Zombieland (2009)
RT Audience Score: 86%
Awards & Nominations: 10 wins & 29 nominations
Wickedly funny and featuring plenty of gore, Zombieland is proof that the zombie subgenre is far from dead
Zombieland is the perfect movie for those who love a good laugh and a bit of gore. It’s not going to win any awards for its plot, but who cares when you have Woody Harrelson as a redneck zombie killer? The movie is a nonstop ride of snarky one-liners and over-the-top action scenes that will have you cheering for the underdog misfits. And let’s not forget the cameo from Bill Murray, which is worth the price of admission alone. So grab some popcorn, sit back, and enjoy the hilariously infectious ride that is Zombieland.
Production Company(ies)
Mandeville Films, Walt Disney Pictures,
Distributor
Sony Pictures Entertainment
Release Type
Filming Location(s)
490 West Paces Ferry Rd, Atlanta, Georgia, USA
MPAA / Certificate
Rated R for horror violence/gore and language
Year of Release
2009
-
Color:Color
-
Sound mix:Dolby Digital DTSS DDS Dolby Atmos
-
Aspect ratio:2.39 : 1
-
Runtime:1h 27m
-
Language(s):English, Spanish, French
-
Country of origin:United States
-
Release date:Release Date (Theaters): Oct 2, 2009 Wide
Release Date (Streaming): Feb 2, 2010
Genre(s)
Comedy/Horror
Keyword(s)
starring Woody Harrelson, Jesse Eisenberg, Emma Stone, Abigail Breslin, Amber Heard, Bill Murray, directed by Ruben Fleischer, written by Rhett Reese, Paul Wernick, comedy, horror, box office performance, budget, reviewed by Candice Frederick, Lisa Rosman, Deborah Ross, Michael Phillips, Bruce Diones, Perri Nemiroff, Sean Axmaker, George Fenwick, James Croot, Eddie Harrison, Mike Massie, Jason Best, R MPAA rating, produced by Gavin Polone, zombie subgenre, survival rules, zombie-killing strategies, virus, undead, ongoing battle, Los Angeles, Tallahassee, Columbus, Wichita, Little Rock, 81 minutes, Dolby Digital, DTS, SDDS, Scope (2.35:1)
Worldwide gross: $102,392,080
Worldwide gross (inflation-adjusted): $141,517,192
Worldwide gross ranking (inflation-adjusted): 862
Worldwide tickets sold (est.): 15,432,627
US/Canada gross: $75,590,286
US/Canada gross (inflation-adjusted): $104,474,145
US/Canada gross ranking (inflation-adjusted): 718
US/Canada opening weekend: $24,733,155
US/Canada opening weekend (inflation-adjusted): $34,183,959
US/Canada opening weekend ranking (inflation-adjusted): 384
Budget and Earnings Details
Production budget (est.): $23,600,000
Production budget (inflation-adjusted): $32,617,813
Production budget ranking: 1,108
Marketing and distribution budget (inflation-adjusted est.): $17,564,692
Box office net earnings to date (inflation-adjusted est.): $91,334,686
ROI to date (est.): 182%
ROI ranking: 676
Jesse Eisenberg – Columbus
Emma Stone – Wichita
Abigail Breslin – Little Rock
Amber Heard – 406
Bill Murray – Self
Director(s)
Ruben Fleischer
Writer(s)
Rhett Reese, Paul Wernick
Producer(s)
Gavin Polone
Film Festivals
Awards & Nominations
10 wins & 29 nominations
Academy Awards
All Critics (260) | Top Critics (62) | Fresh (232) | Rotten (28)
It’s an okay DVD rental choice but doesn’t go beyond that.
September 11, 2017 | Rating: C-
Candice Frederick
Reel Talk Online
TOP CRITIC
With its quick pace and witty writing, it’s a nonstop, snarky ride.
July 19, 2017
Lisa Rosman
Us Weekly
TOP CRITIC
It is never properly scary. Mostly, it is just very silly, but because the film knows it is silly, it’s all rather infectious and not the big, cliché-pumped bore it might otherwise have been.
September 22, 2014
Deborah Ross
The Spectator
TOP CRITIC
Warts, entrails and all, I had a ball at Zombieland. It’s 81 minutes of my kind of stupid.
October 8, 2013 | Rating: 3.5/4
Michael Phillips
Chicago Tribune
TOP CRITIC
Woody Harrelson has a rip-roaring time in this comic splatterfest as a redneck from hell who is out to kill zombies. It’s the kind of genre acting that doesn’t get much notice, but it’s a gleeful rampage of a performance.
October 8, 2013
Bruce Diones
New Yorker
TOP CRITIC
Packed with the genre’s standard overdose of blood and guts. Add in a charming band of misfits and you get something thrilling, hilarious and sweet, all at the same time.
August 12, 2010 | Rating: 4.5/5
Perri Nemiroff
Shockya.com
TOP CRITIC
The zombie comedy was hardly fresh territory when “Zombieland” came along (and really, will anyone top “Shaun of the Dead”?) but it nonetheless does a fine job of mining the humor inherent in the end of the world.
March 12, 2022
Sean Axmaker
Stream on Demand
For all its silliness, this is not, pardon the pun, brainless; rather, it’s a ruthlessly funny explosion of zombie-film cliches that somehow doubles as a charming road movie.
February 12, 2022
George Fenwick
Stuff.co.nz
If, like I once did, you thought Shaun of the Dead was the last word in zombie-comedy, you were dead wrong.
November 5, 2021 | Rating: 4.5/5
James Croot
Stuff.co.nz
…the whole film is something of a carefree blast…
September 14, 2021 | Rating: 4/5
Eddie Harrison
film-authority.com
Complete with spectacular gore, creative cursing, outrageous slow-motion ransacking, a modest amount of romance, and a tour of the palatial Bill Murray estate.
November 29, 2020 | Rating: 8/10
Mike Massie
Gone With The Twins
If you thought Shaun of the Dead delivered the last word in Zombie horror-comedy, Zombieland shows that you can still get fresh laughs from the festering carcasses of the living dead.
November 24, 2020
Jason Best
Movie Talk…
Plot
Searching for family. In the early twenty-first century, zombies have taken over America. A shy and college student in Texas has survived by following his 30 rules: like “look in the back seat,” “double-tap,” “avoid public restrooms.” He decides to travel to Ohio to see if his parents are alive. He gets a ride with a savage, brutal zombie-killer headed for Florida, and soon they confront a young woman whose sister has been bitten by a zombie and wants to be put out of her suffering. The sisters were headed to an LA park with atractions they’ve heard is without a zombie.
Trivia
Goofs / Tidbits
The cast of Zombieland includes Woody Harrelson, Jesse Eisenberg, Emma Stone, and Abigail Breslin, all turning in performances perfectly tuned to the genre.
Ruben-Fleischer.jpg
88%
500 Days of Summer (2009)
RT Audience Score: 84%
Awards & Nominations: 17 wins & 58 nominations
A clever, offbeat romantic comedy, 500 Days of Summer is refreshingly honest and utterly charming
(500) Days of Summer is the kind of movie that makes you want to fall in love, and then immediately regret it. It’s a rollercoaster of emotions that will have you laughing, crying, and questioning everything you thought you knew about relationships. The chemistry between Zooey Deschanel and Joseph Gordon-Levitt is undeniable, and the non-linear storytelling keeps you on your toes. Sure, it’s not a perfect movie, but it’s a damn good one. So grab some tissues and your favorite snack, and get ready for a wild ride.
Production Company(ies)
Road Movies Filmproduktion, Argos Films, Westdeutscher Rundfunk
Distributor
Fox
Release Type
Theatrical
Filming Location(s)
Bradbury Building – 304 S. Broadway, Downtown, Los Angeles, California, USA
MPAA / Certificate
Rated PG-13 for sexual material and language
Year of Release
2009
-
Color:Color
-
Sound mix:DTS Dolby Digital SDDS
-
Aspect ratio:2.35 : 1
-
Runtime:1h 35m
-
Language(s):English, French, Swedish
-
Country of origin:United States
-
Release date:Release Date (Theaters): Aug 7, 2009 Wide
Release Date (Streaming): Dec 22, 2009
Genre(s)
Romance
Keyword(s)
starring Joseph Gordon-Levitt, Zooey Deschanel, Geoffrey Arend, Chloë Grace Moretz, Matthew Gray Gubler, Clark Gregg, directed by Marc Webb, written by Scott Neustadter, Michael Weber, romance, box office performance, budget, reviewed by Deborah Ross, Ed Koch, Candice Frederick, Bill Goodykoontz, Kimberley Jones, Richard Brody, Kevin Craft, Nicholas Oon, Catherine Springer, Mike Massie, Jason Best, Richard Propes, PG-13, Fox, produced by Jessica Tuchinsky, Mark Waters, Mason Novick, Steven J Wolfe, love, relationship, breakup, greeting-card writer, hopeless romantic, girlfriend, Summer, 500 days, passions, life, musical numbers, non-linear presentation, comedy, likable film, chick flick, Shakespeare, horror movies, MCU movies, Netflix series, TV shows, streaming movies
Worldwide gross: $60,800,444
Worldwide gross (inflation-adjusted): $84,032,946
Worldwide gross ranking (inflation-adjusted): 1,101
Worldwide tickets sold (est.): 9,163,898
US/Canada gross: $32,391,374
US/Canada gross (inflation-adjusted): $44,768,465
US/Canada gross ranking (inflation-adjusted): 1,122
US/Canada opening weekend: $834,501
US/Canada opening weekend (inflation-adjusted): $1,153,373
US/Canada opening weekend ranking (inflation-adjusted): 1,261
Budget and Earnings Details
Production budget (est.): $7,500,000
Production budget (inflation-adjusted): $10,365,830
Production budget ranking: 1,654
Marketing and distribution budget (inflation-adjusted est.): $5,582,000
Box office net earnings to date (inflation-adjusted est.): $68,085,115
ROI to date (est.): 427%
ROI ranking: 319
Zooey Deschanel – Summer
Geoffrey Arend – McKenzie
Chloë Grace Moretz – Rachel
Matthew Gray Gubler – Paul
Clark Gregg – Vance
Director(s)
Marc Webb
Writer(s)
Scott Neustadter, Michael Weber
Producer(s)
Jessica Tuchinsky, Mark Waters, Mason Novick, Steven J. Wolfe
Film Festivals
Awards & Nominations
17 wins & 58 nominations
Academy Awards
All Critics (235) | Top Critics (68) | Fresh (201) | Rotten (34)
This is a film which tries so hard to be fresh and different it loses sight of the bigger picture, is just kind of empty somehow, and rather beefs up the ‘rom’ and the heartache at the expense of the ‘com.’
August 30, 2018
Deborah Ross
The Spectator
TOP CRITIC
The principals perform their roles nicely, but there really isn’t much for them to do. Undoubtedly, the age gap has influenced my negative response.
January 17, 2018
Ed Koch
The Atlantic
TOP CRITIC
What makes this movie so seamless is the spot-on performances of the two lead actors and the very relatable story of what happens when love–and life–happens.
September 12, 2017 | Rating: B+
Candice Frederick
Reel Talk Online
TOP CRITIC
An unpredictable, immensely satisfying experience, much like love itself.
February 10, 2014
Bill Goodykoontz
Arizona Republic
TOP CRITIC
(500) Days is a funny, seductive, and surprisingly honest dramatization of the ways we snooker ourselves into incompatible love.
February 10, 2014 | Rating: 3.5/5
Kimberley Jones
Austin Chronicle
TOP CRITIC
Forcedly cute, clumsily mechanical, overdetermined, and undernourished, this ostensibly soulful romance is a plastic void.
February 10, 2014
Richard Brody
New Yorker
TOP CRITIC
The thing about (500) Days of Summer is that you could switch the leads and not miss a beat. Deschanel and Gordon-Levitt are that good.
March 23, 2022
Kevin Craft
PopMatters
The kind of film that comes around every 10 years. A true, funny kind of love story that’s not a love story at the same time.
August 17, 2021
Nicholas Oon
Maximum Hype (YouTube)
It has no great story to tell, other than recounting the path of a relationship from start to end and the various emotions that occur within it-and it is terrific every step of the way. And utterly relatable.
July 25, 2021 | Rating: 4/5
Catherine Springer
CathsFilmForum.com
Fresh, different, and entirely worthwhile.
November 28, 2020 | Rating: 8/10
Mike Massie
Gone With The Twins
Sardonic, quirky, clever: these filmmakers really know the way to my heart.
November 24, 2020
Jason Best
Movie Talk
Who really understands this thing we call love?
September 7, 2020 | Rating: 4.0/4.0
Richard Propes
TheIndependentCritic.com…
Plot
After it looks as if she’s left his life for good this time, Tom Hansen reflects back on the just over one year that he knew Summer Finn. For Tom, it was love at first sight when she walked into the greeting card company where he worked, she the new administrative assistant. Soon, Tom knew that Summer was the woman with whom he wanted to spend the rest of his life. Although Summer did not believe in relationships or boyfriends – in her assertion, real life will always ultimately get in the way – Tom and Summer became more than just friends. Through the trials and tribulations of Tom and Summer’s so-called relationship, Tom could always count on the advice of his two best friends, McKenzie and Paul. However, it is Tom’s adolescent sister, Rachel, who is his voice of reason. After all is said and done, Tom is the one who ultimately has to make the choice to listen or not.
Trivia
Goofs / Tidbits
There is no goofy or funny or odd comment about the film (500) Days of Summer on Fresh Kernels.
Marc-Webb.jpg
88%
Il Divo (2009)
RT Audience Score: 80%
Awards & Nominations: Nominated for 1 Oscar
32 wins & 40 nominations total
While the web of corruption in this Italian political thriller can be hard for a non-native to follow, the visuals and the intrigue are compelling and thrilling in equal measure
Il Divo is a wild ride through the corrupt world of Italian politics, with Tony Servillo delivering a performance that’s so good, it’s like he’s been mummified in plaster of Paris. But don’t worry, this movie isn’t as dry as a history textbook – it’s full of flashy visuals and hilarious deadpan moments that will keep you entertained from start to finish. If you’re looking for a biopic that’s both familiar and completely unique, Il Divo is the movie for you. Just don’t blame us if you start dancing like a corrupt politician afterwards.
Production Company(ies)
Distributor
Music Box Films
Release Type
Theatrical
Filming Location(s)
Via del Corso, Rome, Lazio, Italy
MPAA / Certificate
Not Rated
Year of Release
2008
-
Color:Color
-
Sound mix:Dolby Digital
-
Aspect ratio:2.35 : 1
-
Runtime:1h 50m
-
Language(s):Italian, English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Apr 24, 2009 Limited
Release Date (Streaming): Oct 27, 2009
Genre(s)
Biography
Keyword(s)
Worldwide gross: $11,260,366
Worldwide gross (inflation-adjusted): $15,510,724
Worldwide gross ranking (inflation-adjusted): 1,806
Worldwide tickets sold (est.): 1,691,464
US/Canada gross: $240,159
US/Canada gross (inflation-adjusted): $330,810
US/Canada gross ranking (inflation-adjusted): 2,428
US/Canada opening weekend: $13,867
US/Canada opening weekend (inflation-adjusted): $19,101
US/Canada opening weekend ranking (inflation-adjusted): 2,529
Budget and Earnings Details
Production budget (est.): 5700000
Production budget (inflation-adjusted): $7,851,532
Production budget ranking: 1,758
Marketing and distribution budget (inflation-adjusted est.): $4,228,050
Box office net earnings to date (inflation-adjusted est.): $3,431,142
ROI to date (est.): 28%
ROI ranking: 1,248
Anna Bonaiuto – Livia Danese
Piera Degli Esposti – Signora Enea
Paolo Graziosi – Aldo Moro
Giulio Bosetti – Eugenio Scalfari
Flavio Bucci – Franco Evangelisti
Director(s)
Paolo Sorrentino
Writer(s)
Paolo Sorrentino
Producer(s)
Francesca Cima, Nicola Giuliano, Andrea Occhipinti
Film Festivals
Awards & Nominations
Nominated for 1 Oscar
32 wins & 40 nominations total
Academy Awards
Oscar Nominees
All Critics (51) | Top Critics (23) | Fresh (47) | Rotten (4)
The film takes flight on the brilliant title performance by Tony Servillo (Gomorrah), who plays Andreotti like a mummified Alec Guinness, as if encased in layers of plaster of Paris.
August 23, 2009
Jonathan F. Richards
Film.com
TOP CRITIC
We may not know the man, but we know the dance, as seen in the highly diverting and hugely controversial Il Divo, a biopic as wly as its subject.
July 10, 2009 | Rating: 3.5/4
Peter Howell
Toronto Star
TOP CRITIC
A stunning piece of work that feels both familiar and completely unique at the same time.
July 10, 2009
Brian Tallerico
Movie Retriever
TOP CRITIC
After I saw Il Divo, I suppose I should have felt indignation. I suppose I should also have felt that way after “The Godfather.” But such films present such mesmerizing figures that I simply regard them, astonished.
July 9, 2009 | Rating: 3.5/4
Roger Ebert
Chicago Sun-Times
TOP CRITIC
The enigmatic Andreotti is the perfect subject for a biopic in the European tradition.
June 30, 2009 | Rating: 4/5
Kerry Lengel
Arizona Republic
TOP CRITIC
All in all, this phenomenal film illustrates Alexis de Tocqueville’s observation that “The people get the government they deserve.” In both meanings of the word, Il Divo is sensational.
June 5, 2009 | Rating: 3.5/4
Carrie Rickey
Philadelphia Inquirer
TOP CRITIC
A more conventional filmmaker would be defeated by Andreotti’s murky history, but Sorrentino’s flamboyantly Baroque approach – full of dazzling visual flourishes worthy of Scorsese in his pomp – delivers an indelible portrait.
November 21, 2020
Jason Best
Movie Talk
Sumptuous filmmaking at its most flashiest, “Il Divo” may distance some people but I found it to be riveting.
January 17, 2020
Ard Vijn
ScreenAnarchy
A clever telling of the story about the epic levels of corruption in Italian public life that found the suitably opaque, vampiric presence of Andreotti at the centre of it.
February 1, 2019 | Rating: 4/5
PJ Nabarro
Patrick Nabarro
A fascinating history of recent Italian politics.
April 2, 2010 | Rating: 3.5/4
Wesley Lovell
Cinema Sight
… not so much a savage satire as one disenchanted with the institutional corruption of politics.
December 5, 2009
Sean Axmaker
Seanax.com
… Sorrentino avoids the dreary conventions of the biopic in favor of a cheeky mix of music montages, dramatic re-enactments and hilariously deadpan takes ….
September 11, 2009 | Rating: 7/10
Sarah Boslaugh
Playback:stl…
Plot
The story of Italian politician Giulio Andreotti, who has served as Prime Minister of Italy seven times since the restoration of democracy in 1946.
Trivia
Goofs / Tidbits
The film features Toni Servillo in a “brilliant title performance” as Giulio Andreotti, playing him like a “mummified Alec Guinness.”
Paolo-Sorrentino.jpg
88%
Ghost Town (2008)
RT Audience Score: 85%
Awards & Nominations: 3 wins & 2 nominations
Ricky Gervais’ consistently sharp performance and beautifully dry execution transform this otherwise mainstream comedy into an endearing, funny, and altogether snappy romantic comedy. With ghosts
If you’re looking for a rom-com with a supernatural twist, Ghost Town might just be the movie for you. Critics are divided on whether Ricky Gervais’ performance is a hit or miss, but one thing is for sure: Tea Leoni is undeniably charming. The plot may be predictable, but the film’s retro vibe and quirky characters make it a fun watch. Plus, who doesn’t love a good ghost story? Give Ghost Town a chance and you might just find yourself rooting for the living and the dead to find love.
Production Company(ies)
Perfect Day Films,
Distributor
Paramount Pictures, DreamWorks SKG
Release Type
Theatrical
Filming Location(s)
New York City, New York, USA
MPAA / Certificate
Rated PG-13 for some strong language, sexual humor and drug references
Year of Release
2008
-
Color:Color
-
Sound mix:Dolby Digital DTSS DDS
-
Aspect ratio:1.85 : 1
-
Runtime:1h 43m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Sep 19, 2008 Wide
Release Date (Streaming): Oct 28, 2008
Genre(s)
Comedy/Fantasy
Keyword(s)
starring Ricky Gervais, Téa Leoni, Greg Kinnear, Bill Campbell, Kristen Wiig, Dana Ivey, directed by David Koepp, written by David Koepp, John Kamps, comedy, fantasy, romance, PG-13, box office, budget, reviewed by Deborah Ross, Nell Minow, Ben Kenigsberg, Christine Champ, Paul Byrnes, Jake Wilson, Cole Smithey, Mike Massie, Kathi Maio, Eileen Jones, Megan Basham, James Vance, ghosts, dentist, afterlife, near-death experience, misanthropic, spirits, widow, colonoscopy, talking to the dead, Frank Herlihy, Mrs Pickthall, Gavin Polone, produced by Paramount Pictures, DreamWorks SKG
Worldwide gross: $27,090,159
Worldwide gross (inflation-adjusted): $37,315,659
Worldwide gross ranking (inflation-adjusted): 1,465
Worldwide tickets sold (est.): 4,069,319
US/Canada gross: $13,367,624
US/Canada gross (inflation-adjusted): $18,413,391
US/Canada gross ranking (inflation-adjusted): 1,436
US/Canada opening weekend: $5,012,315
US/Canada opening weekend (inflation-adjusted): $6,904,272
US/Canada opening weekend ranking (inflation-adjusted): 1,040
Budget and Earnings Details
Production budget (est.): $20,000,000
Production budget (inflation-adjusted): $27,549,236
Production budget ranking: 1,196
Marketing and distribution budget (inflation-adjusted est.): $14,835,263
Box office net earnings to date (inflation-adjusted est.): -$5,068,840
ROI to date (est.): -12%
ROI ranking: 1,460
Téa Leoni – Gwen
Greg Kinnear – Frank Herlihy
Bill Campbell – Richard
Kristen Wiig – Surgeon
Dana Ivey – Mrs. Pickthall
Director(s)
David Koepp
Writer(s)
David Koepp, John Kamps
Producer(s)
Gavin Polone
Film Festivals
Awards & Nominations
3 wins & 2 nominations
Academy Awards
All Critics (187) | Top Critics (57) | Fresh (159) | Rotten (28)
I like Gervais but now realise there is only so much I can take at the one sitting.
August 23, 2018
Deborah Ross
The Spectator
TOP CRITIC
February 18, 2012 | Rating: B
Nell Minow
Movie Mom
TOP CRITIC
November 17, 2011 | Rating: 2/5
Ben Kenigsberg
Time Out
TOP CRITIC
May 6, 2011 | Rating: B-
Christine Champ
Film.com
TOP CRITIC
Ghost Town is both a surprise and a departure: it’s genuinely funny and quietly original. It also shows what Gervais can do in the right role.
February 20, 2009 | Rating: 4/5
Paul Byrnes
Sydney Morning Herald
TOP CRITIC
Writer-director David Koepp is almost too careful a craftsman for his own good, but Gervais and Leoni share a talent for throwing the audience off-balance…
February 13, 2009 | Rating: 3/5
Jake Wilson
The Age (Australia)
TOP CRITIC
David Koepp’s 1998 New York City romcom could improve your amorous relationship, even if it’s a first date.
December 18, 2020 | Rating: A-
Cole Smithey
ColeSmithey.com
Although it utilizes a fairly run-of-the-mill romantic comedy plot, Ricky Gervais and Tea Leoni are undeniably charming.
November 28, 2020 | Rating: 7/10
Mike Massie
Gone With The Twins
If you are the type who actually enjoys watching (or rewatching, for the umpteenth time) old movies like A Christmas Carol and Topper, you will likely heartily enjoy David Koepp’s mild-mannered retro comedy…
March 4, 2020
Kathi Maio
The Magazine of Fantasy & Science Fiction
The ending’s like The Simpsons’ version of a Disneyland parade, with the shouted slogan, “Hurray for Everything!!” And these days, nobody needs that kind of aggravation.
October 31, 2018
Eileen Jones
The eXile
Kinnear plays smarmy well enough and the rest of the cast turn in serviceable performances, but it is Gervais and Leoni who take a patchwork quilt of a romance and make it a comedy worth seeing.
October 10, 2018
Megan Basham
WORLD
Based on the ad campaign, it would be easy to pigeonhole “Ghost Town” as another romantic comedy with a twist, but it’s much more and much better than that.
February 6, 2018 | Rating: 3/4
James Vance
Tulsa World…
Plot
Bertram Pincus is a man whose people skills leave much to be desired. When Pincus dies unexpectedly, but is miraculously revived after seven minutes, he wakes up to discover that he now has the annoying ability to see ghosts. Even worse, they all want something from him, particularly Frank Herlihy who pesters him into breaking up the impending marriage of his widow Gwen. That puts Pincus squarely in the middle of a triangle with spirited result.
Trivia
Goofs / Tidbits
Ricky Gervais’ performance is consistently sharp and beautifully dry, transforming this mainstream comedy into an endearing, funny, and altogether snappy romantic comedy. With ghosts.
David-Koepp.jpg
88%
Reprise (2006)
RT Audience Score: 83%
Awards & Nominations: 16 wins & 16 nominations
With Reprise, first-time director Joachim Trier effectively captures the spirit of young adulthood, and announces his arrival as a filmmaker to be watched
Reprise is like a punk-rock Jules and Jim for the creative youth. It’s a promising debut from Norwegian director Joachim Trier that embraces the old while forging brave new trails in the art form. The film follows two aspiring writers in their early 20s as they navigate the joys and sufferings of their quest for artistic success. With its playful approach to chronology and voice-over narration, Reprise amplifies its themes without coming off as a show-off trick. It’s a stylistically bold and impressive feature debut that’s fearlessly vivacious and engaging.
Production Company(ies)
Shochiku
Distributor
Miramax Films
Release Type
Theatrical
Filming Location(s)
Bygdøy, Norway
MPAA / Certificate
Rated R for sexuality and language
Year of Release
2006
-
Color:Color
-
Sound mix:Dolby Digital
-
Aspect ratio:1.85 : 1
-
Runtime:1h 45m
-
Language(s):Norwegian
-
Country of origin:Norway
-
Release date:Release Date (Theaters): May 16, 2008 Limited
Release Date (Streaming): Sep 2, 2008
Genre(s)
Drama
Keyword(s)
starring Anders Danielsen Lie, Espen Klouman Høiner, Viktoria Winge, Henrik Elvestad, Christian Rubeck, Odd Magnus Williamson, directed by Joachim Trier, written by Joachim Trier, Eskil Vogt, drama, box office performance, budget, reviewed by Ben Kenigsberg, Lisa Schwarzbaum, Rene Rodriguez, Kimberley Jones, Tom Keogh, Richard Nilsen, Richard Propes, Mattie Lucas, Emanuel Levy, James Verniere, Duane Dudek, Jules Brenner, R rating, Miramax Films, Karin Julsrud, Norwegian language, literary ambitions, friendship, young adulthood, creative instinct
Worldwide gross: $1,297,260
Worldwide gross (inflation-adjusted): $1,913,014
Worldwide gross ranking (inflation-adjusted): 2,427
Worldwide tickets sold (est.): 208,617
US/Canada gross: $554,826
US/Canada gross (inflation-adjusted): $818,178
US/Canada gross ranking (inflation-adjusted): 2,234
US/Canada opening weekend: $49,060
US/Canada opening weekend (inflation-adjusted): $72,347
US/Canada opening weekend ranking (inflation-adjusted): 2,063
Budget and Earnings Details
Production budget (est.): NOK 22,000,000
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Espen Klouman Høiner – Erik
Viktoria Winge – Kari
Henrik Elvestad – Henning
Christian Rubeck – Lars
Odd Magnus Williamson – Morten
Joachim Trier – Director
Karin Julsrud – Producer
Joachim Trier, Eskil Vogt – Writers
Director(s)
Joachim Trier
Writer(s)
Joachim Trier, Eskil Vogt
Producer(s)
Karin Julsrud
Film Festivals
Awards & Nominations
16 wins & 16 nominations
Academy Awards
All Critics (81) | Top Critics (39) | Fresh (71) | Rotten (10)
November 17, 2011 | Rating: 3/5
Ben Kenigsberg
Time Out
TOP CRITIC
September 7, 2011 | Rating: A-
Lisa Schwarzbaum
Entertainment Weekly
TOP CRITIC
This story about two aspiring writers in their early 20s has the fearlessness and vivacity of a first novel, and its playful approach to chronology and voice-over narration serves to amplify its themes instead of coming off as a show-off trick.
August 1, 2008 | Rating: 3/4
Rene Rodriguez
Miami Herald
TOP CRITIC
As auspicious — and breathless — a debut as Reservoir Dogs was for Tarantino.
July 3, 2008 | Rating: 3.5/4
Kimberley Jones
Austin Chronicle
TOP CRITIC
Reprise is not just about engaging with or surviving through the creative instinct. It is that instinct.
June 20, 2008 | Rating: 3.5/4
Tom Keogh
Seattle Times
TOP CRITIC
If you are young, male and dream of making a name for yourself in the arts, Reprise is about the joys and sufferings of that quest: It is a Jules and Jim for the punk-rock generation.
June 12, 2008 | Rating: 4/5
Richard Nilsen
Arizona Republic
TOP CRITIC
A promising feature-length debut from Norwegian director Joachim Trier.
September 21, 2020 | Rating: 3.0/4.0
Richard Propes
TheIndependentCritic.com
Embraces the old while forging brave new trails in the art form.
July 6, 2019 | Rating: 3.5/4
Mattie Lucas
From the Front Row
Stylistically bold, impressive feature debut about creative youth
July 11, 2011 | Rating: B+
Emanuel Levy
EmanuelLevy.Com
October 18, 2008 | Rating: A-
James Verniere
Boston Herald
Reprise alternately shows punk energy, library hush and comic anxiety. And despite ominous portents, the ending is cockeyed optimistic.
October 18, 2008 | Rating: 3/4
Duane Dudek
Milwaukee Journal Sentinel
Trier is having more fun in the editing room than his story requires and he’d be well advised to spend more time in the deeper development and dramatic elements of his characters.
August 30, 2008 | Rating: 2.5/5
Jules Brenner
Cinema Signals…
Plot
Reprise follows the intertwined journeys of two best friends, Phillip and Erik, as they navigate their literary ambitions and the challenges of young adulthood.
Trivia
Goofs / Tidbits
No goofy or funny or odd comments were found in the Fresh Kernels database for the film “Reprise”.
Joachim-Trier.jpg
88%
Chop Shop (2008)
RT Audience Score: 77%
Awards & Nominations: 4 wins & 8 nominations
Chop Shop, the 2007 film by Ramin Bahrani, is a stunning example of neorealist cinema that captures the gritty reality of life on the margins of American society. Bahrani’s use of hand-held cameras and natural dialogue creates a docu-feel that immerses the viewer in the world of his young protagonist, Alejandro. The film is a near-masterwork of low-budget precision and improvisation, constructed and rehearsed over many months in collaboration with the actors and the entire Willets Point community. Bahrani’s sincerity and grace towards his characters, who are often invisible to the people who “count” in New York City, is what makes Chop Shop a must-see for fans of independent cinema.
Chop Shop is like a hidden gem that you stumble upon while walking through a thrift store. It’s gritty, resourceful, and captures the stories of people who are often invisible to society. Director Ramin Bahrani’s neorealist style mixed with improvisation and collaboration with the actors and community make this film a near-masterwork of low-budget precision. The protagonist’s hope to avoid a life of quiet desperation is relatable, and the film’s clear-eyed and quietly absorbing nature makes it a must-watch for anyone who loves a good underdog story.
Production Company(ies)
Walt Disney Pictures, Pixar Animation Studios,
Distributor
NA
Release Type
Filming Location(s)
Queens, New York City, New York, USA
MPAA / Certificate
Unrated
Year of Release
2008
-
Color:Color
-
Sound mix:Dolby Digital
-
Aspect ratio:1.85 : 1
-
Runtime:NA
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Streaming): Jul 15, 2008
Genre(s)
Drama
Keyword(s)
Chop Shop, drama, Ramin Bahrani, Jeb Brody, Bahareh Azimi, Alejandro Polanco, Isamar Gonzales, Ahmad Razvi, Carlos Ayala, Laura Patalano, Nick Jasprizza, neorealist, New York City, low-budget, auto-body repairman, siblings, underbelly, Queens, criminal enterprises, Third World America, verite style, hand-held cameras, natural dialogue, docu-feel, gritty, resourceful, low-level, idle dreams, hope, heartfelt, excellent performances, box office, gross USA, $123.7K, MPAA rating, reviewed by David Fear, Ben Kenigsberg, Noel Murray, Andrew O’Hehir, Michael Phillips, Steven Winn, Piers Marchant, Matt Brunson, Norman Wilner, Douglas Davidson, David Walsh, Mattie Lucas, directed by Ramin Bahrani, produced by Jeb Brody, written by Bahareh Azimi and Ramin Bahrani, drama genre, 1h 24m runtime
Worldwide gross: $222,776
Worldwide gross (inflation-adjusted): $306,865
Worldwide gross ranking (inflation-adjusted): 2,847
Worldwide tickets sold (est.): 33,464
US/Canada gross: $125,045
US/Canada gross (inflation-adjusted): $172,245
US/Canada gross ranking (inflation-adjusted): 2,572
US/Canada opening weekend: $8,475
US/Canada opening weekend (inflation-adjusted): $11,674
US/Canada opening weekend ranking (inflation-adjusted): 2,673
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Isamar Gonzales – Isamar
Ahmad Razvi – Ahmad
Carlos Ayala – Carlos the Pigeon Worker
Laura Patalano – Laura
Nick Jasprizza – The “John”
Director(s)
Ramin Bahrani
Writer(s)
Bahareh Azimi, Ramin Bahrani
Producer(s)
Jeb Brody
Film Festivals
Awards & Nominations
4 wins & 8 nominations
Academy Awards
All Critics (59) | Top Critics (27) | Fresh (57) | Rotten (2)
November 18, 2011 | Rating: 4/5
David Fear
Time Out
TOP CRITIC
November 17, 2011 | Rating: 4/5
Ben Kenigsberg
Time Out
TOP CRITIC
All these low-level criminal enterprises and idle dreams aren’t happening in Mexico City or Kandahar; they’re just outside Queens.
October 18, 2008 | Rating: B+
Noel Murray
AV Club
TOP CRITIC
It’s a near-masterwork of low-budget precision and improvisation, constructed and rehearsed over many months in collaboration with the actors and the entire Willets Point community.
July 9, 2008
Andrew O’Hehir
Salon.com
TOP CRITIC
It’s a sharp mixture of neorealist grit and lyricism.
July 9, 2008 | Rating: 3.5/4
Michael Phillips
Chicago Tribune
TOP CRITIC
In this clear-eyed, quietly absorbing film, director Ramin Bahrani opens up a wedge of Third World America that operates, all but invisibly, in plain sight.
June 27, 2008 | Rating: 3/4
Steven Winn
San Francisco Chronicle
TOP CRITIC
Bahrani shoots the film in classic verite style, all hand-held cameras, and natural dialogue, capturing a docu-feel for a story as gritty and resourceful as its young protagonist.
June 1, 2021
Piers Marchant
Arkansas Democrat-Gazette
Its protagonist hopes to avoid leading a life of quiet desperation.
March 12, 2021 | Rating: 3/4
Matt Brunson
Film Frenzy
Ramin Bahrani’s low-budget studies of people on the margins of American society.
February 27, 2021
Norman Wilner
NOW Toronto
That’s what’s fantastic about Chop Shop, and even Man Push Cart, Bahrani doesn’t look down. He captures the stories with sincerity, bestowing a kind of grace on his characters.
February 23, 2021 | Rating: 4/5
Douglas Davidson
Elements of Madness
In his Chop Shop, co-written with Bahareh Azimi, director Ramin Bahrani has chosen to treat a world and individuals that are invisible to the people who “count” in New York City.
February 14, 2021
David Walsh
World Socialist Web Site
It never feels artificial or created, it feels raw, earthy and urgently immediate.
July 6, 2019 | Rating: 3.5/4
Mattie Lucas
From the Front Row…
Plot
A young man works as an auto-body repairman to provide for his younger sister in the gritty underbelly of New York City in Ramin Bahrani’s heartfelt neorealist drama, Chop Shop.
Trivia
Goofs / Tidbits
The film features Alejandro Polanco in the lead role as Ale, a young man working as an auto-body repairman to provide for his younger sister.
Ramin-Bahrani.jpg
88%
The Black Balloon (2008)
RT Audience Score: 84%
Awards & Nominations: 18 wins & 24 nominations
The Black Balloon is a film that delicately balances the harsh realities of living with a disabled family member with moments of tenderness and humor. Elissa Down’s directorial debut fearlessly tackles the subject of autism with honesty and passion, and Luke Ford’s portrayal of a disabled character is both sensitive and nuanced. While the film’s main character may come off as bland, the intense emotional swings and authentic portrayal of family dynamics make up for it. The Black Balloon is a unique and refreshing take on a subject that is often mishandled in Hollywood, and it charts its own course with grace and heart.
The Black Balloon is a heartwarming film that tackles the subject of autism with honesty and sensitivity. Luke Ford’s portrayal of a disabled character is nothing short of amazing, and the film’s message of acceptance and strength is truly inspiring. While some critics may find the main character to be a bit bland, I found him to be relatable and endearing. Overall, The Black Balloon is a must-see for anyone who wants to be moved and uplifted by a truly touching story. Plus, who doesn’t love a good Aussie charmer that charts its own course?
Production Company(ies)
First Thought Films,
Distributor
Neoclassic Films
Release Type
Filming Location(s)
Bardia Parade, Holsworthy, New South Wales, Australia
MPAA / Certificate
Rated PG-13 for some sexual content, a scene of violence, and brief strong language
Year of Release
2008
-
Color:Color
-
Sound mix:Dolby Digital
-
Aspect ratio:2.35 : 1
-
Runtime:1h 37m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Dec 5, 2008 Limited
Release Date (Streaming): Mar 23, 2010
Genre(s)
Drama
Keyword(s)
starring Rhys Wakefield, Gemma Ward, Luke Ford, Toni Collette, Erik Thomson, Deborah Ann Piper, directed by Elissa Down, written by Elissa Down, Jimmy Jack, drama, PG-13, box office performance, budget, reviewed by Anna King, Ben Kenigsberg, Michael O’Sullivan, Walter V Addiego, Michael Phillips, Roger Ebert, Mattie Lucas, Al Alexander, Mike Scott, Christian Toto, Alicia Potter, Graham Killeen, autism, family, special needs, relationships, coming of age, Australian film, Tristram Miall, Neoclassic Films, Thomas Mollison, Jackie Masters, Charlie Mollison, Maggie Mollison, Simon Mollison, Janet, tender, witty, heartfelt, compassionate, unblinking, honest, passionate, subtle, realistic, outstanding performances, musical scene, chaste romance, special challenge
Worldwide gross: $2,136,663
Worldwide gross (inflation-adjusted): $2,943,172
Worldwide gross ranking (inflation-adjusted): 2,318
Worldwide tickets sold (est.): 320,957
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Gemma Ward – Jackie Masters
Luke Ford – Charlie Mollison
Toni Collette – Maggie Mollison
Erik Thomson – Simon Mollison
Deborah Ann Piper – Janet
Self – Elissa Down (Director)
Tristram Miall – Producer
Elissa Down – Writer
Jimmy Jack – Writer
Director(s)
Elissa Down
Writer(s)
Elissa Down, Jimmy Jack
Producer(s)
Tristram Miall
Film Festivals
Awards & Nominations
18 wins & 24 nominations
Academy Awards
All Critics (41) | Top Critics (20) | Fresh (35) | Rotten (6)
November 18, 2011 | Rating: 4/5
Anna King
Time Out
TOP CRITIC
November 17, 2011 | Rating: 2/5
Ben Kenigsberg
Time Out
TOP CRITIC
Thomas and Jackie’s friendship, blossoming into a chaste romance, is the dramatic engine that powers The Black Balloon, but it’s far from the most important relationship in the film.
May 1, 2009
Michael O’Sullivan
Washington Post
TOP CRITIC
The film’s vision is neither a grim wallow nor falsely cheerful. It’s compassionate but unblinking, and in the end we can’t help but admire the genuine strength of how its characters accept their special challenge.
April 17, 2009 | Rating: 3/4
Walter V. Addiego
San Francisco Chronicle
TOP CRITIC
At its sharpest Elissa Down’s feature directorial debut is guided by intense, rough-edged emotional swings that feel authentically alive, even when the script settles for tidiness.
April 10, 2009 | Rating: 3/4
Michael Phillips
Chicago Tribune
TOP CRITIC
The Black Balloon establishes this family with a delicate mixture of tenderness and pain.
April 10, 2009 | Rating: 3/4
Roger Ebert
Chicago Sun-Times
TOP CRITIC
This is standard Hallmark fare but to its credit it never tries to hide from that.
July 7, 2019 | Rating: 2/4
Mattie Lucas
From the Front Row
Autism is a subject most filmmakers fear to broach, but not Aussie newcomer Elissa Down, she attacks the issue with honesty and passion.
May 25, 2013 | Rating: B+
Al Alexander
The Patriot Ledger
It’s a well-meaning film, marked by Luke Ford’s sensitive portrayal of a disabled character. But the main character is bland, imparting the same vibe on the rest of the film.
August 14, 2009 | Rating: 2.5/4
Mike Scott
Times-Picayune
The Black Balloon is neither ‘Rain Man’ nor ‘The Other Sister. This Aussie charmer charts its own course.
May 3, 2009 | Rating: 3/4
Christian Toto
What Would Toto Watch?
Wakefield anchors the well-paced quieter moments.
April 23, 2009 | Rating: 3/4
Alicia Potter
Boston Phoenix
The Black Balloon is marked by the fiercest bravery you’re likely to encounter on screen this year.
April 16, 2009 | Rating: 3/4
Graham Killeen
Milwaukee Journal Sentinel…
Plot
Thomas is turning 16. His Dad is in the army and they’ve just moved to a town in New South Wales; his mum is pregnant; his older brother, Charlie, who’s autistic, has his own adolescent sexual issues. Thomas finds Charlie an embarrassment in public, so when Thomas is attracted to Jackie, a girl in his swim class, Charlie presents any number of obstacles when she drops by their house, when the three of them go for a walk, and during a family birthday dinner. Can Thomas find a way to enter the world of teen romance and still be his brother’s keeper, or is Charlie’s disability going to prove more than Thomas can handle?
Trivia
Goofs / Tidbits
The Black Balloon features a standout performance from Toni Collette as the mother of an autistic son.
Elissa-Down.jpg
88%
There Will Be Blood (2007)
RT Audience Score: 86%
Awards & Nominations: Won 2 Oscars
116 wins & 137 nominations total
Widely touted as a masterpiece, this sparse and sprawling epic about the underhanded “heroes” of capitalism boasts incredible performances by leads Daniel Day-Lewis and Paul Dano, and is director Paul Thomas Anderson’s best work to date
There Will Be Blood” is a movie that will have you on the edge of your seat, even if you’re not a fan of Westerns. Daniel Day-Lewis gives a performance that will make you forget he’s even acting, and the music sets the perfect tone for the dark and moody atmosphere. It’s a movie that will leave you with more questions than answers, but in the best way possible. Plus, who doesn’t love a good oil man villain? Overall, “There Will Be Blood” is a modern masterpiece that will go down in history as one of the greatest films of all time.
Production Company(ies)
Absolute Clay Productions, Quincy Jones Productions, Shadow Catcher Entertainment,
Distributor
Paramount Pictures
Release Type
Theatrical
Filming Location(s)
Lompoc, California, USA
MPAA / Certificate
Rated R for some violence
Year of Release
2008
-
Color:Color
-
Sound mix:SDDS Dolby Digital DTS
-
Aspect ratio:2.39 : 1
-
Runtime:2h 38m
-
Language(s):English, American, Sign, L
-
Country of origin:United States
-
Release date:Release Date (Theaters): Jan 25, 2008 Wide
Release Date (Streaming): Apr 8, 2008
Genre(s)
Drama
Keyword(s)
starring Daniel Day-Lewis, Paul Dano, Kevin J O’Connor, Ciarán Hinds, Dillon Freasier, Sydney McCallister, directed by Paul Thomas Anderson, written by Paul Thomas Anderson, drama, box office performance, budget, reviewed by Namrata Joshi, Deborah Ross, Nell Minow, Dave Calhoun, Ben Kenigsberg, Jordan Hoffman, Brian Eggert, Fico Cangiano, Sarah Brinks, David Walsh, Scott Nye, MPAA rating R, capitalism, oil, corruption, greed, morality, faith, California, silver miner, tycoon, self-made, underhanded heroes, Little Boston, Western town, oil extraction company, murder, false prophet, family, Upton Sinclair, Oil!, pipeline, atmospheric, minimalistic directing style, iconic performance, empire, scenic shots
Worldwide gross: $76,182,388
Worldwide gross (inflation-adjusted): $104,938,328
Worldwide gross ranking (inflation-adjusted): 991
Worldwide tickets sold (est.): 11,443,656
US/Canada gross: $40,222,514
US/Canada gross (inflation-adjusted): $55,404,976
US/Canada gross ranking (inflation-adjusted): 1,022
US/Canada opening weekend: $190,739
US/Canada opening weekend (inflation-adjusted): $262,736
US/Canada opening weekend ranking (inflation-adjusted): 1,579
Budget and Earnings Details
Production budget (est.): $25,000,000
Production budget (inflation-adjusted): $34,436,545
Production budget ranking: 1,072
Marketing and distribution budget (inflation-adjusted est.): $18,544,079
Box office net earnings to date (inflation-adjusted est.): $51,957,704
ROI to date (est.): 98%
ROI ranking: 945
Paul Dano – Eli Sunday, Paul Sunday
Kevin J. O’Connor – Henry Brands
Ciarán Hinds – Fletcher Hamilton
Dillon Freasier – H.W.
Sydney McCallister – Mary Sunday
Director(s)
Paul Thomas Anderson
Writer(s)
Paul Thomas Anderson
Producer(s)
Paul Thomas Anderson, Daniel Lupi, JoAnne Sellar
Film Festivals
Awards & Nominations
Won 2 Oscars
116 wins & 137 nominations total
Academy Awards
Oscar Best Achievement in Cinematography Winners, Oscar Nominees, Oscar Winners
All Critics (243) | Top Critics (62) | Fresh (222) | Rotten (21)
The sprawling, dark epic hinges on atmospherics and the moody air. It’s heightened further by the ominous music, especially in the long, wordless opening sequence set in the mines with man pitted against nature.
January 29, 2019 | Rating: 3/4
Namrata Joshi
Outlook
TOP CRITIC
Day-Lewis’s performance will simply have you like a fever you can’t shift. The landscapes are hard and big, but he scathes through them as if they were no more than your Uncle Stan’s allotment.
August 23, 2018
Deborah Ross
The Spectator
TOP CRITIC
February 18, 2012 | Rating: B+
Nell Minow
Movie Mom
TOP CRITIC
November 18, 2011 | Rating: 5/5
Dave Calhoun
Time Out
TOP CRITIC
November 17, 2011 | Rating: 5/5
Ben Kenigsberg
Time Out
TOP CRITIC
In a way, there’s not a step you haven’t seen in classics going as far back as Citizen Kane. Still, there are enough oddities in the details to keep you full of questions.
August 14, 2009 | Rating: A-
Jordan Hoffman
UGO
TOP CRITIC
Few Westerns have reached so deep into the abscesses of American ambition.
March 21, 2022 | Rating: 4/4
Brian Eggert
Deep Focus Review
Daniel Day-Lewis delivers one of the best performances of all time. Paul Thomas Anderson’s riveting epic of greed, capitalism, religion and family is one of the ages. A modern masterpiece. [Full review in Spanish]
April 16, 2021 | Rating: 5/5
Fico Cangiano
CineXpress Podcast
Day-Lewis’ fully committed and memorable performance as Daniel Plainview the selfish and successful oil man elevates the film. But it is one of those films were everything just works to make a great film. The Johnny Greenwood soundtrack adds a lot.
March 24, 2021
Sarah Brinks
Battleship Pretension
Histrionic, fatally confused and socially evasive, Paul Thomas Anderson’s There Will Be Blood is all the worse for its touching upon important subjects, oil and religion in American life.
February 13, 2021
David Walsh
World Socialist Web Site
The only other contemporary filmmakers operating at this level are saddled with lesser scripts, or haven’t Anderson’s ambition to perfect them by breaking them.
December 8, 2020
Scott Nye
Battleship Pretension
An absolutely phenomenal performance by Daniel Day-Lewis brings to life as charismatic and captivating a character as any to grace the screen this year.
November 28, 2020 | Rating: 10/10
Mike Massie
Gone With The Twins…
Plot
The intersecting life stories of Daniel Plainview and Eli Sunday in early twentieth century California is presented. Miner turn oilman Daniel Plainview is a driven man who will do whatever it takes to achieve his goals. He works hard but he also takes advantage of those around him at their expense if need be. His business partner is his son H.W., who in reality he “acquired” when H.W.’s biological single father, who worked on one of Daniel’s rigs, got killed in a workplace accident. Daniel is deeply protective of H.W. if only for what H.W. brings to the partnership. Eli Sunday is one in a pair of twins, whose family farm Daniel purchases for the major oil deposit located on it. Eli, the local preacher and a self-proclaimed faith healer, wants the money from the sale of the property to finance his own church. The lives of the two competitive men often clash as Daniel pumps oil off the property and tries to acquire all the surrounding land at bargain prices to be able to build a pipeline to the coast, and as Eli tries to build his own religious empire.
Trivia
Goofs / Tidbits
Daniel Day-Lewis delivers one of the best performances of all time in There Will Be Blood, according to Fresh Kernels.
Paul-Thomas-Anderson.jpg
88%
Enchanted (2007)
RT Audience Score: 80%
Awards & Nominations: Nominated for 3 Oscars
12 wins & 51 nominations total
A smart re-imagining of fairy tale tropes that’s sure to delight children and adults, Enchanted features witty dialogue, sharp animation, and a star turn by Amy Adams
Enchanted is like a Disney fever dream come to life, with catchy songs, a charming cast, and a hilarious take on classic fairy tale tropes. Amy Adams shines as the naive yet determined Giselle, and James Marsden is a riot as the clueless Prince Edward. Even the rats get in on the fun with a musical number of their own. It’s a perfect movie for anyone who loves Disney, romance, and a good laugh.
Production Company(ies)
Paramount Pictures,
Distributor
Buena Vista
Release Type
Theatrical, Theatrical (Wide)
Filming Location(s)
Brooklyn Bridge, New York City, New York, USA
MPAA / Certificate
Rated PG for some scary images and mild innuendo
Year of Release
2007
-
Color:Color
-
Sound mix:SDDS Dolby Digital DTS
-
Aspect ratio:2.39 : 1
-
Runtime:1h 48m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Nov 21, 2007 Wide
Release Date (Streaming): Mar 18, 2008
Genre(s)
Fantasy/Musical
Keyword(s)
starring Amy Adams, Patrick Dempsey, James Marsden, Susan Sarandon, Timothy Spall, Idina Menzel, Rachel Covey, directed by Kevin Lima, written by Bill Kelly, produced by Barry Sonnenfeld, Barry Josephson, fantasy, musical, box office performance, budget, reviewed by Craig Outhier, Jim Schembri, David Stratton, Joe Morgenstern, Anthony Lane, Christopher Orr, PG MPAA rating, banished princess, evil queen, modern Manhattan, divorce lawyer, storybook romance, prince, Alan Menken, Stephen Schwartz, animation, live-action, Disney, fairy tale, homage, witty dialogue, sharp animation, star turn by Amy Adams, Cinderella figure, contagion of delight, allusions to the Disney canon, children’s movie, cartoon for grownups, smart re-imagining of fairy tale tropes, would-be princess, true momentum, clash of past and present, something truly magical, delightful stuff, sheer delight, joyous elements, inspired and incisive songs
Worldwide gross: $340,487,836
Worldwide gross (inflation-adjusted): $487,771,944
Worldwide gross ranking (inflation-adjusted): 295
Worldwide tickets sold (est.): 53,192,142
US/Canada gross: $127,807,262
US/Canada gross (inflation-adjusted): $183,092,581
US/Canada gross ranking (inflation-adjusted): 409
US/Canada opening weekend: $34,440,317
US/Canada opening weekend (inflation-adjusted): $49,338,093
US/Canada opening weekend ranking (inflation-adjusted): 237
Budget and Earnings Details
Production budget (est.): $85,000,000
Production budget (inflation-adjusted): $121,768,272
Production budget ranking: 304
Marketing and distribution budget (inflation-adjusted est.): $65,572,214
Box office net earnings to date (inflation-adjusted est.): $300,431,459
ROI to date (est.): 160%
ROI ranking: 738
Patrick Dempsey – Robert
James Marsden – Prince Edward
Timothy Spall – Nathaniel
Idina Menzel – Nancy
Rachel Covey – Morgan
Director(s)
Kevin Lima
Writer(s)
Bill Kelly
Producer(s)
Barry Sonnenfeld, Barry Josephson
Film Festivals
Awards & Nominations
Nominated for 3 Oscars
12 wins & 51 nominations total
Academy Awards
Oscar Nominees
All Critics (194) | Top Critics (56) | Fresh (180) | Rotten (14)
In Enchanted, even the vermin whistle while they work.
December 10, 2014 | Rating: B
Craig Outhier
Orange County Register
TOP CRITIC
Delightful stuff.
December 10, 2014 | Rating: 3/5
Jim Schembri
The Age (Australia)
TOP CRITIC
This large-scale Disney family film is sheer delight.
December 10, 2014 | Rating: 4/5
David Stratton
At the Movies (Australia)
TOP CRITIC
Like the Cinderella figure she plays in Disney’s Enchanted, Amy Adams spreads a contagion of delight. The movie is great fun, but she’s enchanting.
November 26, 2013
Joe Morgenstern
Wall Street Journal
TOP CRITIC
Happily, the leads carry the day: James Marsden as a prince of grinning vanity, Susan Sarandon as the wicked stepmother, and, above all, Amy Adams, who, in the role of a would-be princess, finds true momentum, not just sappiness, in the farce of innocence.
November 26, 2013
Anthony Lane
New Yorker
TOP CRITIC
Though the film is full of allusions to the Disney canon, they are generally unobtrusive echoes rather than eager satires. This is a children’s movie at which adults are also welcome, not a cartoon for grownups.
September 22, 2008
Christopher Orr
The New Republic
TOP CRITIC
Two joyous elements give Enchanted its spark – inspired and incisive songs by Alan Menken and Stephen Schwartz and the tour de force that is Amy Adams.
November 11, 2021 | Rating: 4/5
James Croot
Stuff.co.nz
It’s a feast of references and gentle self-deprecation for Disney fans, a pleasant if uninventive romcom and an altogether nice time at the movies.
October 11, 2021 | Rating: 6/10
Sean Collier
Box Office Prophets
A blend of traditional animation and live action that is sure to delight younger audiences – and, possibly, older crowds too.
November 24, 2020 | Rating: 6/10
Mike Massie
Gone With The Twins
Enchanted says it all.
September 7, 2020 | Rating: 3.5/4.0
Richard Propes
TheIndependentCritic.com
A clever throwback to a bygone era that is very much a product of this one; a clash of past and present combining for something truly magical.
July 6, 2019 | Rating: 3/4
Mattie Lucas
From the Front Row
Disney’s Enchantedis a fun homage to all the Walt Disney Animation Studios classics.
November 25, 2018
Danielle Solzman
Solzy at the Movies…
Plot
The beautiful Princess Giselle (Amy Adams) is banished by evil Queen Narissa (Susan Sarandon) from her magical, musical animated land and finds herself in the gritty reality of the streets of modern-day Manhattan. Shocked by this strange new environment that doesn’t operate on a “happily ever after” basis, Giselle is now adrift in a chaotic world badly in need of enchantment. But when Giselle begins to fall in love with a charmingly flawed divorce lawyer who has come to her aid – even though she is already promised to a perfect fairy tale Prince back home – she has to wonder: Can a storybook view of romance survive in the real world?
Trivia
Goofs / Tidbits
No goofy or funny comments were found in the Fresh Kernels database for Enchanted.
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88%
Moscow, Belgium (Aanrijding in Moscou) (2008)
RT Audience Score: 80%
Awards & Nominations: 13 wins & 7 nominations
Moscow, Belgium is a Flemish comedy of ill-manners that is both whimsical and spot-on in its portrayal of a middle-class family and their daily clashes. Director Christophe Van Rompaey’s use of wordless scenes and a delightful score by Tuur Florizoone adds to the film’s charm. While the story may not be anything special, Barbara Sarafian’s performance as the strong and sexy mother, Matty, is truly special. This European-style chick flick is a refreshing change from its American counterpart, and even men can sit through and enjoy it. Overall, Moscow, Belgium is a simple pleasure that should not be denied.
Moscow, Belgium is a Flemish comedy of ill-manners that tells the story of a middle-class family and their daily clashes. While some critics found the domestic drama to linger a little too long at the kitchen sink, others praised the film’s delightful sense of whimsy and full-bodied performances. Personally, I found the film to be a European-style chick flick where all the women are wonderful and the men are jerks, but unlike the American genre, this is one men can actually sit through and enjoy. Plus, who doesn’t love a good Amelie-like score?
Production Company(ies)
Charles Chaplin Productions,
Distributor
NA
Release Type
Filming Location(s)
Ghent, Flanders, Belgium
MPAA / Certificate
Not Rated
Year of Release
2008
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Color:Color
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Sound mix:Dolby Digital
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Aspect ratio:1.85 : 1
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Runtime:NA
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Language(s):Flemish, Dutch
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Country of origin:United States
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Release date:Release Date (Theaters): Dec 19, 2008 Original
Release Date (Streaming): Jul 21, 2009
Genre(s)
Romance
Keyword(s)
starring Barbara Sarafian, Jurgen Delnaet, Johan Heldenbergh, Anemone Valcke, Sofia Ferri, Julian Borsani, directed by Christophe Van Rompaey, written by Jean-Claude Van Rijckeghem, Pat Van Beirs, romance, box office performance, budget, reviewed by Patrick Peters, Drew Toal, Hank Sartin, Leo Goldsmith, John Anderson, Wesley Morris, Mattie Lucas, Michael Sragow, Tricia Olszewski, Chris Hewitt, Laura Clifford, Tony Medley, produced by Jean-Claude Van Rijckeghem, MPAA rating, single mother, ex-convict, domestic drama, kitchen sink, Flemish comedy, middle-class family, daily clashes, Amelie-like score, mature female strength, recovering alcoholic, traffic accident, wishy-washy husband, mid-life crisis, cleverly scripted, entertaining romantic comedy
Worldwide gross: $2,842,635
Worldwide gross (inflation-adjusted): $3,915,621
Worldwide gross ranking (inflation-adjusted): 2,240
Worldwide tickets sold (est.): 427,003
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Jurgen Delnaet – Johnny
Johan Heldenbergh – Werner
Anemone Valcke – Vera
Sofia Ferri – Fien
Julian Borsani – Peter
Director – Christophe Van Rompaey
Producer – Jean-Claude Van Rijckeghem
Writers – Jean-Claude Van Rijckeghem, Pat Van Beirs
Director(s)
Christophe Van Rompaey
Writer(s)
Jean-Claude Van Rijckeghem, Pat Van Beirs
Producer(s)
Jean-Claude Van Rijckeghem
Film Festivals
Awards & Nominations
13 wins & 7 nominations
Academy Awards
All Critics (40) | Top Critics (23) | Fresh (37) | Rotten (3)
Involving domestic drama that lingers a little too long at the kitchen sink.
June 5, 2020 | Rating: 3/5
Patrick Peters
Empire Magazine
TOP CRITIC
November 18, 2011 | Rating: 4/5
Drew Toal
Time Out
TOP CRITIC
November 17, 2011 | Rating: 4/5
Hank Sartin
Time Out
TOP CRITIC
There aren’t many surprises%u2014the characters end up more or less where we expect them to%u2014but it’s useless and not at all fun to deny the simple pleasures of this film.
August 8, 2009
Leo Goldsmith
indieWire
TOP CRITIC
Director Christophe Van Rompaey has a script, of course, but much of what comes across so eloquently in this Flemish comedy of ill-manners is wordless.
May 29, 2009
John Anderson
Washington Post
TOP CRITIC
The movie just can’t decide whether it likes romance or disdains it, whether it wants to be dark or bright.
April 23, 2009 | Rating: 2.5/4
Wesley Morris
Boston Globe
TOP CRITIC
Van Rompaey constructs the film with a delightful sense of whimsy, accentuated by the Amelie-like score by Tuur Florizoone.
July 7, 2019 | Rating: 3/4
Mattie Lucas
From the Front Row
Barbara Sarafian provides a full-bodied portrait of mature female strength as a mother named Matty in Moscow, Belgium.
June 12, 2009 | Rating: 3/4
Michael Sragow
Baltimore Sun
The film’s portrait of a middle-class family and its daily clashes, both major and minor, is spot-on.
May 28, 2009
Tricia Olszewski
Washington City Paper
There’s nothing special about the story in Moscow, Belgium. But the lead performance? Very special.
April 17, 2009 | Rating: 2.5/4
Chris Hewitt
St. Paul Pioneer Press
…a terrific vehicle for Sarafian, an actress who proves that middle age can still be intriguing and sexy.
April 13, 2009 | Rating: B
Laura Clifford
Reeling Reviews
A European-style chick flick where all the women are wonderful and the men jerks. Unlike the American genre, this is one men can actually sit through and enjoy
March 12, 2009 | Rating: 7/10
Tony Medley
tonymedley.com…
Plot
A single mother becomes involved with an ex-convict in Moscow, Belgium, in this low-key romantic drama.
Trivia
Goofs / Tidbits
Barbara Sarafian delivers an outstanding lead performance in Moscow, Belgium.
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