Superman Returns (2006)
RT Audience Score: 61%
Awards & Nominations: Nominated for 1 Oscar
12 wins & 47 nominations total
Bryan Singer’s reverent and visually decadent adaptation gives the Man of Steel welcome emotional complexity. The result: a satisfying stick-to-your-ribs adaptation
Superman Returns is like that one friend who always takes themselves too seriously, but you still hang out with them because they have cool special effects. The movie is long and slow, but the action scenes are worth the wait. Plus, who doesn’t love a good nostalgia trip? It may not be the best Superman movie out there, but it’s definitely not the worst. Give it a chance and you might just be pleasantly surprised.
Production Company(ies)
Red Crown Productions, The Princess Grace Foundation Participant
Distributor
Warner Bros. Pictures
Release Type
Theatrical, Theatrical (Wide)
Filming Location(s)
Newcastle, New South Wales, Australia
MPAA / Certificate
Rated PG-13 for some intense action violence
Year of Release
2006
-
Color:Color
-
Sound mix:DTSS DDS Dolby Digital
-
Aspect ratio:2.35 : 1
-
Runtime:2h 34m
-
Language(s):English, German, French
-
Country of origin:United States
-
Release date:Release Date (Theaters): Jun 28, 2006 Wide
Release Date (Streaming): Nov 28, 2006
Genre(s)
Adventure/Action
Keyword(s)
starring Brandon Routh, Kate Bosworth, James Marsden, Frank Langella, Eva Marie Saint, Parker Posey, Kevin Spacey, directed by Bryan Singer, written by Michael Dougherty, Dan Harris, Adventure, Action, Fantasy, PG-13, Warner Bros Pictures, box office gross $200.1M, reviewed by Namrata Joshi, Eric Kohn, Brian Tallerico, Peter Bradshaw, Richard Roeper, Neil Smith, David Walsh, Alex Maidy, Nikhat Kazmi, Beatriz Maldivia, Clark Kent, Superman, Lois Lane, Richard White, Perry White, Martha Kent, Kitty Koslowski, Gilbert Adler, Jon Peters, SDDS, Dolby Digital, DTS, Dolby SRD, Scope (2.35:1)
Worldwide gross: $391,081,192
Worldwide gross (inflation-adjusted): $576,710,645
Worldwide gross ranking (inflation-adjusted): 235
Worldwide tickets sold (est.): 62,891,019
US/Canada gross: $200,081,192
US/Canada gross (inflation-adjusted): $295,051,145
US/Canada gross ranking (inflation-adjusted): 196
US/Canada opening weekend: $52,535,096
US/Canada opening weekend (inflation-adjusted): $77,471,251
US/Canada opening weekend ranking (inflation-adjusted): 113
Budget and Earnings Details
Production budget (est.): $270,000,000
Production budget (inflation-adjusted): $398,157,409
Production budget ranking: 5
Marketing and distribution budget (inflation-adjusted est.): $214,407,765
Box office net earnings to date (inflation-adjusted est.): -$35,854,529
ROI to date (est.): -6%
ROI ranking: 1,426
Kate Bosworth – Lois Lane
James Marsden – Richard White
Frank Langella – Perry White
Eva Marie Saint – Martha Kent
Parker Posey – Kitty Koslowski
Director(s)
Bryan Singer
Writer(s)
Michael Dougherty, Dan Harris
Producer(s)
Bryan Singer, Gilbert Adler, Jon Peters
Film Festivals
Awards & Nominations
Nominated for 1 Oscar
12 wins & 47 nominations total
Academy Awards
Oscar Nominees
All Critics (265) | Top Critics (62) | Fresh (197) | Rotten (68)
The man doesn’t have an ounce of charisma and at best can only be described as an expressionless log of wood. In retrospect, I’d settle for our own delectable Hrithik.
January 15, 2019 | Rating: 2/4
Namrata Joshi
Outlook
TOP CRITIC
The movie runs nearly half an hour longer than it should, with a new plot strand introduced in the third act that has questionable vitality in the presumed sequel.
July 6, 2010
Eric Kohn
Reverse Shot
TOP CRITIC
May be the most reverent superhero film ever made.
March 24, 2007
Brian Tallerico
UGO
TOP CRITIC
The battle is won: but only just.
July 15, 2006 | Rating: 3/5
Peter Bradshaw
Guardian
TOP CRITIC
… while I can’t call it a home run, I’ll say it’s a solid base hit.
July 5, 2006
Richard Roeper
Ebert & Roeper
TOP CRITIC
Logical progression, intelligent reappraisal, and nostalgia trip all in one, Superman Return is better than we dared hope.
July 4, 2006 | Rating: 5/5
Neil Smith
BBC.com
TOP CRITIC
Superman Returns … is not the worst of today’s entertainments, but interest in it eventually collapses under the weight of the film’s self-seriousness and overbearing special effects.
February 14, 2021
David Walsh
World Socialist Web Site
Revisiting Bryan Singer’s underrated SUPERMAN RETURNS, I propose why it is actually one of the best Superman movies of all time. Check out the video above and see if you agree!
October 26, 2020 | Rating: 9/10
Alex Maidy
JoBlo’s Movie Network
The film is long. The pace is slow. The mood is solemn. But the action is edge-of-the-seat.
February 28, 2020
Nikhat Kazmi
The Times of India
It is beautifully shot. [Full Review in Spanish]
February 12, 2020
Beatriz Maldivia
Espinof
The biggest problem with Superman Returns is the script, which bogs down in the love story and forgets the action — which should be the strong point.
November 20, 2019 | Rating: C+
Micheal Compton
Bowling Green Daily News
One blockbuster that actually delivers.
June 5, 2019 | Rating: 3/4
Mattie Lucas
The Dispatch (Lexington, NC)…
Plot
Following a mysterious absence of several years, the Man of Steel comes back to Earth in the epic action-adventure Superman Returns, a soaring new chapter in the saga of one of the world’s most beloved superheroes. While an old enemy plots to render him powerless once and for all, Superman faces the heartbreaking realization that the woman he loves, Lois Lane, has moved on with her life. Or has she? Superman’s bittersweet return challenges him to bridge the distance between them while finding a place in a society that has learned to survive without him. In an attempt to protect the world he loves from cataclysmic destruction, Superman embarks on an epic journey of redemption that takes him from the depths of the ocean to the far reaches of outer space.
Trivia
Goofs / Tidbits
There is no goofy or funny or odd comment about the film Superman Returns on Fresh Kernels.
Bryan-Singer.jpg
73%
The Chronicles of Narnia: The Lion, The Witch and The Wardrobe (2005)
RT Audience Score: 61%
Awards & Nominations: Won 1 Oscar
18 wins & 46 nominations total
With first-rate special effects and compelling storytelling, this adaptation stays faithful to its source material and will please moviegoers of all ages
The Chronicles of Narnia: The Lion, The Witch and The Wardrobe” is a magical adventure that will transport you to a world of talking animals, mythical creatures, and epic battles. While some critics found the film to be lacking in certain areas, I personally loved every minute of it. Tilda Swinton’s portrayal of the ice queen was chillingly good, and the special effects were top-notch. Whether you’re a fan of the book series or just looking for a fun family movie night, this film is definitely worth a watch. Just be prepared to want to visit Narnia yourself afterwards!
Production Company(ies)
Hideout Pictures, Shout! Factory Shout! Studios,
Distributor
Buena Vista Pictures
Release Type
Theatrical
Filming Location(s)
Adrspach National Park, Trutnov, Czech Republic
MPAA / Certificate
Rated PG for battle sequences and frightening moments
Year of Release
2005
-
Color:Color
-
Sound mix:DTS Dolby Digital SDDS
-
Aspect ratio:2.39 : 1
-
Runtime:2h 20m
-
Language(s):English, German, Brazilian, Sign, L
-
Country of origin:United States
-
Release date:Release Date (Theaters): Dec 9, 2005 Wide
Release Date (Streaming): Dec 13, 2005
Genre(s)
Fantasy/Adventure
Keyword(s)
starring Georgie Henley, Skandar Keynes, William Moseley, Anna Popplewell, Liam Neeson, Tilda Swinton, directed by Andrew Adamson, written by C.S Lewis, Christopher Markus, fantasy, adventure, PG rating, box office gross $291.7M, reviewed by Namrata Joshi, Sukhdev Sandhu, Ian Freer, Ed Gonzalez, Sandra Hall, Peter Travers, Mike Massie, Grant Watson, Rachel Wagner, Mattie Lucas, Mark Steyn, Dorothy Woodend, special effects, storytelling, source material, World War II, bombings, London, English siblings, country house, magical world, Narnia, Aslan, White Witch, Jadis, battle sequences, frightening moments, Buena Vista Pictures, SDDS, DTS, Surround, Dolby SRD, Scope (2.35:1), Mark Johnson, Liam Neeson as Aslan (voice), Tilda Swinton as Jadis The White Witch, Georgie Henley as Lucy Pevensie, Skandar Keynes as Edmund Pevensie, William Moseley as Peter Pevensie, Anna Popplewell as Susan Pevensie
Worldwide gross: $745,013,115
Worldwide gross (inflation-adjusted): $1,135,387,569
Worldwide gross ranking (inflation-adjusted): 82
Worldwide tickets sold (est.): 123,815,438
US/Canada gross: $291,710,957
US/Canada gross (inflation-adjusted): $444,562,636
US/Canada gross ranking (inflation-adjusted): 95
US/Canada opening weekend: $65,556,312
US/Canada opening weekend (inflation-adjusted): $99,906,727
US/Canada opening weekend ranking (inflation-adjusted): 80
Budget and Earnings Details
Production budget (est.): $180,000,000
Production budget (inflation-adjusted): $274,317,000
Production budget ranking: 24
Marketing and distribution budget (inflation-adjusted est.): $147,719,704
Box office net earnings to date (inflation-adjusted est.): $713,350,865
ROI to date (est.): 169%
ROI ranking: 714
Georgie Henley – Lucy Pevensie
Skandar Keynes – Edmund Pevensie
William Moseley – Peter Pevensie
Anna Popplewell – Susan Pevensie
Liam Neeson – Aslan (Voice)
Director(s)
Andrew Adamson
Writer(s)
C.S. Lewis, Christopher Markus
Producer(s)
Mark Johnson
Film Festivals
Awards & Nominations
Won 1 Oscar
18 wins & 46 nominations total
Academy Awards
Oscar Best Achievement in Makeup Winners, Oscar Nominees, Oscar Winners
All Critics (218) | Top Critics (57) | Fresh (165) | Rotten (53)
Incredibly engrossing but intermittently so. It holds you, but the grip could have been even more firm.
January 9, 2019 | Rating: 3/4
Namrata Joshi
Outlook
TOP CRITIC
This is a worthy opening salvo, a film that succeeds through the sheer weight of our expectations, and that won’t disappoint younger audiences.
February 10, 2007
Sukhdev Sandhu
Daily Telegraph (UK)
TOP CRITIC
It’s an enjoyable adaptation and good enough for us to welcome this new franchise.
December 30, 2006 | Rating: 3/5
Ian Freer
Empire Magazine
TOP CRITIC
A fun and literate package.
March 25, 2006
Ed Gonzalez
Slant Magazine
TOP CRITIC
It’s easy to see why Disney chose to start with The Witch and the Wardrobe.
January 17, 2006
Sandra Hall
Sydney Morning Herald
TOP CRITIC
This PG-rated movie feels safe and constricted in a way the story never does on the page. It leaves out the deep magic of a good movie, or a good sermon: the feeling that something vital is at stake.
January 6, 2006 | Rating: 2.5/4
Peter Travers
Rolling Stone
TOP CRITIC
Despite its generic swords-and-sorcery storyline, it’s amusingly padded with extensive fantasy elements, making it a must-see for those itching for magic-doused adventure.
September 29, 2020 | Rating: 6/10
Mike Massie
Gone With The Twins
A wonderfully realised and pleasant feature.
April 19, 2020 | Rating: 7/10
Grant Watson
Fiction Machine
Tilda Swinton as the ice queen… is so good and so scary.
June 18, 2019 | Rating: B+
Rachel Wagner
Rachel’s Reviews (YouTube)
Swinton digs into the icy heart of her character with a chameleon-like prowess that is simply amazing.
June 5, 2019 | Rating: 4/4
Mattie Lucas
The Dispatch (Lexington, NC)
Adamson eschews the big look-isn’t-it-magical gestures of the Potter/Tim Burton approach, but he manages to convey the sense of wonder a wartime evacuee might feel at such transportation.
January 25, 2018
Mark Steyn
The Spectator
There isn’t a single moment in this film, front to end, that rings true.
August 24, 2017
Dorothy Woodend
The Tyee (British Columbia)…
Plot
Four children from the same family have to leave their town because of the bombings of WWII. A woman and a professor take the children to their house. While playing a game of hide-and-seek, the youngest member of the family, Lucy, finds a wardrobe to hide in. She travels back and back into the wardrobe and finds a place named Narnia. After going in twice, the four children go in together for the last time. They battle wolves, meet talking animals, encounter an evil white witch and meet a magnificent lion named Aslan. Will this be the end of their journey to Narnia or will they stay?
Trivia
Goofs / Tidbits
Tilda Swinton’s portrayal of the evil White Witch is “so good and so scary,” according to one critic review.
Andrew-Adamson.jpg
73%
Sunshine State (2002)
RT Audience Score: 57%
Awards & Nominations: 7 wins & 3 nominations
Wonderfully acted, but the story and pacing can use a little work
Sunshine State is a movie that’s got a lot on its mind, but don’t worry, it’s not one of those boring films that tries to be all deep and meaningful without actually being entertaining. No, this one’s got a great cast, including Edie Falco who’s amazing as always, and it’s set in South Florida, which is basically like a character in itself. Sure, it’s not perfect, and some critics might say it’s a bit unfocused, but who cares? It’s still a fun and interesting movie that’s definitely worth checking out.
Production Company(ies)
X-Filme Creative Pool Westdeutscher Rundfunk ARTE
Distributor
Sony Pictures Classics
Release Type
Theatrical
Filming Location(s)
Amelia Island, Florida, USA
MPAA / Certificate
Rated PG-13 for brief strong language, a sexual reference and thematic elements
Year of Release
2002
-
Color:Color
-
Sound mix:Dolby Digital SDDS
-
Aspect ratio:1.85 : 1
-
Runtime:2h 21m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Jun 21, 2002 Wide
Release Date (Streaming): Apr 16, 2012
Genre(s)
Drama
Keyword(s)
starring Edie Falco, Angela Bassett, Jane Alexander, Ralph Waite, James McDaniel, Timothy Hutton, directed by John Sayles, written by John Sayles, drama, PG-13, Maggie Renzi, box office, budget, reviewed by David Ansen, Adam Nayman, Peter Howell, Robert Denerstein, Rick Groen, Steve Davis, Stuart Klawans, Emanuel Levy, Jeffrey Overstreet, Michael Dequina, Brett Buckalew, ensemble cast, Florida island, country-club resort developers, woman returning home, forced to sell restaurant and motel, thematic elements, sexual references, brief strong language, Sony Pictures Classics, surround sound, Dolby Stereo, Dolby Digital, Dolby A, SDDS
Worldwide gross: $3,369,654
Worldwide gross (inflation-adjusted): $5,588,782
Worldwide gross ranking (inflation-adjusted): 2,140
Worldwide tickets sold (est.): 609,464
US/Canada gross: $3,065,921
US/Canada gross (inflation-adjusted): $5,085,022
US/Canada gross ranking (inflation-adjusted): 1,807
US/Canada opening weekend: $93,072
US/Canada opening weekend (inflation-adjusted): $154,366
US/Canada opening weekend ranking (inflation-adjusted): 1,771
Budget and Earnings Details
Production budget (est.): $5,600,000
Production budget (inflation-adjusted): $9,287,950
Production budget ranking: 1,704
Marketing and distribution budget (inflation-adjusted est.): $5,001,561
Box office net earnings to date (inflation-adjusted est.): -$8,700,730
ROI to date (est.): -61%
ROI ranking: 1,753
Angela Bassett – Desiree Perry
Jane Alexander – Delia Temple
Ralph Waite – Furman Temple
James McDaniel – Reggie Perry
Timothy Hutton – Jack Meadows
Director(s)
John Sayles
Writer(s)
John Sayles
Producer(s)
Maggie Renzi
Film Festivals
Awards & Nominations
7 wins & 3 nominations
Academy Awards
All Critics (109) | Top Critics (38) | Fresh (87) | Rotten (22)
Who wants to complain abut an American movie that has too much on its mind? … Best of all is Falco, whose bruised, brusque, soulful Southern girl banishes all traces of Carmela Soprano.
March 8, 2018
David Ansen
Newsweek
TOP CRITIC
A fiercely intelligent South Florida mosaic.
August 20, 2002 | Rating: 4/5
Adam Nayman
eye WEEKLY
TOP CRITIC
Sunshine State resembles Sayles’ sketchbook more than his finished work, and we might hope that something more polished might spring from it.
August 9, 2002 | Rating: 3/5
Peter Howell
Toronto Star
TOP CRITIC
Sunshine State is an efficient helping of Sayles, insightful even when it’s not richly entertaining or imbued with apparent passion.
August 9, 2002 | Rating: B-
Robert Denerstein
Denver Rocky Mountain News
TOP CRITIC
Sunshine State has the structure, the theme, the style and, at 141 minutes, the length of a great John Sayles film. What it doesn’t have, alas, is the merit.
August 9, 2002 | Rating: 2.5/4
Rick Groen
Globe and Mail
TOP CRITIC
August 4, 2002 | Rating: 4/5
Steve Davis
Austin Chronicle
TOP CRITIC
All this is admirable. I just wish Sayles would also put a little movie into the movie.
July 21, 2015
Stuart Klawans
The Nation
This well acted ensemble melodrama is not one of John Sayles’ strongest films.
July 22, 2011 | Rating: B-
Emanuel Levy
EmanuelLevy.Com
Sayles’ writing is so good, and so convincing, he makes the experience more like reading a complex and well-researched novel than watching a movie.
December 6, 2004 | Rating: A-
Jeffrey Overstreet
Looking Closer
Click to read review
January 12, 2004 | Rating: 3.5/4
Michael Dequina
TheMovieReport.com
Sunshine State certainly ranks as one of the director’s richest, most satisfying films.
May 28, 2003
Brett Buckalew
FilmStew.com
Could have been much more than good, if only it didn’t seem so unfocused, and so many characters didn’t seem insufficiently explored.
January 30, 2003 | Rating: 76/100
Brian Webster
Apollo Guide…
Plot
Real estate developers descend upon a sleepy coastal Florida community with the promise of big money and bigger changes. Torn between honoring family obligations and the lure of quick cash, the locals greet the outsiders with a wildly mixed reception. Marly Temple is eager to give in and sell the family business to start over her life. As caretaker of her father’s motel and cafe, she has grown resentful of missed opportunities. However, she finds a glimmer of hope in a tentative romance with a visiting landscape architect. Desiree Perry left town many years ago to escape a scandal and make a name for herself as an actress. Reluctantly returning home, she finds her strong willed mother unwilling to let go of the past.
Trivia
Goofs / Tidbits
The film features a talented ensemble cast including Edie Falco, Angela Bassett, Jane Alexander, Ralph Waite, James McDaniel, and Timothy Hutton.
John-Sayles.jpg
73%
Diamond Men (2001)
RT Audience Score: 58%
Awards & Nominations: 3 wins & 1 nomination
Diamond Men is a film that sparkles with the nuanced performances of its cast, particularly Robert Forster’s portrayal of Eddie Miller. While some critics may have found the plot lacking, the film’s true value lies in its ability to transport the viewer to a world of diamond salesmen and the intricacies of their lives. With a low-key comedy style and a beautiful evocation of a minor-key way of life, Diamond Men is a lost classic that deserves to be rediscovered. So sit back, relax, and let the film’s charm and wit wash over you like a wave of diamonds.
Diamond Men is a movie that’s as smooth as a diamond, but not as hard. It’s a delightful comedy that’s perfect for a lazy afternoon. The movie is about a salesman’s life, and it’s filled with lovingly elaborated details that make you feel like you’re right there with him. Wahlberg looks like a rising star, and Forster is his usual sober self. The characters are excellent, and the writing is superb. The only downside is the lame payoff, but that’s a small price to pay for such a gem of a movie.
Production Company(ies)
Anonymous Content
Distributor
NA
Release Type
Filming Location(s)
Lancaster, Pennsylvania, USA
MPAA / Certificate
Rated R for language and some sexuality
Year of Release
2001
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:NA
-
Runtime:NA
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Sep 28, 2001 Wide
Release Date (Streaming): Feb 11, 2003
Genre(s)
Comedy/Drama
Keyword(s)
Diamond Men, Robert Forster, Donnie Wahlberg, Jasmine Guy, Bess Armstrong, George Coe, Kristin Minter, directed by Dan Cohen, written by Dan Cohen, Comedy, Drama, R-rated, box office performance, budget, reviewed by Jonathan Rosenbaum, Ella Taylor, Tom Keogh, Robert K Elder, Chris Vognar, Eric Harrison, Joe Leydon, Caffeinated Clint, Emanuel Levy, Philip Martin, David Nusair, Ross Anthony, mentor/protégé buddy film, Pennsylvania, diamond salesman, jewelry, heart attack, insurance risk, sales experience, friends, madam, training, replacement, coarse, brash, small shops, salesman’s life, sense of place, lovingly elaborated detail, rising star, sober authority, approachable masculinity, excellent characters, lame payoff, lost classic, beautiful miniature evocation, pair of exceedingly compelling characters, mildly pleasant film, well-written script, respecting the traditions of the past, small towns, not fearing what will come next
Worldwide gross: $191,221
Worldwide gross (inflation-adjusted): $322,263
Worldwide gross ranking (inflation-adjusted): 2,835
Worldwide tickets sold (est.): 35,143
US/Canada gross: $191,221
US/Canada gross (inflation-adjusted): $322,263
US/Canada gross ranking (inflation-adjusted): 2,437
US/Canada opening weekend: $14,749
US/Canada opening weekend (inflation-adjusted): $24,856
US/Canada opening weekend ranking (inflation-adjusted): 2,437
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Donnie Wahlberg – Bobby Walker
Bess Armstrong – Katie Harnish
Jasmine Guy – Tina
George Coe – Tip Rountree
Kristin Minter – Cherry
Director – Dan Cohen
Writer – Dan Cohen
Director(s)
Dan Cohen
Writer(s)
Dan Cohen
Producer(s)
NA
Film Festivals
Awards & Nominations
3 wins & 1 nomination
Academy Awards
All Critics (62) | Top Critics (23) | Fresh (50) | Rotten (12)
October 15, 2009 | Rating: 3/4
Jonathan Rosenbaum
Chicago Reader
TOP CRITIC
The movie is warmed by a fine sense of place and the lovingly elaborated detail of the salesman’s life.
September 26, 2002
Ella Taylor
L.A. Weekly
TOP CRITIC
Wahlberg looks like a rising star, while the seasoned Forster manifests his usual sober authority and approachable masculinity.
September 20, 2002 | Rating: 2.5/4
Tom Keogh
Seattle Times
TOP CRITIC
Sacrificing excellent characters to an ultimately lame payoff, Diamond Men’s potential as a diamond in the rough turn out to be more ‘rough’ than ‘diamond.’
July 20, 2002
Robert K. Elder
Chicago Tribune
TOP CRITIC
Stilted, bland and two-dimensional.
June 13, 2002 | Rating: C-
Chris Vognar
Dallas Morning News
TOP CRITIC
Delightful, low-key comedy.
April 12, 2002 | Rating: B
Eric Harrison
Houston Chronicle
TOP CRITIC
It’s a little movie with a great big selling point: Robert Forster’s subtly nuanced and effortlessly engaging portrayal of Eddie Miller.
July 18, 2014 | Rating: 3/4
Joe Leydon
The Moving Picture Show
An excellently performed, superbly written film
October 29, 2005 | Rating: 3/5
Caffeinated Clint
Moviehole
August 10, 2005 | Rating: 2/5
Emanuel Levy
EmanuelLevy.Com
…a lost classic, a beautiful miniature evocation of a unconventional, minor-key way of life.
February 11, 2005 | Rating: A-
Philip Martin
Arkansas Democrat-Gazette
…an incredibly entertaining look at a pair of exceedingly compelling characters.
July 22, 2003 | Rating: 3.5/4
David Nusair
Reel Film Reviews
A mildly pleasant film with two charming leads.
April 16, 2003 | Rating: 2/4
Ross Anthony
Hollywood Report Card…
Plot
After a heart attack, diamond salesman Eddie Miller is forced to train his replacement, Bobby Walker, and the two become unlikely friends as Bobby introduces Eddie to a madam named Tina.
Trivia
Goofs / Tidbits
Robert Forster’s performance in Diamond Men is described as a “tour-de-force.”
Dan-Cohen.jpg
73%
The Pledge (2001)
RT Audience Score: 59%
Awards & Nominations: 1 win & 6 nominations
Though its subject matter is grim and may make viewers queasy, The Pledge features an excellent, subtle performance by Jack Nicholson
If you’re looking for a movie that’ll keep you on the edge of your seat, The Pledge is definitely worth a watch. It’s got a great cast, including Jack Nicholson, and Sean Penn’s direction is spot-on. Sure, it’s a bit grim at times, but that just adds to the tension. Plus, it’s always fun to see Nicholson play something other than a silver-haired hornball. Overall, I’d say this movie is a solid choice for anyone who loves a good mystery-thriller.
Production Company(ies)
Marvel Studios, Walt Disney Pictures, Moving Pictures, Company,
Distributor
E Stars Films, Warner Bros.
Release Type
Filming Location(s)
Hope, British Columbia, Canada
MPAA / Certificate
Rated R for strong violence and language
Year of Release
2001
-
Color:Color
-
Sound mix:DTS Dolby Digital SDDS
-
Aspect ratio:2.39 : 1
-
Runtime:2h 4m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Jan 19, 2001 Wide
Release Date (Streaming): Jun 19, 2001
Genre(s)
Crime/Mystery & thriller
Keyword(s)
starring Jack Nicholson, Robin Wright, Aaron Eckhart, Patricia Clarkson, Benicio Del Toro, Dale Dickey, Mickey Rourke, Harry Dean Stanton, Vanessa Redgrave, Sam Shepard, Helen Mirren, Sean Penn, directed by Sean Penn, written by Friedrich Dürrenmatt, Jerzy Kromolowski, Mary Olson-Kromolowski, crime, mystery, thriller, drama, R rating, box office gross, $19.7M, Dolby SR, DTS, Dolby Stereo, Surround, SDDS, Dolby A, Dolby Digital, Friedrich Dürrenmatt, Jerzy Kromolowski, Mary Olson-Kromolowski, reviewed by Jeff Strickler, Peter Rainer, Rick Groen, Nev Pierce, Richard Kelly, Jonathan Rosenbaum, Joanne Laurier, PJ Nabarro, Patrick Nabarro, Blake Howard, Joe Leydon, Nick Rogers
Worldwide gross: $29,419,291
Worldwide gross (inflation-adjusted): $49,579,991
Worldwide gross ranking (inflation-adjusted): 1,332
Worldwide tickets sold (est.): 5,406,760
US/Canada gross: $19,733,089
US/Canada gross (inflation-adjusted): $33,255,947
US/Canada gross ranking (inflation-adjusted): 1,244
US/Canada opening weekend: $5,765,347
US/Canada opening weekend (inflation-adjusted): $9,716,273
US/Canada opening weekend ranking (inflation-adjusted): 965
Budget and Earnings Details
Production budget (est.): $35,000,000
Production budget (inflation-adjusted): $58,985,096
Production budget ranking: 693
Marketing and distribution budget (inflation-adjusted est.): $31,763,474
Box office net earnings to date (inflation-adjusted est.): -$41,168,578
ROI to date (est.): -45%
ROI ranking: 1,656
Robin Wright – Lori
Aaron Eckhart – Sam Krolak
Patricia Clarkson – Margaret Larsen
Benicio Del Toro – Toby Jay Wadenah
Dale Dickey – Strom
Director(s)
Sean Penn
Writer(s)
Friedrich Dürrenmatt, Jerzy Kromolowski, Mary Olson-Kromolowski
Producer(s)
Sean Penn, Elie Samaha, Michael Fitzgerald
Film Festivals
Awards & Nominations
1 win & 6 nominations
Academy Awards
All Critics (125) | Top Critics (38) | Fresh (97) | Rotten (28)
Mystery-thriller buffs, promise yourselves that you’ll see The Pledge. And while you’re at it, be sure to invite along Jack Nicholson fans and anyone who saw the first two movies that Sean Penn directed.
November 6, 2002 | Rating: 3.5/4
Jeff Strickler
Minneapolis Star Tribune
TOP CRITIC
Penn can’t be faulted for his work with the actors. Most of the featured players have only a scene or two, but they’re indelible.
September 26, 2002
Peter Rainer
New York Magazine/Vulture
TOP CRITIC
Ultimately, the payoffs just aren’t there, either psychologically or dramatically.
March 22, 2002 | Rating: 2.5/4
Rick Groen
Globe and Mail
TOP CRITIC
As enthralling as it sometimes is, there isn’t any point to the relentless grimness.
October 12, 2001 | Rating: 3/5
Nev Pierce
BBC.com
TOP CRITIC
An elegant rejoinder to a tired genre, a consummate work of screen adaptation, and further evidence that there is precious little Sean Penn can’t achieve on film, whether before or behind the lens.
October 4, 2001
Richard Kelly
Sight & Sound
TOP CRITIC
February 7, 2001 | Rating: 3/4
Jonathan Rosenbaum
Chicago Reader
TOP CRITIC
Penn has accommodated himself to the political and artistic status quo in an unfortunate manner.
March 5, 2021
Joanne Laurier
World Socialist Web Site
Penn intrinsically understands that there can be no epiphanies nor catharsis, as important portents and clues go unanswered as Black drifts into the mire of his obsession.
December 2, 2018 | Rating: 4/5
PJ Nabarro
Patrick Nabarro
It’s “one last ride” for our leading character Jerry Black (Nicholson), until he abandons the case and retires. It examines a man trying to relinquish his deduction instincts in exchange for a slippery grip on a ‘normal’ life.
April 9, 2017 | Rating: 4/5
Blake Howard
Graffiti With Punctuation
[Penn] sustains a mesmerizing intensity while relentlessly building toward an emotionally wrenching climax.
July 18, 2014 | Rating: 4/4
Joe Leydon
The Moving Picture Show
Sean Penn’s agonizing, angst-ridden “The Pledge” feels like a mystery less about murder and more about the inexplicable dangers of impulse and guilt. It’s also a waning opportunity to see Jack Nicholson as anything besides a silver-haired hornball.
September 17, 2010 | Rating: 4/4
Nick Rogers
The Film Yap
Its grip is on the mind but not the heart–a problem for a film that clearly aims for some emotional impact.
March 26, 2010 | Rating: 2.5/4
Michael Dequina
TheMovieReport.com…
Plot
On the night he retires as a Reno, Nevada detective, Jerry Black (Jack Nicholson) pledges to the mother of a murdered girl that he will find the killer. Jerry doesn’t believe the Police arrested the right man. He discovers that this is the third incident in the area in the recent past with victims young, blonde, pretty, and small for their ages. So he buys an old gas station in the mountains near the crimes in order to search for a tall man who drives a black station wagon, gives toy porcupines as gifts, and calls himself “the wizard”, all clues from a drawing by the dead girl. Jerry’s solitary life gives way to friendship with a woman and her small, blonde daughter. Has Jerry neglected something that may prove to be fatal?
Trivia
Goofs / Tidbits
The Pledge features an excellent, subtle performance by Jack Nicholson.
Sean-Penn.jpg
73%
A Map of the World (1999)
RT Audience Score:
Awards & Nominations: 3 wins & 6 nominations
Disjointed storytelling overshadows noteworthy performances
Sigourney Weaver is a force to be reckoned with in A Map of the World, but unfortunately, the film falls short in its execution. While it’s worth watching for Weaver’s performance alone, the movie suffers from too many unresolved plot points and a lack of emotional depth. It’s like a bowl of cereal that’s missing its milk – it’s just not quite satisfying. But hey, at least we get to see glamorous Hollywood stars in their pajamas, right?
Production Company(ies)
Warner Bros., Heyday Films, 1492 Pictures,
Distributor
NA
Release Type
Theatrical
Filming Location(s)
Brampton, Ontario, Canada
MPAA / Certificate
Rated R for some sexuality and language
Year of Release
2000
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:1.85 : 1
-
Runtime:NA
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Streaming): Dec 6, 2018
Genre(s)
Drama
Keyword(s)
starring Sigourney Weaver, Julianne Moore, David Strathairn, Ron Lea, Arliss Howard, Chloë Sevigny, directed by Scott Elliott, written by Peter Hedges, drama, box office performance, budget, reviewed by Emanuel Levy, Kevin Maynard, Jay Carr, Mike Clark, Janet Maslin, Lisa Schwarzbaum, Cole Smithey, Betsy Bozdech, Emanuel Levy, Robin Clifford, Sarah Chauncey, R MPAA rating, Kathleen Kennedy, Frank Marshall produced
Worldwide gross: $570,708
Worldwide gross (inflation-adjusted): $989,845
Worldwide gross ranking (inflation-adjusted): 2,601
Worldwide tickets sold (est.): 107,944
US/Canada gross: $544,965
US/Canada gross (inflation-adjusted): $945,196
US/Canada gross ranking (inflation-adjusted): 2,200
US/Canada opening weekend: $14,017
US/Canada opening weekend (inflation-adjusted): $24,311
US/Canada opening weekend ranking (inflation-adjusted): 2,444
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Julianne Moore – Theresa Collins
David Strathairn – Howard Goodwin
Ron Lea – Dan Collins
Arliss Howard – Paul Reverdy
Chloë Sevigny – Carole Mackessy
Director(s)
Scott Elliott
Writer(s)
Peter Hedges
Producer(s)
Kathleen Kennedy, Frank Marshall
Film Festivals
Awards & Nominations
3 wins & 6 nominations
Academy Awards
All Critics (56) | Top Critics (18) | Fresh (37) | Rotten (19)
Sigourney Weaver dominates with her powerful performance but the film, a feature debut from theater director Scott Elliott, is so poorly conceived and staged that much of the emotional impact gets lost
December 26, 2006 | Rating: C+
Emanuel Levy
Variety
TOP CRITIC
Worth navigating for its refusal to play to the crowd. There’s certainly nothing safe or sweet about Weaver’s performance.
January 1, 2000
Kevin Maynard
Mr. Showbiz
TOP CRITIC
Gives three first-rate actors a chance to stretch.
January 1, 2000 | Rating: 3/4
Jay Carr
Boston Globe
TOP CRITIC
Too many situations are set up or suggested without much follow-through.
January 1, 2000 | Rating: 2.5/4
Mike Clark
USA Today
TOP CRITIC
The film overflows with the studied ordinariness that prevails in Mom movies, where glamorous Hollywood stars muck about in pajamas and a little epiphany may be signaled by a broken cereal bowl on the kitchen floor.
January 1, 2000 | Rating: 2/5
Janet Maslin
New York Times
TOP CRITIC
In this season of Oscar-bait overacting, I’m grateful that “A Map of the World” includes recognizable emotional landmass.
January 1, 2000 | Rating: B-
Lisa Schwarzbaum
Entertainment Weekly
TOP CRITIC
October 22, 2006 | Rating: 4/5
Cole Smithey
ColeSmithey.com
A Map of the World is an actors’ movie, and it shows.
October 21, 2006 | Rating: 3.5/4
Betsy Bozdech
DVDJournal.com
June 30, 2005 | Rating: 2/5
Emanuel Levy
EmanuelLevy.Com
April 9, 2005 | Rating: B
Robin Clifford
Reeling Reviews
February 7, 2005 | Rating: 2/5
Philip Martin
Arkansas Democrat-Gazette
June 4, 2004 | Rating: 4/5
Sarah Chauncey
Reel.com…
Plot
School nurse Alice Goodwin lives with her husband and two daughters on a dairy farm in a small Wisconsin community. After an accident on her property involving a friend’s child, the town turns against her and Alice finds herself fighting charges of child abuse.
Trivia
Goofs / Tidbits
Sigourney Weaver dominates with her powerful performance in A Map of the World.
Scott-Elliott.jpg
73%
Cradle Will Rock (1999)
RT Audience Score:
Awards & Nominations: 5 wins & 7 nominations
Witty and provocative
Cradle Will Rock” is a movie that’s as crowded and energetic as a big parade, according to Nell Minow from Common Sense Media. While some critics found the film to be a bit too on-the-nose with its political messaging, others praised its ambition and celebration of artistic expression. Personally, I thought it was like watching a bunch of theater kids put on a show, but in a good way. It’s not perfect, but it’s definitely fascinating and worth a watch. Plus, who doesn’t love a good old-fashioned musical number about unionizing?
Production Company(ies)
Distributor
Touchstone Pictures, Buena Vista Pictures
Release Type
Theatrical
Filming Location(s)
New York City, New York, USA
MPAA / Certificate
Rated R for some language and sexuality
Year of Release
2000
-
Color:Color
-
Sound mix:DTS Dolby Digital SDDS
-
Aspect ratio:2.35 : 1
-
Runtime:2h 13m
-
Language(s):English, Italian
-
Country of origin:United States
-
Release date:Release Date (Theaters): Dec 10, 1999 Wide
Release Date (Streaming): May 16, 2000
Genre(s)
Drama
Keyword(s)
starring Hank Azaria, Ruben Blades, Joan Cusack, John Cusack, Cary Elwes, Philip Baker Hall, Angus Macfadyen, Susan Sarandon, directed by Tim Robbins, written by Tim Robbins, drama, R rating, Touchstone Pictures, Buena Vista Pictures, Lydia Dean Pilcher, Jon Kilik, Tim Robbins produced, $2.9M box office, reviewed by Anthony Lane, Christy Lemire, Walter Goodman, Nell Minow, David Ansen, Janet Maslin, Matt Brunson, Emanuel Levy, Rob Gonsalves, Betsy Bozdech, Brandon Judell, labor strikes, cultural revolution, Nelson Rockefeller, Diego Rivera, Margherita Sarfatti, Orson Welles, “The Cradle Will Rock”, U.S soldiers, capitalism, class warfare, artistic expression, Depression-era unions, FDR, Marc Blitzstein, anti-Semitic, Mussolini, fascism, 1930s, theatre, political power, Diego’s painting
Worldwide gross: $2,986,932
Worldwide gross (inflation-adjusted): $5,180,582
Worldwide gross ranking (inflation-adjusted): 2,166
Worldwide tickets sold (est.): 564,949
US/Canada gross: $2,903,404
US/Canada gross (inflation-adjusted): $5,035,710
US/Canada gross ranking (inflation-adjusted): 1,812
US/Canada opening weekend: $93,998
US/Canada opening weekend (inflation-adjusted): $163,032
US/Canada opening weekend ranking (inflation-adjusted): 1,746
Budget and Earnings Details
Production budget (est.): $36,000,000
Production budget (inflation-adjusted): $62,438,968
Production budget ranking: 660
Marketing and distribution budget (inflation-adjusted est.): $33,623,384
Box office net earnings to date (inflation-adjusted est.): -$90,881,770
ROI to date (est.): -95%
ROI ranking: 1,989
Rubén Blades – Diego Rivera
Joan Cusack – Hazel Huffman
John Cusack – Nelson Rockefeller
Cary Elwes – John Houseman
Philip Baker Hall – Gray Mathers
Director – Tim Robbins
Producers – Lydia Dean Pilcher, Jon Kilik, Tim Robbins
Writer – Tim Robbins
Director(s)
Tim Robbins
Writer(s)
Tim Robbins
Producer(s)
Lydia Dean Pilcher, Jon Kilik, Tim Robbins
Film Festivals
Awards & Nominations
5 wins & 7 nominations
Academy Awards
All Critics (74) | Top Critics (22) | Fresh (48) | Rotten (26)
It could have been a mess, and there are patches where Robbins’s inspiration wears a little thin; yet, all in all, his ambitious tolerance pays off…
February 1, 2021
Anthony Lane
New Yorker
TOP CRITIC
The let’s-put-on-a-show energy can be intoxicating. But man, does it take a long time to achieve that high.
May 7, 2018 | Rating: 2/4
Christy Lemire
ChristyLemire.com
TOP CRITIC
It is impossible to take the show seriously, as put together in Mr. Robbins’s cliche-jammed version…
November 30, 2017
Walter Goodman
New York Times
TOP CRITIC
Art and politics and ideals; mature.
December 22, 2010 | Rating: 4/5
Nell Minow
Common Sense Media
TOP CRITIC
Robbins eschews leftist diatribes for a bold cartoon version of history. It’s as crowded and energetic as a big parade.
March 31, 2008
David Ansen
Newsweek
TOP CRITIC
January 1, 2000 | Rating: 3/5
Janet Maslin
New York Times
TOP CRITIC
While writer-director Tim Robbins uses this entertaining film to touch upon capitalism and class warfare, he’s mainly interested in championing artistic expression.
June 7, 2021 | Rating: 3.5/4
Matt Brunson
Film Frenzy
Art and politics collide in Tim Robbins’ ambitious but not entirely successful effort to recreate a unique moment in American culture circa 1937.
August 14, 2010 | Rating: C+
Emanuel Levy
EmanuelLevy.Com
The movie’s radical stance is that artists should get to do their art without being destroyed by mean rich people, and aren’t we just wonderful for agreeing with that?
July 30, 2007 | Rating: 3/5
Rob Gonsalves
eFilmCritic.com
As passionate and interesting as the film is, it’s about as subtle as a brick wall.
September 1, 2006 | Rating: 3/4
Betsy Bozdech
Reel.com
Bertolt Brecht is probably doing somersaults of joy in his grave or wherever his remains happen to be.
August 6, 2006
Brandon Judell
PlanetOut
Cradle Will Rock is a far from perfect film, but it’s never less than fascinating.
May 26, 2006 | Rating: 3/4
Jeffrey M. Anderson
Combustible Celluloid…
Plot
In 1930s New York Orson Welles tries to stage a musical on a steel strike under the Federal Theater Program despite pressure from an establishment fearful of industrial unrest and red activity. Meanwhile Nelson Rockefeller gets the foyer of his company headquarters decorated and an Italian countess sells paintings for Mussolini.
Trivia
Goofs / Tidbits
The film boasts an impressive all-star cast, including John Cusack, Susan Sarandon, and Cary Elwes.
Tim-Robbins.jpg
73%
Scream 2 (1997)
RT Audience Score: 57%
Awards & Nominations: 8 wins & 13 nominations
As with the first film, Scream 2 is a gleeful takedown of scary movie conventions that manages to poke fun at terrible horror sequels without falling victim to the same fate
Scream 2 is the perfect horror sequel that will have you screaming for more. With its self-awareness and clever parody of the sequel trend, this movie is a top-notch narrative that’s just a bit too overstuffed for its runtime. The cast of disposable archetypes deadpanned about why ”sequels suck” — a particularly funny joke, since this one didn’t. Plus, the movie-within-a-movie angle and the creative liberties taken with details in Gale’s book are somewhat clever. Running the gamut from horror parody to the inclusion of high art and stage tragedy, Scream 2 is like a great piece of literary fiction. So grab some popcorn, turn off the lights, and get ready to scream your heart out!
Production Company(ies)
micro_scope T S Productions, Phi Group
Distributor
Miramax Films
Release Type
Theatrical
Filming Location(s)
Agnes Scott College – 141 E. College Avenue, Decatur, Georgia, USA
MPAA / Certificate
Rated R for language and strong bloody violence
Year of Release
1997
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:2.39 : 1
-
Runtime:2h 0m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Dec 12, 1997 Original
Release Date (Streaming): Aug 7, 2001
Genre(s)
Horror/Comedy
Keyword(s)
starring Neve Campbell, Courteney Cox, David Arquette, Sarah Michelle Gellar, Jamie Kennedy, Laurie Metcalf, Timothy Olyphant, Rebecca Gayheart, directed by Wes Craven, written by Kevin Williamson, produced by Cathy Konrad, Marianne Maddalena, horror, comedy, box office performance, budget, reviewed by Nick Schager, Chris Nashawaty, Leonard Klady, Kim Newman, Lisa Alspector, Derek Adams, Stephanie Archer, Ian Thomas Malone, Trace Thurman, Mike Massie, Federico Furzan, C.H Newell, R MPAA rating, college, copycat killer, slasher, satire, horror movie conventions, sequel, self-awareness, violence in media, effects on youth, scary movie, terrible horror sequels, survivors, murder spree, mystery, twist ending, Ghostface killings, campus, satire on horror movie sequels
Worldwide gross: $172,363,301
Worldwide gross (inflation-adjusted): $321,299,131
Worldwide gross ranking (inflation-adjusted): 465
Worldwide tickets sold (est.): 35,038,073
US/Canada gross: $101,363,301
US/Canada gross (inflation-adjusted): $188,949,389
US/Canada gross ranking (inflation-adjusted): 386
US/Canada opening weekend: $32,926,342
US/Canada opening weekend (inflation-adjusted): $61,377,364
US/Canada opening weekend ranking (inflation-adjusted): 166
Budget and Earnings Details
Production budget (est.): $24,000,000
Production budget (inflation-adjusted): $44,737,941
Production budget ranking: 875
Marketing and distribution budget (inflation-adjusted est.): $24,091,381
Box office net earnings to date (inflation-adjusted est.): $252,469,809
ROI to date (est.): 367%
ROI ranking: 372
Neve Campbell – Sidney Prescott
Courteney Cox – Gale Weathers
Sarah Michelle Gellar – Casey “Cici” Cooper
Jamie Kennedy – Randy Meeks
Laurie Metcalf – Debbie Salt
Director(s)
Wes Craven
Writer(s)
Kevin Williamson, Kevin Williamson
Producer(s)
Cathy Konrad, Marianne Maddalena
Film Festivals
Awards & Nominations
8 wins & 13 nominations
Academy Awards
All Critics (80) | Top Critics (22) | Fresh (65) | Rotten (15)
Its self-awareness has a brashness that can be enlivening.
May 20, 2011 | Rating: B
Nick Schager
Lessons of Darkness
TOP CRITIC
The rest of the cast of disposable archetypes deadpanned about why ”sequels suck” — a particularly funny joke, since this one didn’t.
March 24, 2011 | Rating: B
Chris Nashawaty
Entertainment Weekly
TOP CRITIC
Visceral, witty and appropriately redundant…
July 28, 2008
Leonard Klady
Variety
TOP CRITIC
Clever parody of the sequel trend; once again we are treated to a movie mocking its own conventions. Some great comic — and terrifying — moments, but suffers for not being as original as the original.
September 23, 2007 | Rating: 3/4
Kim Newman
Empire Magazine
TOP CRITIC
If you liked Scream there’s no reason you shouldn’t like this sequel.
September 23, 2007
Lisa Alspector
Chicago Reader
TOP CRITIC
The film itself is stuck in a cycle of repetition, with slight variations.
June 24, 2006
Derek Adams
Time Out
TOP CRITIC
While the film does fall into place alongside many of its horror predecessors, its awareness of self and strive for continuity elevates it beyond “just another sequel”.
November 13, 2021
Stephanie Archer
Film Inquiry
Craven almost surpasses the original Scream, a top-notch narrative that’s just a bit too overstuffed for its runtime.
October 14, 2021
Ian Thomas Malone
Ian Thomas Malone
A perfect horror sequel.
December 30, 2020 | Rating: 5/5
Trace Thurman
Horror Queers Podcast
At least the movie-within-a-movie angle and the creative liberties taken with details in Gale’s book are somewhat clever.
September 24, 2020 | Rating: 4/10
Mike Massie
Gone With The Twins
A solid sequel that does a great job at making fun of itself. [Full review in Spanish].
April 22, 2020 | Rating: 3/4
Federico Furzan
Cinelipsis
Running the gamut from horror parody to the inclusion of high art and stage tragedy, Scream 2 like a great piece of literary fiction.
May 6, 2019 | Rating: 4/5
C.H. Newell
Father Son Holy Gore…
Plot
Two years after the events of Scream, Sidney Prescott and Randy are attending Windsor college. They are trying to get on with their lives…Until a new Ghostface killing spree begins. With the help of Dewey and Gale, Sidney must find out who’s behind the murders. As the body count goes up, the list of suspects goes down.
Trivia
Goofs / Tidbits
There is no goofy or funny comment about the film in the Fresh Kernels database.
Wes-Craven.jpg
73%
The Ghost and the Darkness (1996)
RT Audience Score: 75%
Awards & Nominations: NA
The Ghost and the Darkness hits its target as a suspenseful adventure, but it falls into a trap of its own making whenever it reaches for supernatural profundity
If you’re looking for a movie that’s a mix of adolescent adventure and Heart of Darkness, then The Ghost and the Darkness is the perfect pick for you. While some critics found it too lightweight and self-important, others were hypnotized by the spectacle of it all. And let’s not forget the real Maasai warriors and location shooting in South Africa that added to the authenticity of the production. Just be warned, there’s plenty of gore and violence as lions terrorize a bridge-building crew. But with Anthony Hopkins at the helm, you can trust that the direction is competent and the screenplay serves its purpose. Overall, it’s a solid pick for a movie night in.
Production Company(ies)
Walt Disney Animation Studios, Walt Disney Pictures,
Distributor
Paramount Pictures
Release Type
Filming Location(s)
Tsavo National Park, Kenya
MPAA / Certificate
Rated R for some violence and gore involving animal attacks
Year of Release
1996
-
Color:Color
-
Sound mix:DTS Dolby Digital SDDS
-
Aspect ratio:2.39 : 1
-
Runtime:1h 49m
-
Language(s):English, Hindi
-
Country of origin:United States
-
Release date:Release Date (Theaters): Oct 11, 1996 Original
Release Date (Streaming): Dec 1, 1998
Genre(s)
Adventure
Keyword(s)
starring Michael Douglas, Val Kilmer, Tom Wilkinson, John Kani, Bernard Hill, Brian McCardie, Henry Cele, directed by Stephen Hopkins, written by William Goldman, adventure, R rating, box office gross $38.6M, reviewed by Lisa Schwarzbaum, Susan Stark, Mick LaSalle, Liam Lacey, Peter Travers, Kenneth Turan, Wesley Lovell, Don Shanahan, Mike Massie, Barbara Shulgasser, Lions, Africa, railroad, engineer, hunter, supernatural, suspenseful, true story, Paramount Pictures, Paul B Radin, Gale Anne Hurd, A Kitman Ho, sound mix surround
Worldwide gross: $38,619,405
Worldwide gross (inflation-adjusted): $73,714,616
Worldwide gross ranking (inflation-adjusted): 1,169
Worldwide tickets sold (est.): 8,038,671
US/Canada gross: $38,619,405
US/Canada gross (inflation-adjusted): $73,714,616
US/Canada gross ranking (inflation-adjusted): 899
US/Canada opening weekend: $9,215,063
US/Canada opening weekend (inflation-adjusted): $17,589,210
US/Canada opening weekend ranking (inflation-adjusted): 722
Budget and Earnings Details
Production budget (est.): $55,000,000
Production budget (inflation-adjusted): $104,981,003
Production budget ranking: 380
Marketing and distribution budget (inflation-adjusted est.): $56,532,270
Box office net earnings to date (inflation-adjusted est.): -$87,798,657
ROI to date (est.): -54%
ROI ranking: 1,716
Val Kilmer – Col. John Henry Patterson
Tom Wilkinson – Robert Beaumont
John Kani – Samuel
Bernard Hill – Dr. David Hawthorne
Brian McCardie – Angus Starling
Director – Stephen Hopkins
Producer – Paul B. Radin, Gale Anne Hurd, A. Kitman Ho
Writer – William Goldman
Director(s)
Stephen Hopkins
Writer(s)
William Goldman
Producer(s)
Paul B. Radin, Gale Anne Hurd, A. Kitman Ho
Film Festivals
Awards & Nominations
NA
Academy Awards
All Critics (51) | Top Critics (12) | Fresh (26) | Rotten (25)
September 7, 2011 | Rating: C
Lisa Schwarzbaum
Entertainment Weekly
TOP CRITIC
July 2, 2002 | Rating: 1/4
Susan Stark
Detroit News
TOP CRITIC
The picture is too lightweight, too posturing and too self-important to go in an introspective direction.
June 18, 2002 | Rating: 1/4
Mick LaSalle
San Francisco Chronicle
TOP CRITIC
Ranges in quality from adolescent boys’ adventure stories to Heart of Darkness.
April 12, 2002 | Rating: 2/4
Liam Lacey
Globe and Mail
TOP CRITIC
When the movie sticks to fact, the result is a hypnotic spectacle.
May 12, 2001
Peter Travers
Rolling Stone
TOP CRITIC
Can’t transcend a too-familiar script.
February 14, 2001 | Rating: 2/5
Kenneth Turan
Los Angeles Times
TOP CRITIC
The Ghost in the Darkness tries to give the audience a connection between the desire to finish what one has started with the notion of fatherhood, but some of that salience is lost by the films exciting finale.
February 12, 2022 | Rating: 3.5/4
Wesley Lovell
Cinema Sight
Aurally, the movie sneaks up on you from all directions with maximized terror.
August 11, 2021 | Rating: 4/5
Don Shanahan
25YL (25 Years Later)
The use of real Maasai warriors and location shooting in South Africa increases the authenticity of the production.
September 14, 2020 | Rating: 3/10
Mike Massie
Gone With The Twins
Lions terrorize bridge-building crew; gore and violence.
May 21, 2020 | Rating: 2/5
Barbara Shulgasser
Common Sense Media
Hopkins’ direction is competent, and Goldman’s screenplay merely serves its purpose.
June 23, 2019 | Rating: C
Zaki Hasan
Zaki’s Corner
May 6, 2006 | Rating: 6/10
JoBlo
JoBlo’s Movie Network…
Plot
Sir Robert Beaumont is behind schedule on a railroad in Africa. Enlisting noted engineer John Henry Patterson to right the ship, Beaumont expects results. Everything seems great until the crew discovers the mutilated corpse of the project’s foreman, seemingly killed by a lion. After several more attacks, Patterson calls in famed hunter Charles Remington, who has finally met his match in the bloodthirsty lions.
Trivia
Goofs / Tidbits
Michael Douglas is “wildly scenery chewing” in his role as Charles Remington.
Stephen-Hopkins.jpg
73%
Stealing Beauty (1996)
RT Audience Score: 75%
Awards & Nominations: 3 wins & 11 nominations
Stealing Beauty is a film that is both visually stunning and deeply unsettling, a combination that only a master like Bertolucci could pull off. The ensemble cast is superb, with each actor bringing a richness of detail to their character that is both captivating and haunting. However, the film’s pseudo-profundity and florid notions of decadent eroticism can come across as hilariously inscrutable, leaving the viewer wondering if they are missing something or if the director is simply indulging in his own parabohemian fantasies. While Liv Tyler’s radiant performance is a highlight, the film ultimately suffers from Bertolucci’s self-indulgence, making it a meditation on sex, life, and death that is best left to older teens with a taste for the bizarre.
Stealing Beauty is a movie that’s like a box of chocolates – you never know what you’re going to get. Some critics think it’s a masterpiece, while others think it’s a snooze-fest. Personally, I thought it was a bit creepy, but also pretty to look at. And let’s be real, Liv Tyler is a total babe. But seriously, can we talk about how weird it is that older male directors are always making movies about young, beautiful women? It’s like, come on guys, find a new muse. Overall, I’d say this movie is worth a watch if you’re in the mood for something slow and contemplative. Just don’t expect to be blown away.
Production Company(ies)
Ear Goggles
Distributor
Fox
Release Type
Theatrical
Filming Location(s)
Brolio, Castiglion Fiorentino, Arezzo, Tuscany, Italy
MPAA / Certificate
Rated R for strong sexuality, nudity, some drug use and language
Year of Release
1996
-
Color:Color
-
Sound mix:Dolby Digital
-
Aspect ratio:2.35 : 1
-
Runtime:1h 58m
-
Language(s):English, French, German, Spanish, Italian
-
Country of origin:United Kingdom
-
Release date:Release Date (Theaters): Jun 14, 1996 Original
Release Date (Streaming): Jan 8, 2002
Genre(s)
Drama
Keyword(s)
starring Liv Tyler, Sinead Cusack, Donal McCann, Jeremy Irons, Jean Marais, Rachel Weisz, directed by Bernardo Bertolucci, written by Bernardo Bertolucci, Susan Minot, drama, R rating, box office gross $4.6M, Fox, produced by Jeremy Thomas, reviewed by Joe Morgenstern, Anne Billson, Adam Mars-Jones, Desson Thomson, Jonathan Rosenbaum, Geoff Andrew, Michael Atkinson, Joyce Slaton, Cole Smithey, Jeffrey M Anderson, Susan Granger, coming of age, Tuscany, poetry, family history, suicide, male suitors, lessons about love, unattainable love, callow, pretty, unexpected lessons, ensemble cast, glancing richness, pseudo-profundity, eroticism, parabohemian lifestyles, meditation on sex, life, death, older teens only, radiant, self-indulgence, arthouse, sculpting, virginity, Italian countryside, tastefully done, beautiful story, cinematography, mature performance, box office performance
Worldwide gross: $4,762,310
Worldwide gross (inflation-adjusted): $9,090,038
Worldwide gross ranking (inflation-adjusted): 1,995
Worldwide tickets sold (est.): 991,280
US/Canada gross: $4,722,310
US/Canada gross (inflation-adjusted): $9,013,688
US/Canada gross ranking (inflation-adjusted): 1,646
US/Canada opening weekend: $103,028
US/Canada opening weekend (inflation-adjusted): $196,654
US/Canada opening weekend ranking (inflation-adjusted): 1,672
Budget and Earnings Details
Production budget (est.): $10,000,000
Production budget (inflation-adjusted): $19,087,455
Production budget ranking: 1,386
Marketing and distribution budget (inflation-adjusted est.): $10,278,595
Box office net earnings to date (inflation-adjusted est.): -$20,276,012
ROI to date (est.): -69%
ROI ranking: 1,799
Sinead Cusack – Diana
Donal McCann – Ian
Jeremy Irons – Alex
Jean Marais – M. Guillaume
Rachel Weisz – Miranda
Director(s)
Bernardo Bertolucci
Writer(s)
Bernardo Bertolucci, Susan Minot
Producer(s)
Jeremy Thomas
Film Festivals
Sundance, Cannes
Awards & Nominations
3 wins & 11 nominations
Academy Awards
All Critics (51) | Top Critics (17) | Fresh (26) | Rotten (25)
Very pretty, and very creepy.
December 12, 2018
Joe Morgenstern
Wall Street Journal
TOP CRITIC
Is there not something a little disturbing about the way in which ageing male film-makers are applauded for their ogling of actresses young enough to be their granddaughters?
November 22, 2017
Anne Billson
Daily Telegraph (UK)
TOP CRITIC
Unusually for Bertolucci, the film is an ensemble piece, with great glancing richness of detail conveyed by a wonderful cast.
November 16, 2017
Adam Mars-Jones
Independent (UK)
TOP CRITIC
[A] hilariously inscrutable exercise in pseudo-profundity.
December 7, 2007
Desson Thomson
Washington Post
TOP CRITIC
A civilized, mellow, and generally graceful chamber piece.
December 7, 2007
Jonathan Rosenbaum
Chicago Reader
TOP CRITIC
A welcome reminder of Bertolucci’s directorial assurance.
February 9, 2006
Geoff Andrew
Time Out
TOP CRITIC
Bertolucci’s florid, rather sophomoric notions of decadent eroticism and parabohemian lifestyles are delivered in elliptical, inconclusive fiction-workshop parcels.
October 25, 2019
Michael Atkinson
Spin
Meditation on sex, life, death; older teens only.
January 2, 2011 | Rating: 4/5
Joyce Slaton
Common Sense Media
December 14, 2007 | Rating: 4/5
Cole Smithey
ColeSmithey.com
I find it to be one of his most sublime achievements, filled with a sunny laziness and slow awakening.
May 26, 2006 | Rating: 3/4
Jeffrey M. Anderson
Combustible Celluloid
December 16, 2005 | Rating: 3/5
Susan Granger
www.susangranger.com
Liv Tyler is radiant, but the film itself suffers from the same self-indulgence that always hampers Bertolucci’s work.
October 9, 2005 | Rating: 2/5
Chuck O’Leary
Fantastica Daily…
Plot
For 20 years, many visitors have come to the villa on an Italian hilltop owned by an English artist. Lucy, a 19-year-old American, was last there four years ago and wants to meet up again with the young Italian who kissed her and corresponded for a while. She has brought the diary of her late mother, filled with enigmatic poems that suggest Lucy was conceived on that hilltop. Lucy wants to find out if Daddy is the Italian war correspondent who wrote to her mother for 20 years. Then again Daddy could be the dying English playwright in residence, or the artist who uses a chainsaw on tree trunks for his sculptures. The three, of course, have no idea that Lucy is there to solve a mystery. They, the artist’s wife and daughter, and the daughter’s American lover are most intrigued by Lucy’s virginity.
Trivia
Goofs / Tidbits
Liv Tyler plays the lead role of Lucy Harmon in Stealing Beauty.
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