahim Frege – Malek
Fouad Habash – Nasri
Youssef Sahwani – Abu-Lias
Ranin Karim – Hadir
Nisrine Rihan – Ilham
Director(s)
Scandar Copti, Yaron Shani
Writer(s)
Scandar Copti, Yaron Shani
Producer(s)
Moshe Danon, Thanassis Karathanos
Film Festivals
Sundance
Awards & Nominations
Nominated for 1 Oscar
15 wins & 10 nominations total
Academy Awards
All Critics (69) | Top Critics (31) | Fresh (67) | Rotten (2)
Ajami is not pretty and it’s not heart-warming – the threat of violence is always looming – but it is emotionally gripping, and it puts you right in its midst.
August 30, 2018
Deborah Ross
The Spectator
TOP CRITIC
What comes through is that the troubles besetting Muslims and Jews and their emotional responses are similar in nature. The people involved have so much in common.
January 13, 2018
Ed Koch
The Atlantic
TOP CRITIC
Its sense of ambiance, most apparent during scenes of simple conversation between characters, more than compensates for the cinematic overdetermination.
September 24, 2014
Chris Chang
Film Comment Magazine
TOP CRITIC
The actors, every one of them new to their craft, make the everydayness of the picture indelible and real.
June 24, 2010 | Rating: 4/4
Tim Robey
Daily Telegraph (UK)
TOP CRITIC
The pattern of connections and coincidences is a little overschematic, but the movie has energy, especially in the grippingly real shooting scene at the beginning.
June 17, 2010 | Rating: 3/5
Peter Bradshaw
Guardian
TOP CRITIC
A rare film that will force you to confront your own prejudices.
June 17, 2010 | Rating: 4/5
Matt Bochenski
Little White Lies
TOP CRITIC
Ajami is a complex, deep-going work. The performers are all non-professionals, and, as the directors explain, come from tough backgrounds.
March 4, 2021
Joanne Laurier
World Socialist Web Site
It’s a dark, unsparing vision, yet what makes watching bearable, even pleasurable, is Copti and Shani’s humane intelligence.
May 17, 2018
John Powers
NPR’s Fresh Air
Una contundente pera prima, narrada en forma fragmentaria a la manera de Amores Perros o Crash, que retrata con brutal honestidad la vida en un conflictivo vecindario de Jaffa. Estupendo elenco de actores no profesionales.
June 2, 2011 | Rating: 4/5
Enrique Buchichio
Uruguay Total
Gripping modern-day drama about crime and tensions among the Israeli Jews and Israeli Arabs.
September 21, 2010 | Rating: A
Dennis Schwartz
Dennis Schwartz Movie Reviews
… acutely insightful about the social divisions within Israel, but it examines them without scolding or sentimentality.
September 4, 2010
Sean Axmaker
Seanax.com
A confident contemporary crime thriller that, yes, may rely on perhaps a few too many plot coincidences to hang together, but otherwise offers a bracing insight into a troubled situation without hectoring us with insipid platitudes.
July 19, 2010 | Rating: 4/5
Alistair Harkness
Scotsman…
Plot
In the multi-ethnic neighborhood of Tel Aviv, a revenge killing sets off a chain of events with broad political implications in the emotionally gripping drama, Ajami.
Trivia
Goofs / Tidbits
Ajami features a cast of non-professional actors.
Scandar-Copti.jpg
90%
Red Riding Trilogy (2010)
90%RT Audience Score: 88%
Awards & Nominations: NA
The Red Riding Trilogy is a cinematic masterpiece that delves deep into the dark and twisted world of corruption, violence, and tragedy. With its intricate plot and remarkable performances, this trilogy is not for the faint of heart, but for those who are willing to take the journey, the reward is an exhilarating and unforgettable experience. Each film creates a hauntingly murky atmosphere that leaves the viewer feeling both disturbed and captivated. The byzantine labyrinth of the sordid and crooked world depicted in this trilogy is a testament to the power of storytelling and the art of filmmaking. Red Riding is a must-see for anyone who appreciates intelligent and thought-provoking cinema.
The Red Riding Trilogy is like a rollercoaster ride, but instead of loops and drops, it’s a journey through corruption, violence, and tragedy. It’s not for the faint of heart, but if you’re willing to take the plunge, you won’t regret it. The performances are remarkable, the puzzle is brilliantly constructed, and the themes are thematically adventurous. It’s a universe polluted by the evil that men do, and it’s up to you to navigate through the sordid and crooked labyrinth. So buckle up, grab some popcorn, and get ready for a wild ride.
Production Company(ies)
Sony Pictures Entertainment, Columbia Pictures, Marvel Entertainment,
Distributor
NA
Release Type
Filming Location(s)
Ferrybridge, Yorkshire, England, UK
MPAA / Certificate
Not Rated
Year of Release
2009
-
Color:Color
-
Sound mix:Dolby Digital
-
Aspect ratio:1.85 : 1
-
Runtime:NA
-
Language(s):English
-
Country of origin:United States
-
Release date:NA
Genre(s)
Keyword(s)
Red Riding Trilogy, crime drama, Yorkshire, serial killing, immersive, gritty, dangerous, great performances, three directors, sinister, complex, ambitious, cumulative wallop, collusion, corruption, predation, Channel 4, cable TV series, remarkable performances, brilliantly constructed puzzle, dispiriting cycles of violence, exhilarating, byzantine labyrinth, sordid, crooked, suburban squalor, evil, pain, suffering, mystery, horror, thriller, drama, mystery, suspense, directed by unknown director, starring unknown actor, written by unknown writer, produced by unknown producer, reviewed by Calvin Wilson, Chris Vognar, Brian Tallerico, Carrie Rickey, Roger Ebert, Lisa Kennedy, Taylor Baker, David Thomson, Mark Dujsik, Peter Canavese, Brian Holcomb, Dan Lybarger, MPAA rating unknown, box office performance unknown, budget unknown
Worldwide gross: $151,644
Worldwide gross (inflation-adjusted): $209,589
Worldwide gross ranking (inflation-adjusted): 2,923
Worldwide tickets sold (est.): 22,856
US/Canada gross: $151,644
US/Canada gross (inflation-adjusted): $209,589
US/Canada gross ranking (inflation-adjusted): 2,539
US/Canada opening weekend: $14,526
US/Canada opening weekend (inflation-adjusted): $20,077
US/Canada opening weekend ranking (inflation-adjusted): 2,513
Budget and Earnings Details
Production budget (est.): $9,000,000
Production budget (inflation-adjusted): $12,438,997
Production budget ranking: 1,582
Marketing and distribution budget (inflation-adjusted est.): $6,698,400
Box office net earnings to date (inflation-adjusted est.): -$18,927,807
ROI to date (est.): -99%
ROI ranking: 2,017
Unknown Director – Director
Director(s)
Unknown
Writer(s)
NA
Producer(s)
NA
Film Festivals
Awards & Nominations
NA
Academy Awards
All Critics (58) | Top Critics (22) | Fresh (50) | Rotten (8)
What starts out as a tale of serial killing quickly becomes even more sinister and complex.
April 8, 2010
Calvin Wilson
St. Louis Post-Dispatch
TOP CRITIC
This is a hugely ambitious piece of work that packs a cumulative wallop when it’s all over.
March 26, 2010 | Rating: 4.5/5
Chris Vognar
Dallas Morning News
TOP CRITIC
If you think you are willing to start this journey across years of vile behavior, innocence lost, and true tragedy then go all the way. You won’t regret it.
March 12, 2010
Brian Tallerico
Movie Retriever
TOP CRITIC
On its own, each film hauntingly creates a murk of collusion, pervasive corruption, and 57 varieties of predation.
March 11, 2010 | Rating: 3/4
Carrie Rickey
Philadelphia Inquirer
TOP CRITIC
This is the sort of undertaking the UK’s Channel 4 excels at, and is approached in the United States only by ambitious cable TV series.
March 11, 2010 | Rating: 4/4
Roger Ebert
Chicago Sun-Times
TOP CRITIC
Red Riding Trilogy, with its remarkable performances, its brilliantly constructed puzzle, its dispiriting cycles of violence, isn’t an easy ride. But it is an exhilarating one.
March 5, 2010 | Rating: 4/4
Lisa Kennedy
Denver Post
TOP CRITIC
Episode 30: Capernaum / The Red Riding Trilogy / High Flying Bird
September 9, 2021 | Rating: 75/100
Taylor Baker
Drink in the Movies
Red Riding is not to be grasped, followed, or understood-that’s why you need to see it.
August 29, 2018
David Thomson
The New York Review of Books
A byzantine labyrinth of the sordid and crooked.
September 12, 2010 | Rating: 4/4
Mark Dujsik
Mark Reviews Movies
Thematically adventurous…the bloody shocks that paint the town Red emerge from suburban squalor: dirty streets, dirty crimes, and dirty politicians. [Blu-ray]
September 9, 2010 | Rating: 3.5/4
Peter Canavese
Groucho Reviews
Taken as a whole, the trilogy depicts a universe polluted by the evil that men do and the pain and suffering their evil leaves behind.
September 7, 2010 | Rating: 4.5/5
Brian Holcomb
CinemaBlend
You’ll have to work to get the most out of ‘Red Riding,’ but if you are as diligent as Piggot, the mystery is worth it.
September 3, 2010 | Rating: 4/5
Dan Lybarger
eFilmCritic.com…
Plot
In 1974, Eddie Dunford, comes home from South England and gets a job as a cub reporter for the Yorkshire Post. A schoolgirl has gone missing, and Eddie suspects it’s one of several crimes dating back six years; the police think not and blame gypsies. Eddie digs; the police stonewall him then two of them beat him after he visits the widowed mother of one of the girls missing for a few years. When a child’s body turns up at a construction site of local building magnate John Dawson, Eddie has another thread to pull. By now, he’s begun an affair with Paula, the widowed mother, and he suspects collusion among Dawson, the police, and his newspaper – but what are they covering up?
Trivia
Goofs / Tidbits
NA
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90%
Carlos (2010)
90%RT Audience Score: 85%
Awards & Nominations: NA
Despite its hefty running time, Carlos moves along briskly, thanks to an engaging story, exotic locales, and a breakout performance by Edgar Ramirez.
Carlos is the kind of movie that makes you want to start a revolution, or at least join a really cool club. It’s a thrilling ride through the life of a terrorist who’s equal parts terrifying and fascinating. Edgar Ramírez gives a performance that’s both fearless and sophisticated, and the direction by Olivier Assayas is nothing short of epic. Sure, it’s not the most lighthearted movie out there, but if you’re in the mood for something that will make you think and feel, Carlos is definitely worth a watch.
Production Company(ies)
Talking Heads Arnold Stiefel Company,
Distributor
IFC Films
Release Type
Filming Location(s)
MPAA / Certificate
Not Rated
Year of Release
2010
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Color:Color
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Sound mix:Dolby Digital
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Aspect ratio:2.35 : 1
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Runtime:2h 30m
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Language(s):
-
Country of origin:United States
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Release date:Release Date (Theaters): Oct 15, 2010 Limited
Release Date (Streaming): Sep 27, 2011
Genre(s)
Drama/Biography
Keyword(s)
starring Edgar Ramirez, directed by Olivier Assayas, written by Olivier Assayas, Dan Franck, Daniel Leconte, drama, biography, box office performance, budget, reviewed by Christopher Kelly, Rene Rodriguez, J.R Jones, Roger Ebert, David Lewis, Sara Michelle Fetters, Mattie Lucas, Ilich Ramirez Sanchez, Ahmad Kaabour, Palestinian terrorist organization, OPEC oil ministers, international terrorist, exotic locales, breakout performance, French (Canada), Daniel Leconte, IFC Films, Alexander Scheer, Nora von Waldstätten, Christoph Bach, Ahmad Kaabour, Fadi Abi Samra, MPAA rating, terrorism, Marxist, Palestinian liberation, James Bond, Yasser Arafat, state-sponsored terrorism, police states, idealism, mercenary, women, guns, violence, action, suspense, thriller, epic, meticulous, engaging story, exotic locales, mesmerizing portrait, committed activist, media-hungry rock star, international terrorist, fearlessness, sophistication, iron fist, political cause, global revolution, futile, unique, well-acted, fascinating, laborious, draining, obdurate, unique, well-acted, fascinating, laborious, draining, obdurate
Worldwide gross: NA
Worldwide gross (inflation-adjusted): NA
Worldwide gross ranking (inflation-adjusted): NA
Worldwide tickets sold (est.): NA
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Alexander Scheer – Johannes Weinrich
Nora von Waldstätten – Magdalena Kopp
Christoph Bach – Hans-Joachim Klein (Angie)
Ahmad Kaabour – Wadie Haddad
Fadi Abi Samra – Michel Moukharbal
Director(s)
Olivier Assayas
Writer(s)
Olivier Assayas, Dan Franck, Daniel Leconte
Producer(s)
Daniel Leconte
Film Festivals
Awards & Nominations
NA
Academy Awards
All Critics (69) | Top Critics (30) | Fresh (64) | Rotten (5)
Carlos deserves mention alongside the greatest suspense thrillers ever made.
January 7, 2011 | Rating: 5/5
Christopher Kelly
Dallas Morning News
TOP CRITIC
The term “epic” often gets bandied around to describe movies that don’t really fit the description. But Olivier Assayas’ Carlos is the real deal…
December 21, 2010 | Rating: 4/4
Rene Rodriguez
Miami Herald
TOP CRITIC
It manages to deliver a steady stream of action thrills even as it reconsiders the international terrorism of the 1960s and ’70s for lessons important today.
December 3, 2010
J. R. Jones
Chicago Reader
TOP CRITIC
A terrifying portrait of an egomaniac who demands absolute obedience, and craves it even more when his power and relevance are drained away.
December 2, 2010 | Rating: 3.5/4
Roger Ebert
Chicago Sun-Times
TOP CRITIC
It is one of the best pictures of the year.
November 4, 2010 | Rating: 4/4
David Lewis
San Francisco Chronicle
TOP CRITIC
Carlos isn’t just the best movie of the year, it is arguably one of the single greatest motion picture I have ever seen.
October 29, 2010 | Rating: 4/4
Sara Michelle Fetters
MovieFreak.com
TOP CRITIC
While it owes a great debt to The Godfather (a film to which Assayas tips his hat), Carlos stands tall as its own grand achievement on a rare and staggering scale.
June 7, 2019
Mattie Lucas
The Dispatch (Lexington, NC)
Edgar Ramírez epitomizes fearlessness and sophistication all while ruling with an iron fist and shedding innocent blood for his political cause.
December 31, 2018 | Rating: A-
Kiko Martinez
San Antonio Current
There is a sense that the film makers became far too engrossed in their subject matter, whilst forgetting that the point of drama — as opposed to biography — is to evoke emotion through a unique connection with its audience.
November 5, 2018 | Rating: 2/5
Thomas Pemberton
CineVue
It’s an amazing story, one told with gripping lucidity.
May 17, 2018
John Powers
NPR’s Fresh Air
Olivier Assayas’ epic account of the life and myth of real-life terrorist Carlos the Jackal is a mesmerizing portrait of a committed activist who transforms himself into a media-hungry rock star of an international terrorist.
April 10, 2016
Sean Axmaker
Seanax.com
Though a superbly made and meticulous portrait, Carlos is more interesting than entertaining.
March 11, 2016 | Rating: 3/5
Roe McDermott
Hot Press…
Plot
Ilich Ramirez Sanchez, aka ‘Carlos,’ is a Venezuelan-born Marxist revolutionary who aligns himself with the Palestinian cause and becomes the world’s most notorious terrorist. He leads assaults on the meeting of OPEC ministers, taking them hostage and flying them from country to country seeking asylum, one of the most daring acts of terrorism in history. From his earliest days as an apprentice in the revolutionary movement to his subsequent downfall, Carlos becomes a figure of legend.
Trivia
Goofs / Tidbits
Edgar Ramirez delivers a breakout performance as the titular character in Carlos.
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