Don’t Worry Darling (2022)
RT Audience Score: 75%
Awards & Nominations: NA
Despite an intriguing array of talent on either side of the camera, Don’t Worry Darling is a mostly muddled rehash of overly familiar themes.
The ending isn’t for everyone, but the cast — especially Florence Pugh — helps Don’t Worry Darling make the most of a story with fairly few surprises.
Production Company(ies)
New Line Cinema, Psychological, Vertigo Entertainment, Warner Bros., Warner Bros. Pictures
Distributor
Warner Bros. Pictures
Release Type
Theatrical, Theatrical (Wide)
Filming Location(s)
Los Angeles, California, United States; Palm Springs, California, United States
MPAA / Certificate
R
Year of Release
2022
-
Color:Color
-
Sound mix:Dolby Digital, Dolby Atmos, Dolby
-
Aspect ratio:2.39 : 1
-
Runtime:2h 3m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Sep 23, 2022 Wide
Genre(s)
Mystery & thriller
Keyword(s)
starring Florence Pugh, Harry Styles, Olivia Wilde, Gemma Chan, KiKi Layne, Chris Pine, directed by Olivia Wilde, written by Katie Silberman, mystery, thriller, box office performance, budget, reviewed by Scott Tobias, Adam Kempenaar, Elamin Abdelmahmoud, Tim Grierson, tt stern-enzi, Ryan Gilbey, Alison Gillmor, Aisha Jordan, Beth Accomando, Katherine Singh, Edwin Arnaudin, produced by Olivia Wilde, Katie Silberman, Miri Yoon, Roy Lee, R rating, Victory Project, 1950s, corporate utopia, experimental town, Frank, Shelley, Alice, Jack, Margaret, Mary, Dolby Digital, Dolby Atmos, Scope (2.35:1)
Worldwide gross: $87,409,403
Worldwide gross (inflation-adjusted): $86,709,403
Worldwide gross ranking (inflation-adjusted): 1,077
Worldwide tickets sold (est.): 9,455,769
US/Canada gross: $45,309,403
US/Canada gross (inflation-adjusted): $45,309,403
US/Canada gross ranking (inflation-adjusted): 1,112
US/Canada opening weekend: $19,353,213
US/Canada opening weekend (inflation-adjusted): $19,353,213
US/Canada opening weekend ranking (inflation-adjusted): 672
Budget and Earnings Details
Production budget (est.): $20,000,000
Production budget (inflation-adjusted): $20,000,000
Production budget ranking: 1,327
Marketing and distribution budget (inflation-adjusted est.): $10,770,000
Box office net earnings to date (inflation-adjusted est.): $55,939,403
ROI to date (est.): 182%
ROI ranking: 675
Harry Styles – Jack
Olivia Wilde – Mary
Gemma Chan – Shelley
KiKi Layne – Margaret
Chris Pine – Frank
Director(s)
Olivia Wilde
Writer(s)
Katie Silberman
Producer(s)
Olivia Wilde, Katie Silberman, Miri Yoon, Roy Lee
Film Festivals
Venice
Awards & Nominations
NA
Academy Awards
All Critics (289) | Top Critics (72) | Fresh (112) | Rotten (177)
It takes a while for Don’t Worry Darling to reveal itself as abysmal, because it spends such a grueling amount of time being merely pedestrian.
October 3, 2022 | Rating: 1.5/5
Scott Tobias
The Reveal
TOP CRITIC
…lingers far too long in the Victory Project. In an alternate reality, there’s a brilliant, 95-minute, reimagined, and restructured version of Don’t Worry Darling – one that leaves you with the right kind of questions.
September 30, 2022 | Rating: 1.5/5
Adam Kempenaar
Filmspotting
TOP CRITIC
An entertaining thriller replete with well-built tension, mostly elegant acting performances (except for Harry Styles’s), and a richly designed world.
September 30, 2022
Elamin Abdelmahmoud
BuzzFeed News
TOP CRITIC
Led by Florence Pugh’s redoubtable performance, this glossy thriller draws unfavorable comparisons to a whole swath of different bygone films, cribbing their unsettling undertones without adding much new to the mixture.
September 29, 2022
Tim Grierson
Screen International
TOP CRITIC
Starts really strong, really surreal… but it kind of peters out by the time you get to the end.
September 28, 2022 | Rating: C+
tt stern-enzi
WXIX-TV (Cincinnati, OH)
TOP CRITIC
It is just possible that there is a snappier, less derivative little thriller somewhere inside Wilde’s movie. Like the inhabitants of the Victory project, however, it is in dire need of liberation from its gilded, airless prison.
September 28, 2022
Ryan Gilbey
New Statesman
TOP CRITIC
As we plummet into the Big Reveal — Black Mirror fans might see it coming — things fall apart, logistically and conceptually, though in an undeniably spectacular way.
October 3, 2022 | Rating: 3/5
Alison Gillmor
Winnipeg Free Press
Once the truth is all revealed, it all feels very meh, and you find yourself saying ohh ok – that’s a decision. The editing confused the watcher at times…
October 3, 2022
Aisha Jordan
Black Nerd Problems
Don’t Worry Darling confirms Wilde’s talent as a director but perhaps she needs to be more discerning about the scripts she takes on. It also reconfirms Pugh as an acting powerhouse.
October 3, 2022
Beth Accomando
KPBS.org
What was meant to be a triumph on screen has instead become a mere mention in the footnotes of all this drama, and leaves viewers with a story that’s as empty as the egg shells in Victory.
October 3, 2022
Katherine Singh
Refinery29
A tense, intelligent skewering of MAGA fantasies that nevertheless struggles with its big reveals.
October 2, 2022 | Rating: B
Edwin Arnaudin
Asheville Movies
“Don’t Worry Darling” is a well-made motion picture with outstanding production values and a spectacular lead performance by Florence Pugh at its core. It also proves that filmmaker Olivia Wilde can direct an action sequence with the best of them.
October 1, 2022
Michael Calleri
Niagara Gazette…
Plot
Alice and Jack live in the idealized community of Victory, the experimental company town housing the men who work for the top-secret Victory Project and their families. The 1950’s societal optimism espoused by their CEO, Frank, anchors every aspect of daily life in the tight-knit desert utopia. While the husbands spend every day inside the Victory Project Headquarters, their wives—including Frank’s partner, Shelley—get to spend their time enjoying the beauty, luxury and debauchery of their community. Life is perfect, with every resident’s needs met by the company. All they ask in return is discretion and unquestioning commitment to the Victory cause. But when cracks in their idyllic life begin to appear, exposing flashes of something much more sinister lurking beneath the attractive façade, Alice can’t help questioning exactly what they’re doing in Victory, and why.
Trivia
Goofs / Tidbits
During the very first scene, at the party, Bunny brings a tray of martini glasses with two extra stacked on top. Alice grabs one of them, the camera angle changes, and suddenly, the other stacked glass is just gone.
Olivia-Wilde.jpg
67%
The Pink Cloud (2022)
RT Audience Score: 38%
Awards & Nominations: 4 wins & 12 nominations
An eerily relevant debut from writer-director Iuli Gerbase, The Pink Cloud reaches into the emotional fault lines of pandemic life and comes away with striking observations about human behavior.
The Pink Cloud” is like a rollercoaster ride of emotions, leaving you impressed, agitated, terrified, and depressed all at once. But don’t worry, it’s not all doom and gloom – there are moments of eerie funhouse-mirror reflections of our present lives that will make you chuckle. And while the pandemic allegory may hit a little too close to home for some, the film’s excellent direction and relatable storytelling make it a humbling watch that will stick with you long after the credits roll. So buckle up and enjoy the ride!
Production Company(ies)
Strong Heart, Demme Production Orion Pictures,
Distributor
Blue Fox Entertainment
Release Type
Theatrical, Theatrical (Limited)
Filming Location(s)
MPAA / Certificate
Rated R for sexual content/nudity, some language and brief drug use
Year of Release
2021
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:2.35 : 1
-
Runtime:1h 55m
-
Language(s):Portuguese, English
-
Country of origin:Brazil
-
Release date:Release Date (Theaters): Jan 14, 2022 Limited
Genre(s)
Drama/Sci-fi
Keyword(s)
starring Eduardo Mendonça, Girley Paes, Kaya Rodrigues, Renata de Lélis, Helena Becker, Gabriel Eringer, directed by Iuli Gerbase, written by Iuli Gerbase, produced by Luciana Tomasi, Patricia Barbieri, Drama, Sci-Fi, box office performance, budget, reviewed by Bilge Ebiri, Robert Abele, Michael O’Sullivan, Ciara Wardlow, Katie Rife, Claire Shaffer, Sarah Boslaugh, Dennis Harvey, Douglas Davidson, Alex Saveliev, Zofia Wijaszka, Brianna Zigler, MPAA rating R, pandemic, lockdown, emotional, human behavior, Portuguese (Brazil), Blue Fox Entertainment
Worldwide gross: $23,733
Worldwide gross (inflation-adjusted): $25,812
Worldwide gross ranking (inflation-adjusted): 3,114
Worldwide tickets sold (est.): 2,815
US/Canada gross: $8,744
US/Canada gross (inflation-adjusted): $9,510
US/Canada gross ranking (inflation-adjusted): 2,821
US/Canada opening weekend: $650
US/Canada opening weekend (inflation-adjusted): $707
US/Canada opening weekend ranking (inflation-adjusted): 2,859
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Girley Paes – Rui
Kaya Rodrigues – Sara
Renata de Lélis – Giovana
Helena Becker – Júlia
Gabriel Eringer – Lino
Director(s)
Iuli Gerbase
Writer(s)
Iuli Gerbase
Producer(s)
Luciana Tomasi, Patricia Barbieri
Film Festivals
Sundance, Cannes
Awards & Nominations
4 wins & 12 nominations
Academy Awards
All Critics (60) | Top Critics (18) | Fresh (56) | Rotten (4)
I was impressed, agitated, terrified, depressed by this movie – but I also couldn’t help feeling like I had maybe not ultimately seen the film its director wanted me to see.
January 21, 2022
Bilge Ebiri
New York Magazine/Vulture
TOP CRITIC
If you’re game for an emerging filmmaking talent’s stingingly uncanny foretelling, “The Pink Cloud” is an arresting examination of what it can look like when existence is misshaped into a compromised destiny.
January 20, 2022
Robert Abele
Los Angeles Times
TOP CRITIC
“The Pink Cloud” is prescient and mildly affecting, if also susceptible to the question: Is it too soon to be watching a pandemic allegory while we’re still living through a pandemic?
January 20, 2022 | Rating: 2/4
Michael O’Sullivan
Washington Post
TOP CRITIC
The intentionality and editorial eye that make the style of this film so compelling feels sorely lacking from the script, which is at once scattered and repetitive.
January 14, 2022 | Rating: 2/4
Ciara Wardlow
RogerEbert.com
TOP CRITIC
This thoughtful film reflects well on the writer-director who made it.
January 14, 2022 | Rating: B
Katie Rife
AV Club
TOP CRITIC
Like other works of prescient sci-fi, “The Pink Cloud” forecasts an eerie funhouse-mirror image of our present lives.
January 13, 2022
Claire Shaffer
New York Times
TOP CRITIC
This film feels surprisingly calm and reassuring. In a world weary from a global pandemic, that’s worth a lot.
March 5, 2022
Sarah Boslaugh
TheArtsStl
It’s an intelligent, well-crafted drama, though I’m not sure whether it benefits or suffers from an imaginatively-conceived story that fate has instead rendered all too experientially familiar.
March 4, 2022
Dennis Harvey
48 Hills
… “The Pink Cloud” is a searing and raw experience, ripping up centuries of patriarchal thinking and holding it to the light.
March 1, 2022 | Rating: 3.5/5
Douglas Davidson
Elements of Madness
Whatever you take from it, the drama is bound to hover over you for days.
March 1, 2022 | Rating: 8/10
Alex Saveliev
Film Threat
The Pink Cloud is a very humbling watch, very relatable in its plot, storytelling, and excellent direction. Though the script is rather depressing, it puts us at ease in our situation.
February 11, 2022 | Rating: A
Zofia Wijaszka
Daily Dead
The simultaneously most accurate and most dystopic depiction of life during a pandemic.
February 8, 2022 | Rating: B+
Brianna Zigler
The Film Stage…
Plot
A mysterious and deadly pink cloud appears in the skies, spreading dramatically across the world, forcing everyone to stay at home. Giovana is confined in an apartment with Yago, a man she met at a party the night before. While waiting for the cloud to pass, the two have to invent themselves as a couple. Over the years, while Yago is living his own utopia, Giovana feels trapped deep inside.
Trivia
Goofs / Tidbits
No goofy, funny, or odd comments were found in the Fresh Kernels reviews for The Pink Cloud.
Iuli-Gerbase.jpg
67%
Comedy of Power (2006)
RT Audience Score: 45%
Awards & Nominations: 1 win & 5 nominations
A Comedy of Power is a film that artfully blends the genres of moral comedy and political thriller, resulting in a sleek and sophisticated package that is both engrossing and entertaining. Isabelle Huppert’s superb performance as the quiet hero adds heft, style, and star power to the film, while the rigorous mise-en-scene and subtle observations of Chabrol keep the audience engaged throughout. Though it may lack the narrative tension of Chabrol’s finest thrillers, A Comedy of Power is a slow-burning drama that benefits from a strong cast and a sting in its tale. Overall, this mostly serious thriller is a must-watch for fans of the genre and those who appreciate intelligent and witty cinema.
A Comedy of Power is like a fancy French pastry – sleek, sophisticated, and meticulously crafted. Isabelle Huppert is the cherry on top, bringing her usual star power to the role of a quiet hero. While it’s not exactly a laugh-out-loud comedy, the film’s subtle observations and slow-burning tension make it a gripping thriller. It may not be Chabrol’s finest work, but it’s still a tasty treat for fans of French cinema.
Production Company(ies)
Walt Disney Pictures, Marvel Studios,
Distributor
NA
Release Type
Filming Location(s)
Hôpital, Le Vésinet, Yvelines, France
MPAA / Certificate
Not Rated
Year of Release
2006
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:1.85 : 1
-
Runtime:NA
-
Language(s):French
-
Country of origin:United States
-
Release date:Release Date (Streaming): May 8, 2007
Genre(s)
Comedy/Drama
Keyword(s)
starring Isabelle Huppert, François Berléand, Patrick Bruel, Robin Renucci, Marilyne Canto, Thomas Chabrol, directed by Claude Chabrol, written by Odile Barski, Claude Chabrol, Comedy, Drama, box office performance, budget, reviewed by Richard Brody, Jonathan Romney, Elisabeth Lequeret, Richard Porton, Robert Hanks, Nigel Andrews, David Walsh, Michael Dwyer, Edward Porter, Paul Whitington, MPAA rating, producer Patrick Godeau, Jeanne Charmant-Killman, Michel Humeau, Jacques Sibaud, Philippe Charmant-Killman, Erika, Félix, corporate malfeasance, government, investigation, power, marriage, thriller, moral comedy, political thriller, Isabelle Huppert’s performance, French bourgeoisie, nouveau riche, Dolby sound mix
Worldwide gross: $8,987,781
Worldwide gross (inflation-adjusted): $13,253,895
Worldwide gross ranking (inflation-adjusted): 1,873
Worldwide tickets sold (est.): 1,445,354
US/Canada gross: $80,550
US/Canada gross (inflation-adjusted): $118,784
US/Canada gross ranking (inflation-adjusted): 2,643
US/Canada opening weekend: $10,061
US/Canada opening weekend (inflation-adjusted): $14,837
US/Canada opening weekend ranking (inflation-adjusted): 2,608
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
François Berléand – Michel Humeau
Patrick Bruel – Jacques Sibaud
Robin Renucci – Philippe Charmant-Killman
Marilyne Canto – Erika
Thomas Chabrol – Félix
Director(s)
Claude Chabrol
Writer(s)
Odile Barski, Claude Chabrol
Producer(s)
Patrick Godeau
Film Festivals
Awards & Nominations
1 win & 5 nominations
Academy Awards
All Critics (45) | Top Critics (26) | Fresh (37) | Rotten (8)
Drawing on the real-life prosecution of a recent scandal, Chabrol, a former law student, seems to be having more fun with a film than he’s had in years, and it’s contagious.
March 1, 2021
Richard Brody
New Yorker
TOP CRITIC
A sleek, hand-tooled, extremely sophisticated package, A Comedy Of Power is a very grown-up entertainment that artfully walks a line between moral comedy and political thriller.
September 23, 2020
Jonathan Romney
Screen International
TOP CRITIC
The film constantly plays out within the borders of a perfectly traceable reality, overwhelming it with an absolutely rigorous mise-en-scn
March 28, 2018
Elisabeth Lequeret
Film Comment Magazine
TOP CRITIC
Superbly incarnated by Isabelle Huppert, she’s almost nunlike in her quiet heroism.
September 29, 2017
Richard Porton
Chicago Reader
TOP CRITIC
Very little happens, and it has the look of a TV movie; yet the pace never seems to let up, the screen never seems empty, and its grip on your attention doesn’t falter.
December 14, 2007 | Rating: 4/5
Robert Hanks
Independent (UK)
TOP CRITIC
The script is dapper and the story slick. But it is Huppert who gives it heft, style and star power.
December 14, 2007
Nigel Andrews
Financial Times
TOP CRITIC
The film is at its best in its portraits of the politicians and company officials, exemplary representatives of the French bourgeoisie and nouveau riche.
February 14, 2021
David Walsh
World Socialist Web Site
[Chabrol’s] untypically slow-burning drama is conspicuously short on narrative tension, and certainly not as tightly wound as his finest thrillers. But it is engrossing nonetheless, benefiting from a strong cast and the sting in its tale.
September 23, 2020
Michael Dwyer
Irish Times
Chabrol’s observations are subtle, and Huppert is always a strong presence, so the film is easy to watch.
September 23, 2020
Edward Porter
Sunday Times (UK)
Though it sags a little in the middle, this film never gets boring. It’s a slow but gripping thriller and the credit for that goes mainly to Ms Huppert.
September 23, 2020 | Rating: 3/5
Paul Whitington
Irish Independent
Despite the title, there’s no laugh-out-loud comedy in this mostly serious thriller.
March 21, 2009 | Rating: A-
Dennis Schwartz
Dennis Schwartz Movie Reviews
December 27, 2007 | Rating: 3/5
Matthew Turner
ViewLondon…
Plot
Magistrate Jeanne Charmant-Killman investigates CEO Michel Humeau for corporate malfeasance, leading her into the upper echelons of government and intoxicating her with power in the timely thriller Comedy of Power.
Trivia
Goofs / Tidbits
Isabelle Huppert gives a strong performance as Magistrate Jeanne Charmant-Killman in Comedy of Power.
Claude-Chabrol.jpg
67%
Anywhere but Here (2000)
RT Audience Score: 55%
Awards & Nominations: 4 nominations
The strong chemistry between Susan Sarandon and Natalie Portman as a mother and daughter trying to make a fresh start in L.A. helps to elevate Anywhere But Here above its occasional forays into melodrama
Anywhere But Here is a movie about a mother-daughter relationship that’s as complicated as trying to untangle a ball of yarn. Critics have mixed feelings about it, but I think it’s worth watching just to see Natalie Portman and Susan Sarandon’s performances. It’s not a perfect movie, but it’s a good reminder that sometimes the people we love the most can also drive us the craziest. Plus, who doesn’t love a good cry-fest every once in a while?
Production Company(ies)
Bryna Productions,
Distributor
20th Century Fox
Release Type
Theatrical
Filming Location(s)
Beverly Hills, California, USA
MPAA / Certificate
Rated PG-13 for sex-related material
Year of Release
1999
-
Color:Color
-
Sound mix:Dolby Digital
-
Aspect ratio:2.35 : 1
-
Runtime:1h 54m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Oct 12, 1999 Wide
Release Date (Streaming): Jul 3, 2001
Genre(s)
Comedy/Drama
Keyword(s)
starring Susan Sarandon, Natalie Portman, Eileen Ryan, Ray Baker, John Diehl, Shawn Hatosy, directed by Wayne Wang, written by Mona Simpson, Alvin Sargent, comedy, drama, box office performance, budget, reviewed by Lisa Schwarzbaum, Nell Minow, Geoff Andrew, Emanuel Levy, Charlotte O’Sullivan, Jeff Strickler, Laura Clifford, Louis B Hobson, Liz Braun, Jeanne Aufmuth, John R McEwen, Brent Simon, PG-13, single mother, mother-daughter relationship, Hollywood, Beverly Hills, Wisconsin, Bay City, California, Ivy League aspirations, impulsive, irresponsible, melodrama, Danny Elfman, Roger Deakins, cinematography, score
Worldwide gross: $23,631,929
Worldwide gross (inflation-adjusted): $42,419,971
Worldwide gross ranking (inflation-adjusted): 1,413
Worldwide tickets sold (est.): 4,625,951
US/Canada gross: $18,670,401
US/Canada gross (inflation-adjusted): $33,513,890
US/Canada gross ranking (inflation-adjusted): 1,238
US/Canada opening weekend: $5,607,137
US/Canada opening weekend (inflation-adjusted): $10,064,967
US/Canada opening weekend ranking (inflation-adjusted): 956
Budget and Earnings Details
Production budget (est.): $23,000,000
Production budget (inflation-adjusted): $41,285,641
Production budget ranking: 937
Marketing and distribution budget (inflation-adjusted est.): $22,232,318
Box office net earnings to date (inflation-adjusted est.): -$21,097,988
ROI to date (est.): -33%
ROI ranking: 1,585
Natalie Portman – Ann August
Eileen Ryan – Lillian
Ray Baker – Ted
John Diehl – Jimmy
Shawn Hatosy – Benny
Director(s)
Wayne Wang
Writer(s)
Mona Simpson, Alvin Sargent
Producer(s)
Laurence Mark
Film Festivals
Awards & Nominations
4 nominations
Academy Awards
All Critics (88) | Top Critics (31) | Fresh (56) | Rotten (32)
September 7, 2011 | Rating: C+
Lisa Schwarzbaum
Entertainment Weekly
TOP CRITIC
Solid story of independence for teens.
December 22, 2010 | Rating: 3/5
Nell Minow
Common Sense Media
TOP CRITIC
Portman is excellent, balancing wisdom and petulance, loyalty and imposition…
June 24, 2006
Geoff Andrew
Time Out
TOP CRITIC
As a depiction of a loving-turbulent relationship between a single mom (Susan Sarandon) and her rebellious teenage daughter (Natalie Portman), Wang’s meller is nicely crafted but old-fashioned like Hollywood’s weepies of yesteryear.
January 2, 2006 | Rating: 3/5
Emanuel Levy
Variety
TOP CRITIC
In its eagerness to give voice to the overshadowed daughter, the film never allows the mother to live.
December 2, 2002
Charlotte O’Sullivan
Sight & Sound
TOP CRITIC
The movie drops in on a crucial part of their lives, follows it for a few minutes and then jettisons to another episode. It’s like watching 10 short stories.
November 6, 2002 | Rating: 2.5/4
Jeff Strickler
Minneapolis Star Tribune
TOP CRITIC
Director Wayne Wang has delivered a solid entertainment, particularly for women, with Anywhere But Here.
April 9, 2005 | Rating: B-
Laura Clifford
Reeling Reviews
Adele and Ann are not easy screen characters to like, but they are easy to believe in — especially in the skins of Sarandon and Portman.
June 7, 2004 | Rating: 3.5/5
Louis B. Hobson
Jam! Movies
A subtle and unexpected pleasure, all nuanced performance and character detail.
June 7, 2004 | Rating: 4/5
Liz Braun
Jam! Movies
May 14, 2003 | Rating: 3/4
Jeanne Aufmuth
Palo Alto Weekly
Natalie Portman is my new hero.
February 8, 2003 | Rating: 4.5/5
John R. McEwen
Film Quips Online
The title might very well be an appropriate description of what more impatient filmgoers may be feeling after sitting through this frustratingly mediocre dramedy.
January 16, 2003 | Rating: C
Brent Simon
Entertainment Today…
Plot
Fed up with her small-town Bay City existence, Adele August leaves her family and second husband and heads for Beverley Hills with her daughter. The teenager resents the move and her mother’s always flamboyant behaviour and in turns plans to get away to university on the east coast. Mum’s plans are different – she wants a movie star for a daughter.
Trivia
Goofs / Tidbits
Fresh Kernels doesn’t have anything goofy or funny to say about Anywhere But Here, but they do mention that Natalie Portman gives an excellent performance.
Wayne-Wang.jpg
67%
Mystery Men (1999)
RT Audience Score: 57%
Awards & Nominations: 3 nominations
Absurd characters and quirky gags are brought to life by a talented cast, providing this superhero spoof with lots of laughs
Mystery Men” is a superhero movie that’s not quite super, but it’s definitely a fun ride. With a cast that includes Hank Azaria, Janeane Garofalo, and Ben Stiller, you know you’re in for some laughs. The characters are a bit ridiculous, but that’s part of the charm. The humor is definitely on the potty side, but hey, sometimes you just need a good fart joke. Overall, “Mystery Men” is a quirky and enjoyable movie that’s perfect for a lazy Sunday afternoon.
Production Company(ies)
BRON Studios, Bron Creative MACRO
Distributor
Universal Pictures
Release Type
Theatrical
Filming Location(s)
Universal City, California, USA
MPAA / Certificate
Rated PG-13 for comic action violence and crude humor
Year of Release
1999
-
Color:Color
-
Sound mix:DTS Dolby Digital SDDS
-
Aspect ratio:1.85 : 1
-
Runtime:2h 0m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Aug 6, 1999 Wide
Release Date (Streaming): Jan 18, 2005
Genre(s)
Fantasy/Comedy
Keyword(s)
starring Hank Azaria, Janeane Garofalo, William H Macy, Kel Mitchell, Paul Reubens, Ben Stiller, Greg Kinnear, Geoffrey Rush, Lena Olin, Eddie Izzard, directed by Kinka Usher, written by Bob Burden, Neil Cuthbert, Fantasy, Comedy, Action, PG-13, Lawrence Gordon, Lloyd Levin, Mike Richardson, produced by Universal Pictures, $29.8M box office, reviewed by Nell Minow, Lisa Alspector, Derek Adams, Steve Murray, Jonathan Romney, Bob Graham, John Lui, Betty Jo Tucker, Tim Brayton, Michael Dequina, Rob Gonsalves, C Alec B., superhero spoof, Champion City, Captain Amazing, Casanova Frankenstein, silverware hurling, bowling, shovel skills, incompetent invisibility, deadly flatulence, Burton-esque view, underbelly of a city, self-aware abuse of the genre, tongue-in-cheek demeanor, All Star by Smash Mouth, Dane Cook cameo, dark humor, misfits, special powers, above average comedic cast, innocent, playfulness, lost gem, guilty pleasure, cult film, visual design, Blade Runner, Schumacher’s Batman films
Worldwide gross: $33,461,011
Worldwide gross (inflation-adjusted): $60,063,448
Worldwide gross ranking (inflation-adjusted): 1,256
Worldwide tickets sold (est.): 6,549,994
US/Canada gross: $29,762,011
US/Canada gross (inflation-adjusted): $53,423,640
US/Canada gross ranking (inflation-adjusted): 1,043
US/Canada opening weekend: $10,017,865
US/Canada opening weekend (inflation-adjusted): $17,982,347
US/Canada opening weekend ranking (inflation-adjusted): 707
Budget and Earnings Details
Production budget (est.): $68,000,000
Production budget (inflation-adjusted): $122,061,896
Production budget ranking: 302
Marketing and distribution budget (inflation-adjusted est.): $65,730,331
Box office net earnings to date (inflation-adjusted est.): -$127,728,779
ROI to date (est.): -68%
ROI ranking: 1,793
Janeane Garofalo – The Bowler
William H. Macy – The Shoveller
Kel Mitchell – The Invisible Boy
Paul Reubens – The Spleen
Ben Stiller – Mr. Furious
Director(s)
Kinka Usher
Writer(s)
Bob Burden, Neil Cuthbert
Producer(s)
Lawrence Gordon, Lloyd Levin, Mike Richardson
Film Festivals
Awards & Nominations
3 nominations
Academy Awards
All Critics (103) | Top Critics (35) | Fresh (63) | Rotten (40)
Witty comic-book story is edgy, with lots of potty humor.
December 26, 2010 | Rating: 3/5
Nell Minow
Common Sense Media
TOP CRITIC
The characters have been designed to make fun of themselves, disguising the craft of writer Neil Cuthbert and director Kinka Usher in getting us to laugh at them.
July 15, 2010
Lisa Alspector
Chicago Reader
TOP CRITIC
Usher’s amiable spoof of superhero movies takes a brave stab at rewriting the mythology from the inside out, with lots of witty, mildly subversive stuff.
June 24, 2006
Derek Adams
Time Out
TOP CRITIC
Mystery Men is like its hapless heroes. It’s a wannabe that has the best intentions — including a pronounced anti-gun stance — but none of the knack it takes to save the day, or itself.
February 21, 2004
Steve Murray
Atlanta Journal-Constitution
TOP CRITIC
A desperately hit-and-miss affair.
December 2, 2002
Jonathan Romney
Sight & Sound
TOP CRITIC
This bunch achieves peaks of sublime nuttiness.
June 18, 2002 | Rating: 4/4
Bob Graham
San Francisco Chronicle
TOP CRITIC
A story that sparkles with emotional warmth, strong jokes and great performances from Hank Azaria, Janeane Garofalo, Lena Olin, Eddie Izzard, Greg Kinnear, William Macy, Geoffrey Rush and Ben Stiller.
April 2, 2020 | Rating: 4/5
John Lui
The Straits Times (Singapore)
Even with its super cast, the slow-moving ‘Mystery Men’ falters in its attempt to spoof comic book heroes.
September 29, 2012
Betty Jo Tucker
ReelTalk Movie Reviews
It is good that the film has charm, for after a certain point it doesn’t necessarily have anything else.
May 7, 2012 | Rating: 6/10
Tim Brayton
Antagony & Ecstasy
Fails to come up with worthy gags and one-liners for the able cast.
November 16, 2009 | Rating: 2/4
Michael Dequina
TheMovieReport.com
An instant cult comedy that doesn’t walk or talk like anything else out there.
August 25, 2008 | Rating: 4/5
Rob Gonsalves
eFilmCritic.com
How many laughs can you get out of a handful of one-joke characters? Well, if your ensemble contains the talents of Janeane Garofalo, William H. Macy, Hank Azaria and Ben Stiller, the answer is: a lot.
July 14, 2007 | Rating: 3/4
Joe Lozito
Big Picture Big Sound…
Plot
In order to generate more endorsement revenue, Champion City’s resident superhero Captain Amazing arranges for the release of super villain Casanova Frankenstein, only to be captured by him. The city’s fate rests in the hands of seven loser superhero wannabes: the fork-flinging Blue Rajah, the shovel-wielding Shoveler, the possessed bowling ball-hurling Bowler, the flatulent Spleen, the only-when-nobody’s-looking Invisible Boy, the mysterious Sphinx, and the perpetually-angry Mr. Furious.
Trivia
Goofs / Tidbits
The film features a talented cast including Ben Stiller, Janeane Garofalo, William H. Macy, and Paul Reubens.
Kinka-Usher.jpg
67%
Twister (1996)
RT Audience Score: 58%
Awards & Nominations: Nominated for 2 Oscars
11 wins & 17 nominations total
A high-concept blockbuster that emphasizes special effects over three-dimensional characters, Twister’s visceral thrills are often offset by the film’s generic plot
Twister is a wild ride that will blow you away! The special effects are top-notch and the tornadoes are truly terrifying. Sure, the romance and personal drama between the characters is a bit cheesy, but who cares when you’re watching cows fly through the air? This movie is a perfect example of why you should never mess with Mother Nature. Just make sure to hold onto your popcorn and buckle up for a thrilling adventure!
Production Company(ies)
Frenesy Film Company, La Cinéfacture RT Features,
Distributor
MCA/Universal Pictures [us], Warner Home Vídeo, Warner Bros.
Release Type
Theatrical
Filming Location(s)
Bolton, Ontario, Canada
MPAA / Certificate
PG-13
Year of Release
1996
-
Color:Color
-
Sound mix:DTS Dolby Digital SDDS
-
Aspect ratio:2.39 : 1
-
Runtime:1h 54m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): May 10, 1996 Original
Release Date (Streaming): Nov 24, 1998
Genre(s)
Action
Keyword(s)
starring Helen Hunt, Bill Paxton, Cary Elwes, Jami Gertz, Lois Smith, Alan Ruck, directed by Jan de Bont, written by Michael Crichton, Anne-Marie Martin, produced by Kathleen Kennedy, Michael Crichton, Ian Bryce, action, tornado, special effects, blockbuster, university professor, data-gathering device, rival, storm, underfunded team, prototype, PG-13, box office, gross USA, MCA/Universal Pictures, Warner Home Vídeo, Warner Bros., reviewed by Jonathan Rosenbaum, Ann Hornaday, Jay Carr, Bob Fenster, Ian Nathan, Desson Thomson, PG-13, Kathleen Kennedy, Michael Crichton, Ian Bryce, Anne-Marie Martin, Michael Crichton, Helen Hunt, Bill Paxton, Cary Elwes, Jami Gertz, Lois Smith, Alan Ruck, Jan de Bont, action movie, disaster movie, tornado movie, special effects movie, summer blockbuster, storm chasers, weather, natural disaster, adventure, thriller, drama, suspense, action-packed, intense, thrilling, exciting, visually stunning, iconic, classic, memorable, must-see, box office hit, successful, popular, high-concept, generic plot
Worldwide gross: $494,580,615
Worldwide gross (inflation-adjusted): $944,028,526
Worldwide gross ranking (inflation-adjusted): 104
Worldwide tickets sold (est.): 102,947,495
US/Canada gross: $241,830,615
US/Canada gross (inflation-adjusted): $461,593,100
US/Canada gross ranking (inflation-adjusted): 84
US/Canada opening weekend: $41,059,405
US/Canada opening weekend (inflation-adjusted): $78,371,955
US/Canada opening weekend ranking (inflation-adjusted): 110
Budget and Earnings Details
Production budget (est.): $92,000,000
Production budget (inflation-adjusted): $175,604,587
Production budget ranking: 166
Marketing and distribution budget (inflation-adjusted est.): $94,563,070
Box office net earnings to date (inflation-adjusted est.): $673,860,870
ROI to date (est.): 249%
ROI ranking: 534
Bill Paxton – William Harding
Cary Elwes – Dr. Jonas Miller
Jami Gertz – Dr. Melissa Reeves
Lois Smith – Meg Greene
Alan Ruck – Robert ‘Rabbit’ Nurick
Kathleen Kennedy – Producer
Michael Crichton – Producer, Writer
Ian Bryce – Producer
Jan de Bont – Director
Anne-Marie Martin – Writer
Director(s)
Jan de Bont
Writer(s)
Michael Crichton, Anne-Marie Martin
Producer(s)
Kathleen Kennedy, Michael Crichton, Ian Bryce
Film Festivals
Awards & Nominations
Nominated for 2 Oscars
11 wins & 17 nominations total
Academy Awards
Oscar Nominees
All Critics (70) | Top Critics (20) | Fresh (44) | Rotten (26)
The engineering of the special effects is fairly impressive, and the sight of so many objects and creatures being buffeted about carries a certain apocalyptic splendor.
June 14, 2022
Jonathan Rosenbaum
Chicago Reader
TOP CRITIC
The storms are breathtaking, the action pulse-quickening, and the two leads smart and likeable.
May 7, 2021 | Rating: 3/5
Ann Hornaday
Austin American-Statesman
TOP CRITIC
[A] high-powered spectacle designed to blow us away…
May 7, 2021 | Rating: 3/4
Jay Carr
Boston Globe
TOP CRITIC
No one’s going to buy into the romantic bickering between the lead scientists or their rivalry team of evil meteorologists. Still, if you’re hooked on high-voltage special effects, Twister will give you a charge.
May 7, 2021 | Rating: 3/5
Bob Fenster
Arizona Republic
TOP CRITIC
Like all white-knuckle rides, once you’re done you fancy doing it all over again.
May 7, 2021 | Rating: 4/5
Ian Nathan
Empire Magazine
TOP CRITIC
The hackneyed chatter and half-baked personal histories are enough to make you scream into the wind.
May 7, 2021
Desson Thomson
Washington Post
TOP CRITIC
This is a little long and ridiculous, but it’s also just a tour-de-force roller coaster theme park attraction…which is ironic, because the actual theme park attraction for this sucked.
June 25, 2022
Cory Woodroof
615 Film
As sold in the original trailers all those years ago, this is not about the actors. This is about the special effects, Industrial Light and Magic living up to their name in creating a real monster out of whirling winds.
June 1, 2022 | Rating: 3.5/5
James Croot
Stuff.co.nz
Particularly notable is the fine character actress Lois Smith as Hunt’s aunt.
March 1, 2022 | Rating: 3/4
Mal Vincent
The Virginian-Pilot
“Twister” captured enough of the respectable fear and terror associated with its windy deliverer of disaster. The movie speaks of instincts and rattles your own.
August 11, 2021 | Rating: 5/5
Don Shanahan
25YL (25 Years Later)
Twister achieves moments of dramatic and catastrophic high tension thanks to the deployment of special effects, while its character plot is a lazy excuse to gloat in those sequences of massive destruction. [Full Review in Spanish]
May 7, 2021 | Rating: 2/5
Covadonga G. Lahera
Sensacine
But what the hell, the film entertains thanks to a frenetic pace that does not give the viewer respite; it swallows people running from one place to another in search of tornadoes. [Full Review in Spanish]
May 7, 2021
Alberto Abuín
Espinof…
Plot
TV weatherman Bill Harding is trying to get his tornado-hunter wife, Jo, to sign divorce papers so he can marry his girlfriend Melissa. But Mother Nature, in the form of a series of intense storms sweeping across Oklahoma, has other plans. Soon the three have joined the team of stormchasers as they attempt to insert a revolutionary measuring device into the very heart of several extremely violent tornados.
Trivia
Goofs / Tidbits
No goofy or funny or odd comments were found in the Fresh Kernels database for Twister.
Jan-de-Bont.jpg
67%
Hocus Pocus (1993)
RT Audience Score: 71%
Awards & Nominations: NA
Harmlessly hokey yet never much more than mediocre, Hocus Pocus is a muddled family-friendly effort that fails to live up to the talents of its impressive cast
Hocus Pocus is the perfect Halloween movie to watch with your friends and family. Sure, it may not be the most suspenseful or well-plotted film out there, but it’s got witches, talking cats, and Bette Midler singing “I Put a Spell on You.” What more could you want? Plus, it’s a great excuse to break out your witch hat and broomstick and pretend you’re a Sanderson sister for the night. So grab some popcorn, turn off the lights, and get ready to be spellbound by Hocus Pocus.
Production Company(ies)
Studio Chizu Book Walker Dentsu
Distributor
NA
Release Type
Theatrical, Theatrical (Wide)
Filming Location(s)
MPAA / Certificate
Year of Release
1993
-
Color:Color
-
Sound mix:Dolby Atmos Dolby Digital
-
Aspect ratio:2.20 : 1
-
Runtime:NA
-
Language(s):
-
Country of origin:United States
-
Release date:Release Date (Streaming): Apr 22, 2003
Genre(s)
Holiday/Comedy
Keyword(s)
starring Bette Midler, Sarah Jessica Parker, Kathy Najimy, Omri Katz, Thora Birch, Vinessa Shaw, directed by Kenny Ortega, written by Mick Garris, Neil Cuthbert, produced by David Kirschner, Steven Haft, holiday, comedy, fantasy, PG rating, box office gross of $4.8M, reviewed by Duane Byrge, Kenneth Turan, Gene Siskel, Johanna Steinmetz, Carrie Rickey, Jay Boyar, Eddie Harrison, Quentin Crisp, Matt Brunson, Trace Thurman, Paul McGuire Grimes, family-friendly, witches, Halloween, quotable, mediocre, muddled, hokey, harmless, plucky youths, magical cat, spells, becoming immortal, Salem, Massachusetts, abandoned house, superstitious, evil witches, talents, bagful of box office treats, by-the-numbers confrontations, candy corn, lightweight, suspense, CGI effects
Worldwide gross: $39,514,713
Worldwide gross (inflation-adjusted): NA
Worldwide gross ranking (inflation-adjusted): NA
Worldwide tickets sold (est.): NA
US/Canada gross: $39,514,713
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Sarah Jessica Parker – Sarah Sanderson
Kathy Najimy – Mary Sanderson
Omri Katz – Max Dennison
Thora Birch – Dani
Vinessa Shaw – Allison
Kenny Ortega – Director
David Kirschner, Steven Haft – Producers
Mick Garris, Neil Cuthbert – Writers
Director(s)
Kenny Ortega
Writer(s)
Mick Garris, Neil Cuthbert
Producer(s)
David Kirschner, Steven Haft
Film Festivals
Awards & Nominations
NA
Academy Awards
All Critics (57) | Top Critics (17) | Fresh (22) | Rotten (35)
It’s a veritable bagful of box office treats.
July 16, 2019
Duane Byrge
Hollywood Reporter
TOP CRITIC
Though children may be satisfied (if the witch stuff doesn’t scare them) adults will have a harder time with the by-the-numbers confrontations between the witches and the plucky youths.
August 15, 2015
Kenneth Turan
Los Angeles Times
TOP CRITIC
Dreadful.
August 15, 2015 | Rating: 1/4
Gene Siskel
Chicago Tribune
TOP CRITIC
Hocus Pocus is harmless, but it’s about as much fun as celebrating Mardi Gras under the influence of candy corn.
August 15, 2015 | Rating: 1/4
Johanna Steinmetz
Chicago Tribune
TOP CRITIC
Silly but irresistible.
August 15, 2015 | Rating: 3/4
Carrie Rickey
Philadelphia Inquirer
TOP CRITIC
All things considered, Hocus Pocus is much more entertaining than a pimple-people picture has a right to be.
August 15, 2015 | Rating: 3/5
Jay Boyar
Orlando Sentinel
TOP CRITIC
…a very lightweight film that, if you deem the themes appropriate, should work for kids with a bent towards Halloween fare…
June 7, 2022 | Rating: 3/5
Eddie Harrison
film-authority.com
I think that, even as a child, I would have wanted a clearer plot line, some moments of suspense woven into the hectic action, and a greater variety of pace.
April 6, 2022
Quentin Crisp
Christopher Street
More “trick” than “treat.”
January 24, 2021 | Rating: 1.5/4
Matt Brunson
Film Frenzy
Disney goes queer (and camp!) with Kenny Ortega’s Hocus Pocus. thanks to the divine performances of its three leading ladies.
December 30, 2020 | Rating: 5/5
Trace Thurman
Horror Queers Podcast
It continues to grow new fandom with each Halloween, partly because its family friendly, witches are timeless characters, and it’s instantly quotable given the over-the-top performances by Midler, Najimy, and Parker.
November 5, 2020
Paul McGuire Grimes
KSTP-TV (St. Paul, MN)
Not even the CGI effects held any awe.
October 30, 2020 | Rating: C-
Dennis Schwartz
Dennis Schwartz Movie Reviews…
Plot
After accidentally freeing a coven of evil witches, a group of kids must steal the witches’ book of spells to stop them from becoming immortal in Hocus Pocus.
Trivia
Goofs / Tidbits
The impressive cast of Hocus Pocus includes Bette Midler, Sarah Jessica Parker, and Kathy Najimy.
Kenny-Ortega.jpg
67%
Death Becomes Her (1992)
RT Audience Score: 61%
Awards & Nominations: Won 1 Oscar
5 wins & 16 nominations total
Hawn and Streep are as fabulous as Death Becomes Her’s innovative special effects; Zemeckis’ satire, on the other hand, is as hollow as the world it mocks
Death Becomes Her” is a movie that’s not for the faint of heart. Critics have called it heartless, grotesque, and tasteless, but let’s be real, it’s also diabolically inventive and very, very funny. Meryl Streep and Goldie Hawn shine as two women who will stop at nothing to stay young and beautiful forever, even if it means coming back from the dead. It’s a Hollywood story that’s not relatable to the average person, but who cares? It’s a wild ride that’s so iconic and f*cking best, you won’t be able to look away. Plus, every scene with Streep and Hawn together is pure gold. So grab some popcorn, sit back, and enjoy the madness.
Production Company(ies)
Am Psycho Productions, Lions Gate Films, Muse Productions,
Distributor
Universal Pictures
Release Type
Streaming, Theatrical
Filming Location(s)
Mount St. Mary’s College – 12001 Chalon Road, Bel Air, Los Angeles, California, USA
MPAA / Certificate
Rated PG-13 for some nudity and off-color humor
Year of Release
1992
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:NA
-
Runtime:1h 43m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Jul 31, 1992 Wide
Release Date (Streaming): Mar 13, 2007
Genre(s)
Comedy/Fantasy
Keyword(s)
starring Meryl Streep, Bruce Willis, Goldie Hawn, Isabella Rossellini, Ian Ogilvy, Adam Storke, directed by Robert Zemeckis, written by Martin Donovan, David Koepp, comedy, fantasy, box office performance, budget, reviewed by David Denby, Jay Boyar, Jonathan Rosenbaum, Kenneth Turan, Richard Corliss, Dave Kehr, PG-13, eternal life, cosmetic surgery, psychiatric hospital, satire, special effects, Hollywood, female vanity, dark comedy, unlikable characters, black comedy, cosmetic surgery industry, performances, visual effects, Robert Zemeckis, Steve Starkey, Universal Pictures, Surround, Stereo
Worldwide gross: $149,022,650
Worldwide gross (inflation-adjusted): $318,986,790
Worldwide gross ranking (inflation-adjusted): 469
Worldwide tickets sold (est.): 34,785,909
US/Canada gross: $58,422,650
US/Canada gross (inflation-adjusted): $125,055,175
US/Canada gross ranking (inflation-adjusted): 607
US/Canada opening weekend: $12,110,355
US/Canada opening weekend (inflation-adjusted): $25,922,524
US/Canada opening weekend ranking (inflation-adjusted): 528
Budget and Earnings Details
Production budget (est.): $55,000,000
Production budget (inflation-adjusted): $117,728,905
Production budget ranking: 322
Marketing and distribution budget (inflation-adjusted est.): $63,397,016
Box office net earnings to date (inflation-adjusted est.): $137,860,869
ROI to date (est.): 76%
ROI ranking: 1,030
Bruce Willis – Ernest Menville
Goldie Hawn – Helen Sharp
Isabella Rossellini – Lisle Von Rhuman
Ian Ogilvy – Chagall
Adam Storke – Dakota
Director(s)
Robert Zemeckis
Writer(s)
Martin Donovan, David Koepp
Producer(s)
Robert Zemeckis, Steve Starkey
Film Festivals
Awards & Nominations
Won 1 Oscar
5 wins & 16 nominations total
Academy Awards
Oscar Best Achievement in Visual Effects Winners, Oscar Winners
All Critics (54) | Top Critics (19) | Fresh (29) | Rotten (25)
The target of the movie’s jokes is female vanity, but since Zemeckis exhibits not a trace of affection for the actresses (or for any of the men, either), one feels humiliated merely watching his crude-spirited wit.
May 11, 2021
David Denby
New York Magazine/Vulture
TOP CRITIC
This new horror-comedy has to be one of the most heartless mainstream pictures ever made.
January 3, 2019
Jay Boyar
Orlando Sentinel
TOP CRITIC
If there were something resembling genuine satire of human behavior beyond the simple pretexts for fancy special effects and relentless sadism, I might have found some of this funny.
January 3, 2019
Jonathan Rosenbaum
Chicago Reader
TOP CRITIC
An elaborate piece of work with more than a little on its nasty mind, “Death” finally falls flatter than many a less ambitious film, proof once again that just because an idea is audacious doesn’t necessarily mean it’s good.
January 3, 2019
Kenneth Turan
Los Angeles Times
TOP CRITIC
Meryl Streep shines in a glitzy black comedy, but it’s still She-Devil with a make-over.
January 3, 2019
Richard Corliss
TIME Magazine
TOP CRITIC
Insistently grotesque, relentlessly misanthropic and spectacularly tasteless, ”Death Becomes Her” isn’t a film designed to win the hearts of the mass moviegoing public. But it is diabolically inventive and very, very funny.
January 3, 2019
Dave Kehr
Chicago Tribune
TOP CRITIC
Its stars [are] easily able to keep pace with its big dramatic beats, and Zemeckis directs with the confidence essential to comedy. Death Becomes Her doesn’t pull any punches. Hollywood deserved it, and so do you.
September 23, 2021 | Rating: 4.5/5
Jennie Kermode
Eye for Film
This is a 100 percent Hollywood story… It’s not relateable to the average person.
April 24, 2021 | Rating: 2/4
Kevin Carr
Fat Guys at the Movies
The dizzy, desperate energy of the way she portrays Madeline Ashton is so unlike the staid regality of say, her Julia Childs or Margaret Thatcher.
March 19, 2021
Cate Young
Thirty, Flirty + Film
So iconic!
August 12, 2020 | Rating: 10
Avaryl Halley
Movie Bitches
It’s the f*cking best!
August 12, 2020 | Rating: 10
Andrew Galdi
Movie Bitches
Every scene that Streep and Hawn play together has a bold spark indicative of the symbiosis between females with the same goals and ambitions.
March 26, 2019
Candice Russell
South Florida Sun-Sentinel…
Plot
In 1978, on Broadway, the decadent and narcissist actress Madeline Ashton is performing Songbird, based on Tennessee Williams’ Sweet Bird of Youth. Then she receives her rival Helen Sharp, who is an aspiring writer, and her fiancee Ernest Menville, who is a plastic surgeon, in her dressing-room. Soon Menville calls off his commitment with Helen and marries Madeline. Seven years later, Helen is obese in a psychiatric hospital and obsessed in seeking revenge on Madeline. In 1992, the marriage of Madeline and Menville is finished and he is no longer a surgeon but an alcoholic caretaker. Out of the blue, they are invited to a party where Helen will release her novel Forever Young and Madeline goes to a beauty shop. The owner gives a business card of the specialist in rejuvenation Lisle Von Rhuman to her. When the envious Madeline sees Helen thin in a perfect shape, she decides to seek out Lisle and buys a potion to become young again. Further, she advises that Madeline must take care of her body. Meanwhile Helen seduces Menville and they plot a scheme to kill Madeline. When Madeline comes home, she has an argument Menville and he pushes her from the staircase. She breaks her neck but becomes a living dead. When Helen arrives at Menville’s house expecting that Madeline is dead, she is murdered by Madeline. But she also becomes a living dead and they conclude they need Menville to help them to maintain their bodies. But Menville wants to leave them.
Trivia
Goofs / Tidbits
The performances from Meryl Streep, Bruce Willis, and Goldie Hawn were extremely well done and made these horribly written characters just a little bit of fun.
Robert-Zemeckis.jpg
67%
Three Amigos! (1986)
RT Audience Score: 67%
Awards & Nominations: NA
Three Amigos! stars a trio of gifted comedians and has an agreeably silly sense of humor, but they’re often adrift in a dawdling story with too few laugh-out-loud moments
If you’re looking for a movie that celebrates stupidity, then Three Amigos is the perfect choice! With Chevy Chase, Steve Martin, and Martin Short, this western comedy is wonderfully daft and full of old cowpoke gags that will have you laughing out loud. Sure, it’s not the funniest movie out there, but the chemistry between the stars and the gentle digs at the western genre make for a diverting enough entertainment. Plus, who doesn’t love seeing these three comedic legends in ridiculous costumes? It’s like a big-budget Three Stooges movie meets a Hope-Crosby road picture, and it’s a goofy delight that’s perfect for a lazy afternoon.
Production Company(ies)
National Geographic Documentary Films, Ventureland Storyteller Productions,
Distributor
Orion Pictures
Release Type
Filming Location(s)
Old Tucson – 201 S. Kinney Road, Tucson, Arizona, USA
MPAA / Certificate
PG
Year of Release
1986
-
Color:Color
-
Sound mix:Dolby Stereo
-
Aspect ratio:1.85 : 1
-
Runtime:1h 45m
-
Language(s):English, Spanish, German
-
Country of origin:United States
-
Release date:Release Date (Theaters): Dec 12, 1986 Original
Release Date (Streaming): Sep 9, 2011
Genre(s)
Western/Comedy
Keyword(s)
starring Chevy Chase, Steve Martin, Martin Short, Patrice Martinez, Alfonso Arau, Tony Plana, directed by John Landis, written by Steve Martin, Lorne Michaels, Randy Newman, Western, Comedy, PG, box office gross $36.2M, produced by George Folsey Jr., Lorne Michaels, reviewed by David Stratton, Dave Kehr, Patrick Goldstein, Carrie Rickey, Gene Siskel, Jay Boyar, Eddie Harrison, Dennis Schwartz, Lawrence O’Toole, Sky Staff, William Wolf, Three Amigos!, silent era, Mexican village, bandits, gunslingers, comedy, formulaic, predictable, high concept, Seven Samurai, The Magnificent Seven, actors, mistaken identity, singing, dancing, fighting mariachis, public appearance, bullets, real, music, score, Randy Newman, ensemble, fresh, original, funny, rousingly fun, horror movies, MCU movies, Netflix series, TV shows, renewed, cancelled, worst horror movies, licensing, advertise, careers
Worldwide gross: $39,246,734
Worldwide gross (inflation-adjusted): $108,740,464
Worldwide gross ranking (inflation-adjusted): 972
Worldwide tickets sold (est.): 11,858,284
US/Canada gross: $39,246,734
US/Canada gross (inflation-adjusted): $108,740,464
US/Canada gross ranking (inflation-adjusted): 692
US/Canada opening weekend: $5,939,000
US/Canada opening weekend (inflation-adjusted): $16,455,117
US/Canada opening weekend ranking (inflation-adjusted): 744
Budget and Earnings Details
Production budget (est.): $25,000,000
Production budget (inflation-adjusted): $69,267,206
Production budget ranking: 605
Marketing and distribution budget (inflation-adjusted est.): $37,300,390
Box office net earnings to date (inflation-adjusted est.): $2,172,868
ROI to date (est.): 2%
ROI ranking: 1,388
Steve Martin – Lucky Day
Martin Short – Ned Nederlander
Patrice Martinez – Carmen
Alfonso Arau – El Guapo
Tony Plana – Jefe
Director(s)
John Landis
Writer(s)
Steve Martin, Lorne Michaels, Randy Newman
Producer(s)
George Folsey Jr., Lorne Michaels
Film Festivals
Awards & Nominations
NA
Academy Awards
All Critics (42) | Top Critics (13) | Fresh (19) | Rotten (23)
If Three Amigos is disappointing, it’s because the people involved have ail done better work in the past. But it’s not all bad.
May 27, 2021
David Stratton
Sydney Morning Herald
TOP CRITIC
It’s the laziness of the project that’s finally most galling.
April 25, 2014 | Rating: 1/4
Dave Kehr
Chicago Tribune
TOP CRITIC
[Three Amigos is] a goofy delight. It’s like a cross between a big-budget Three Stooges movie and a Hope-Crosby road picture, with dozens of old cowpoke gags thrown in to spice up the brew.
April 25, 2014
Patrick Goldstein
Los Angeles Times
TOP CRITIC
While it’s occasionally funny, Three Amigos! isn’t an entirely fun occasion.
April 25, 2014 | Rating: 2/4
Carrie Rickey
Philadelphia Inquirer
TOP CRITIC
You know it’s a boring comedy when you find yourself laughing only at the lead actors’ costumes.
April 25, 2014 | Rating: 2/4
Gene Siskel
Chicago Tribune
TOP CRITIC
The happy-go-lucky Three Amigos is a picture to see when your expectations are down and you’ve already been to everything that’s good.
April 25, 2014
Jay Boyar
Orlando Sentinel
TOP CRITIC
…a tribute to traditional Hollywood tropes that celebrates without too much mocking…
May 13, 2021 | Rating: 3/5
Eddie Harrison
film-authority.com
Directed without much wit by John Landis.
July 29, 2020 | Rating: C+
Dennis Schwartz
Dennis Schwartz Movie Reviews
The movie celebrates stupidity – and it is almost contagious.
March 27, 2019
Lawrence O’Toole
Maclean’s Magazine
Chevy Chase, Steve Martin and Martin Short kept the saddles of comedy blazing with this wonderfully daft western.
March 2, 2019 | Rating: 3/5
Sky Staff
Sky Cinema
It’s nowhere near as funny as it should have been given the talent on show, but the chemistry between the stars and the gentle digs at the western genre make for a diverting enough entertainment.
March 1, 2019 | Rating: 3/5
John Ferguson
Radio Times
Despite the promotional promise of Steve Martin. Chevy Chase, and Martin Short pictured under their huge sombreros, the holiday season comedy is almost as unfunny as a movie can get.
March 1, 2019
William Wolf
Gannett News Service…
Plot
Three out of work silent movie actors are accidentally drawn to a Mexican village that is being harassed by a gang of outlaws. The three, ‘Ned’, ‘Lucky Day’ and ‘Dusty Bottoms’ play ‘Lone Ranger’ types in their movies, but must play their parts for real now.
Trivia
Goofs / Tidbits
The trio of gifted comedians in Three Amigos! includes Chevy Chase, Steve Martin, and Martin Short.
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67%
St. Elmo’s Fire (1985)
RT Audience Score: 68%
Awards & Nominations: 1 win & 1 nomination
St. Elmo’s Fire is almost peak Brat Pack: it’s got the cast, the fashion, and the music, but the characters are too frequently unlikable
St. Elmo’s Fire is like a time capsule of the 80s, complete with big hair, shoulder pads, and a killer soundtrack. Sure, the characters may be a bit obnoxious and self-absorbed, but isn’t that what being in your 20s is all about? It’s a fun watch, even if it’s not the most emotionally resonant film out there. Plus, who doesn’t love seeing Rob Lowe and Emilio Estevez in their prime?
Production Company(ies)
Apple Original Films, Interscope Films, Lighthouse Management & Media,
Distributor
Columbia Pictures
Release Type
Filming Location(s)
University of Maryland, College Park, Maryland, USA
MPAA / Certificate
R
Year of Release
1985
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Color:Color
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Sound mix:Dolby Stereo
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Aspect ratio:2.39 : 1
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Runtime:1h 48m
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Language(s):English
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Country of origin:United States
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Release date:Release Date (Theaters): Jun 28, 1985 Original
Release Date (Streaming): Jul 29, 2003
Genre(s)
Drama
Keyword(s)
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Worldwide gross: $37,803,872
Worldwide gross (inflation-adjusted): $106,776,842
Worldwide gross ranking (inflation-adjusted): 981
Worldwide tickets sold (est.): 11,644,149
US/Canada gross: $37,803,872
US/Canada gross (inflation-adjusted): $106,776,842
US/Canada gross ranking (inflation-adjusted): 705
US/Canada opening weekend: $6,128,157
US/Canada opening weekend (inflation-adjusted): $17,308,948
US/Canada opening weekend ranking (inflation-adjusted): 726
Budget and Earnings Details
Production budget (est.): $10,000,000
Production budget (inflation-adjusted): $28,244,949
Production budget ranking: 1,181
Marketing and distribution budget (inflation-adjusted est.): $15,209,905
Box office net earnings to date (inflation-adjusted est.): $63,321,989
ROI to date (est.): 146%
ROI ranking: 778
Simone Baker – Kamilla
Curtiss Cook Jr. – Keith
David So – Daniel
Chris Jai Alex – Ray
Isaiah Jarel – Curtis
Director(s)
Joel Schumacher
Writer(s)
Joel Schumacher
Producer(s)
Lauren Shuler Donner
Film Festivals
Awards & Nominations
1 win & 1 nomination
Academy Awards
All Critics (45) | Top Critics (8) | Fresh (19) | Rotten (26)
In spite of good playing from talented players like Emilio Estevez, Rob Lowe, Andrew McCarthy and Ally Sheedy, the film looks more like an up-market version of Porky’s than anything more coherent.
April 4, 2022
Derek Malcolm
Guardian
TOP CRITIC
These aren’t characters — they’re character hooks.
January 3, 2018
Paul Attanasio
Washington Post
TOP CRITIC
All speed and stylishness without a bit of emotional resonance beneath.
July 13, 2017
Sheila Benson
Los Angeles Times
TOP CRITIC
There is an abundance of astute and knowledgeably drawn scenes with this contextually structured story. There are some biting observations of college life, with law school in particular taking some verbal jabs on the chin.
June 28, 2017
Duane Byrge
Hollywood Reporter
TOP CRITIC
St. Elmo’s Fire is all about a group of recent college graduates in Washington who were always the best of friends but now are drifting apart as real life approaches, discovering various reasons why they are so individually obnoxious.
October 18, 2008
Variety Staff
Variety
TOP CRITIC
Estevez and Nelson are as unappealing here as in The Breakfast Club, though in fairness they’re hampered by a script that seems to despise its characters.
February 9, 2006
Derek Adams
Time Out
TOP CRITIC
…St Elmo’s Fire is self-absorbed and dull, just like the characters that it depicts. But it’s also something of a hoot to see 80’s idiocy laid bare like this…
June 8, 2021 | Rating: 3/5
Eddie Harrison
film-authority.com
…familiar territory that is, for the most part, employed to underwhelming effect…
May 20, 2021 | Rating: 2/4
David Nusair
Reel Film Reviews
Savaged when it was released, is it time for a reconsidering St. Elmo’s Fire, a retrograde look at ’80s single life? No. No, it’s not.
December 28, 2020 | Rating: 2/5
Christopher Lloyd
The Film Yap
I disliked all the characters and whatever magic John Hughes had, where he could make me root for characters I disliked doing things I detested, this movie hasn’t got.
March 26, 2020
Eve Tushnet
Patheos
It’s not until the strains begin to show and rivalries emerge that St. Elmo’s Fire becomes truly interesting — and convincing.
February 28, 2020
Molly Haskell
Vogue
A fascinating record of what that generation was watching, wearing and listening to.
July 13, 2017 | Rating: 3/5
Jo Berry
Radio Times…
Plot
Seven friends – Alec, Billy, Jules, Kevin, Kirby, Leslie and Wendy – are trying to navigate through life and their friendships following college graduation. Alec, who aspires to political life, has just shown his true colors by changing his allegiance from Democrat to Republican, which freaks out girlfriend Leslie, who he wants to marry. Budding architect Leslie, on the other hand, has an independent streak. She believes she has to make a name for herself to find out who she is before she can truly commit to another person in marriage. But Leslie and Alec have decided to live together. Because Leslie refuses to marry Alec, he believes that justifies certain behavior. Kirby, who wants to become a lawyer and who pays for his schooling by working as a waiter at their local hangout called St. Elmo’s Bar, and struggling writer Kevin are currently roommates. They are on opposite extremes of the romance spectrum. Kirby has just reconnected with Dale Biberman, a slightly older woman he knew in college who is now a doctor. He is madly in love with her and will do *anything* to impress her. Kevin, on the other hand, doesn’t date and states he doesn’t believe in love, making his friends speculate that he’s a closet homosexual who is secretly in love with Alec. Kevin will eventually open himself up to the one friend who matters the most. Billy, married with a child, is the irresponsible one of the group who would rather sleep around and play the saxophone than face the realities of being an adult with family commitments. He still lives for the memory of his fraternity glory days. Virginal and sheltered Wendy, who comes from a wealthy family, works in a low paying social services job. Her family provides for all her financial needs. She is in love with Billy, who in turn takes advantage of her adoration of him. And most are concerned about Jules, who works in a bank, lives a life of excess in all facets and doesn’t have the financial means to live that lifestyle. The question for all seven becomes whether their friendship can survive adult real life.
Trivia
Goofs / Tidbits
NA
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