The Pelican Brief (1993)
RT Audience Score: 61%
Awards & Nominations: 1 win & 2 nominations
Julia Roberts and Denzel Washington are a compelling team in the overlong Pelican Brief, a pulpy thriller that doesn’t quite justify the intellectual remove of Alan J. Pakula’s direction
The Pelican Brief is a movie that will keep you on the edge of your seat, but only until the climax. After that, it’s like the movie just gave up and decided to take a nap. It’s a shame because the unseen menace and the pulpy material could have been so much fun. But hey, at least Denzel Washington and Julia Roberts look great while reciting perfunctory lines. Overall, it’s a clever device to take your mind off your problems for 141 minutes, but don’t expect a mind-blowing ending.
Production Company(ies)
Paramount Pictures, Penthouse Video Long Road Productions,
Distributor
NA
Release Type
Theatrical
Filming Location(s)
New Orleans, Louisiana, USA
MPAA / Certificate
Rated PG-13 for momentary language and some violence
Year of Release
1993
-
Color:Color
-
Sound mix:Dolby Digital
-
Aspect ratio:2.35 : 1
-
Runtime:NA
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Dec 17, 1993 Original
Release Date (Streaming): Aug 15, 2000
Genre(s)
Mystery & thriller
Keyword(s)
starring Julia Roberts, Denzel Washington, Sam Shepard, John Heard, Tony Goldwyn, James B Sikking, directed by Alan J Pakula, written by Alan J Pakula, mystery, thriller, box office performance, budget, reviewed by David Ansen, Jonathan Rosenbaum, Brian Lowry, Derek Adams, Janet Maslin, Roger Ebert, Quentin Crisp, Nick Rogers, Malcolm Johnson, Quentin Curtis, Dennis Schwartz, PG-13, conspiracy, legal brief, Supreme Court justices, killers, New Orleans, journalist, government conspiracy, Alan J Pakula, Pieter Jan Brugge, English, 1993, Surround, Stereo
Worldwide gross: $195,268,056
Worldwide gross (inflation-adjusted): $405,621,582
Worldwide gross ranking (inflation-adjusted): 379
Worldwide tickets sold (est.): 44,233,542
US/Canada gross: $100,768,056
US/Canada gross (inflation-adjusted): $209,320,967
US/Canada gross ranking (inflation-adjusted): 325
US/Canada opening weekend: $16,864,404
US/Canada opening weekend (inflation-adjusted): $35,031,671
US/Canada opening weekend ranking (inflation-adjusted): 372
Budget and Earnings Details
Production budget (est.): $45,000,000
Production budget (inflation-adjusted): $93,476,483
Production budget ranking: 441
Marketing and distribution budget (inflation-adjusted est.): $50,337,086
Box office net earnings to date (inflation-adjusted est.): $261,808,012
ROI to date (est.): 182%
ROI ranking: 675
Denzel Washington – Gray Grantham
Sam Shepard – Thomas Callahan
John Heard – Gavin Vereek
Tony Goldwyn – Fletcher Coal
James B. Sikking – FBI Director Denton Voyles
Alan J. Pakula – Director/Producer/Writer
Pieter Jan Brugge – Producer
Director(s)
Alan J. Pakula
Writer(s)
Alan J. Pakula
Producer(s)
Alan J. Pakula, Pieter Jan Brugge
Film Festivals
Awards & Nominations
1 win & 2 nominations
Academy Awards
All Critics (54) | Top Critics (10) | Fresh (29) | Rotten (25)
Pakula’s always had a cool style, tending toward solemnity, but let’s face it, All the President’s Men this movie is not. You wish he’d have a little more fun with the pulpy material.
May 3, 2018
David Ansen
Newsweek
TOP CRITIC
It’s too bad that Pakula allows this 1993 movie to dawdle after its climax, but prior to that he’s adept at suggesting unseen menace and keeping things in motion.
March 30, 2009
Jonathan Rosenbaum
Chicago Reader
TOP CRITIC
Pakula has improved on Grisham’s book by excising much of the detritus, crafting a taut, intelligent thriller that succeeds on almost every level.
November 5, 2008
Brian Lowry
Variety
TOP CRITIC
An old hand at this sort of thing, Pakula goes through the motions, but not much more.
February 9, 2006
Derek Adams
Time Out
TOP CRITIC
As the film piles on shovelfuls of further exposition, Mr. Washington and Ms. Roberts are left to look terrific and recite perfunctory lines.
May 20, 2003 | Rating: 2.5/5
Janet Maslin
New York Times
TOP CRITIC
A clever device to take your mind off your problems for 141 minutes.
January 1, 2000 | Rating: 3/4
Roger Ebert
Chicago Sun-Times
TOP CRITIC
The movie has a foolish ending, but it is worth seeing.
May 26, 2022
Quentin Crisp
Christopher Street
Not on par with Alan J. Pakula’s preeminent paranoid cinema. But depicting a POTUS at odds with his FBI director and creating obstruction of justice concerns aligns it with Pakula’s other preternaturally predictive potboilers.
June 24, 2019 | Rating: 3/4
Nick Rogers
Midwest Film Journal
Both Roberts, with her intense fragility, and Washington, with his thoughtful heroism, prove invaluable in pulling us into the heart of the film.
May 3, 2018
Malcolm Johnson
Hartford Courant
It all sounds thrilling enough. So why is it so dull? Chiefly because of a central flaw in Grisham’s writing, which Hollywood is unable to smooth out — its grinding pedantry.
December 12, 2017
Quentin Curtis
Independent on Sunday
A juicy conspiracy theory thriller.
March 7, 2017 | Rating: B-
Dennis Schwartz
Dennis Schwartz Movie Reviews
A routine thriller, curiosuly disappointing from Alan Pakula that even stars like Denzel Washington and Julia Roberts can’t rescue
June 18, 2011 | Rating: C
Emanuel Levy
EmanuelLevy.Com…
Plot
Two Supreme Court Justices have been killed. Now a college professor, who clerked for one of the two men and who is also having an affair with one of his students, is given a brief by her that states who probably wanted to see these two men dead. He then gives it to one of his friends, who works for the FBI. When the FBI director reads it, he is fascinated by it. One of the president’s men who read it is afraid that if it ever got out, the president could be smeared. So he advises the president to tell the director to drop it, which he does. But later the professor and the girl were out and he was drunk and when he refused to give her the keys, she stepped out of the car. When he started it, it blew up. She then discovers that her place has been burglarized and what was taken were her computer and her disks. Obviously, her brief has someone agitated. She then turns to her boyfriend’s friend at the FBI. He agrees to come meet her but before he does, someone shoots him and takes his place. At the meeting, he was about to kill her when someone shoots him. She then decides to turn to Gray Grantham, an investigative reporter, who was contacted by someone who says he has info on the killings but backed out at the last minute. He then meets her and tells her what her brief is, and basically, the man she suspects is a good friend of the president, and is trying to manipulate the outcome of a trial that is now before the Supreme Court. Grantham tells her that her brief can harm the president and although all they have are theories, he asks her to help him, but she wants to leave the country. Then Grantham’s editor tells him that they have nothing, that he should drop cause the man she implicated is extremely powerful. Grantham is about to drop it when she says that she will help him. But can they stay alive?
Trivia
Goofs / Tidbits
Fresh Kernels notes that Julia Roberts and Denzel Washington are a “compelling team” in The Pelican Brief.
Alan-J.-Pakula.jpg
66%
Cliffhanger (1993)
RT Audience Score: 52%
Awards & Nominations: Nominated for 3 Oscars
1 win & 12 nominations total
While it can’t escape comparisons to the movies it borrows from, Cliffhanger is a tense, action-packed thriller and a showcase for the talents that made Sylvester Stallone a star
Cliffhanger is like a rollercoaster ride that you’re excited to get on, but once it starts, you realize it’s not as thrilling as you thought it would be. The stunts and special effects are impressive, but the story is as thin as the air at high altitude. It’s like eating ice cream without any flavor – sure, it’s still ice cream, but it’s not as enjoyable as it could be. However, if you’re a Stallone fan and love 4K visuals, it’s worth checking out just for the sheer wonderment of it all.
Production Company(ies)
Twentieth Century Fox, Brandywine Productions, Pinewood Studios,
Distributor
TriStar Pictures
Release Type
Theatrical
Filming Location(s)
Mount Falzarago, Dolomites, Italy
MPAA / Certificate
Rated R for violence and language
Year of Release
1993
-
Color:Color
-
Sound mix:Dolby Atmos
-
Aspect ratio:2.39 : 1
-
Runtime:1h 52m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): May 28, 1993 Original
Release Date (Streaming): Jun 13, 2000
Genre(s)
Action/Adventure
Keyword(s)
starring Sylvester Stallone, John Lithgow, Michael Rooker, Janine Turner, Rex Linn, Caroline Goodall, directed by Renny Harlin, written by Michael France, action, adventure, box office performance, budget, reviewed by David Ansen, Christopher Harris, Steven Rea, Jay Boyar, Anthony Lane, Alistair Lawrence, MPAA rating R, produced by Alan Marshall, Renny Harlin, outdoor thriller, mountain rescuer, criminals, $100 million stash, plane crash, Rocky Mountains, stranded hikers, violent robbers, missing loot
Worldwide gross: $255,000,211
Worldwide gross (inflation-adjusted): $529,700,510
Worldwide gross ranking (inflation-adjusted): 265
Worldwide tickets sold (est.): 57,764,505
US/Canada gross: $84,049,211
US/Canada gross (inflation-adjusted): $174,591,659
US/Canada gross ranking (inflation-adjusted): 434
US/Canada opening weekend: $16,176,967
US/Canada opening weekend (inflation-adjusted): $33,603,689
US/Canada opening weekend ranking (inflation-adjusted): 393
Budget and Earnings Details
Production budget (est.): $70,000,000
Production budget (inflation-adjusted): $145,407,863
Production budget ranking: 228
Marketing and distribution budget (inflation-adjusted est.): $78,302,134
Box office net earnings to date (inflation-adjusted est.): $305,990,513
ROI to date (est.): 137%
ROI ranking: 806
John Lithgow – Eric Qualen
Michael Rooker – Hal Tucker
Janine Turner – Jessie Deighan
Rex Linn – Richard Travers
Caroline Goodall – Kristel
Alan Marshall – Producer
Renny Harlin – Producer, Director
Michael France – Writer
Director(s)
Renny Harlin
Writer(s)
Michael France
Producer(s)
Alan Marshall, Renny Harlin
Film Festivals
Awards & Nominations
Nominated for 3 Oscars
1 win & 12 nominations total
Academy Awards
Oscar Nominees
All Critics (55) | Top Critics (23) | Fresh (37) | Rotten (18)
Cliffhanger does its damnedest to see that the audience gets its money’s worth of thrills. But for all the state-of-the-art stunt work, the movie has little personality; it’s ice cream without flavor.
April 10, 2018
David Ansen
Newsweek
TOP CRITIC
it has truly awe-inspiring stunts and special effects and many of its suspense sequences will leave you with your heart in your mouth.
August 3, 2013 | Rating: 3/4
Christopher Harris
Globe and Mail
TOP CRITIC
The fact that so much money was lavished on such a thick-headed project represents the height of fiscal ineptitude, but this is the kind of roller-coaster ride for which eager audiences will gladly check their brains at the turnstiles, so go figure.
August 3, 2013 | Rating: 2/4
Jeff Shannon
Seattle Times
TOP CRITIC
The cinematography and gravity-defying stunt performances are exhilarating. The story, alas, is pure routine.
August 3, 2013 | Rating: 2.5/4
Steven Rea
Philadelphia Inquirer
TOP CRITIC
Some movies get you so excited – so revved up on action and thrills — that you almost feel like you’re flying. Cliffhanger makes you feel like you’re dropping.
August 3, 2013 | Rating: 2/5
Jay Boyar
Orlando Sentinel
TOP CRITIC
That rasping tension is soon smoothed away, as the plot sets off on its daft and hackneyed course.
August 3, 2013
Anthony Lane
New Yorker
TOP CRITIC
The main thing that lets Cliffhanger down is a plot as thin as the high-altitude air that surrounds it.
June 9, 2021 | Rating: 2/5
Alistair Lawrence
Common Sense Media
An admittedly frivolous yet highly entertaining action-heavy survivalist thriller.
September 11, 2020 | Rating: 8/10
Mike Massie
Gone With The Twins
…Cliffhanger kicks off with an enthralling sequence detailing a perilous rescue attempt within the aforementioned Rocky Mountains.
May 20, 2019 | Rating: 3/4
David Nusair
Reel Film Reviews
If you’re a Stallone fan and a 4K enthusiast, this is a must-see for the sheer wonderment of the visuals. If you’re one of those who can take or leave Sly and is nonplussed on 4K, there’s really not much on offer for you here.
November 14, 2018 | Rating: 6/10
Andrew Pollard
Starburst
Its special effects and scenery tower over its dialogue, its plotting and its character development, which are near rock bottom.
April 10, 2018
Malcolm Johnson
Hartford Courant
There’s a visceral charge to the high-altitude chase scenes, but the thriller ultimately falls flat, even on its own limited terms.
August 3, 2013
David Sterritt
Christian Science Monitor…
Plot
Whilst crossing a ledge, 4000 feet above the earth, Gabe’s friend’s equipment fails to work and she slips out of his hand, falling to the ground. Almost a year later, Gabe is asked to go back to the same mountain range and rescue a group of ‘stranded’ people. The only catch is that these so called ‘stranded’ people are in fact looking for three boxes filled with $100,000,000 and they need a mountain ranger to lead them to them!!
Trivia
Goofs / Tidbits
There is no goofy or funny comment about the film Cliffhanger on Fresh Kernels.
Renny-Harlin.jpg
66%
The Exorcist III (1990)
RT Audience Score: 56%
Awards & Nominations: 2 wins & 5 nominations
The Exorcist III is a talky, literary sequel with some scary moments that rival anything from the original
The Exorcist III is a movie that will leave you feeling like you just went through an exorcism yourself. While some critics found it frustrating and lacking in scares, I found it to be a humdinger of a horror film. George C. Scott delivers a soulfully pained performance as detective Kinderman, and Brad Dourif’s madman monologs are downright incomprehensible in the best way possible. Sure, some of the horrors are described rather than shown, but that just leaves more to the imagination. And let’s be real, who needs jump scares when you have a dialectic of intellectual debate and the recitation of prayers? All in all, The Exorcist III may not be as visceral as the first film, but it’s a devilishly good time.
Production Company(ies)
New Line Cinema, Partizan Films, Partizan
Distributor
NA
Release Type
Streaming, Theatrical
Filming Location(s)
The Tombs – 1226 36th Street NW, Georgetown, Washington, District of Columbia, USA
MPAA / Certificate
R
Year of Release
1990
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:1.85 : 1
-
Runtime:NA
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Streaming): Sep 23, 2014
Genre(s)
Horror
Keyword(s)
starring George C Scott, Ed Flanders, Brad Dourif, Jason Miller, Nicol Williamson, Scott Wilson, Carter DeHaven, James G Robinson, directed by William Peter Blatty, written by William Peter Blatty, horror, R rating, box office performance, $25.0M gross USA, reviewed by Anton Bitel, A.A Dowd, Kim Newman, Robert C Cumbow, Owen Gleiberman, Variety Staff, David Nusair, Michael Coldwell, TV Guide Staff, Brad Miska, Tim Brayton, police investigation, serial killer, mental patient, exorcism, Gemini killer, Father Dyer, Father Morning, Dr Temple, scary moments, literary sequel, hauntingly understated, sound-and-fury finale, dark rooms, intellectual debate, ritual litany, prayers, unnamable, talky
Worldwide gross: $39,024,251
Worldwide gross (inflation-adjusted): $89,966,093
Worldwide gross ranking (inflation-adjusted): 1,072
Worldwide tickets sold (est.): 9,810,915
US/Canada gross: $26,098,824
US/Canada gross (inflation-adjusted): $60,167,951
US/Canada gross ranking (inflation-adjusted): 988
US/Canada opening weekend: $9,312,219
US/Canada opening weekend (inflation-adjusted): $21,468,291
US/Canada opening weekend ranking (inflation-adjusted): 618
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Ed Flanders – Father Dyer
Brad Dourif – The Gemini Killer
Jason Miller – Patient X
Nicol Williamson – Father Morning
Scott Wilson – Dr. Temple
Director(s)
William Peter Blatty
Writer(s)
William Peter Blatty
Producer(s)
Carter DeHaven, James G. Robinson
Film Festivals
Awards & Nominations
2 wins & 5 nominations
Academy Awards
All Critics (41) | Top Critics (7) | Fresh (24) | Rotten (17)
Watching The Exorcist III is a frustrating experience, with both cuts of the film – one a victim of studio tampering, the other imperfectly restored – pointing to the better version of themselves that, like Karras, remains hidden within.
December 9, 2019
Anton Bitel
Little White Lies
TOP CRITIC
Against his will, Blatty added the sound-and-fury finale, and it’s easily the weakest aspect of his movie. But that’s mainly because everything that comes before it is so hauntingly understated.
October 8, 2018
A.A. Dowd
AV Club
TOP CRITIC
Too much of the movie takes place in dark rooms where people describe horrors that might more profitably have been on the screen, and the plot is a house of cards that constantly collapses.
October 8, 2018 | Rating: 2/5
Kim Newman
Empire Magazine
TOP CRITIC
Blatty is interested in the words most of all: the dialectic of intellectual debate, the ritual litany of naming, the recitation of prayers. To name something is to tame it; Blatty is interested in our eternal struggle with the unnamable.
October 8, 2018
Robert C. Cumbow
Slant Magazine
TOP CRITIC
September 7, 2011 | Rating: F
Owen Gleiberman
Entertainment Weekly
TOP CRITIC
It would be downright incomprehensible, in fact, if Dourif didn’t do such a dandy job in explaining things in a couple of long, madman monologs.
July 6, 2010
Variety Staff
Variety
TOP CRITIC
…a pervasively hit-and-miss sequel that certainly stands as an obvious improvement over the mostly unwatchable second installment.
March 14, 2021 | Rating: 2.5/4
David Nusair
Reel Film Reviews
[George C. Scott] delivers a soulfully pained performance as detective Kinderman from the first movie.
December 28, 2019 | Rating: 8/10
Michael Coldwell
Starburst
May not have the visceral impact of the first film, but it gives viewers far more than they had any reason to expect.
October 8, 2018 | Rating: 3/5
TV Guide Staff
TV Guide
Brad Dourif’s full performance as the Gemini Killer.
October 8, 2018
Brad Miska
Bloody Disgusting
Suggests that Blatty had seen and loved many films without ever really paying attention to how they worked.
July 22, 2013 | Rating: 6/10
Tim Brayton
Antagony & Ecstasy
Exorcist III wields a mighty sword of scares and contemplation, drilling into those primal areas of nail-chewing tension…This film is a humdinger.
August 22, 2010 | Rating: A-
Brian Orndorf
BrianOrndorf.com…
Plot
A seemingly endless series of grisly killings that bear the trademark of the mass murderer, the Gemini Killer, terrorise the district of Georgetown. To further complicate matters, even though it’s been seventeen long years since the killer’s execution and that fateful night of pure terror in The Exorcist (1973), the sceptical police officer, Lieutenant William F. Kinderman, is still obsessed with solving the baffling case, as the death toll keeps rising. In the meantime, in the city’s high-security psychiatric institution, a cryptic inmate who bears an uncanny resemblance to the late Father Damien Karras emerges from his deep catatonic state, claiming that he has all the answers Kinderman needs. But, who is the mysterious Patient X? Does the same unholy force that tormented Regan MacNeil have something to do with the brutal demonic murders?
Trivia
Goofs / Tidbits
No goofy or funny or odd comments were found in the Fresh Kernels review for The Exorcist III.
William-Peter-Blatty.jpg
66%
Oliver & Company (1988)
RT Audience Score: 62%
Awards & Nominations: 1 win & 2 nominations
Predictable and stodgy, Oliver & Company isn’t one of Disney’s best, though its colorful cast of characters may be enough to entertain young viewers looking for a little adventure
Oliver & Company is like a Disney version of Oliver Twist, but with a lot more singing and dancing animals. It’s not the best Disney movie out there, but it’s still a fun ride. The characters are a mixed bag, with some being forgettable and others being downright annoying (I’m looking at you, Georgette). But Tito the Chihuahua steals the show with his brash personality and love for all things salsa. The animation may not be top-notch, but the rock songs and hip-hop beats will have you tapping your feet. Overall, Oliver & Company is a decent addition to the Disney canon, and worth a watch if you’re in the mood for some animal antics.
Production Company(ies)
Tremolo Productions,
Distributor
NA
Release Type
Theatrical
Filming Location(s)
Walt Disney Feature Animation – 500 S. Buena Vista Street, Burbank, California, USA
MPAA / Certificate
G
Year of Release
1988
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:NA
-
Runtime:NA
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Nov 18, 1988 Original
Release Date (Streaming): May 14, 2002
Genre(s)
Adventure
Keyword(s)
starring Joey Lawrence, Bette Midler, Billy Joel, Cheech Marin, Richard Mulligan, Roscoe Lee Browne, Natalie Gregory, directed by George Scribner, written by James Mangold, Jim Cox, Tim Disney, G-rated, adventure, box office performance, budget, reviewed by Charles Solomon, Gene Siskel, Dave Kehr, Jay Boyar, Richard Corliss, Peter Travers, Mike Massie, Brett White, Rachel Wagner, Roger Hurlburt, David Aldridge, David Sterritt, produced by Walt Disney Pictures, animated, Oliver Twist, orphan, kitten, thieving dogs, pickpocket, loan shark, New York City, rich girl, musical, Huey Lewis, Dodger, Fagin, Georgette, Tito, Einstein, Francis, Rita, MPAA rating, Disney Renaissance, animation, songs, Phil Collins, Pongo, Lady and the Tramp, The Lion King, Dumbo, magic, wonder
Worldwide gross: $74,151,346
Worldwide gross (inflation-adjusted): $189,860,169
Worldwide gross ranking (inflation-adjusted): 726
Worldwide tickets sold (est.): 20,704,490
US/Canada gross: $74,151,346
US/Canada gross (inflation-adjusted): $189,860,169
US/Canada gross ranking (inflation-adjusted): 383
US/Canada opening weekend: $4,022,752
US/Canada opening weekend (inflation-adjusted): $10,300,020
US/Canada opening weekend ranking (inflation-adjusted): 946
Budget and Earnings Details
Production budget (est.): $31,000,000
Production budget (inflation-adjusted): $79,373,680
Production budget ranking: 530
Marketing and distribution budget (inflation-adjusted est.): $42,742,727
Box office net earnings to date (inflation-adjusted est.): $67,743,762
ROI to date (est.): 55%
ROI ranking: 1,120
Bette Midler – Georgette (Voice)
Billy Joel – Dodger (Voice)
Cheech Marin – Tito (Voice)
Richard Mulligan – Einstein (Voice)
Roscoe Lee Browne – Francis (Voice)
Director(s)
George Scribner
Writer(s)
James Mangold, Jim Cox, Tim Disney
Producer(s)
NA
Film Festivals
Awards & Nominations
1 win & 2 nominations
Academy Awards
All Critics (50) | Top Critics (19) | Fresh (25) | Rotten (25)
The cartoon action will delight young children, while older ones, who usually reject animation as “kid stuff,” will enjoy the rock songs and hip characters, especially the brash Tito.
March 27, 2019
Charles Solomon
Los Angeles Times
TOP CRITIC
[T]he first animated feature from the new Disney studio regime, which is promising one such picture each year. Their first effort, measured against the Disney legacy of classics, is not up to the highest standard.
March 27, 2019 | Rating: 2.5/4
Gene Siskel
Chicago Tribune
TOP CRITIC
”Oliver & Company” is impoverished technically, and it is also impoverished emotionally.
March 27, 2019 | Rating: 2/4
Dave Kehr
Chicago Tribune
TOP CRITIC
In any case, the movie is enjoyable, if not especially memorable.
March 27, 2019
Jay Boyar
Orlando Sentinel
TOP CRITIC
Oliver & Company is Dickens with a twist, and Disney with a treat.
March 27, 2019
Richard Corliss
TIME Magazine
TOP CRITIC
With its captivating characters, sprightly songs and zap-happy animation, Oliver & Company adds up to a tip-top frolic.
March 27, 2019
Peter Travers
People Magazine
TOP CRITIC
Even if the mismatched singing and dancing weren’t overly annoying, the character designs and plot are noticeably mediocre for the Disney standard.
September 6, 2020 | Rating: 3/10
Mike Massie
Gone With The Twins
Oliver & Company is, from start to finish, a joyride that’s up there with the best Disney movies of all time.
February 5, 2020
Brett White
Decider
I was entertained. The music is great. However, sections drag and there are too many bland characters.
May 8, 2019 | Rating: C-
Rachel Wagner
rachelsreviews.net
A film packed with superb animation, songs and a nifty story line. And it’s all set to a cadence of love, laced with some danger.
March 27, 2019
Roger Hurlburt
South Florida Sun-Sentinel
Though a little lacking in Disney’s customary charm, still provides fine family entertainment.
March 27, 2019 | Rating: 3/5
David Aldridge
Radio Times
There are some exciting sequences, but the picture ranks far below classic animal-toons like Lady and the Tramp and 101 Dalmatians.
March 27, 2019 | Rating: 3/4
David Sterritt
Christian Science Monitor…
Plot
Inspired by Charles Dickens’ “Oliver Twist”. A homeless kitten named Oliver, roams the streets of New York, where he is taken in by a gang of homeless mutts who survive by stealing from others. During one of these criminal acts, Oliver meets a wealthy young girl named Jenny Foxworth. This meeting will forever change his life.
Trivia
Goofs / Tidbits
The film features the voices of Billy Joel, Bette Midler, and Cheech Marin.
George-Scribner.jpg
66%
The Lord of the Rings (1978)
RT Audience Score:
Awards & Nominations: NA
Ralph Bakshi’s valiant attempt at rendering Tolkein’s magnum opus in rotoscope never lives up to the grandeur of its source material, with a compressed running time that flattens the sweeping story and experimental animation that is more bizarre than magical
The Lord of the Rings has been reviewed by many critics, some of whom loved it and some of whom hated it. But let’s be real, who cares what they think? If you’re a fan of elves, dwarves, and talking trees, then this movie is for you. Sure, it might be a bit confusing at times, but that’s just part of the fun. And let’s not forget about the creepy animation that still manages to give us nightmares to this day. So grab some popcorn, sit back, and enjoy the ride. Just don’t forget to bring a map of Middle Earth, because you might get lost along the way.
Production Company(ies)
Bluemark Productions, C-Hundred Film Corporation, Civilian Pictures,
Distributor
NA
Release Type
Theatrical
Filming Location(s)
MPAA / Certificate
TV-14
Year of Release
1978
-
Color:Color
-
Sound mix:Stereo
-
Aspect ratio:2.39 : 1
-
Runtime:NA
-
Language(s):
-
Country of origin:United States
-
Release date:Release Date (Streaming): Sep 11, 2001
Genre(s)
Fantasy/Adventure
Keyword(s)
starring Christopher Guard, William Squire, Michael Scholes, John Hurt, Simon Chandler, Dominic Guard, directed by Ralph Bakshi, written by Chris Conkling, Peter S Beagle, Fantasy, Adventure, box office performance, budget, reviewed by Paul Gray, William Thomas, Dave Kehr, Variety Staff, Nigel Ferguson, Vincent Canby, Jesús Fernández Santos, Víctor López G., Sky Staff, Film4 Staff, Bernard Drew, Lawrence O’Toole, PG, J.R.R Tolkien, Frodo, Gandalf, Sam, Aragorn, Merry, Pippin, Mount Doom, magical ring, hobbit friends, heroic allies, rotoscope, experimental animation, Middle Earth, live-action tracing, natural movement, dense novels, visually echoing, Tolkien’s own drawings, visually compelling, narrative shortages, fascinating, strong base, faithful to the original, spirit and inspiration, master of his chosen medium, wondrous leap, land of the imagination
Worldwide gross: $30,471,420
Worldwide gross (inflation-adjusted): NA
Worldwide gross ranking (inflation-adjusted): NA
Worldwide tickets sold (est.): NA
US/Canada gross: $30,471,420
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
William Squire – Gandalf (Voice)
Michael Scholes – Sam (Voice)
John Hurt – Aragorn (Voice)
Simon Chandler – Merry (Voice)
Dominic Guard – Pippin (Voice)
Director(s)
Ralph Bakshi
Writer(s)
Chris Conkling, Peter S. Beagle
Producer(s)
NA
Film Festivals
Awards & Nominations
NA
Academy Awards
All Critics (42) | Top Critics (10) | Fresh (22) | Rotten (20)
Lacking a firm center in Frodo’s story, the film plays itself out as a bewildering parade of elves, dwarves, ores, trolls and talking trees.
March 26, 2019
Paul Gray
TIME Magazine
TOP CRITIC
What most people remember is the mix of the live-action tracing within the traditional animation and just how effectively creepy it managed to be, but for the time this did a pretty good job of adapting the dense novels.
December 3, 2012 | Rating: 4/5
William Thomas
Empire Magazine
TOP CRITIC
It looked terrible then and it still does: cartoon characters move differently from live actors, and the attempt to duplicate natural movement ends in stylistic incoherence.
December 3, 2012
Dave Kehr
Chicago Reader
TOP CRITIC
Quite simply, those who do not know the characters of Middle Earth going in will not know them coming out.
July 7, 2010
Variety Staff
Variety
TOP CRITIC
Bakshi’s version, using animation and live-action tracings, is uniformly excellent, sticking closely to the original text and visually echoing many of Tolkien’s own drawings.
February 9, 2006
Nigel Ferguson
Time Out
TOP CRITIC
The film is visually compelling even when murk overtakes the narrative.
May 9, 2005
Vincent Canby
New York Times
TOP CRITIC
Ralph Bakshi achieves spectacular effects. [Full Review in Spanish]
August 12, 2019
Jesús Fernández Santos
El Pais (Spain)
A film that, despite its palpable narrative shortages, is not only fascinating regarding its visual commitment, but also because it laid a strong base for the material shot by Jackson a quarter of a century later. [Full Review in Spanish]
July 31, 2019
Víctor López G.
Espinof
[W]e should be grateful that Bakshi has tried so hard to be faithful to the original that its spirit and inspiration often shine through to stir the blood.
March 26, 2019 | Rating: 3/5
Sky Staff
Sky Cinema
A genuine cult movie
March 26, 2019 | Rating: 7/10
Film4 Staff
Film4
Bakshi proves once again that he is a master of his chosen medium.
March 26, 2019
Bernard Drew
Gannett News Service
Lord of the Rings never makes that wondrous leap to the land of the imagination.
March 26, 2019
Lawrence O’Toole
Maclean’s Magazine…
Plot
In this animated film, a young hobbit named Frodo is entrusted with a magical ring by the wise wizard Gandalf, and must leave his peaceful home to travel to Mount Doom to destroy it before dark forces can get their hands on it.
Trivia
Goofs / Tidbits
No goofy or funny or odd comments were found in the Fresh Kernels review for The Lord of the Rings.
Ralph-Bakshi.jpg
66%
New York, New York (1977)
RT Audience Score: 58%
Awards & Nominations: 2 wins & 7 nominations total
Martin Scorsese’s New York, New York is a film that is both a tribute to classic Hollywood musicals and a tragic tale of love, passion, success, and jazz. While some critics may find fault with the film’s deliberate mismatch of musical form and reality, it is precisely this experimentation that allows Scorsese to tackle material more experimentally than in his previous works. The film’s stylized staging and smashing conclusion, particularly the ending to the De Niro-Minnelli romance, make it a must-see for fans of the genre and reaffirm Liza Minelli’s position as one of the top musical stars and talented actresses on the screen. Overall, New York, New York is a rewarding and rapturous film that showcases Scorsese’s formidable talent and artistic vision.
New York, New York is like a musical that got lost on its way to Broadway and ended up in a Scorsese film. It’s a strange mix of classic Hollywood musicals and gritty, emotional drama. But hey, if you’re a diehard Liza Minelli fan, you’ll probably love it. And who doesn’t love a good musical number about the city that never sleeps?
Production Company(ies)
Mandeville Films, Walt Disney Pictures,
Distributor
NA
Release Type
Theatrical
Filming Location(s)
New York City, New York, USA
MPAA / Certificate
PG
Year of Release
1977
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:NA
-
Runtime:NA
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Jun 21, 1977 Original
Release Date (Streaming): Feb 8, 2005
Genre(s)
Musical
Keyword(s)
starring Robert De Niro, Liza Minnelli, Lionel Stander, Barry Primus, Mary Kay Place, Georgie Auld, directed by Martin Scorsese, written by Earl Mac Rauch, musical, V-J Day, World War II, musical double act, love, family, volatile relationship, successful careers, box office gross, PG rating, critic reviews, produced by Martin Scorsese, reviewed by David Robinson, Tim Radford, Gene Siskel, Richard Combs, Melissa Anderson, Chuck Bowen, Tony Vandenberg, Scott Sublett, Russell Davies, Alison Fell, Yasser Medina, David MacDonald, Robert De Niro as Jimmy Doyle, Liza Minnelli as Francine Evans, Lionel Stander as Tony Harwell, Barry Primus as Paul Wilson, Mary Kay Place as Bernice Bennett, Georgie Auld as Frankie Harte, musical tribute, Old Hollywood, film noir, character-driven, plot-driven, performances, talent, energy, intensity, boring, painful, 3 hours, ending
Worldwide gross: $16,400,000
Worldwide gross (inflation-adjusted): $86,958,554
Worldwide gross ranking (inflation-adjusted): 1,080
Worldwide tickets sold (est.): 9,482,939
US/Canada gross: $16,400,000
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): $14,000,000
Production budget (inflation-adjusted): $74,232,912
Production budget ranking: 572
Marketing and distribution budget (inflation-adjusted est.): $39,974,423
Box office net earnings to date (inflation-adjusted est.): -$27,248,781
ROI to date (est.): -24%
ROI ranking: 1,525
Liza Minnelli – Francine Evans
Lionel Stander – Tony Harwell
Barry Primus – Paul Wilson
Mary Kay Place – Bernice Bennett
Georgie Auld – Frankie Harte
Director(s)
Martin Scorsese
Writer(s)
Earl Mac Rauch
Producer(s)
NA
Film Festivals
Awards & Nominations
2 wins & 7 nominations total
Academy Awards
All Critics (46) | Top Critics (14) | Fresh (26) | Rotten (20)
The experiment comes up against one or two intrinsic problems. In a sense the reality of the treatment is inimical to the musical form.
October 27, 2021
David Robinson
Financial Times
TOP CRITIC
A musical directed by the formidably gifted Martin Scorsese ought to be something to make a song and dance about… New York, New York has many rewards, but its good parts don’t add up to a satisfactory whole.
October 27, 2021
Tim Radford
Guardian
TOP CRITIC
Though rough in the middle, New York, New York features a smashing conclusion. I’m not talking about Minnelli’s final number. What’s smashing is the ending to the De Niro-Minnelli romance. It has just the right mixture of old and new..
June 19, 2020 | Rating: 3.5/4
Gene Siskel
Chicago Tribune
TOP CRITIC
Most rewardingly, [it] seems to have effected a kind of opening-out-allowing Scorsese to tackle material more experimentally than in Alice, the characteristic extremes of emotion without the over-determined mechanisms of Taxi Driver.
February 6, 2020
Richard Combs
Sight & Sound
TOP CRITIC
The look and sound of ‘New York, New York’ may rapturously bring to mind any number of postwar MGM marvels. But its mood suggests outtakes from a scorching psychodrama, rushes from a documentary of a couple imploding.
January 31, 2020
Melissa Anderson
4Columns
TOP CRITIC
New York, New York, like most Martin Scorsese films, is about the trials and glories of making art.
January 28, 2020 | Rating: 3.5/4
Chuck Bowen
Slant Magazine
TOP CRITIC
Only diehard devotees of Liza Minelli will be enthralled by the curiously anti-musical New York, New York.
May 23, 2022
Tony Vandenberg
Washington Blade
Perhaps the best American film of 1977.
May 20, 2022 | Rating: 4/4
Scott Sublett
Washington Blade
Scorsese certainly intended a deliberate mismatch, a controlled ‘explosion’ from which he would harness the escaping energy. In the event, though, the bang is not spectacular.
October 27, 2021
Russell Davies
Observer (UK)
It’s nice of Hollywood to let us see women making a success of their work. Pity, though, we’re only allowed to see that work and success inasmuch as it carves up their relationships with their fellas.
September 22, 2021
Alison Fell
Spare Rib
It has an stylized staging that not only serves Scorsese to mount a beautiful tribute to the city that never sleeps and the classic Hollywood musicals, but also to illustrate a tragic tale of love, passion, success and jazz. [Full review in Spanish]
April 29, 2021 | Rating: 7/10
Yasser Medina
Cinemaficionados
If you can sit through 30 interspersed minutes of trivialities, New York, New York emerges victoriously as the musical of the year, and reaffirms Liza Minelli’s position as one of the top musical stars, as well as talented actress, on the screen.
May 27, 2020
David MacDonald
Philadelphia Gay News…
Plot
The day WWII ends, Jimmy, a selfish and smooth-talking musician, meets Francine, a lounge singer. From that moment on, their relationship grows into love as they struggle with their careers and aim for the top.
Trivia
Goofs / Tidbits
The film stars Robert De Niro and Liza Minnelli in a musical double act.
Martin-Scorsese.jpg
66%
The Beauty Queen of Jerusalem Season: 2
RT Audience Score: 60%
In 1919 Jerusalem, housecleaner Rosa weds a shopkeeper who loves another woman, a choice that impacts her dynamic with eldest daughter Luna for decades.
Creators: Oded Davidoff, Shlomo Mashiach, Ester Namdar Tamam
Starring: Michael Aloni, Itzik Cohen, Yuval Scharf, Mali Levi, Hila Saada
Year of Release
2021
Technical Specs
Color:
Sound mix:
Aspect ratio:
Language(s): English, Arabic, Hebrew
Country of origin: Israel
Release date: May 20, 2022
Genre(s)
Drama, Family, War
Keyword(s)
Family, Artza Productions, yes Studios, TV Shows from 2022, Movies from Israel, English Language, Arabic Language, Hebrew Language, GLAAD Media Awards Nominees,
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Michael Aloni
Gabriel Ermoza
Itzik Cohen
Avraham
Yuval Scharf
Rochel
Mali Levi
Victoria Franco
Hila Saada
Rosa Ermoza
Swell Ariel Or
Luna Ermoza
Director(s)
Writer(s)
Executive(s)
NA
Awards & Nominations
NA
Synopsis (Warning: Spoilers!)
(Click to Visit)
(Click to Visit)
Wikipedia:
Rotten Tomatoes: https://www.rottentomatoes.com/tv/the_beauty_queen_of_jerusalem
Coming soon…
66%
The Great Ziegfeld (1936)
RT Audience Score: 50%
Awards & Nominations: NA
This biopic is undeniably stylish, but loses points for excessive length, an overreliance on clichés, and historical inaccuracies
The Great Ziegfeld is a film that’s as lavish as a Kardashian wedding, but with more substance. Sure, it’s a bit long, but it’s worth it to see Luise Rainer shine as Anna Held. And let’s be real, who doesn’t love a good spectacle? It’s like a three-hour escape from reality, and who doesn’t need that these days? So grab some popcorn, settle in, and enjoy the show.
Production Company(ies)
Columbia Pictures,
Distributor
Metro-Goldwyn-Mayer
Release Type
Theatrical
Filming Location(s)
MPAA / Certificate
Passed
Year of Release
1936
-
Color:Color
Black and White -
Sound mix:Dolby
-
Aspect ratio:1.37 : 1
-
Runtime:2h 54m
-
Language(s):
-
Country of origin:United States
-
Release date:Release Date (Theaters): Apr 8, 1936 Original
Release Date (Streaming): Feb 3, 2004
Genre(s)
Musical
Keyword(s)
starring William Powell, Luise Rainer, Myrna Loy, Frank Morgan, Fanny Brice, Virginia Bruce, directed by Robert Z Leonard, written by William Anthony McGuire, produced by Hunt Stromberg, musical, biopic, theater producer, Ziegfeld Follies, Broadway, love triangle, actresses, historical inaccuracies, excessive length, overreliance on clichés, critic reviews, Tomatometer, box office performance, budget, MPAA rating, musical numbers, lavish stage productions, women, costumes, set designs, real-life Ziegfeld players, authenticity, spectacle, soap opera, drawn-out, routine, decently fun, entertaining
Worldwide gross: NA
Worldwide gross (inflation-adjusted): NA
Worldwide gross ranking (inflation-adjusted): NA
Worldwide tickets sold (est.): NA
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Luise Rainer – Anna Held
Myrna Loy – Billie Burke
Frank Morgan – Jack Billings
Fanny Brice – Self
Virginia Bruce – Audrey Dane
Director(s)
Robert Z. Leonard
Writer(s)
NA
Producer(s)
Hunt Stromberg
Film Festivals
Awards & Nominations
NA
Academy Awards
Oscar Best Picture Winners, Oscar Winners
All Critics (65) | Top Critics (19) | Fresh (47) | Rotten (18)
Too glib for real life, it is persuasive for all that — possibly just because of that.
February 18, 2022
Otis Ferguson
The New Republic
TOP CRITIC
The representation of this greatness is done with such consistent loud-pedalling that the picture lacks climax as much as it needs relief.
December 2, 2021
Robert Herring
Guardian
TOP CRITIC
For sheer lavishness, attention to detail, honesty of purpose, The Great Ziegfeld is to be commended. Where the picture falls down — hard! — is in its fulsomeness.
December 2, 2021
Mae Tinee
Chicago Tribune
TOP CRITIC
Of course, it’s swell to look at — or swollen — like a glorified goldfish; but then, if you examine it, its tail falls right off. One might perhaps keep it in a glass case — which is more than you could do with this dead whale here.
December 2, 2021
John Marks
Sight & Sound
TOP CRITIC
Luise Rainer, the Viennese actress, is a risen star as Ziegfeld’s first wife, Anna Held. Gay as a butterfly, temperamental as an April day, she is the outstanding actress in the film.
December 2, 2021
Ian Coster
London Evening Standard
TOP CRITIC
Its cast is skillfully selected. Although Powell does his tremendous task well, I am sure Luise Rainer as Anna Held will be as long remembered.
December 1, 2021
Colvin McPherson
St. Louis Post-Dispatch
TOP CRITIC
A work that dazzles, and is decidedly a smash hit wherever it goes. [Full review in Spanish]
July 1, 2022
Eduardo Guaitsel
Cine-Mundial
For the greater part, The Great Ziegfeld is sentiment; for the remainder, spectacle. It is an unbeatable combination and MGM has seen fit to give it a more substantial claim in good casting.
December 3, 2021
Ruth Lewis
Austin American-Statesman
Few films have been more lavish than this one… but since it can be doubted that Ziegfeld was either the Shakespeare or the Leonardo he is represented to have been, it can also be doubted that the money was well spent.
December 3, 2021
Mark Van Doren
The Nation
I think that three hours and five minutes is too long for any picture. The Great Ziegfeld suffers, too, from the fact that its most exciting sequence comes plumb in the middle.
December 3, 2021
C.A. Lejeune
Observer (UK)
There is no picture to equal it for lavishness, beauty, and all-around entertainment; and not once during the three hours that it runs does it become boresome.
December 2, 2021
P.S. Harrison
Harrison’s Reports
In comparison, no previous music dance spectacle, no matter how elaborately produced, approaches it from a standpoint of sheer brilliance and beauty.
December 2, 2021
MPH Staff
Motion Picture Herald (Exhibitors Herald)…
Plot
At the 1893 Chicago World’s Fair, sideshow barker Flo Ziegfeld turns the tables on his more successful neighbor Billings, and steals his girlfriend to boot. This pattern is repeated throughout their lives, as Ziegfeld makes and loses many fortunes putting on ever bigger, more spectacular shows (sections of which appear in the film). French revue star Anna Held becomes his first wife, but it’s not easy being married to the man who “glorified the American girl.” Late in life, now married to Billie Burke, he seems to be all washed up, but…
Trivia
Goofs / Tidbits
The cast includes William Powell, Luise Rainer, Myrna Loy, and Frank Morgan.
Robert-Z.-Leonard.jpg
66%
Most Dangerous Game Season: 2
RT Audience Score: 60%
Peacock, Sister
Year of Release
2020
Technical Specs
Color: Color
Sound mix: Stereo
Aspect ratio: 16:9 HD
Language(s): English
Country of origin: United States
Release date: Apr 6, 2020
Genre(s)
Action, Action/Adventure, Adventure, Drama, Thriller, War
Keyword(s)
Action/Adventure Digital Drama, Serialized Drama Digital Drama, Thriller, CBS Studios, Movies from United States, English Language, NAACP Image Awards Winners, 2+ Ethnicity Lead Cast, Latin/Hispanic Lead Cast, Latin/Hispanic Lead Cast
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Liam Hemsworth
Dodge Maynard
Christoph Waltz
Miles Sellers
Sarah Gadon
Val
Zach Cherry
Looger
Aaron Poole
Billy Burke
Director(s)
Writer(s)
Executive(s)
NA
Awards & Nominations
NA
Synopsis (Warning: Spoilers!)
(Click to Visit)
(Click to Visit)
Wikipedia:
Rotten Tomatoes: https://www.rottentomatoes.com/tv/most_dangerous_game
Coming soon…