What’s Love Got to Do with It? (2023)
86%RT Audience Score: 93%
Awards & Nominations: NA
What’s Love Got to Do With It? is a film that, while formulaic, manages to charm its way into the hearts of viewers with the help of its attractive and likable leads. Lily James shines as always, elevating the movie with her presence, while the direction of Shekhar Kapur allows for a diverse portrayal of London’s cultural melting pot. While the ending may be predictable, the film still manages to challenge the idea of love as a sweet old-fashioned notion, proving that romantic comedies can still provide comfort and amusement without being overly saccharine. Overall, a mild-mannered movie that may not ruffle many feathers, but is still an enjoyable watch.
What’s Love Got to Do With It? is the perfect rom-com for those who just want to sit back, relax, and enjoy a predictable yet heartwarming story. Lily James shines as always, and the diverse cast adds a refreshing twist to the classic East-meets-West trope. Sure, it’s not going to win any awards for originality, but who cares when you’re rooting for the charming leads to get together and live happily ever after? So grab some popcorn, snuggle up with your significant other (or your cat), and let yourself be swept away by the power of love (and attractive actors).
Production Company(ies)
Asian Stories, Working Title
Distributor
SHOUT! STUDIOS
Release Type
Theatrical, Theatrical (Wide)
Filming Location(s)
SHOOT LOCATION(S):
United Kingdom
MPAA / Certificate
Year of Release
2023
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:NA
-
Runtime:1h 30m
-
Language(s):
-
Country of origin:United States
-
Release date:NA
Genre(s)
Romance/Comedy
Keyword(s)
starring Lily James, Shazad Latif, Emma Thompson, Shabana Azmi, Taj Atwal, Oliver Chris, directed by Shekhar Kapur, written by Jemima Khan, produced by Nicky Kentish Barnes, Tim Bevan, Eric Fellner, romance, comedy, PG-13, box office, budget, reviewed by Christy Lemire, Peter Rainer, Savita Patel, Nell Minow, Lindsey Bahr, Jeannette Catsoulis, Karen Gordon, Richard Crouse, Neely Swanson, Jackie K. Cooper, Jorge Ignacio Castillo, Robert Denerstein, Rotten Tomatoes, audience score, documentary, dating app, arranged marriage, London, Lahore, Pakistan, lasting love, diverse milieu, cultural difference, romantic comedy, love story, appealing leads, Mr. Wrongs, strong language, suggestive material, brief drug material, sexual reference.
Worldwide gross: $10,899,498
Worldwide gross (inflation-adjusted): NA
Worldwide gross ranking (inflation-adjusted): NA
Worldwide tickets sold (est.): NA
US/Canada gross: –
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): $7,500,000
Production budget (inflation-adjusted): $7,500,000
Production budget ranking: 1,767
Marketing and distribution budget (inflation-adjusted est.): $4,038,750
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Shazad Latif – Kaz Khan
Emma Thompson – Cath Stevenson
Shabana Azmi – Aisha Khan
Taj Atwal – Sumaira Khan
Oliver Chris – James
Director – Shekhar Kapur
Producers – Nicky Kentish Barnes, Tim Bevan, Eric Fellner
Writers – Jemima Khan, Jemima Khan
Director(s)
NA
Writer(s)
NA
Producer(s)
NA
Film Festivals
Toronto
Awards & Nominations
NA
Academy Awards
All Critics (98) | Top Critics (26) | Fresh (70) | Rotten (28)
It’s pure formula, but both of these actors are so attractive and likable that they carry you along/
May 17, 2023
Christy Lemire
FilmWeek (KPCC – NPR Los Angeles)
TOP CRITIC
A tolerably enjoyable rom-com.
May 17, 2023
Peter Rainer
FilmWeek (KPCC – NPR Los Angeles)
TOP CRITIC
The Academy Award-winner’s skillful steering of characters allows the movie to showcase a diverse milieu rather than become a narrow East versus West portrayal.
May 5, 2023 | Rating: 3/4
Savita Patel
San Francisco Chronicle
TOP CRITIC
What’s Love Got to Do with it? earns a happily-ever-after ending.
May 5, 2023 | Rating: 3.5/4
Nell Minow
RogerEbert.com
TOP CRITIC
The real takeaway, probably, is that no one should be turning to romantic comedies for life advice, just comfort and amusement, which this one has plenty of.
May 4, 2023 | Rating: 2.5/4
Lindsey Bahr
Associated Press
TOP CRITIC
Anyone who takes longer than 10 minutes to forecast the ending simply doesn’t get out of the house enough.
May 4, 2023
Jeannette Catsoulis
New York Times
TOP CRITIC
This formulaic (but enjoyable) rom com mines the vagaries of love in a culturally diverse London.
May 19, 2023 | Rating: B
Karen Gordon
Original Cin
What’s Love Got to Do with It? is an elevated rom com that challenges the idea of love as a sweet old-fashioned notion.
May 18, 2023 | Rating: 3.5/5
Richard Crouse
Richard Crouse
Too often the obvious takes precedence over the understated, to the detriment of the overall story. Still, it’s a fast-paced rom-com with a preordained ending that I enjoyed and think you will too.
May 17, 2023
Neely Swanson
Beverly Hills Courier
Lily James elevates any movie in which she appears and this film ins no exception to that rule.
May 12, 2023 | Rating: 6/10
Jackie K. Cooper
jackiekcooper.com
Directed by Shekhar Kapur, the movie is at its best when dealing with issues of cultural difference.
May 12, 2023 | Rating: 3/5
Jorge Ignacio Castillo
Planet S Magazine
A mild-mannered movie that tries for a sentimental, tear-jerker of a conclusion, What’s Love Got To Do With It? proceeds pleasantly but quickly melts away after having ruffled very few feathers.
May 10, 2023
Robert Denerstein
Denerstein Unleashed…
Plot
A documentary filmmaker and dating app addict, Zoe, begins to question her approach to finding love when she follows her childhood friend Kaz’s journey to an arranged marriage in Pakistan in the romantic comedy “What’s Love Got to Do with It?” starring Lily James and Emma Thompson.
Trivia
Goofs / Tidbits
NA
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86%
Other People’s Children (2023)
86%RT Audience Score: 80%
Awards & Nominations: NA
Other People’s Children is a film that delicately weaves together the complexities of human relationships and emotional dilemmas that everyone can connect to. Virginie Efira’s nuanced and fully drawn performance as Rachel brings compassion and believability to a woman facing complex choices. Director Rebecca Zlotowski’s natural vibrancy of the performances shines through, creating a finely embroidered garment of great cinematic depth. While the film may distance itself from its characters at times, it ultimately sneaks up on you with a depth and complexity of feeling that throws the glossy, idyllic opening moments into bittersweet relief. Other People’s Children is a triumph in its ability to capture the poignancy of a small-canvas story without giving into fatal self-seriousness.
Other People’s Children is a heartwarming film that explores the complexities of motherhood and relationships. The performances are top-notch, especially Virginie Efira who shines as the lead. The film manages to balance poignancy with humor, making it a delightful watch. It’s a refreshing take on the romantic comedy genre, and it’s definitely worth a watch, even if you’re not a parent yourself. So grab some popcorn, sit back, and enjoy the ride!
Production Company(ies)
Foreign Language
Distributor
Music Box Films
Release Type
Theatrical, Theatrical (Limited)
Filming Location(s)
SHOOT LOCATION(S):
Paris, France
MPAA / Certificate
Year of Release
2023
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:NA
-
Runtime:1h 44m
-
Language(s):
-
Country of origin:United States
-
Release date:NA
Genre(s)
Drama/Comedy
Keyword(s)
starring Virginie Efira, Roschdy Zem, Victor Lefebvre, Chiara Mastroianni, Yamée Couture, Henri-Noël Tabary, directed by Rebecca Zlotowski, written by Rebecca Zlotowski, drama, comedy, box office performance, budget, reviewed by Ann Hornaday, Claudia Puig, Michael Phillips, Hanna Flint, Simon Abrams, Justin Chang, Christopher Llewellyn Reed, Wade Major, Kelly Vance, Kathy Fennessy, MPAA rating, Music Box Films, France 3 Cinéma, Les Films Velvet, motherhood, relationships, love, children, teacher, guitar lessons, French language, limited release.
Worldwide gross: NA
Worldwide gross (inflation-adjusted): NA
Worldwide gross ranking (inflation-adjusted): NA
Worldwide tickets sold (est.): NA
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): $7,500,000
Production budget (inflation-adjusted): $7,500,000
Production budget ranking: 1,767
Marketing and distribution budget (inflation-adjusted est.): $4,038,750
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Roschdy Zem – Ali Ben Attia
Victor Lefebvre – Dylan
Chiara Mastroianni – Alice
Yamée Couture – Louanna
Henri-Noël Tabary – Vincent
Director – Rebecca Zlotowski
Producers – Frédéric Jouve, Marie Lecoq
Writer – Rebecca Zlotowski
Director(s)
NA
Writer(s)
NA
Producer(s)
NA
Film Festivals
Sundance, Venice, Toronto
Awards & Nominations
NA
Academy Awards
All Critics (53) | Top Critics (15) | Fresh (49) | Rotten (4)
It tells a small-canvas story that loses none of its poignancy for refusing to overreach or give into fatal self-seriousness.
May 17, 2023 | Rating: 4/4
Ann Hornaday
Washington Post
TOP CRITIC
Virginie Efira is such a luminous presence. She’s so nuanced and fully drawn.
May 17, 2023
Claudia Puig
FilmWeek (KPCC – NPR Los Angeles)
TOP CRITIC
The film’s success starts and ends with the natural vibrancy of the performances, and Efira leads the way.
May 1, 2023 | Rating: 3/4
Michael Phillips
Chicago Tribune
TOP CRITIC
Virginie Efira brings compassion and believability to a woman facing complex choices
May 1, 2023 | Rating: 4/5
Hanna Flint
Time Out
TOP CRITIC
Sometimes Zlotowski gives herself more work by distancing herself from her characters, presumably to deny the sort of pat cynicism that could, at any moment, make Rachel a tragically overburdened symbol of modern womanhood.
April 21, 2023 | Rating: 2/4
Simon Abrams
RogerEbert.com
TOP CRITIC
Other People’s Children sneaks up on you, with a depth and complexity of feeling that throws those glossy, idyllic opening moments into bittersweet relief.
April 20, 2023
Justin Chang
Los Angeles Times
TOP CRITIC
There’s more to the film than one single thread, as all scenes come together in a finely embroidered garment of great cinematic depth.
May 18, 2023
Christopher Llewellyn Reed
Hammer to Nail
It’s beautiful… It’s human relationships and all these wonderful series of emotional dilemmas that everyone connects to.
May 17, 2023
Wade Major
FilmWeek (KPCC – NPR Los Angeles)
Actor Efira does an admirable job with such a challenging character. Other People’s Children shows the parts usually left out of the amour fou romances and whirlwind enchantments that most people buy tickets to see.
May 12, 2023
Kelly Vance
East Bay Express
In its second half, Zlotowski’s fifth film breaks away from those two, and becomes something more bittersweet, if ultimately triumphant–that triumph, though, isn’t what Rachel was looking for throughout the film.
May 11, 2023
Kathy Fennessy
Seattle Film Blog
Not to give too much away, but as a woman without children, I found it quite affecting, even as [Virginie] Efira is a cool, if compelling performer.
May 10, 2023 | Rating: 3/4
Kathy Fennessy
Video Librarian Magazine
Wonderfully well-observed and thoughtful relationship dramedy about motherly instincts.
May 5, 2023 | Rating: B+
Dennis Schwartz
Dennis Schwartz Movie Reviews…
Plot
Rachel falls in love with Ali and becomes attached to his 4-year-old daughter, Leila, but loving other people’s children proves to be risky in this drama/comedy film.
Trivia
Goofs / Tidbits
Rotten Tomatoes doesn’t say anything goofy or funny or odd about the film Signed in.
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86%
Film, the Living Record of Our Memory (2023)
86%RT Audience Score: 75%
Awards & Nominations: NA
Film, the Living Record of Our Memory, is a documentary that captures the essence of cinema as a cultural artifact and the tireless efforts of those who work to preserve it. While some critics have noted its lack of structure and length, the film’s breathless profusion of information is a testament to the monumental task of archiving and restoring films. The documentary celebrates the global community of restorers, who are selfless, dedicated, and eminently patient in their work of bringing decimated pieces of celluloid back to life. It is a must-see for anyone who has ever been dazzled by the magic of movies, and it will increase your appreciation for the art form and the dangers it faces geometrically. In short, Film, the Living Record of Our Memory, is a powerful sermon that preaches to the choir of TCM addicts, Criterion Channel subscribers, and other film buffs.
Film, the Living Record of Our Memory is like a time machine that takes you on a journey through the history of cinema. While it may be a bit disorganized at times, the sheer amount of information and passion for film preservation is infectious. You’ll come away with a newfound appreciation for the art form and the people who work tirelessly to keep it alive. Plus, you’ll never look at a scratched-up old film reel the same way again. It’s a must-see for any movie lover, and even if you’re not a die-hard cinephile, you’ll still be entertained and educated. So grab some popcorn and settle in for a fascinating ride through the past, present, and future of cinema.
Production Company(ies)
Film/TV/Theater
Distributor
Kino Lorber
Release Type
Theatrical, Theatrical (Limited)
Filming Location(s)
MPAA / Certificate
Year of Release
2023
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:NA
-
Runtime:1h 59m
-
Language(s):
-
Country of origin:United States
-
Release date:NA
Genre(s)
Documentary/History
Keyword(s)
documentary, history, film preservation, cultural heritage, film archivists, cinema, motion pictures, Kino Lorber, El Grifilm, Filmoption International, Inés Toharia, Paul Cadieux, Isaac Garcia Llombart, Costa-Gavras, Jonas Mekas, Patricio Guzmán, Ken Loach, Bill Morrison, Fernando Trueba, reviewed by Noel Murray, Sheri Linden, Nicolas Rapold, Sarah Boslaugh, Neely Swanson, Michael Clark, Lee Jutton, Roger Moore, Kent Turner, box office gross, budget, MPAA rating, limited release, streaming release, English language, directed by Inés Toharia, written by Inés Toharia, produced by Paul Cadieux and Isaac Garcia Llombart, starring Costa-Gavras, Jonas Mekas, Patricio Guzmán, Ken Loach, Bill Morrison, Fernando Trueba, film restoration, celluloid, film history, film buffs, film enthusiasts, film industry, film technology, film culture, film education, film preservationists, film restoration techniques, film restoration process, film restoration equipment, film restoration challenges, film restoration projects, film restoration organizations, film restoration funding, film restoration advocacy, film restoration impact, film restoration importance, film restoration future.
Worldwide gross: NA
Worldwide gross (inflation-adjusted): NA
Worldwide gross ranking (inflation-adjusted): NA
Worldwide tickets sold (est.): NA
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): $7,500,000
Production budget (inflation-adjusted): $7,500,000
Production budget ranking: 1,767
Marketing and distribution budget (inflation-adjusted est.): $4,038,750
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Jonas Mekas – Self
Patricio Guzmán – Self
Ken Loach – Self
Bill Morrison – Self
Fernando Trueba – Self
Director(s)
NA
Writer(s)
NA
Producer(s)
NA
Film Festivals
Awards & Nominations
NA
Academy Awards
All Critics (9) | Top Critics (3) | Fresh (9)
Though a bit overlong and lacking a strong structure, this frequently fascinating documentary nevertheless shows how cultural ephemera can bring the past to life, in ways both instructional and inspirational.
May 16, 2023
Noel Murray
Los Angeles Times
TOP CRITIC
Inspired and inspiring.
March 5, 2023
Sheri Linden
Hollywood Reporter
TOP CRITIC
For a documentary largely about archives, it should be better organized, but its breathless profusion of information underscores the scale of the task at hand.
February 27, 2023
Nicolas Rapold
New York Times
TOP CRITIC
…celebrates the cultural importance of the medium as well as the many people who work to see that the films of today and yesterday will be available to be seen well into the future.
May 11, 2023 | Rating: 7/10
Sarah Boslaugh
TheArtsStl
A must see for anyone who has ever been dazzled by the sleight of hand that is a movie. Your appreciation for the art form and the dangers it faces will increase geometrically.
May 5, 2023
Neely Swanson
Easy Reader (California)
[It] concentrates on the global community of restorers. Selfless, dedicated, and eminently patient, these professionals are charged with taking decimated, often unwatchable pieces of celluloid and bringing them back to life.
March 29, 2023 | Rating: 4.5/5
Michael Clark
Epoch Times
Film, the Living Record of Our Memory provides ample evidence as to why it is so important that we continue to remember, and to support those who make it possible for us to do so.
March 4, 2023
Lee Jutton
Film Inquiry
If you love movies and think you know the medium’s history, prepare to be overwhelmed.
February 28, 2023 | Rating: 3.5/4
Roger Moore
Movie Nation
This is a must-see for TCM addicts, Criterion Channel subscribers, and other film buffs. If it preaches to the choir, it’s still a powerful sermon.
November 27, 2021 | Rating: 3.5/4
Kent Turner
Film-Forward.com…
Plot
“Film, the Living Record of Our Memory” is a documentary that explores the importance of film preservation and the work of film archivists, curators, technicians, and filmmakers in safeguarding our audiovisual heritage.
Trivia
Goofs / Tidbits
The documentary features interviews with notable filmmakers and film preservationists, including Costa-Gavras, Jonas Mekas, Patricio Guzmán, Ken Loach, Bill Morrison, and Fernando Trueba.
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86%
Alice, Darling (2022)
86%RT Audience Score:
Awards & Nominations: NA
Alice Darling is a film that delicately and powerfully explores the psychological damage of abusive relationships, with a focus on the bonds of sisterhood and the healing power of love. While some critics have found fault with the narrative pacing and lack of a clear story arc, the performances of Anna Kendrick, Toni Collette, and Wunmi Mosaku are electric and captivating. Kendrick, in particular, shines in a non-comedic role, showcasing her depth and range as an actress. The film’s ability to balance heavy themes with moments of levity and hope is a testament to the skill of director Mary Nighy and screenwriter Alanna Francis. Overall, Alice Darling is a must-see for anyone interested in nuanced explorations of trauma and healing.
Alice Darling is a movie that will make you feel all the emotions. From the powerful performances of Anna Kendrick, Toni Collette, and Wunmi Mosaku to the heart-wrenching story of psychological manipulation and abuse, this film will leave you feeling both devastated and hopeful. While it may not be the most lighthearted movie out there, it’s definitely worth a watch for anyone who wants to see a story about the strength of sisterhood and the power of love to heal even the deepest wounds. Plus, who doesn’t love a good cry every once in a while?
Production Company(ies)
Lionsgate, Psychological
Distributor
Lionsgate
Release Type
Theatrical, Theatrical (Limited)
Filming Location(s)
Toronto, Ontario, Canada
MPAA / Certificate
R
Year of Release
2022
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:NA
-
Runtime:1h 30m
-
Language(s):English
-
Country of origin:Canada
-
Release date:Release Date (Theaters): Dec 30, 2022 Limited
Genre(s)
Mystery & thriller
Keyword(s)
starring Anna Kendrick, Tiio Horn, Charlie Carrick, Wunmi Mosaku, Farah Merani, Markjan Winnick, directed by Mary Nighy, written by Alanna Francis, mystery, thriller, Lionsgate, box office, budget, reviewed by Dennis Harvey, Michael Ordoña, Pat Brown, Lena Wilson, Valerie Complex, Lovia Gyarkye, Mark Dujsik, Julian Roman, Joey Magidson, Ema Sasic, Travis Hopson, Rachel West, psychological abuse, vacation, friendships, codependency, vengeance, sisterhood, abuse, emotional decline, isolation, paranoia, support, hope
Worldwide gross: NA
Worldwide gross (inflation-adjusted): NA
Worldwide gross ranking (inflation-adjusted): NA
Worldwide tickets sold (est.): NA
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Tiio Horn – Tess
Charlie Carrick – Simon
Wunmi Mosaku – Sophie
Farah Merani – Podcast Host
Markjan Winnick – Marcus
Director(s)
Mary Nighy
Writer(s)
Alanna Francis
Producer(s)
Lindsay Tapscott, Katie Bird Nolan, Christina Piovesan, Noah Segal
Film Festivals
Toronto
Awards & Nominations
NA
Academy Awards
All Critics (16) | Top Critics (7) | Fresh (13) | Rotten (3)
A quietly powerful drama about psychological manipulation and damage…
December 30, 2022
Dennis Harvey
Variety
TOP CRITIC
Ultimately, it’s about the bonds of sisterhood and how those who know you best and love you most can help you heal, or at least start you on that path.
December 30, 2022
Michael Ordoña
Los Angeles Times
TOP CRITIC
The emotional crux of Alice Darling is less the manner in which it lays out a roadmap for an exit from an abusive relationship and more its attentiveness to the profound ramifications of such relationships for the women in them.
December 29, 2022 | Rating: 3/4
Pat Brown
Slant Magazine
TOP CRITIC
Manages to hold its ground as a drama because it privileges Alice’s experience of abuse over specific instances of it. We certainly see some of Simon’s controlling behavior, but what matters more are the lasting effects of it.
December 29, 2022
Lena Wilson
TheWrap
TOP CRITIC
Kendrick, Horn and Mosaku are an electric trio.
September 20, 2022
Valerie Complex
Deadline Hollywood Daily
TOP CRITIC
Kendrick transfixes, affirming that she has always had depth and range.
September 15, 2022
Lovia Gyarkye
Hollywood Reporter
TOP CRITIC
Alanna Francis’ screenplay struggles to find a story to attach to the character’s own struggles.
December 30, 2022 | Rating: 2/4
Mark Dujsik
Mark Reviews Movies
Alice, Darling addresses important themes but struggles as a complete narrative with significant pacing issues. Anna Kendrick captures the fraught paranoia, isolation, and dangerous physical decline of an emotionally abused woman.
December 29, 2022 | Rating: 2.5/5
Julian Roman
MovieWeb
Alice, Darling is a bold showcase for the talents of Anna Kendrick.
December 28, 2022 | Rating: 3/4
Joey Magidson
Awards Radar
Films about abuse can be difficult to capture in the most dignified way, but “Alice, Darling,” anchored by women off and on screen, manages to do just that.
December 28, 2022 | Rating: 7/10
Ema Sasic
Next Best Picture
Together with Mosaku and Horn, Kendrick has never been better in a non-comedic role, and the trio altogether are great.
December 27, 2022 | Rating: 3/5
Travis Hopson
Punch Drunk Critics
While the story may feel heavy, Francis’ script has moments of levity .. The bond of friendship the trio has feels realistic, and above all, shows that there is not just strength in numbers, but there is also hope and support.
September 28, 2022
Rachel West
That Shelf…
Plot
Alice is pushed to the breaking point by her psychologically abusive boyfriend, Simon. While on vacation with two close girlfriends, Alice rediscovers the essence of herself and gains some much-needed perspective. Slowly, she starts to fray the cords of codependency that bind her. But Simon’s vengeance is as inevitable as it is shattering – and, once unleashed, it tests Alice’s strength, her courage, and the bonds of her deep-rooted friendships.
Trivia
Goofs / Tidbits
Fresh Kernels has no goofs listed for the film Alice, Darling.
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86%
Bodies Bodies Bodies (2022)
86%RT Audience Score: 82%
Awards & Nominations: NA
Impeccably cast and smartly written, Bodies Bodies Bodies is an uncommonly well-done whodunit.
If you’re looking for a killer good time, Bodies Bodies Bodies is the murder mystery for you. The cast is spot-on and the writing is sharp as a knife. This whodunit is so well-done, it’ll have you on the edge of your seat until the very end. Don’t miss out on this uncommonly awesome thriller.
Production Company(ies)
Ensemble, Izo, Lionsgate, Universal Pictures
Distributor
A24
Release Type
Theatrical, Theatrical (Wide)
Filming Location(s)
New York, United States
MPAA / Certificate
R
Year of Release
2022
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:NA
-
Runtime:1h 35m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Aug 12, 2022 Wide
Genre(s)
Horror/Comedy
Keyword(s)
horror, comedy, drama, mystery, thriller, A24, Halina Reijn, David Hinojosa, Ali Herting, Lara Costa Calzado, Tatiana Bears, Sarah DeLappe, Kristen Roupenian, Chloe Okuno, Josh Sharp, Aaron Jackson, R, English, 1h 35m, Amandla Stenberg, Maria Bakalova, Myha’la Herrold, Chase Sui Wonders, Rachel Sennott, Lee Pace, Sophie, Bee, Jordan, Emma, Alice, Greg, pervasive language, drug use, bloody images, sexual references, violence, critic reviews, Radheyan Simonpillai, Adam Graham, Sara Michelle Fetters, Michael O’Sullivan, Danielle Momoh, Richard Roeper, Austin Burke, John Urbancich, Sarah Gopaul, André Hereford, Marianna Neal, Kimberly Pierce, box office, budget, reviewed by critics, directed by Halina Reijn, produced by David Hinojosa, Ali Herting, Lara Costa Calzado, Tatiana Bears, written by Sarah DeLappe, Kristen Roupenian, Chloe Okuno, Josh Sharp, Aaron Jackson, starring Amandla Stenberg, Maria Bakalova, Myha’la Herrold, Chase Sui Wonders, Rachel Sennott, Lee Pace, Fresh Kernels, MPAA rating, horror-comedy, whodunit, backstabbing, fake friends, hurricane party, remote family mansion, party game, uncommonly well-done
Worldwide gross: $13,929,670
Worldwide gross (inflation-adjusted): $13,905,140
Worldwide gross ranking (inflation-adjusted): 1,840
Worldwide tickets sold (est.): 1,516,373
US/Canada gross: $11,446,602
US/Canada gross (inflation-adjusted): $11,446,602
US/Canada gross ranking (inflation-adjusted): 1,566
US/Canada opening weekend: $226,526
US/Canada opening weekend (inflation-adjusted): $226,526
US/Canada opening weekend ranking (inflation-adjusted): 1,609
Budget and Earnings Details
Production budget (est.): $15,000,000
Production budget (inflation-adjusted): $15,000,000
Production budget ranking: 1,468
Marketing and distribution budget (inflation-adjusted est.): $8,077,500
Box office net earnings to date (inflation-adjusted est.): -$9,172,360
ROI to date (est.): -40%
ROI ranking: 1,617
Maria Bakalova – Bee
Myha’la Herrold – Jordan
Chase Sui Wonders – Emma
Rachel Sennott – Alice
Lee Pace – Greg
Director – Halina Reijn
Producers – David Hinojosa, Ali Herting, Lara Costa Calzado, Tatiana Bears
Writers – Sarah DeLappe, Kristen Roupenian, Chloe Okuno, Josh Sharp, Aaron Jackson
Director(s)
Halina Reijn
Writer(s)
Sarah DeLappe, Kristen Roupenian, Chloe Okuno, Josh Sharp, Aaron Jackson
Producer(s)
David Hinojosa, Ali Herting, Lara Costa Calzado, Tatiana Bears
Film Festivals
South by Southwest
Awards & Nominations
NA
Academy Awards
All Critics (138) | Top Critics (37) | Fresh (125) | Rotten (13)
Imagine the teens from Euphoria hacking each other to bits. That’s what Bodies Bodies Bodies goes for but in a way that’s somehow less gross and traumatic, and more fun.
August 13, 2022 | Rating: 3/5
Radheyan Simonpillai
NOW Toronto
TOP CRITIC
… Doesn’t pull any punches and doesn’t make any apologies. It’s cutting, mean, and sharp enough to draw blood.
August 12, 2022 | Rating: B
Adam Graham
Detroit News
TOP CRITIC
Bodies Bodies Bodies is a gnarly, uncouth, and suitably deceitful breath of fresh horror air.
August 12, 2022 | Rating: 3.5/4
Sara Michelle Fetters
MovieFreak.com
TOP CRITIC
It’s intentionally chaotic and, now and again, surprisingly funny.
August 11, 2022 | Rating: 2.5/4
Michael O’Sullivan
Washington Post
TOP CRITIC
With its runtime of 95 minutes, “Bodies Bodies Bodies” has a cutthroat pace. By the time it’s over, you’ll want to see it play out again.
August 11, 2022 | Rating: 3.5/4
Danielle Momoh
Boston Globe
TOP CRITIC
Devilishly funny satire…
August 11, 2022 | Rating: 3.5/4
Richard Roeper
Chicago Sun-Times
TOP CRITIC
This is a film that plays with your expectations and delivers a drastically different experience. The characters are hard to root for, but the journey progresses in a fascinating way.
August 13, 2022 | Rating: 7/10
Austin Burke
Austin Burke/Flick Fan Nation
A boffo ending saves the day for anyone still hangin’ around and, uh, perhaps that includes some viewers, too . . . Anybody for a sequel? Nobody?
August 13, 2022 | Rating: 3/5
John Urbancich
JMuvies
To some degree, this movie strives to be purposely annoying and occasionally shocking, reflecting a self-aggrandizing culture in which everyone wants to be the centre of attention.
August 13, 2022
Sarah Gopaul
Digital Journal
Fresh, tense, and funny, ‘Bodies, Bodies, Bodies’ serves up sharp social satire via a twisted, bloody whodunnit.
August 13, 2022 | Rating: 3/5
André Hereford
Metro Weekly (Washington, DC)
“Bodies Bodies Bodies” may not reinvent the genre, but it offers a fresh and clever spin on a murder mystery.
August 12, 2022 | Rating: 8/10
Marianna Neal
Impression Blend
Horror, particularly of the slasher variety, is often representative of Hollywood’s younger generation….This is also very much true of Bodies Bodies Bodies…. The movie may feel weird to some of us. Is it weird? Or are we just getting older?
August 12, 2022 | Rating: 4/5
Kimberly Pierce
Geek Girl Authority…
Plot
When a group of rich 20-somethings plan a hurricane party at a remote family mansion, a party game turns deadly in this fresh and funny look at backstabbing, fake friends, and one party gone very, very wrong.
Trivia
Goofs / Tidbits
Maria Bakalova is one of the stars of Bodies Bodies Bodies.
Halina-Reijn.jpg
86%
Lyle Lyle Crocodile (2022)
86%RT Audience Score: 93%
Awards & Nominations: NA
Parents may not be beguiled, but Lyle, Lyle, Crocodile is bound to make most children smile.
If you’re searching for a sweet, good-hearted family movie, look no further than Lyle, Lyle, Crocodile.
Production Company(ies)
Amazon Studios, DUST, Intrepid Pictures, MGM Studios, Prime Video, Tyler Perry Studios, VOD
Distributor
Columbia Pictures
Release Type
Streaming
Filming Location(s)
MPAA / Certificate
Year of Release
2022
-
Color:Color
-
Sound mix:Dolby Digital, Dolby
-
Aspect ratio:2.39 : 1
-
Runtime:1h 46m
-
Language(s):
-
Country of origin:United States
-
Release date:Release Date (Theaters): Oct 7, 2022 Wide
Genre(s)
Kids & family/Musical
Keyword(s)
starring Constance Wu, Scoot McNairy, Winslow Fegley, Brett Gelman, Javier Bardem, Shawn Mendes, directed by Will Speck, Josh Gordon, written by Will Davies, PG rating, box office gross of $45.2M, reviewed by Tim Cogshell, Kevin Maher, Leslie Felperin, David Jenkins, Cath Clarke, Richard Brody, Whang Yee Ling, Jonathan Sim, James Marsh, Jesse Hassenger, Sarah Knight Adamson, Kids & Family, Musical, Comedy, Animation, singing crocodile, evil neighbor, New York City, family movie, unexpected places, Dolby Digital, Scope (2.35:1), Columbia Pictures, Hutch Parker, produced by Will Speck, Josh Gordon
Worldwide gross: $104,088,441
Worldwide gross (inflation-adjusted): NA
Worldwide gross ranking (inflation-adjusted): NA
Worldwide tickets sold (est.): NA
US/Canada gross: $46,888,441
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend: $11,401,182
US/Canada opening weekend (inflation-adjusted): $11,401,182
US/Canada opening weekend ranking (inflation-adjusted): 914
Budget and Earnings Details
Production budget (est.): $50,000,000
Production budget (inflation-adjusted): $50,000,000
Production budget ranking: 772
Marketing and distribution budget (inflation-adjusted est.): $26,925,000
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Constance Wu – self
Winslow Fegley – self
Scoot McNairy – self
Brett Gelman – Mr. Grumps
Shawn Mendes – Lyle (voice)
Will Speck – Director/Producer
Josh Gordon – Director/Producer
Hutch Parker – Producer
Will Davies – Writer
Director(s)
Will Speck, Josh Gordon
Writer(s)
Will Davies
Producer(s)
Hutch Parker, Will Speck, Josh Gordon
Film Festivals
Toronto
Awards & Nominations
NA
Academy Awards
All Critics (80) | Top Critics (20) | Fresh (58) | Rotten (22)
It’s done very well. Exhilarating… [But] it’s a little inconsistent.
October 14, 2022
Tim Cogshell
FilmWeek (KPCC – NPR Los Angeles)
TOP CRITIC
Javier Bardem alone is the flickering light of intrigue in this saccharine musical adaptation of Bernard Waber’s children’s book…
October 14, 2022 | Rating: 2/5
Kevin Maher
Times (UK)
TOP CRITIC
Utterly insane but oddly endearing family feature…
October 14, 2022 | Rating: 3/5
Leslie Felperin
Financial Times
TOP CRITIC
Would happily sit through a sequel.
October 13, 2022 | Rating: 3/5
David Jenkins
Little White Lies
TOP CRITIC
The film’s good-natured warmth wins the day, just.
October 12, 2022 | Rating: 3/5
Cath Clarke
Guardian
TOP CRITIC
Good cheer and exuberant humor enliven this clever live-action musical adaptation of Bernard Waber’s classic children’s-book series.
October 11, 2022
Richard Brody
New Yorker
TOP CRITIC
With apologies to Sir Elton John, this fun sing-along is the definitive Crocodile Rock.
December 2, 2022 | Rating: 4/5
Whang Yee Ling
The Straits Times (Singapore)
This is the perfect movie for both children and intoxicated adults. Would you like to watch a live crocodile sitting in a courtroom? Yes, you absolutely would. Look no further than this masterpiece of an atrocity.
November 30, 2022 | Rating: 2/10
Jonathan Sim
ComingSoon.net
The simple plotting and broad characterisation is bolstered by some pretty effective special effects work, and performer interaction with the towering, computer-generated crocodile is impressively seamless throughout.
November 2, 2022 | Rating: 3/5
James Marsh
South China Morning Post
Surprisingly confusing for a movie about the sweet-natured antics of a kid and a singing crocodile.
October 29, 2022
Jesse Hassenger
Polygon
Watching Javier Bardem sing and dance along with Lyle is great fun, and the movie is fine for very young kids as well as teens–at the end of my screening, kids applauded and danced to the ending credits.
October 28, 2022 | Rating: 3.5/4
Sarah Knight Adamson
Sarah’s Backstage Pass
The story suggests sketches and strokes that could lead to interesting places, yet it never decides on following any… things get better once Bardem comes along. [Full review in Spanish]
October 27, 2022 | Rating: 3/5
Marcelo Stiletano
La Nación (Argentina)…
Plot
When a family moves to New York City, their son Josh befriends a singing crocodile named Lyle who lives in their attic, but when Lyle’s existence is threatened by an evil neighbor, the family bands together to save him in Lyle, Lyle, Crocodile.
Trivia
Goofs / Tidbits
Fresh Kernels does not provide any information about goofs for the film “Lyle, Lyle, Crocodile (2022)” in this section.
Will-Speck.jpg
86%
Emily the Criminal (2022)
86%RT Audience Score:
Awards & Nominations: 3 wins
Emily the Criminal is a refreshing take on the crime thriller genre, thanks to John Patton Ford’s smart direction and a standout performance from Aubrey Plaza. Plaza’s portrayal of Emily brings an authenticity to the story that elevates it beyond a traditional thriller. The film never shies away from Emily’s past misdeeds, but instead presents her as a messy and believable character. Ford’s script is astute in its mix of character study, crime thriller, and critique of a rigged economic system. Emily the Criminal is a cinematic expression of the hypocrisy of accountability and how it ties into opportunity, giving voice to those who are rarely heard. Overall, this film is a must-watch for anyone looking for a thought-provoking and entertaining experience.
Emily the Criminal is a refreshing take on the crime thriller genre, with a standout performance by Aubrey Plaza. The film’s taut script and smart direction by John Patton Ford keep the audience engaged, while Plaza’s portrayal of Emily brings authenticity to the story. Despite the predictable territory the film ends up in, it’s still worth a watch for those looking for a mix of character study, crime thriller, and social commentary. Plus, who doesn’t love a good credit card scam and car chase?
Production Company(ies)
Columbia Pictures, Act III Act III Communications,
Distributor
Roadside Attractions
Release Type
Theatrical, Theatrical (Limited)
Filming Location(s)
MPAA / Certificate
Year of Release
2022
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:NA
-
Runtime:1h 37m
-
Language(s):
-
Country of origin:United States
-
Release date:Release Date (Theaters): Aug 12, 2022 Limited
Genre(s)
Crime/Mystery & thriller
Keyword(s)
starring Aubrey Plaza, Theo Rossi, Jonathan Avigdori, Kim Yarbrough, Gina Gershon, Bernardo Badillo, directed by John Patton Ford, written by John Patton Ford, produced by Tyler Davidson, Aubrey Plaza, Drew Sykes, crime, mystery, thriller, drama, student debt, job market, minor criminal record, shady gig, dummy shopper, stolen credit cards, black-market capitalism, mentor, Los Angeles, social commentary, taut thriller, Aubrey Plaza’s terrific work, critic reviews, box office performance, budget, reviewed by Dwight Brown, Emily Zemler, Alissa Wilkinson, Perri Nemiroff, Philip De Semlyen, Jourdain Searles, Jim Laczkowski, Dennis Harvey, Terry Mesnard, Martin Carr, Jimmy Cage, producer names, MPAA rating, Roadside Attractions
Worldwide gross: NA
Worldwide gross (inflation-adjusted): NA
Worldwide gross ranking (inflation-adjusted): NA
Worldwide tickets sold (est.): NA
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Theo Rossi – Youcef
Jonathan Avigdori – Khalil
Kim Yarbrough – self
Gina Gershon – Alice
Bernardo Badillo – Javier
Director(s)
John Patton Ford
Writer(s)
John Patton Ford
Producer(s)
Tyler Davidson, Aubrey Plaza, Drew Sykes
Film Festivals
Sundance
Awards & Nominations
3 wins
Academy Awards
All Critics (68) | Top Critics (14) | Fresh (63) | Rotten (5)
The crime thriller genre is so routine, what could make it less formulaic? How about a taut script and smart direction by John Patton Ford and a gutsy performance by Aubrey Plaza.
February 11, 2022 | Rating: 3.5/4
Dwight Brown
National Newspaper Publishers Association
TOP CRITIC
Plaza’s ongoing determination to bring out the authenticity of the story actually makes the film darker than it would be as a traditional thriller.
February 3, 2022 | Rating: 3.5/4
Emily Zemler
Observer
TOP CRITIC
John Patton Ford wrote and directed the movie, which is an entertaining and sharp-edged look at the world in which so many millennials find themselves.
February 3, 2022
Alissa Wilkinson
Vox
TOP CRITIC
An extremely effective first feature from John Patton Ford with a powerhouse performance from Aubrey Plaza at its core. Emily may make some unethical, dangerous decisions but the film never lets you forget what put her in that position to begin with.
January 31, 2022 | Rating: 4.5/5
Perri Nemiroff
Perri Nemiroff (YouTube)
TOP CRITIC
Refreshingly, writer-director John Patton Ford’s script never seeks to excuse Emily her past misdeeds or sugarcoat her worst impulses. She’s a messy, believable character and her journey into LA’s crime underworld in no way feels far-fetched.
January 31, 2022 | Rating: 4/5
Philip De Semlyen
Time Out
TOP CRITIC
With her steely demeanor and large, intense eyes, Plaza is a force to be reckoned with a hidden brutality just waiting to be unleashed.
January 31, 2022
Jourdain Searles
Little White Lies
TOP CRITIC
This film belongs to Aubrey Plaza and it’s her best work to date. Even if the film ends up going down fairly predictable territory in a way that’s akin to the downfall of a protagonist in a Walter White-esque manner, it’s still worth a look.
June 9, 2022 | Rating: 3/5
Jim Laczkowski
Director’s Club
John Patton Ford’s debut feature is very astute about mixing character study, crime thriller, and critique of a “trickle-up” economic system more and more Americans are finding is fundamentally gamed against them.
May 2, 2022
Dennis Harvey
48 Hills
Emily the Criminal is a lean and efficient thriller that, even in the smallest moments, is an intriguing look at credit card scams and dummy purchasing with stolen identities.
March 18, 2022 | Rating: 4/5
Terry Mesnard
Gayly Dreadful
If you’re looking for a movie to kick back and enjoy, Emily the Criminal will keep you entertained. However, if you want little more than car chases and credit card fraud, the film has plenty of intrigue for viewers looking to scratch beyond the surface.
March 16, 2022
Martin Carr
We Got This Covered
The whole movie is somewhere in-between a real genre movie, an indie character study and a social commentary. Its fine and certainly a decent one-time watch, but I was certainly missing more energy and depth.
February 24, 2022 | Rating: 6/10
Jimmy Cage
Jimmy Cage Movie Reviews (YouTube)
The film is a cinematic expression of the hypocrisy of accountability and how it ties into opportunity. Emily the Criminal has a conscience, and it gives voice to those who are rarely heard.
February 19, 2022
Paul Risker
PopMatters…
Plot
Emily, a young woman with a criminal record, takes a job as a “dummy shopper” and becomes involved in black-market capitalism with her charismatic mentor, Youcef, in order to make quick cash and pay off her student debt.
Trivia
Goofs / Tidbits
Fresh Kernels praises Aubrey Plaza’s “terrific work” in the title role of Emily the Criminal.
John-Patton-Ford.jpg
86%
The Tragedy of Macbeth (2021)
86%RT Audience Score: 76%
Awards & Nominations: Nominated for 3 Oscars
18 wins & 106 nominations total
Led by a stellar Denzel Washington, The Tragedy of Macbeth strips the classic story down to its visual and narrative essentials.
The Tragedy of Macbeth” is a visually stunning and captivating adaptation of Shakespeare’s work. The film’s monochrome fury and immersive production design make it a feast for the eyes. The performances from Washington and McDormand are strong, and Coen’s ability to combine a stage play and cinematic experience is impressive. It’s not exactly a cheerful holiday viewing, but it’s definitely worth watching if you’re in the mood for something daring and thought-provoking. Plus, who doesn’t love a good dose of sound and fury signifying everything?
Production Company(ies)
Walter Shenson Films, Proscenium Films,
Distributor
A24
Release Type
Streaming, Theatrical, Theatrical (Limited)
Filming Location(s)
Los Angeles, California, USA
MPAA / Certificate
Rated R for violence
Year of Release
2022
-
Color:Color
Black and White -
Sound mix:Dolby Atmos Dolby Surround 7.1 Dolby Digital
-
Aspect ratio:1.37 : 1
-
Runtime:1h 45m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Dec 25, 2021 Limited
Release Date (Streaming): Jan 14, 2022
Genre(s)
Drama
Keyword(s)
starring Denzel Washington, Frances McDormand, Bertie Carvel, Alex Hassell, Corey Hawkins, Harry Melling, Kathryn Hunter, directed by Joel Coen, written by Joel Coen, produced by Joel Coen, Robert Graf, Frances McDormand, drama, mystery, thriller, box office performance, budget, reviewed by Adam Kempenaar, Moira MacDonald, Simran Hans, Bob Mondello, Richard Brody, Jesse Hassenger, Sarah Ward, Sheraz Farooqi, Carlos Boyero, Kent Garrison, Ruben Peralta Rigaud, MPAA rating R, murder, madness, ambition, wrathful cunning, Shakespeare adaptation, visual and narrative essentials, violent actions, theater, sound stages, striking chiaroscuro black and white photography, otherworldly, eerie, shifting imagery, alien presentation, transporting dream, aural pleasures of theater, Shakespeare’s brilliant words, witchy regicide, Kathryn Hunter as all the witches, captivating, haunting, surprise, theater vet, fast-paced, 105 minutes, half of the running time for the unabridged stage play, uniformly good acting, thespian feast, indulgence, tiny meal, Patrick Stewart BBC production, good, not transcendentally great, a gift, visually striking, superb performances, best acting, best camerawork, striking black and white, cinematographer Bruno Delbonnel, moving painting, art at its finest, blood must be shed, Lady Macbeth, Banquo, Ross, Malcolm, Lord Macbeth, Macduff
Worldwide gross: $524,771
Worldwide gross (inflation-adjusted): $524,771
Worldwide gross ranking (inflation-adjusted): 2,728
Worldwide tickets sold (est.): 57,227
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Frances McDormand – Lady Macbeth
Bertie Carvel – Banquo
Alex Hassell – Ross
Corey Hawkins – Macduff
Harry Melling – Malcolm
Joel Coen – Director/Writer
Joel Coen – Producer
Robert Graf – Producer
Frances McDormand – Producer
Director(s)
Joel Coen
Writer(s)
Joel Coen
Producer(s)
Joel Coen, Robert Graf, Frances McDormand
Film Festivals
Awards & Nominations
Nominated for 3 Oscars
18 wins & 106 nominations total
Academy Awards
Oscar Nominees
All Critics (277) | Top Critics (64) | Fresh (256) | Rotten (21)
Everyone exists in this ominous otherworld that feels so appropriate for characters who are caught between film and theater, ambition and loyalty, insanity and sanity, humanity and inhumanity.
February 10, 2022 | Rating: 4/5
Adam Kempenaar
Filmspotting
TOP CRITIC
It’s not exactly cheerful holiday viewing, but this “Macbeth” is nonetheless a gift.
January 31, 2022 | Rating: 3.5/4
Moira MacDonald
Seattle Times
TOP CRITIC
The film has a cold, abstract beauty.
January 31, 2022 | Rating: 3/5
Simran Hans
Observer (UK)
TOP CRITIC
Every beat of “The Tragedy Of Macbeth” a cinematic flourish, a tale told by a master full of sound and monochrome fury.
January 31, 2022
Bob Mondello
NPR
TOP CRITIC
The over-all effect is of a striving toward a high style that isn’t achieved-and that undercuts the mighty import of the play.
January 31, 2022
Richard Brody
New Yorker
TOP CRITIC
Coen’s equivalent of a solo album has its own virtuosic style. With text modifications mostly off the table, he adapts the play visually, and through subtraction…
January 31, 2022 | Rating: B+
Jesse Hassenger
AV Club
TOP CRITIC
Something astonishing this way comes… another masterwork full of sound and fury signifying everything.
July 8, 2022
Sarah Ward
Concrete Playground
The Tragedy of Macbeth is great. The film has stunning cinematography, immersive production design, and strong performances from both Washington and McDormand.
Coen delivered on a visually unique adaption of Shakespeare’s work.
June 21, 2022 | Rating: 4/5
Sheraz Farooqi
CinemaDebate
A strange film in the best sense, it’s daring, and it captures Shakespeare’s spirit, that man who knew everything about human nature… [Full review in Spanish]
June 16, 2022
Carlos Boyero
El Pais (Spain)
The way Joel Coen was able to combine a stage play and cinematic experience is unlike anything I’ve seen.
June 9, 2022 | Rating: A
Kent Garrison
Mad About Movies Podcast
A film whose sole purpose is to instill doubt in all things.
[Full review in Spanish]
May 16, 2022
Ruben Peralta Rigaud
Cocalecas
Shapes the exploration of the vicissitudes of ambition that takes shape in cruelty: the sweet taste of power, which is ephemeral, and the bitterness of accessing it through crime.
May 12, 2022 | Rating: 90/100
Hugo Hernández Valdivia
Cinexcepción…
Plot
The Tragedy of Macbeth is a bold and fierce adaptation of Shakespeare’s classic tale of murder, madness, ambition, and wrathful cunning, led by a stellar performance from Denzel Washington as Lord Macbeth.
Trivia
Goofs / Tidbits
The Tragedy of Macbeth boasts a stellar cast, led by Denzel Washington and Frances McDormand.
Joel-Coen.jpg
86%
In the Same Breath (2021)
86%RT Audience Score: 75%
Awards & Nominations: 2 wins & 9 nominations
Gripping and clear-eyed, In the Same Breath captures history as it’s being written — and governmental failures as they amplify worldwide tragedy.
In the Same Breath is a documentary that will make you feel like you’ve been punched in the gut, but in a good way. Wait, that doesn’t sound right. What we mean is that it’s a powerful and emotional film that sheds light on the early days of the pandemic and the political and social factors that contributed to its spread. Director Nanfu Wang does an incredible job of weaving together personal stories of loss and trauma with a larger narrative about the global response to the virus. It’s a must-watch for anyone who wants to understand the impact of Covid-19 on our world. Plus, you’ll probably cry a little bit, so make sure you have some tissues handy.
Production Company(ies)
K&SFilms, El Deseo Televisión Federal
Distributor
NA
Release Type
Filming Location(s)
MPAA / Certificate
Year of Release
2021
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:NA
-
Runtime:NA
-
Language(s):
-
Country of origin:United States
-
Release date:Release Date (Streaming): Aug 18, 2021
Genre(s)
Documentary
Keyword(s)
documentary, coronavirus, pandemic, China, United States, misinformation, public health, politics, personal approach, Nanfu Wang, Christopher Clements, Carolyn Hepburn, Sara Rodriguez, Jialing Zhang, reviewed by Brian Lowry, Manohla Dargis, Justin Chang, Robert Daniels, Ed Gonzalez, Sheri Flanders, Ema Sasic, Christopher Cross, Ezequiel Boetti, directed by Nanfu Wang, produced by Christopher Clements, Carolyn Hepburn, Sara Rodriguez, Nanfu Wang, Jialing Zhang, English, 1h 40m, MPAA rating N/A, box office performance N/A, budget N/A, starring Nanfu Wang, Christopher Clements, Carolyn Hepburn, Sara Rodriguez, Jialing Zhang, genre Documentary, public health crisis, coronavirus outbreak, governmental failures, tragedy, citizens, Wuhan, containment, public narrative, personal impact, earliest days, initial spread, parallel campaigns, authorities, shape, devastating impact, ground, experiences, worldwide tragedy, gripping, clear-eyed, captures history, corrective, trauma, loss, Covid-19, political narratives, bungling cover-up, hospitals, homes, morgues, truth, anguish, vaccines, therapeutics, American freedom, idiotic, spreading, exposing, disease, preventable
Worldwide gross: NA
Worldwide gross (inflation-adjusted): NA
Worldwide gross ranking (inflation-adjusted): NA
Worldwide tickets sold (est.): NA
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Christopher Clements – Producer
Carolyn Hepburn – Producer
Sara Rodriguez – Producer
Nanfu Wang – Producer
Jialing Zhang – Producer
Director(s)
Nanfu Wang
Writer(s)
NA
Producer(s)
Christopher Clements, Carolyn Hepburn, Sara Rodriguez, Nanfu Wang, Jialing Zhang
Film Festivals
Awards & Nominations
2 wins & 9 nominations
Academy Awards
All Critics (55) | Top Critics (15) | Fresh (53) | Rotten (2)
In some respects, In the Same Breath leaves behind as many questions as it answers, but the director’s lens and those of her collaborators remain as unflinching as they are sobering.
August 18, 2021
Brian Lowry
CNN.com
TOP CRITIC
This is a story that envelops all of us, and it is devastating.
August 18, 2021
Manohla Dargis
New York Times
TOP CRITIC
At the simplest level, the stories of trauma and loss told in “In the Same Breath” exist as a necessary corrective.
August 12, 2021
Justin Chang
Los Angeles Times
TOP CRITIC
An incisive exploration of how political narratives and public health collided in the early stages of the Covid-19 pandemic, and still do.
August 12, 2021 | Rating: 4/4
Robert Daniels
RogerEbert.com
TOP CRITIC
Wang Nanfu’s extraordinary documentary sees contemporary political structures are as much of a disease as Covid-19, and, in the long run, the deadlier foes.
August 10, 2021 | Rating: 3.5/4
Ed Gonzalez
Slant Magazine
TOP CRITIC
Outstanding director Nanfu Wang was prescient enough to send a covert team of cameras into hospitals, homes, and morgues to capture the truth and anguish, then follow the virus-and the bungling cover-up-across the sea to America.
February 20, 2021
Sheri Flanders
Chicago Reader
TOP CRITIC
Wang’s film will weigh heavy on viewers as they relive those fearful first few months of the pandemic, but it will also remind them of the great strides made with the development of several vaccines and therapeutics.
June 21, 2022 | Rating: 8/10
Ema Sasic
Next Best Picture
Its not as effective by the time it finishes but most of the time its an enrapturing exposé that ends up still being a substantial addition to Nanfu Wangs filmography.
April 10, 2022 | Rating: 3.5/5
Christopher Cross
Tilt Magazine
Acquired material of the highest testimonial value. [Full review in Spanish]
January 3, 2022 | Rating: 3.5/5
Ezequiel Boetti
Otroscines.com
Harrowing and inspiring, In the Same Breath offers an intimate window into a world of pandemic experiences that was hidden from us.
September 22, 2021 | Rating: 4.5/5
Margot Harrison
Seven Days
What’s startling, and depressing, is to see how our American “freedom,” as Covid is endlessly politicized, is the freedom to be idiotic about spreading and exposing ourselves to a disease that’s now preventable.
September 14, 2021
Steve Murray
ArtsATL
Wang succeeds in showing how the media and officials manipulate the messages.
August 20, 2021 | Rating: 3.5/5
Michael J. Casey
Boulder Weekly…
Plot
In the Same Breath is a documentary that follows the experiences of people on the ground during the early days of the COVID-19 pandemic in Wuhan and the United States, exploring the confusion and failures of authorities to contain the virus and the devastating impact on citizens of both countries.
Trivia
Goofs / Tidbits
Nothing to add here about “In the Same Breath.”
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86%
Procession (2021)
86%RT Audience Score: 74%
Awards & Nominations: 3 wins & 23 nominations
Harrowing yet essential viewing, Procession probes the lasting legacy of trauma with heart-wrenching grace.
Procession” is a documentary that will make you feel all the feels. It’s not an easy watch, but it’s worth it. The film follows six abuse survivors as they process their pain through art. Watching them create their short films is inspiring, but it’s the moments in between that really hit home. You see the sense of community that binds them together and the hope that they have for a better future. It’s a powerful reminder that healing is possible, even in the darkest of times. Plus, the film has David Lynch’s seal of approval, so you know it’s good.
Production Company(ies)
Ciné-tamaris Social Animals Rouge International,
Distributor
NA
Release Type
Streaming, Streaming (Netflix), Theatrical, Theatrical (Limited)
Filming Location(s)
MPAA / Certificate
Rated R for language
Year of Release
2021
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Color:Color
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Sound mix:Dolby Digital
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Aspect ratio:2.39 : 1
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Runtime:NA
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Language(s):
-
Country of origin:United States
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Release date:Release Date (Streaming): Nov 19, 2021
Genre(s)
Documentary
Keyword(s)
documentary, survivors, sexual abuse, Catholic priests, justice, fictional scenes, rituals of power, trauma, Robert Greene, Susan Bedusa, Bennett Elliott, Douglas Tirola, R, Dolby Digital, Scope, Joe Eldred, Mike Foreman, Ed Gavagan, Dan Laurine, Monica Phinney, Ryan Trobough, Guy Lodge, John Anderson, David Fear, Alissa Wilkinson, Robert Abele, Ben Kenigsberg, Tom O’Brien, Phil Guie, David Lynch, Filipe Freitas, Jennie Kermode, George Elkind, reviewed by critics, Fresh Kernels, box office performance, budget, MPAA rating, producer names, writer names, director names, starring actors
Worldwide gross: NA
Worldwide gross (inflation-adjusted): NA
Worldwide gross ranking (inflation-adjusted): NA
Worldwide tickets sold (est.): NA
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Mike Foreman – Self
Ed Gavagan – Self
Dan Laurine – Self
Monica Phinney – Self
Ryan Trobough – Self
Susan Bedusa – Producer
Bennett Elliott – Producer
Douglas Tirola – Producer
Robert Greene – Director
Director(s)
Robert Greene
Writer(s)
NA
Producer(s)
Susan Bedusa, Bennett Elliott, Douglas Tirola
Film Festivals
Telluride
Awards & Nominations
3 wins & 23 nominations
Academy Awards
All Critics (46) | Top Critics (18) | Fresh (45) | Rotten (1)
Robert Greene’s signature mode of performance-based documentary finds potent purpose in this shattering study of six abuse survivors processing their pain through art.
February 8, 2022
Guy Lodge
Variety
TOP CRITIC
Procession is a film that makes you think. It certainly doesn’t make you comfortable.
November 24, 2021
John Anderson
America Magazine
TOP CRITIC
These guys are the ones who step willingly into the worst moments of their lives, jumping into an abyss with the faith that there may be something healing on the other side. Name something that’s more heroic than that.
November 22, 2021
David Fear
Rolling Stone
TOP CRITIC
None of this is very easy. But if evil only dissipates when light hits it, then the first step is letting light in.
November 20, 2021
Alissa Wilkinson
Vox
TOP CRITIC
Observational documentaries are by nature intrusive, but “Procession,” miraculously, never feels that way – you sense humane engagement, not imposition.
November 19, 2021
Robert Abele
Los Angeles Times
TOP CRITIC
“Procession” is exceptionally difficult to watch, as it should be.
November 18, 2021
Ben Kenigsberg
New York Times
TOP CRITIC
Look closer, and you’ll begin to see that this film is really about something just as profound but somehow very different: the power of art to heal.
June 16, 2022 | Rating: 8/10
Tom O’Brien
Next Best Picture
By the mid-section, the narrative starts to follow a pattern of prep scenes, filming, emotional catharsis, and then repeat. Yet Procession never becomes monotonous because each mans journey has its own twists and turns.
April 17, 2022 | Rating: 4.5/5
Phil Guie
Film-Forward.com
“Watching the short films they create may give ‘Procession’ its momentum, but its richness is derived in the moments between takes, in the sense of community that comes to bind them as they will themselves and each other forward.”
February 21, 2022
David Lynch
KENS 5 TV
Greene’s documentary might have done a nice job in helping these traumatized men, but the film itself flows heavily…
January 31, 2022 | Rating: 3/5
Filipe Freitas
Always Good Movies
Procession gives outsiders an intimate view of the damage done by abuse. It gives survivors a chance to see that there is hope: that the pain and the panic and other debilitating symptoms can recede, and there can be a life afterwards.
January 27, 2022 | Rating: 4.5/5
Jennie Kermode
Eye for Film
This repetitious narrative rhythm of recounting, conceptualization, and production lends the film a crucial ability to revisit moments, memories, and scenes teased out in different ways…
January 22, 2022
George Elkind
Cincinnati CityBeat…
Plot
In “Procession,” survivors of sexual abuse by Catholic priests come together to create fictional scenes depicting the rituals of power in the church, as they battle for justice and healing.
Trivia
Goofs / Tidbits
There is no goofy or funny or odd comment about the film on Fresh Kernels.
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