Spy Kids (2001)
RT Audience Score: 46%
Awards & Nominations: 2 wins & 10 nominations
A kinetic and fun movie that’s sure to thrill children of all ages
Spy Kids is the perfect movie for kids who dream of being secret agents and adults who want to relive their childhood fantasies. With its mix of comedy, action, and cool gadgets, it’s no wonder that Spy Kids has become a classic family movie. The special effects may not hold up as well as they did when the movie was first released, but the charm and energy of the film are still there. The kids in the movie are hilarious and have great chemistry, making the movie a joy to watch. If you’re looking for a fun and entertaining movie to watch with your family, Spy Kids is definitely worth checking out.
Production Company(ies)
Distributor
Miramax Films
Release Type
Theatrical, Theatrical (Wide)
Filming Location(s)
Austin, Texas, USA
MPAA / Certificate
Rated PG for action sequences
Year of Release
2001
-
Color:Color
-
Sound mix:Dolby Digital EX SDDS DTS-ES
-
Aspect ratio:1.85 : 1
-
Runtime:1h 28m
-
Language(s):English, Spanish
-
Country of origin:United States
-
Release date:Release Date (Theaters): Mar 30, 2001 Wide
Release Date (Streaming): Sep 18, 2001
Genre(s)
Adventure/Action
Keyword(s)
starring Antonio Banderas, Carla Gugino, Alexa PenaVega, Daryl Sabara, Alan Cumming, Tony Shalhoub, directed by Robert Rodriguez, written by Robert Rodriguez, adventure, action, PG, Miramax Films, Elizabeth Avellan, $112.7M box office, Dolby SR, DTS, Dolby Stereo, Surround, SDDS, Dolby A, Dolby EX, Dolby Digital, Flat (1.85:1) aspect ratio, reviewed by Nell Minow, Lael Loewenstein, Derek Adams, Steven D Greydanus, Rick Groen, Stephen Hunter, Rosa Parra, B Ruby Rich, R.L Shaffer, Felix Vasquez Jr., Mark Halverson, Scott Mendelson, starring Antonio Banderas as Gregorio Cortez, Carla Gugino as Ingrid Cortez, Alexa PenaVega as Carmen Cortez, Daryl Sabara as Juni Cortez, Alan Cumming as Fegan Floop, Tony Shalhoub as Alexander Minion
Worldwide gross: $147,934,180
Worldwide gross (inflation-adjusted): $249,311,764
Worldwide gross ranking (inflation-adjusted): 587
Worldwide tickets sold (est.): 27,187,761
US/Canada gross: $112,719,001
US/Canada gross (inflation-adjusted): $189,964,030
US/Canada gross ranking (inflation-adjusted): 382
US/Canada opening weekend: $26,546,881
US/Canada opening weekend (inflation-adjusted): $44,739,152
US/Canada opening weekend ranking (inflation-adjusted): 268
Budget and Earnings Details
Production budget (est.): $35,000,000
Production budget (inflation-adjusted): $58,985,096
Production budget ranking: 693
Marketing and distribution budget (inflation-adjusted est.): $31,763,474
Box office net earnings to date (inflation-adjusted est.): $158,563,195
ROI to date (est.): 175%
ROI ranking: 699
Carla Gugino – Ingrid Cortez
Alexa PenaVega – Carmen Cortez
Daryl Sabara – Juni Cortez
Alan Cumming – Fegan Floop
Tony Shalhoub – Alexander Minion
Director(s)
Robert Rodriguez
Writer(s)
Robert Rodriguez
Producer(s)
Elizabeth Avellan, Robert Rodriguez
Film Festivals
Awards & Nominations
2 wins & 10 nominations
Academy Awards
All Critics (128) | Top Critics (35) | Fresh (119) | Rotten (9)
Just the right combination of fantasy and comedy.
December 28, 2010 | Rating: 4/5
Nell Minow
Common Sense Media
TOP CRITIC
Fulfills kids’ empowerment fantasies and features enough techno-wizardry and cool f/x to satisfy those weaned on videogames.
March 27, 2009
Lael Loewenstein
Variety
TOP CRITIC
In terms of its family ethos, this makes an interesting comparison with the Addams Family films.
February 9, 2006
Derek Adams
Time Out
TOP CRITIC
I’ve been trying to think what was the last popcorn movie — let alone the last popcorn “family” movie — that was as much sheer fun as Spy Kids.
May 9, 2002 | Rating: A
Steven D. Greydanus
Decent Films
TOP CRITIC
March 22, 2002 | Rating: 3/4
Rick Groen
Globe and Mail
TOP CRITIC
As a piece of almost dadaist filmmaking, Spy Kids is great fun with its continual spirit of invention.
January 6, 2002
Stephen Hunter
Washington Post
TOP CRITIC
A fun, entertaining spy movie that feels universal in terms of action-adventure but yet manages to feel relatable to a specific demographic. Still holds up years after its release.
July 3, 2021 | Rating: 4/5
Rosa Parra
Latinx Lens
Spy Kids is no doubt the very film that Rodriguez wishes he could have seen as a kid and that he’s now determined to give his own children.
February 25, 2020
B. Ruby Rich
The Nation
The visual effects don’t really hold up 10 years later, but Spy Kids is still a charming, energetic, inventive kids’ flick that balances its goofier side with its a sense of dramatic maturity.
January 29, 2012 | Rating: 8/10
R.L. Shaffer
IGN DVD
The kids play off each other very well and never miss a beat with perfect-timed humor and acting.
April 29, 2009
Felix Vasquez Jr.
Cinema Crazed
This year’s most unlikely-and most successful-exhilarating family-type entertainment.
August 7, 2008 | Rating: 4/5
Mark Halverson
Sacramento News & Review
April 30, 2007 | Rating: A-
Scott Mendelson
rec.arts.movies.reviews…
Plot
Gregorio and Ingrid are the two greatest secret agents the world has ever known: masters of disguise, mavens of invention, able to stop wars before they even start. Working for separate countries, they are sent to eliminate their most dangerous enemy…each other. But in an exotic corner of the world when they finally come face to face, they fall in love instead and embark on the most dangerous mission they have ever faced: raising a family. Now nine years later, after their retirement, having exchanged the adventure of espionage for parenthood, Gregorio and Ingrid Cortez are called back in to action. When their former colleagues, the world’s most formidable spies, start disappearing one by one, the Cortez’s are forced to take on techno-wizard Fegan Floop and his evil, egg-headed sidekick, Minion. But when the unthinkable happens and they too disappear, unfortunately there are only two people in the world who can rescue them…their kids.
Trivia
Goofs / Tidbits
No goofy or funny comments were found in the Fresh Kernels database for Spy Kids.
Robert-Rodriguez.jpg
71%
Rugrats in Paris – The Movie (2000)
RT Audience Score: 56%
Awards & Nominations: 3 wins & 7 nominations
When the Rugrats go to Paris, the result is Nickelodeon-style fun. The plot is effectively character-driven, and features catchy songs and great celebrity voice-acting
Rugrats in Paris: The Movie is a film that’s sure to entertain both kids and adults alike. While some critics may find the Godfather references puzzling, the rest of us can appreciate the humor in seeing Tommy and the gang take on the City of Love. The soundtrack may not be the best, but who needs great music when you have the hilarious antics of these lovable babies? Overall, Rugrats in Paris is a fun and charming movie that’s perfect for a family movie night.
Production Company(ies)
Orion-Nova Productions,
Distributor
Paramount Pictures
Release Type
Filming Location(s)
MPAA / Certificate
G
Year of Release
2000
-
Color:Color
-
Sound mix:Dolby Digital SDDS
-
Aspect ratio:1.78 : 1
-
Runtime:1h 18m
-
Language(s):English, French
-
Country of origin:United States
-
Release date:Release Date (Theaters): Nov 17, 2000 Wide
Release Date (Streaming): Oct 5, 2010
Genre(s)
Adventure
Keyword(s)
Rugrats in Paris: The Movie, G-rated, Adventure, 1h 18m, directed by Stig Bergqvist and Paul Demeyer, produced by Gabor Csupo and Arlene Klasky, written by David N Weiss, J David Stem, Jill Gorey, Barbara Herndon, Kate Boutilier, starring E.G Daily as Tommy Pickles, Christine Cavanaugh as Chuckie Finster, Michael Bell as Drew Pickles and Chas Finster, Susan Sarandon as Coco LaBouche, Cheryl Chase as Angelica Pickles, Julia Kato as Kira Watanabe, box office gross of $76.5M, reviewed by Lisa Alspector, Derek Adams, Liam Lacey, Neil Smith, David Hughes, Robert Koehler, Rachel Wagner, Michael Dequina, Gary Arnold, Eugene Novikov, Joe Mader, John R McEwen, more, Nickelodeon-style fun, character-driven plot, catchy songs, celebrity voice-acting, Chuckie, Paris, animatronic dinosaurs, malfunctioning, manager, Coco La Bouche, celebrity voice-acting, Reptarland, amusement park, Yamaguchi company, president, retiring, children, job, seduce, assistant, Princess, Japanese, tamed, mother, cancer, love story, mini plots, characters
Worldwide gross: $103,291,131
Worldwide gross (inflation-adjusted): $179,149,767
Worldwide gross ranking (inflation-adjusted): 759
Worldwide tickets sold (est.): 19,536,507
US/Canada gross: $76,507,756
US/Canada gross (inflation-adjusted): $132,696,259
US/Canada gross ranking (inflation-adjusted): 571
US/Canada opening weekend: $22,718,184
US/Canada opening weekend (inflation-adjusted): $39,402,777
US/Canada opening weekend ranking (inflation-adjusted): 319
Budget and Earnings Details
Production budget (est.): $30,000,000
Production budget (inflation-adjusted): $52,032,473
Production budget ranking: 762
Marketing and distribution budget (inflation-adjusted est.): $28,019,487
Box office net earnings to date (inflation-adjusted est.): $99,097,807
ROI to date (est.): 124%
ROI ranking: 842
Christine Cavanaugh – Chuckie Finster (Voice)
Michael Bell – Drew Pickles / Chas Finster
Susan Sarandon – Coco LaBouche (Voice)
Cheryl Chase – Angelica Pickles (Voice)
Julia Kato – Kira Watanabe (Voice)
Stig Bergqvist – Director
Paul Demeyer – Director
Gabor Csupo – Producer
Arlene Klasky – Producer
David N. Weiss – Writer
J. David Stem – Writer
Jill Gorey – Writer
Barbara Herndon – Writer
Kate Boutilier – Writer
Director(s)
Stig Bergqvist, Paul Demeyer
Writer(s)
David N. Weiss, J. David Stem, Jill Gorey, Barbara Herndon, Kate Boutilier
Producer(s)
Gabor Csupo, Arlene Klasky
Film Festivals
Awards & Nominations
3 wins & 7 nominations
Academy Awards
All Critics (75) | Top Critics (28) | Fresh (57) | Rotten (18)
Nauseating gags suggest the makers of this eclectically animated adventure… know their audience, though all the Godfather references will be thoroughly puzzling to at least half of it.
May 20, 2008
Lisa Alspector
Chicago Reader
TOP CRITIC
This is one kids’ film that’s actually quite charming.
June 24, 2006
Derek Adams
Time Out
TOP CRITIC
Musically … the Rugrats sequel is a big step backward.
April 5, 2002 | Rating: 2/4
Liam Lacey
Globe and Mail
TOP CRITIC
We get nauseating homilies on the values of friendship, family, and parenting and a soundtrack full to bursting with vacuous pop acts.
April 16, 2001 | Rating: 2/5
Neil Smith
BBC.com
TOP CRITIC
Just as good as the last outing, this is great kiddie fare with some filmic references for the adults.
April 6, 2001 | Rating: 3/5
David Hughes
Empire Magazine
TOP CRITIC
Thesp voicings are outstanding, and sometimes reach the level of comic warmth of the Toy Story ensemble.
January 1, 2000
Robert Koehler
Variety
TOP CRITIC
It’s pretty entertaining if you like these characters
March 29, 2021
Rachel Wagner
Rachel’s Reviews (YouTube)
Offers plenty to amuse the young and young at heart.
January 17, 2010 | Rating: 3/4
Michael Dequina
TheMovieReport.com
Everything considered, the Rugrats movie franchise remains lively and secure, but the Pickles family and friends might want to choose their next travel agent with more care.
November 20, 2003 | Rating: 2.5/4
Gary Arnold
Washington Times
An entertaining add-on to an entertaining show.
May 22, 2003 | Rating: B
Eugene Novikov
Film Blather
Not as fresh as the first film.
May 14, 2003 | Rating: 2/4
Joe Mader
Palo Alto Weekly
The writing team is adept at childish malapropisms and the skewed perspectives of 5-year-olds, but the characterizations and plot lines are witheringly simplistic.
February 8, 2003 | Rating: 3.5/5
John R. McEwen
Film Quips Online…
Plot
Wishes come true in this movie, and love makes its way into the hearts of those young, old, and overseas. Chuckie’s dad, Chaz (Michael Bell), starts dating again, and it’s Chuckie’s wish to find a new mom. When Stu Pickles (Jack Riley) is summoned to Reptarland, an amazing new amusement park in Paris, to work on his Reptar invention, Tommy (Elizabeth Daily), Chuckie (Christine Cavanaugh), Angelica (Cheryl Chase), Phil (Kath Soucie), Lil (Kath Soucie), Dil (Tara Strong), Didi (Melanie Chartoff), and the whole gang tag along to the city of romance. But the Rugrats’ big adventure turns out to be more than glamor, fashion, and smelly cheese. Chuckie learns that when it comes to Princesses and potential mommies, things are not always what they seem, and for Chaz, finding the right woman can be difficult in any language. As the Rugrats’ travels take them from the Eiffel Tower to Notre Dame and everywhere in-between, the world’s favorite babies learn new lessons about courage, loyalty, trust, and above all, true love.
Trivia
Goofs / Tidbits
Susan Sarandon voices the character Coco La Bouche in the film.
Stig-Bergqvist.jpg
71%
Return to Me (2000)
RT Audience Score:
Awards & Nominations: 2 wins & 2 nominations
David Duchovny and Minnie Driver provide heart-warming romance and comedy in this solid debut by Director Bonnie Hunt
Return to Me is a romantic movie that has an unbelievable premise, but it’s still sweet and enjoyable. The chemistry between the main characters, played by David Duchovny and Minnie Driver, is great, and the supporting cast feels like a family. Sure, there are some contrivances, but the movie leads with heartfelt emotions and a homey mood that makes it engaging. Plus, it’s always fun to see Carroll O’Connor, Robert Loggia, Eddie Jones, William Bronder, and Marianne Muellerleile on screen, even if they seem to be aware they’re imprisoned in a subplot of a terrible movie. Overall, Return to Me is a good choice if you’re in the mood for a romantic comedy that touches your heart without being too sappy.
Production Company(ies)
Les Films, du Poisson Arte France Cinéma Entre Chien et Loup
Distributor
Metro-Goldwyn-Mayer
Release Type
Theatrical
Filming Location(s)
Chicago, Illinois, USA
MPAA / Certificate
Rated PG for language and thematic elements
Year of Release
2000
-
Color:Color
-
Sound mix:DTS Dolby SR
-
Aspect ratio:1.85 : 1
-
Runtime:1h 53m
-
Language(s):English, Italian
-
Country of origin:United States
-
Release date:Release Date (Theaters): Apr 7, 2000 Wide
Release Date (Streaming): Nov 13, 2001
Genre(s)
Romance
Keyword(s)
starring David Duchovny, Minnie Driver, Carroll O’Connor, Robert Loggia, Bonnie Hunt, David Alan Grier, Eddie Jones, William Bronder, Marianne Muellerleile, directed by Bonnie Hunt, written by Bonnie Hunt, Don Lake, Andrew Stern, Samantha Goodman, produced by Jennie Lew Tugend, romance, PG rating, box office gross $32.7M, budget unknown, reviewed by Nell Minow, Steven D Greydanus, Eleanor Ringel Cater, Desson Thomson, Robert Horton, Steven Rosen, Rachel Wagner, Michael Dequina, Brian Orndorf, Mark Halverson, characters, heart transplant, organ donor, car accident, blind date, intimacy problems, recovered, waitress, unusual romance, comedy, heart-warming, solid debut, Metro-Goldwyn-Mayer
Worldwide gross: $36,609,995
Worldwide gross (inflation-adjusted): $63,496,953
Worldwide gross ranking (inflation-adjusted): 1,230
Worldwide tickets sold (est.): 6,924,422
US/Canada gross: $32,722,798
US/Canada gross (inflation-adjusted): $56,754,937
US/Canada gross ranking (inflation-adjusted): 1,019
US/Canada opening weekend: $7,820,836
US/Canada opening weekend (inflation-adjusted): $13,564,581
US/Canada opening weekend ranking (inflation-adjusted): 840
Budget and Earnings Details
Production budget (est.): $24,000,000
Production budget (inflation-adjusted): $41,625,979
Production budget ranking: 919
Marketing and distribution budget (inflation-adjusted est.): $22,415,589
Box office net earnings to date (inflation-adjusted est.): -$544,615
ROI to date (est.): -1%
ROI ranking: 1,400
Minnie Driver – Grace Briggs
Carroll O’Connor – Marty O’Reilly
Robert Loggia – Angelo Pardipillo
Bonnie Hunt – Megan Dayton
David Alan Grier – Charlie Johnson
Director(s)
Bonnie Hunt
Writer(s)
Bonnie Hunt, Bonnie Hunt, Don Lake, Don Lake, Andrew Stern, Samantha Goodman
Producer(s)
Jennie Lew Tugend
Film Festivals
Awards & Nominations
2 wins & 2 nominations
Academy Awards
All Critics (100) | Top Critics (34) | Fresh (62) | Rotten (38)
An unbelievable premise, but sweet and romantic.
December 28, 2010 | Rating: 3/5
Nell Minow
Common Sense Media
TOP CRITIC
Characters you can enjoy watching and will care about, places you will enjoy spending time, and a charming, hopeful look at love amid the vagaries of life.
May 8, 2002 | Rating: B+
Steven D. Greydanus
Decent Films
TOP CRITIC
Return to sender. Except for David Duchovny.
March 21, 2001 | Rating: C
Eleanor Ringel Cater
Atlanta Journal-Constitution
TOP CRITIC
As if aware they are imprisoned in the subplot of a terrible movie, actors Carroll O’Connor, Robert Loggia, Eddie Jones, William Bronder and Marianne Muellerleile have a near mutiny on screen.
January 1, 2000
Desson Thomson
Washington Post
TOP CRITIC
Duchovny is surprisingly out-of-joint with the romantic atmosphere.
January 1, 2000
Robert Horton
Film.com
TOP CRITIC
Return to sender.
January 1, 2000
Steven Rosen
Denver Post
TOP CRITIC
Driver and Duchovny have such great chemistry and all the supporting cast feel like a family.
February 28, 2019 | Rating: 8/10
Rachel Wagner
rachelsreviews.net
Touches the audience’s heart without being sappy.
January 4, 2010 | Rating: 3/4
Michael Dequina
TheMovieReport.com
Contrivances abound, no doubt, but the picture refuses any disingenuous pollutant access to the mix, instead leading with heartfelt, lived-in emotions, enjoying a deliciously homey mood of friendly flirtation and old-world wisdom.
December 7, 2009 | Rating: A
Brian Orndorf
BrianOrndorf.com
August 7, 2008 | Rating: 2/5
Mark Halverson
Sacramento News & Review
It works, despite the far-fetched plot, because the characters and the script are fresh and engaging.
September 1, 2006 | Rating: 3/4
Betsy Bozdech
Reel.com
October 31, 2004 | Rating: 3/5
Robert Strohmeyer
Filmcritic.com…
Plot
The film opens with a loving husband and wife preparing for a very important fund raising dinner. The evening ends with the loss of the wife. In a hospital a weak young woman who may die soon if she can not get a new heart. Jump ahead one year the young woman received a heart and is trying to adjust to a life no longer counted by hours or days, she can actually make plans. The grieving husband and his dog are still trying to adjust to life without his wife. His friends keep trying to pry him from his “work is my life” existence by setting him up on blinds dates. Finally he actually shows up for one at an Irish-Italian restaurant where he finds himself more attracted to the waitress than his blind date. He finds an excuse to return to the restaurant in hopes of seeing the waitress again, there’s just something attractive about her. Unknown to both the attraction they both feel for one another is Grace has the heart of Bob’s dead wife. What can you say after that! Carroll O’Connor says exactly the right thing to Bob after he finds out this ironic coincidence.
Trivia
Goofs / Tidbits
David Duchovny stars in this heart-warming romance and comedy.
Bonnie-Hunt.jpg
71%
U-571 (2000)
RT Audience Score: 62%
Awards & Nominations: Won 1 Oscar
4 wins & 10 nominations total
Excellent cinematography and an interesting plot accompanied by a talented cast and crew make U-571 a tense thriller
U-571 is like a rollercoaster ride, but instead of loops and drops, you get explosions and torpedoes. It’s a classic war movie that will have you on the edge of your seat, even if it’s not the most historically accurate. The action scenes are intense and visually stunning, but you might want to invest in a good sound system to fully appreciate the experience. Overall, it’s a fun and thrilling ride that will leave you feeling like you just survived a submarine attack.
Production Company(ies)
Strike Entertainment, New Amsterdam Entertainment, Metropolitan Filmexport
Distributor
Universal Pictures
Release Type
Theatrical
Filming Location(s)
Cinecittà Studios, Cinecittà, Rome, Lazio, Italy
MPAA / Certificate
Rated PG-13 for war violence
Year of Release
2000
-
Color:Color
-
Sound mix:DTS Dolby Digital
-
Aspect ratio:2.35 : 1
-
Runtime:1h 56m
-
Language(s):English, German
-
Country of origin:United States
-
Release date:Release Date (Theaters): Apr 21, 2000 Wide
Release Date (Streaming): Mar 11, 2008
Genre(s)
Mystery & thriller
Keyword(s)
starring Matthew McConaughey, Bill Paxton, Harvey Keitel, Jon Bon Jovi, Jake Weber, David Keith, directed by Jonathan Mostow, written by Jonathan Mostow, Sam Montgomery, David Ayer, produced by Dino De Laurentiis, Martha De Laurentiis, Mystery & Thriller, PG-13, box office gross $77.1M, budget, reviewed by Nell Minow, Louis B Parks, Tom Tunney, Marc Savlov, Mick LaSalle, George Perry, Eddie Harrison, Tony Black, John A Nesbit, Peter Canavese, Bob Grimm, Rob Gonsalves, Enigma decoder, World War II, submarine, American Navy, German U-boat, naval backup, Lieutenant Andrew Tyler, Lieutenant Commander Mike Dahlgren, Chief Klough, Lt Pete Emmett, Lt Hirsch, Marine Major Coonan, Dolby Stereo, DTS, SDDS, Surround, Dolby Digital, Dolby SR
Worldwide gross: $127,666,415
Worldwide gross (inflation-adjusted): $221,426,644
Worldwide gross ranking (inflation-adjusted): 644
Worldwide tickets sold (est.): 24,146,853
US/Canada gross: $77,122,415
US/Canada gross (inflation-adjusted): $133,762,333
US/Canada gross ranking (inflation-adjusted): 568
US/Canada opening weekend: $19,553,310
US/Canada opening weekend (inflation-adjusted): $33,913,569
US/Canada opening weekend ranking (inflation-adjusted): 386
Budget and Earnings Details
Production budget (est.): $62,000,000
Production budget (inflation-adjusted): $107,533,778
Production budget ranking: 367
Marketing and distribution budget (inflation-adjusted est.): $57,906,939
Box office net earnings to date (inflation-adjusted est.): $55,985,927
ROI to date (est.): 34%
ROI ranking: 1,226
Bill Paxton – Lt. Commander Mike Dahlgren
Harvey Keitel – Chief Klough
Jon Bon Jovi – Lt. Pete Emmett
Jake Weber – Lt. Hirsch
David Keith – Marine Major Coonan
Jonathan Mostow – Director, Writer
Dino De Laurentiis – Producer
Martha De Laurentiis – Producer
Sam Montgomery – Writer
David Ayer – Writer
Director(s)
Jonathan Mostow
Writer(s)
Jonathan Mostow, Jonathan Mostow, Sam Montgomery, David Ayer
Producer(s)
Dino De Laurentiis, Martha De Laurentiis
Film Festivals
Awards & Nominations
Won 1 Oscar
4 wins & 10 nominations total
Academy Awards
Oscar Best Achievement in Sound Editing Winners, Oscar Nominees, Oscar Winners
All Critics (117) | Top Critics (37) | Fresh (79) | Rotten (38)
A very tense and exciting war movie.
December 29, 2010 | Rating: 4/5
Nell Minow
Common Sense Media
TOP CRITIC
It’s a wham-bam bumpy ride, great fun in the old-fashioned war movie tradition.
July 21, 2005 | Rating: B
Louis B. Parks
Houston Chronicle
TOP CRITIC
Sharply edited and vigorously directed and performed.
December 2, 2002
Tom Tunney
Sight & Sound
TOP CRITIC
For all its realistic bluster, feels vaguely hollow.
November 24, 2002 | Rating: 2.5/5
Marc Savlov
Austin Chronicle
TOP CRITIC
If watching a two-hour submarine movie is this nerve-shattering, imagine what the real thing must have been like.
June 18, 2002 | Rating: 4/4
Mick LaSalle
San Francisco Chronicle
TOP CRITIC
Alas, it’s a noisy, cliche-ridden, incomprehensible mess.
April 17, 2001 | Rating: 2/5
George Perry
BBC.com
TOP CRITIC
U-571 is junk as history; as a mindless Saturday night action flick, its pretty good
April 26, 2022 | Rating: 3/5
Eddie Harrison
film-authority.com
Well-executed but troubling wartime historical revisionism.
February 15, 2021 | Rating: 2/5
Tony Black
Cultural Conversation
… more like a Star Trek television episode
August 7, 2013 | Rating: C
John A. Nesbit
Old School Reviews
[Both] a rousing action thriller…[and] near-parody of the rah-rah American military adventures that filled screens in the ’40s and ’50s. [Blu-Ray]
August 20, 2008 | Rating: 2.5/4
Peter Canavese
Groucho Reviews
Delivers action scenes that are both visually dynamic and highly suspenseful.
August 7, 2008 | Rating: 4/5
Bob Grimm
Sacramento News & Review
I’ve never seen a movie as dependent on a fancy sound system.
July 25, 2007 | Rating: 2/5
Rob Gonsalves
eFilmCritic.com…
Plot
In the midst of World War II, the battle below the seas rages. The Nazis have the upper edge as the Allies are unable to crack their war codes. That is, until a wrecked U-boat sends out an SOS signal, and the Allies realize this is their chance to seize the ‘enigma coding machine’. But masquerading as Nazis and taking over the U-boat is the smallest of their problems. The action really begins when they get stranded on the U-boat.
Trivia
Goofs / Tidbits
No goofy or funny or odd comments were found in the Fresh Kernels database for U-571.
Jonathan-Mostow.jpg
71%
Austin Powers: The Spy Who Shagged Me (1999)
RT Audience Score: 71%
Awards & Nominations: Nominated for 1 Oscar
18 wins & 31 nominations total
Provides lots of laughs with Myers at the healm; as funny or funnier than the original
Austin Powers: The Spy Who Shagged Me” is a movie that’s not for the faint of heart. With its abundance of sex jokes and bathroom humor, it’s definitely not a family-friendly flick. But if you’re in the mood for a crafty, intermittently hilarious comedy, this movie might just be for you. Sure, some of the jokes fall flat and the repetitiousness of jokes from the first film can get old, but overall it’s a funnier, tighter film than its predecessor. And let’s be real, who doesn’t love a good Star Wars-style text scrolling to kick off a movie? So grab some popcorn, settle in, and get ready for some laughs (and maybe a few cringes).
Production Company(ies)
Bluemark Productions, C-Hundred Film Corporation, Civilian Pictures,
Distributor
Aurum Producciones S.A. [es], RCV Film Distribution, Warner Home Vídeo, New Line Cinema, Buena Vista Pictures
Release Type
Theatrical
Filming Location(s)
Space Needle – 400 Broad Street, Seattle Center, Seattle, Washington, USA
MPAA / Certificate
Rated PG-13 for sexual innuendo and crude humor
Year of Release
1999
-
Color:Color
-
Sound mix:Dolby Digital EX SDDS DTS-ES
-
Aspect ratio:2.39 : 1
-
Runtime:1h 35m
-
Language(s):English, German
-
Country of origin:United States
-
Release date:Release Date (Theaters): Jun 11, 1999 Wide
Release Date (Streaming): Dec 3, 2002
Genre(s)
Comedy
Keyword(s)
starring Mike Myers, Heather Graham, Michael York, Robert Wagner, Rob Lowe, Seth Green, Demi Moore, John S Lyons, Eric McLeod, Jennifer Todd, Suzanne Todd, directed by Jay Roach, written by Mike Myers, Michael McCullers, comedy, PG-13, box office performance, budget, reviewed by Nell Minow, Edward Guthmann, Ernest Hardy, Janet Maslin, Michael Wilmington, Rod Dreher, Mike Massie, Richard Propes, Leigh Paatsch, Alyssa Bereznak, Emanuel Levy, Austin Powers, Dr Evil, Fat Bastard, Felicity Shagwell, Basil Exposition, Number Two, Young Number Two, Scott Evil, fembot, time travel, laser, mojo, pint-size attack-clone
Worldwide gross: $312,016,928
Worldwide gross (inflation-adjusted): $560,079,085
Worldwide gross ranking (inflation-adjusted): 252
Worldwide tickets sold (est.): 61,077,327
US/Canada gross: $206,040,086
US/Canada gross (inflation-adjusted): $369,847,699
US/Canada gross ranking (inflation-adjusted): 135
US/Canada opening weekend: $17,981,900
US/Canada opening weekend (inflation-adjusted): $32,278,012
US/Canada opening weekend ranking (inflation-adjusted): 412
Budget and Earnings Details
Production budget (est.): $33,000,000
Production budget (inflation-adjusted): $59,235,920
Production budget ranking: 686
Marketing and distribution budget (inflation-adjusted est.): $31,898,543
Box office net earnings to date (inflation-adjusted est.): $468,944,622
ROI to date (est.): 515%
ROI ranking: 249
Heather Graham – Felicity Shagwell
Michael York – Basil Exposition
Robert Wagner – Number Two
Rob Lowe – Young Number Two
Seth Green – Scott Evil
Director(s)
Jay Roach
Writer(s)
Mike Myers, Mike Myers, Michael McCullers
Producer(s)
John S. Lyons, Eric McLeod, Demi Moore, Mike Myers, Jennifer Todd, Suzanne Todd
Film Festivals
Awards & Nominations
Nominated for 1 Oscar
18 wins & 31 nominations total
Academy Awards
Oscar Nominees
All Critics (90) | Top Critics (22) | Fresh (47) | Rotten (43)
Full of sex and bathroom humor. Not for kids.
December 22, 2010 | Rating: 2/5
Nell Minow
Common Sense Media
TOP CRITIC
June 18, 2002 | Rating: 3/4
Edward Guthmann
San Francisco Chronicle
TOP CRITIC
A funnier, tighter film than its predecessor!
January 1, 2000
Ernest Hardy
Film.com
TOP CRITIC
Despite an oversupply of bathroom jokes and scattered scenes that play like outtakes, this is still a crafty, intermittently hilarious comedy.
January 1, 2000 | Rating: 3/5
Janet Maslin
New York Times
TOP CRITIC
Too much of the new Powers looks like bad TV and sounds like old burlesque!
January 1, 2000
Michael Wilmington
Chicago Tribune
TOP CRITIC
Amusing but ultimately disappointing.
January 1, 2000
Rod Dreher
New York Post
TOP CRITIC
The sexual innuendo is back and still largely effective, but the repetitiousness of jokes from the first film start to lose their hilarity.
September 9, 2020 | Rating: 4/10
Mike Massie
Gone With The Twins
The Spy Who Shagged Me is a funny film, but often elicited little more than chuckles out of me.
September 2, 2020 | Rating: 3.0/4.0
Richard Propes
TheIndependentCritic.com
A rare comedy sequel that matches the original.
July 21, 2020 | Rating: 3/5
Leigh Paatsch
Herald Sun (Australia)
Against all odds, Myers’s wacky step-and-repeat characters remain enduringly entertaining.
March 26, 2019
Alyssa Bereznak
The Ringer
August 10, 2012 | Rating: C
Emanuel Levy
EmanuelLevy.Com
The film opened with a Star Wars-styled text scrolling, about how Austin Powers was frozen in 1967 and defrosted in the 90s to battle his nemesis Dr. Evil. After succeeding and banishing Evil, Powers settled down with his newly-wed wife Vanessa…
July 6, 2010 | Rating: A+
Tim Dirks
Filmsite…
Plot
Thirsting for revenge after the events of Austin Powers: International Man of Mystery (1997), despicable Dr Evil gets his hands on a diabolical machine and travels back to groovy 1969. But everyone knows that bad habits are hard to break, and this time, apart from world domination, the ambitious megalomaniac is bent on stealing everything Austin holds dear: his undeniable charm and swagger and his vaulting libido. As an insecure Powers returns to the psychedelic 1960s, teamed up with blonde CIA bombshell Felicity Shagwell, the out-of-time British agent must do the impossible: salvage what’s left of his once-unstoppable sex drive and thwart Dr Evil’s latest lunatic plot. Can Austin Powers, the man who lost his mojo, avert the inevitable for the second time?
Trivia
Goofs / Tidbits
The film features Mike Myers in multiple roles, including Austin Powers, Dr. Evil, and Fat Bastard.
Jay-Roach.jpg
71%
Never Been Kissed (1999)
RT Audience Score: 69%
Awards & Nominations: 2 wins & 8 nominations
Unoriginal and unremarkable high school satire adds little to the genre
Never Been Kissed is a classic ’90s romcom that will make you cringe and laugh at the same time. While it may not be the most original high school comedy out there, Drew Barrymore’s performance as a journalist going undercover as a student is worth the watch. Plus, David Arquette’s quirky character and Leelee Sobieski’s brief appearance add to the fun. Just don’t expect a groundbreaking plot or anything too deep – it’s a lighthearted movie that’s perfect for a lazy Sunday afternoon.
Production Company(ies)
Columbia Pictures, Marvel Entertainment
Distributor
20th Century Fox, Fox
Release Type
Theatrical, Theatrical (Wide)
Filming Location(s)
Navy Pier – 600 E. Grand Avenue, Near North Side, Chicago, Illinois, USA
MPAA / Certificate
Rated PG-13 for sex-related material and some drug content
Year of Release
1999
-
Color:Color
-
Sound mix:Dolby Dolby Digital DTSS DDS
-
Aspect ratio:2.39 : 12.39:12.35 : 1
-
Runtime:1h 47m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Apr 9, 1999 Wide
Release Date (Streaming): Oct 26, 1999
Genre(s)
Comedy/Romance
Keyword(s)
starring Drew Barrymore, David Arquette, Michael Vartan, Molly Shannon, John C Reilly, Garry Marshall, directed by Raja Gosnell, written by Abby Kohn, Marc Silverstein, comedy, romance, box office performance, budget, reviewed by Anthony Quinn, Paul Clinton, Andrew Pulver, Nell Minow, Lisa Alspector, Andrew Sarris, Zaki Hasan, Chelsea Steiner, Leah Rozen, Chris Kaltenbach, Jo Berry, PG-13, high school, journalism, undercover, popular clique, English teacher, Chicago Sun-Times, inner circle, contemporary teenage culture, failed love life, baby-faced junior copywriter, infiltrates, degradations of high school life, nerdy, overly enthusiastic girls, second chance, predictable, dull, shamefully optimistic, fake, corny, charming, well-written
Worldwide gross: $84,565,230
Worldwide gross (inflation-adjusted): $151,796,946
Worldwide gross ranking (inflation-adjusted): 829
Worldwide tickets sold (est.): 16,553,647
US/Canada gross: $55,474,756
US/Canada gross (inflation-adjusted): $99,578,734
US/Canada gross ranking (inflation-adjusted): 757
US/Canada opening weekend: $11,836,707
US/Canada opening weekend (inflation-adjusted): $21,247,219
US/Canada opening weekend ranking (inflation-adjusted): 628
Budget and Earnings Details
Production budget (est.): $25,000,000
Production budget (inflation-adjusted): $44,875,697
Production budget ranking: 870
Marketing and distribution budget (inflation-adjusted est.): $24,165,563
Box office net earnings to date (inflation-adjusted est.): $82,755,686
ROI to date (est.): 120%
ROI ranking: 856
David Arquette – Robert Gellar
Michael Vartan – Sam Coulson
Molly Shannon – Anita Olesky
John C. Reilly – Augustus Strauss
Garry Marshall – James Rigfort
Director(s)
Raja Gosnell
Writer(s)
Abby Kohn, Marc Silverstein
Producer(s)
Sandy Isaac, Nancy Juvonen
Film Festivals
Awards & Nominations
2 wins & 8 nominations
Academy Awards
All Critics (89) | Top Critics (37) | Fresh (49) | Rotten (40)
Never Been Kissed does very little to distinguish itself from the umpteen other high-school comedies we’ve seen this year.
January 23, 2019
Anthony Quinn
Independent (UK)
TOP CRITIC
This is one of those films that just doesn’t know when to end.
January 23, 2019
Paul Clinton (CNN.com)
CNN.com
TOP CRITIC
[B]y and large she generates the kind of charm that, since Scream and Everyone Says I Love You, she’s made her trademark.
January 23, 2019
Andrew Pulver
Guardian
TOP CRITIC
A genuinely sweet and romantic story for teens.
December 26, 2010 | Rating: 4/5
Nell Minow
Common Sense Media
TOP CRITIC
Drew Barrymore’s virtuoso performance smooths over the plot holes.
August 7, 2007
Lisa Alspector
Chicago Reader
TOP CRITIC
The most exhilarating American movie I have seen this year — which isn’t saying much.
April 27, 2007
Andrew Sarris
Observer
TOP CRITIC
Attempts to tap into the sense of missed opportunity that one inevitably leaves high school with. Unfortunately, it fails to offer anything other than that same old crop of clichés.
August 28, 2019 | Rating: C-
Zaki Hasan
Zaki’s Corner
Never Been Kissed remains one of the best teen movies and romcoms of the ’90s, and a true ode to nerdy, overly enthusiastic girls of all ages.
April 10, 2019
Chelsea Steiner
The Mary Sue
“This is a very bad idea.” Exacta-mundo, sister.
January 23, 2019
Leah Rozen
People Magazine
Too bad the film, about a budding journalist assigned to do an expose on the degradations of high school life, simply isn’t worthy of [Barrymore].
January 23, 2019
Chris Kaltenbach
Baltimore Sun
[T]hanks to Barrymore’s captivating performance, a fun turn from David Arquette (as her slightly odd older brother) and a minor role for Leelee Sobieski, this is enjoyable fare.
January 23, 2019 | Rating: 3/5
Jo Berry
Radio Times
August 7, 2008 | Rating: 2/5
Jim Lane
Sacramento News & Review…
Plot
Chicago Sun Times copy editor Josie Gellar (25), who was desperate to graduate from perfectionist copy editor to reporter, gets her chance when the goody owner orders the editor to cover the high-school scene by undercover. Josie, who was a frustrated, ridiculed nerd, gets a popular make-over from her drop-out, naturally funny brother Rob Geller. Both siblings find love and joys of youth again. But in Josie’s case, it’s sensitive bachelor teacher Sam Coulson, who enjoys sophisticated conversation. As the publication deadline approaches, the price of blowing their cover seems ever more daunting, yet inevitable unless she sacrifices her career.
Trivia
Goofs / Tidbits
No goofy or funny or odd comments were found in the Fresh Kernels database for Never Been Kissed.
Raja-Gosnell.jpg
71%
Payback (1999)
RT Audience Score: 69%
Awards & Nominations: 2 wins & 2 nominations
Payback, a film that showcases Mel Gibson’s ability to elevate mediocre material through sheer force of will and charm, has received mixed reviews from critics. While some praise the film’s gritty authenticity and entertaining portrayal of murder and retribution, others criticize its reliance on Gibson’s on-screen persona and gratuitous violence. Director Brian Helgeland’s first-time direction is directed with panache and a higher class of thriller, but the film falls short of its potential to be wittier and darker. Overall, Payback is a solid action comedy that pays homage to the gritty crime films of the ’70s, but it may not be everyone’s cup of tea.
If you’re looking for a movie that’s equal parts action and comedy, Payback might just be the flick for you. Mel Gibson’s charm and sheer willpower make up for the mediocre material, and the gritty authenticity of the film is a refreshing throwback to ’70s crime movies. Just be warned, this movie is not for the faint of heart – it’s unrelenting in its portrayal of murder, mayhem, and retribution. But if you’re in the mood for a seedier studio picture, Payback is definitely worth a watch. Just don’t forget to bring some extra napkins for the sticky theater floor.
Production Company(ies)
Universal Pictures
Distributor
Paramount Pictures
Release Type
Filming Location(s)
Chicago, Illinois, USA
MPAA / Certificate
Rated R for strong violence, language, and drug and sexual content
Year of Release
1999
-
Color:Color
-
Sound mix:DTS Dolby Digital SDDS
-
Aspect ratio:2.39 : 1
-
Runtime:1h 41m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Feb 5, 1999 Wide
Release Date (Streaming): Jul 27, 1999
Genre(s)
Action
Keyword(s)
starring Mel Gibson, Deborah Kara Unger, Gregg Henry, Maria Bello, David Paymer, Bill Duke, Lucy Liu, James Coburn, John Glover, Kris Kristofferson, directed by Brian Helgeland, written by Donald E Westlake, Brian Helgeland, Terry Hayes, produced by Bruce Davey, action, R-rated, crime, thriller, neo-noir, betrayal, heist, revenge, crime syndicate, prostitute, violence, humor, box office performance, $81.5M, reviewed by Rick Groen, Linda Barnard, Mick LaSalle, Liam Lacey, Nick Roddick, Mike Massie, Leigh Paatsch, Chuck O’Leary, Donald Westlake, Terry Hayes, MPAA rating, Paramount Pictures, SDDS, Dolby Digital, DTS, Surround
Worldwide gross: $161,626,121
Worldwide gross (inflation-adjusted): $290,123,394
Worldwide gross ranking (inflation-adjusted): 521
Worldwide tickets sold (est.): 31,638,320
US/Canada gross: $81,526,121
US/Canada gross (inflation-adjusted): $146,341,660
US/Canada gross ranking (inflation-adjusted): 527
US/Canada opening weekend: $21,221,526
US/Canada opening weekend (inflation-adjusted): $38,093,231
US/Canada opening weekend ranking (inflation-adjusted): 336
Budget and Earnings Details
Production budget (est.): $90,000,000
Production budget (inflation-adjusted): $161,552,509
Production budget ranking: 195
Marketing and distribution budget (inflation-adjusted est.): $86,996,026
Box office net earnings to date (inflation-adjusted est.): $41,574,858
ROI to date (est.): 17%
ROI ranking: 1,309
Gregg Henry – Val Resnick
Maria Bello – Rosie
Deborah Kara Unger – Mrs. Lynn Porter
David Paymer – Arthur Stegman
Bill Duke – Det. Hicks
Director(s)
Brian Helgeland
Writer(s)
Donald E. Westlake, Brian Helgeland, Terry Hayes
Producer(s)
Bruce Davey
Film Festivals
Awards & Nominations
2 wins & 2 nominations
Academy Awards
All Critics (76) | Top Critics (24) | Fresh (42) | Rotten (34)
March 16, 2012 | Rating: 3/4
Rick Groen
Globe and Mail
TOP CRITIC
March 16, 2012 | Rating: 2.5/4
Linda Barnard
Toronto Star
TOP CRITIC
Demonstrates why Mel Gibson is a movie star: He can take mediocre material and through sheer willpower — not to mention oodles of charm — make it work.
November 6, 2002
Jeff Strickler
Minneapolis Star Tribune
TOP CRITIC
A higher class of thriller.
June 18, 2002 | Rating: 4/4
Mick LaSalle
San Francisco Chronicle
TOP CRITIC
It quickly slides into a Lethal Weapon without Danny Glover, complete with blowups and wisecracks, gratuitous torture scenes and Gibson in familiar form as the twinkling rascal who makes a virtue out of viciousness.
March 22, 2002 | Rating: 2/4
Liam Lacey
Globe and Mail
TOP CRITIC
Both star and director seem to be more interested in playing off perceptions of Gibson’s on-screen persona than in actually telling the story, which lurches along from one violent set piece to the next.
March 5, 2002
Nick Roddick
Sight & Sound
TOP CRITIC
Unrelentingly paints a picture of murder, mayhem, and retribution that is both bold and entertaining.
September 24, 2020 | Rating: 8/10
Mike Massie
Gone With The Twins
Directed with panache and gritty authenticity by first-timer Brian Helgeland.
June 4, 2020 | Rating: 3.5/5
Leigh Paatsch
Herald Sun (Australia)
A solid enough action comedy, albeit one that had a lot of potential to be wittier and darker.
June 21, 2007
Ryan Cracknell
Calgary Movies
A tough, entertaining homage to the kind of gritty ’70s crime film that long ago gave way to a slicker yet tamer form of action movie … Both the studio’s cut and Helgeland’s cut work about equally well.
May 10, 2007 | Rating: B
Chuck O’Leary
FulvueDrive-in.com
This is the seediest studio picture I’ve seen since TO LIVE OR DIE IN LA. Even the theater floor feels stickier while watching this thing unfold.
June 25, 2005
Moriarty
Ain’t It Cool Movie Reviews
June 14, 2004 | Rating: 2/10
Dragan Antulov
rec.arts.movies.reviews…
Plot
Porter is bad, but his neighbours are worse. Street-wise and tough, an ex-marine, he is betrayed by a one-time partner, and shot in the back by his junkie wife. He survives and returns, looking to recover his share from the robbery of an Asian crime gang. The money has passed into the hands of “the Outfit”, a slick gangster organisation that runs the city. He has to make his way through a world populated by heroin dealers, prostitutes, sado-masochists, gunmen and crooked cops, a place where torture is a way of life. His only friend is a former employer, a prostitute, and her loyalty is in question, given she now works for the Outfit. He makes good early progress, but then falls into the hands of Fairfax, the crime boss.
Trivia
Goofs / Tidbits
The film stars Mel Gibson as the lead character, Porter.
Brian-Helgeland.jpg
71%
Stepmom (1998)
RT Audience Score: 75%
Awards & Nominations: 8 wins & 7 nominations
Solid work from Julia Roberts and Susan Sarandon isn’t enough to save Stepmom from a story whose manipulations dilute the effectiveness of a potentially affecting drama
Stepmom is a movie that will make you laugh, cry, and question why you ever thought it was a good idea to watch a movie about divorce and death. But, if you can get past the melodramatic machinery cranking and groaning behind the curtains, you’ll be treated to some stellar acting from Susan Sarandon and Julia Roberts. Sarandon’s fiercely maternal performance will make you want to call your own mom and thank her for everything she’s done for you, while Roberts’ character will make you feel better about your own insecurities. Overall, it’s a lovely daydream that’s worth watching if you’re in the mood for a good cry.
Production Company(ies)
Alcon Entertainment, Columbia Pictures, Sony
Distributor
NA
Release Type
Theatrical, Theatrical (Wide)
Filming Location(s)
Tappan, New York, USA
MPAA / Certificate
Rated PG-13 for language and thematic elements
Year of Release
1998
-
Color:Color
-
Sound mix:Dolby Digital SDDS
-
Aspect ratio:2.39 : 1
-
Runtime:NA
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Streaming): Jul 25, 2000
Genre(s)
Drama
Keyword(s)
starring Julia Roberts, Susan Sarandon, Ed Harris, Jena Malone, Liam Aiken, Lynn Whitfield, directed by Chris Columbus, written by Gigi Levangie, produced by Wendy Finerman, Chris Columbus, Mark Radcliffe, Michael Barnathan, drama, PG-13, box office, $91.0M, reviewed by Jami Bernard, Jay Boyar, Richard Schickel, William Thomas, John Hartl, Joe Morgenstern, Rachel Wagner, Daniel Barnes, Laura Clifford, Todd Anthony, Dennis King, family, divorce, stepmother, fashion photographer, children, mother, loyalty, crisis, manipulation, sentimentality, illness, death, formulaic, Hollywood, production values, laughter, sobs, melodrama, struggles, adulthood, Home Alone, horror, MCU, Netflix, TV shows, streaming, anticipated movies, TV, renewed, cancelled, worst horror movies, careers
Worldwide gross: $159,710,793
Worldwide gross (inflation-adjusted): $293,091,825
Worldwide gross ranking (inflation-adjusted): 514
Worldwide tickets sold (est.): 31,962,031
US/Canada gross: $91,137,662
US/Canada gross (inflation-adjusted): $167,250,461
US/Canada gross ranking (inflation-adjusted): 453
US/Canada opening weekend: $19,142,440
US/Canada opening weekend (inflation-adjusted): $35,129,077
US/Canada opening weekend ranking (inflation-adjusted): 371
Budget and Earnings Details
Production budget (est.): $50,000,000
Production budget (inflation-adjusted): $91,757,050
Production budget ranking: 449
Marketing and distribution budget (inflation-adjusted est.): $49,411,172
Box office net earnings to date (inflation-adjusted est.): $151,923,603
ROI to date (est.): 108%
ROI ranking: 909
Susan Sarandon – Jackie Harrison
Ed Harris – Luke Harrison
Jena Malone – Anna Harrison
Liam Aiken – Ben Harrison
Lynn Whitfield – Dr. P. Sweikert
Director(s)
Chris Columbus
Writer(s)
NA
Producer(s)
Wendy Finerman, Chris Columbus, Mark Radcliffe, Michael Barnathan
Film Festivals
Awards & Nominations
8 wins & 7 nominations
Academy Awards
All Critics (90) | Top Critics (32) | Fresh (41) | Rotten (49)
It’s a lovely daydream, made lovelier by the fiercely maternal performance of Sarandon as a lioness protecting her cubs, and Julia Roberts as a mass of insecurity trying to measure up to impossible standards.
April 2, 2019 | Rating: 3/4
Jami Bernard
New York Daily News
TOP CRITIC
Well, if unearned pathos is your cup of tea, drink up.
April 1, 2019
Jay Boyar
Orlando Sentinel
TOP CRITIC
Under Chris Columbus’ direction, they make a pretty but utterly misleading picture in which cheap sentiment is used to supply easy, false resolutions to agonizing issues.
April 1, 2019
Richard Schickel
TIME Magazine
TOP CRITIC
Roberts holds her own with a very attractive performance, admittedly given that hers is the character who is likeable, good-humoured and too good to be true.
April 1, 2019 | Rating: 3/5
William Thomas
Empire Magazine
TOP CRITIC
The result is a cartoonish two-hour-plus soap opera of little distinction, played by actors who deserve better and should have known better.
April 1, 2019 | Rating: 2/4
John Hartl
Seattle Times
TOP CRITIC
A disjointed hybrid of domestic comedy and mortal illness that might have been written by a support group of lobotomy survivors.
April 1, 2019
Joe Morgenstern
Wall Street Journal
TOP CRITIC
It earns its tears with great performances and good writing
January 22, 2021 | Rating: 7.5/10
Rachel Wagner
Hallmarkies Podcast
If you’re going to make children say such terrible things, you should at least back it up with a movie about divorce and death that is sincere and penetrating. In other words, the type of film that Chris Columbus wouldn’t touch with a ten-foot pole.
October 8, 2019 | Rating: 1/5
Daniel Barnes
Dare Daniel
Stepmom is a piece of formulaic Hollywood product that’s barely redeemed by its three fine leads and top notch production values. It suffers in comparison to the similar, but far better, One True Thing.
April 2, 2019 | Rating: C
Laura Clifford
Reeling Reviews
Were it not for the stellar acting of Sarandon (the most infectious weeper this side of Brenda Blethyn) and Julia Roberts (irresistible as ever) the whole predictable enterprise would be too mawkish for words.
April 1, 2019
Todd Anthony
South Florida Sun-Sentinel
Stepmom is highly effective filmmaking, eliciting its fair share of laughter and sobs, even though the least gullible moviegoers will be able to see all the melodramatic machinery cranking and groaning behind the curtains.
April 1, 2019 | Rating: 2.5/4
Dennis King
Tulsa World
Though Stepmom has its ups and downs, it shows Columbus as a director who has graduated to adulthood after his two Home Alone hits without losing sight of the struggles of children.
April 1, 2019 | Rating: 3/4
Malcolm Johnson
Hartford Courant…
Plot
Anna and Ben, the two children of Jackie and Luke, must cope with the fact that their parents divorced and their father is now with successful photographer Isabel. She does her best to treat the kids in a way that makes them still feel at home when they’re with their dad, but she also loves her work and doesn’t plan to give it up. But full-time mother Jackie finds Isabel’s efforts offensively insufficient and can’t understand that work can be important to her as well as the kids. The conflict between them is deepened by the sudden diagnosis of cancer, which might be deadly for Jackie. They all have to learn a little in order to grow together.
Trivia
Goofs / Tidbits
Fresh Kernels doesn’t say anything goofy or funny about Stepmom, but it does mention the solid performances from Julia Roberts and Susan Sarandon.
Chris-Columbus.jpg
71%
Higher Learning (1994)
RT Audience Score: 74%
Awards & Nominations: 1 win & 1 nomination
It’s hard to fault Higher Learning’s goals; unfortunately, writer-director John Singleton too often struggles to fit his themes within a consistently engaging story
Higher Learning is a movie that tries to tackle a lot of issues, but ends up feeling like a lecture from that one professor who takes themselves way too seriously. The characters are all pretty one-dimensional, and the dialogue can be pretty stilted at times. That being said, there are some good performances here, especially from Cole Hauser as the skinhead and Jennifer Connelly as the worldly-wise lesbian. Overall, it’s worth a watch if you’re in the mood for a heavy-handed message movie, but don’t expect to be blown away.
Production Company(ies)
Lucasfilm,
Distributor
Columbia Pictures
Release Type
Theatrical
Filming Location(s)
Los Angeles, California, USA
MPAA / Certificate
Rated R for scenes of violence and sexuality, and for strong language
Year of Release
1995
-
Color:Color
-
Sound mix:Dolby SR SDDS
-
Aspect ratio:1.85 : 1
-
Runtime:2h 7m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Jan 11, 1995 Original
Release Date (Streaming): Jul 3, 2001
Genre(s)
Drama
Keyword(s)
Higher Learning, drama, 1995, 2h 7m, starring Omar Epps, Kristy Swanson, Michael Rapaport, Jennifer Connelly, Ice Cube, Jason Wiles, directed by John Singleton, written by John Singleton, produced by Paul Hall and John Singleton, reviewed by Emma Cochrane, David Ansen, Owen Gleiberman, Todd McCarthy, Geoff Andrew, Janet Maslin, Brandon Collins, Dennis Schwartz, R MPAA rating, college life, freshmen, racial tensions, neo-Nazis, gender lines, box office gross $36.8M, Columbia Pictures, Suround, Stereo
Worldwide gross: $38,290,723
Worldwide gross (inflation-adjusted): $75,293,340
Worldwide gross ranking (inflation-adjusted): 1,154
Worldwide tickets sold (est.): 8,210,833
US/Canada gross: $38,290,723
US/Canada gross (inflation-adjusted): $75,293,340
US/Canada gross ranking (inflation-adjusted): 884
US/Canada opening weekend: $13,276,662
US/Canada opening weekend (inflation-adjusted): $26,106,695
US/Canada opening weekend ranking (inflation-adjusted): 525
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Kristy Swanson – Kristen Connor
Michael Rapaport – Remy
Jennifer Connelly – Taryn
Ice Cube – Fudge
Jason Wiles – Wayne
Director(s)
John Singleton
Writer(s)
John Singleton
Producer(s)
Paul Hall, John Singleton
Film Festivals
Awards & Nominations
1 win & 1 nomination
Academy Awards
All Critics (40) | Top Critics (15) | Fresh (18) | Rotten (22)
Good intentions, but dull and predictable.
April 26, 2019 | Rating: 2/5
Emma Cochrane
Empire Magazine
TOP CRITIC
Higher Learning sells its soul (and its brain) for overwrought melodrama.
February 16, 2018
David Ansen
Newsweek
TOP CRITIC
Despite some likable performances (Epps is especially winning), the drama in Higher Learning is constricted, hemmed in by Singleton’s compulsion to view his characters as walking paradigms of racial and sexual politics.
July 6, 2010 | Rating: C
Owen Gleiberman
Entertainment Weekly
TOP CRITIC
Higher Learning has a great many things on its mind, which immediately places it in a rather exclusive category of American films these days.
October 18, 2008
Todd McCarthy
Variety
TOP CRITIC
A stylish, intelligent film-maker, Singleton interweaves the threads of his demographic tapestry with assurance, passion and a welcome awareness of the complexities of the college community’s contradictory impulses towards integration and separatism.
February 9, 2006
Geoff Andrew
Time Out
TOP CRITIC
Everyone here, from beer-swilling white fraternity boys to rap-loving black students harassed by the campus police, can be judged at face value. Everyone is exactly what he or she seems.
May 20, 2003 | Rating: 2/4
Janet Maslin
New York Times
TOP CRITIC
I felt like it was lengthy, and they could have chopped down some of this stuff while trying to appeal to everyone…Malik and Remy could have been the movie right there.
September 19, 2019 | Rating: 2/5
Justin Brown
Medium Popcorn
What is high…what is learning…yes it’s a pretty decent cast, but it’s all over the place, and I really wanted it to end.
September 19, 2019 | Rating: 1/5
Brandon Collins
Medium Popcorn
It was too schematic, too didactic and too cliched to work.
May 10, 2019 | Rating: C+
Dennis Schwartz
Dennis Schwartz Movie Reviews
Cole Hauser is chillingly effective as the white supremacist skinhead who reveals Rapaport’s potential for violence, while Jennifer Connelly gives the most adult performance as a worldly-wise lesbian.
April 26, 2019 | Rating: 3/5
David Parkinson
Radio Times
Singleton gets points for exposing the hypocrisy of “politically correct” institutions, but stilted dialogue and cardboard characterizations undermine the message.
July 25, 2010 | Rating: 3/5
TV Guide Staff
TV Guide
There’s some nice ideas and realistically felt characters here.
December 6, 2005 | Rating: 4/5
Brad Laidman
Film Threat…
Plot
Youngsters from different countries, races, and social background are forced to integrate when they all enroll in Columbus University. They all have their own problems, such as finance, harrassment, personal safety, and self doubt. Additionally, campus life seems to be causing a problem for everyone: racism. Students, already under pressure to perform in the classroom, on the track, or in front of their friends, are strained to the breaking point by prejudice, inexperience, and misunderstanding.
Trivia
Goofs / Tidbits
The cast of Higher Learning includes Omar Epps, Kristy Swanson, Michael Rapaport, Jennifer Connelly, Ice Cube, and a young Gwyneth Paltrow in a small role.
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71%
Demolition Man (1993)
RT Audience Score: 66%
Awards & Nominations: 1 win & 7 nominations
A better-than-average sci-fi shoot-em-up with a satirical undercurrent, Demolition Man is bolstered by strong performances by Sylvester Stallone, Wesley Snipes, and Sandra Bullock
Demolition Man is like a rollercoaster ride that starts off with a bang, but then loses its momentum halfway through. It’s a futuristic action-comedy that tries to be too many things at once, and ends up feeling like a mishmash of different genres. However, if you’re a fan of Sylvester Stallone and Wesley Snipes, you’ll probably enjoy their over-the-top performances. Just don’t expect too much from the plot or the supporting cast, especially poor Sandra Bullock who deserved better. Overall, it’s a fun popcorn flick that’s best enjoyed with a group of friends and a big bucket of buttered popcorn.
Production Company(ies)
Hecht-Lancaster Productions, Steven Productions,
Distributor
NA
Release Type
Theatrical
Filming Location(s)
Louisville, Kentucky, USA
MPAA / Certificate
Rated R for non-stop action violence, and for strong language
Year of Release
1993
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Color:Color
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Sound mix:Dolby
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Aspect ratio:2.35 : 1
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Runtime:NA
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Language(s):English
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Country of origin:United States
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Release date:Release Date (Streaming): Aug 15, 2000
Genre(s)
Action
Keyword(s)
starring Sylvester Stallone, Wesley Snipes, Sandra Bullock, Nigel Hawthorne, Benjamin Bratt, Bob Gunton, directed by Marco Brambilla, written by Peter M Lenkov, Daniel Waters, Robert Reneau, action, sci-fi, satirical, box office performance, budget, reviewed by David Ansen, Owen Gleiberman, Richard Schickel, Jonathan Rosenbaum, Emanuel Levy, Phillipa Bloom, Mikel Zorrilla, Mike Massie, Leigh Paatsch, Justin Brown, Brandon Collins, Sergio Benítez, produced by Joel Silver, Michael Levy, Howard G Kazanjian, R-rated, Los Angeles, CryoPrison, 2032, San Angeles, pacifist utopia, future cop, killer, innocent victims, John Spartan, Simon Phoenix, Lenina Huxley, Dr Raymond Cocteau, Alfredo Garcia, Chief George Earle, sci-fi shoot-em-up, strong performances
Worldwide gross: $58,055,768
Worldwide gross (inflation-adjusted): $120,596,645
Worldwide gross ranking (inflation-adjusted): 933
Worldwide tickets sold (est.): 13,151,215
US/Canada gross: $58,055,768
US/Canada gross (inflation-adjusted): $120,596,645
US/Canada gross ranking (inflation-adjusted): 628
US/Canada opening weekend: $14,262,432
US/Canada opening weekend (inflation-adjusted): $29,626,711
US/Canada opening weekend ranking (inflation-adjusted): 469
Budget and Earnings Details
Production budget (est.): $57,000,000
Production budget (inflation-adjusted): $118,403,545
Production budget ranking: 316
Marketing and distribution budget (inflation-adjusted est.): $63,760,309
Box office net earnings to date (inflation-adjusted est.): -$61,567,210
ROI to date (est.): -34%
ROI ranking: 1,590
Wesley Snipes – Simon Phoenix
Sandra Bullock – Lenina Huxley
Nigel Hawthorne – Dr. Raymond Cocteau
Benjamin Bratt – Alfredo Garcia
Bob Gunton – Chief George Earle
Director(s)
Marco Brambilla
Writer(s)
Peter M. Lenkov, Daniel Waters, Robert Reneau
Producer(s)
Joel Silver, Michael Levy, Howard G. Kazanjian
Film Festivals
Awards & Nominations
1 win & 7 nominations
Academy Awards
All Critics (42) | Top Critics (13) | Fresh (26) | Rotten (16)
Demolition Man is a movie that should have been fun, and isn’t.
January 29, 2019
David Ansen
Newsweek
TOP CRITIC
September 7, 2011 | Rating: B-
Owen Gleiberman
Entertainment Weekly
TOP CRITIC
Ultimately the script’s often sharp social satire is drowned out by the noise and confusion. It is also undercut by casting virtually all the psychopathically murderous criminals as minority-group members.
July 25, 2010
Richard Schickel
TIME Magazine
TOP CRITIC
Nearly all the SF premises are accorded the status of Andrew Dice Clay one-liners — which means that they, along with the characters, keep changing from one scene to the next.
April 30, 2008
Jonathan Rosenbaum
Chicago Reader
TOP CRITIC
A noisy, soulless, self-conscious pastiche that mixes elements of sci-fi, action-adventure and romance, then pours on a layer of comedy replete with Hollywood in-jokes.
April 30, 2008
Emanuel Levy
Variety
TOP CRITIC
This futuristic comedy depends on your opinion of Stallone and his unapologetic popcorn-pleasing action no-brainers. To be fair, this one is one of his better ones.
April 30, 2008 | Rating: 4/5
Phillipa Bloom
Empire Magazine
TOP CRITIC
An essential action comedy with unforgettable performances from Sylvester Stallone and Wesley Snipes. [Full Review in Spanish]
May 17, 2021 | Rating: 4/5
Mikel Zorrilla
Espinof
It starts with explosions, gunfire, characters smashing through windows, careening down staircases, and lunging through five foot flames – all before the opening credits roll.
September 11, 2020 | Rating: 9/10
Mike Massie
Gone With The Twins
Some clever set-piece chases and skirmishes, and a sly sense of humour round out a very solid effort.
June 2, 2020 | Rating: 3/5
Leigh Paatsch
Herald Sun (Australia)
This movie is completely bonkers, it makes no sense.
April 18, 2020 | Rating: 1/5
Justin Brown
Medium Popcorn
More than two hours, it could’ve easily been under 90 minutes…Sandra Bullock is completely wasted in this film.
April 18, 2020 | Rating: 1/5
Brandon Collins
Medium Popcorn
It is almost a rarity in the science fiction of the nineties to bring humor to its last consequences. [Full Review in Spanish]
August 29, 2019
Sergio Benítez
Espinof…
Plot
Frozen in 1996, Simon Phoenix, a convicted crime lord, is revived for a parole hearing well into the 21st century. Revived into a society free from crime, Phoenix resumes his murderous rampage, and no one can stop him. John Spartan, the police officer who captured Phoenix in 1996, has also been cryogenically frozen, this time for a crime he did not commit. In 2032, the former cities of Los Angeles, San Diego and Santa Barbara have merged into peaceful, utopian San Angeles. Unable to stop him with their non-violent solutions, the police release Spartan to help recapture Phoenix. Now after 36 years, Spartan has to adapt himself to the future society he has no knowledge about.
Trivia
Goofs / Tidbits
Fresh Kernels praises the strong performances of Sylvester Stallone, Wesley Snipes, and Sandra Bullock in Demolition Man.
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