Rambo: First Blood Part II (1985)
60%RT Audience Score: 60%
Awards & Nominations: Nominated for 1 Oscar
5 wins & 5 nominations total
First Blood Part II offers enough mayhem to satisfy genre fans, but remains a regressive sequel that turns its once-compelling protagonist into just another muscled action berserker
Rambo: First Blood Part II is the kind of movie that’s so over-the-top, you can’t help but love it. Sure, the plot is a bit ridiculous and the action scenes are completely implausible, but who cares when you have Sylvester Stallone flexing his muscles and blowing things up left and right? It’s like a Saturday afternoon serial on steroids, and it’s impossible not to get caught up in the sheer ridiculousness of it all. Plus, the doggy cliches are just the cherry on top of this glorious trash heap of a movie.
Production Company(ies)
Dreamworks Pictures, Paramount Pictures, Amblin Entertainment,
Distributor
Artisan Entertainment, Image Entertainment Inc., TriStar Pictures
Release Type
Theatrical
Filming Location(s)
Acapulco, Guerrero, Mexico
MPAA / Certificate
R
Year of Release
1985
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:2.35 : 1
-
Runtime:1h 35m
-
Language(s):English, Vietnamese, Russian
-
Country of origin:United States
-
Release date:Release Date (Theaters): May 24, 1985 Wide
Release Date (Streaming): Nov 23, 2004
Genre(s)
Action/Adventure
Keyword(s)
starring Sylvester Stallone, Richard Crenna, Julia Nickson, Charles Napier, Steven Berkoff, Martin Kove, directed by George P Cosmatos, written by Kevin Jarre, Sylvester Stallone, James Cameron, action, adventure, R-rated, box office gross $150.2M, reviewed by Ian Nathan, Gene Siskel, Stanley Kauffmann, Radheyan Simonpillai, Variety Staff, Keith Uhlich, Eleanor O’Sullivan, Mike Massie, Matt Brunson, David Elliott, Adrian Massanet, PTSD, Vietnam War, American prisoners of war, reconnaissance, martial arts, explosions, gunfire, rescue mission, betrayal, revenge, love, anti-communism, 80s action hero, presidential pardon, covert mission, missing Vietnam POWs, failed reintegration of Vietnam vets, extreme action sequences, warlike setting, sad and satisfying ending, Artisan Entertainment, Image Entertainment Inc., TriStar Pictures, Surround, Stereo, Dolby SR
Worldwide gross: $300,400,432
Worldwide gross (inflation-adjusted): $848,479,477
Worldwide gross ranking (inflation-adjusted): 133
Worldwide tickets sold (est.): 92,527,751
US/Canada gross: $150,415,432
US/Canada gross (inflation-adjusted): $424,847,615
US/Canada gross ranking (inflation-adjusted): 102
US/Canada opening weekend: $20,176,217
US/Canada opening weekend (inflation-adjusted): $56,987,621
US/Canada opening weekend ranking (inflation-adjusted): 192
Budget and Earnings Details
Production budget (est.): $44,000,000
Production budget (inflation-adjusted): $124,277,774
Production budget ranking: 297
Marketing and distribution budget (inflation-adjusted est.): $66,923,581
Box office net earnings to date (inflation-adjusted est.): $657,278,122
ROI to date (est.): 344%
ROI ranking: 406
Richard Crenna – Col. Samuel Trautman
Julia Nickson – Co Bao
Charles Napier – Marshall Murdock
Steven Berkoff – Lt. Col. Podovsky
Martin Kove – Ericson
Director(s)
George P. Cosmatos
Writer(s)
Kevin Jarre, Sylvester Stallone, James Cameron
Producer(s)
Buzz Feitshans
Film Festivals
Awards & Nominations
Nominated for 1 Oscar
5 wins & 5 nominations total
Academy Awards
Oscar Nominees
All Critics (43) | Top Critics (9) | Fresh (14) | Rotten (29)
Reappraisal is not due.
April 17, 2019 | Rating: 2/5
Ian Nathan
Empire Magazine
TOP CRITIC
So powerful and intoxicating is this kind of movie hero that when we see him operating in a flaw-riddled movie like ”Rambo” we realize that heroic action can override almost any script.
April 17, 2019 | Rating: 3/4
Gene Siskel
Chicago Tribune
TOP CRITIC
In credibility, the action is as ludicrous as old Saturday-afternoon serials; in execution, the skills help it to skate over the incredibilities.
April 11, 2016
Stanley Kauffmann
The New Republic
TOP CRITIC
What makes this icon so significant is how wholly he was embraced by the Reagan era. After all, it only seems natural to respond to B-movie action stars when your president was one as well.
June 7, 2010 | Rating: 51/100
Radheyan Simonpillai
AskMen.com
TOP CRITIC
This overwrought sequel to the popular First Blood (1982) is one mounting fireball.
March 26, 2009
Variety Staff
Variety
TOP CRITIC
Rambo’s significant beefcake factor is so pronounced in First Blood: Part II that it practically begs to be taken as queer-baiting camp.
June 14, 2008
Keith Uhlich
UGO
TOP CRITIC
Mountains, mud, mutilation and mortars can’t keep Rambo down, but a heavyhanded plot, unrelenting violence and a screeching soundtrack deliver pummeling blows to viewers.
August 13, 2021
Eleanor O’Sullivan
Asbury Park Press (NJ)
Though it sacrifices the original film’s brooding style and moral complexities for nonstop action, this second chapter manages to remain surprisingly entertaining.
September 7, 2020 | Rating: 5/10
Mike Massie
Gone With The Twins
A tedious action yarn.
September 22, 2019 | Rating: 2/4
Matt Brunson
Film Frenzy
From its whip ’em up music to its doggy cliches, the movie is a rubbish pile. Even the vaunted action scenes… don’t show fresh verve or tactical flair. They’re just stunts with big price tags.
July 19, 2019
David Elliott
Copley News Service
Stallone, an often terribly misused actor, embroiders a very physical role, very demanding, emanating fear and pain at the same time, something more difficult to do than it seems. [Full Review in Spanish]
April 17, 2019
Adrian Massanet
Espinof
The result is entertaining if implausible as Stallone flexes his muscles for some cartoon-like heroics, rescuing American prisoners in Vietnam but discovering that he’s considered as expendable as the men he’s trying to save.
April 17, 2019 | Rating: 3/5
Tom Hutchinson
Radio Times…
Plot
Only a few years after the all-out guerrilla war in First Blood (1982), John Rambo’s former commanding officer, Colonel Sam Trautman, pulls him out of jail, only to send him back to a place he swore never to return: the impenetrable jungles of Vietnam. Entrusted with the dangerous task of collecting evidence that American POWs are still being held captive, Rambo agrees to infiltrate the unknown zone, and before long, he finds himself double-crossed, marooned behind the enemy lines. Once, John fought for his country. Now, the government has left him for dead in a Soviet-infested land. Can Rambo fulfil his suicide mission? Will he deliver his lethal justice?
Trivia
Goofs / Tidbits
There is no goofy or funny or odd comment about the film Rambo: First Blood Part II on Fresh Kernels.
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60%
Never Say Never Again (1983)
60%RT Audience Score: 37%
Awards & Nominations: 1 win & 3 nominations
While the rehashed story feels rather uninspired and unnecessary, the return of both Sean Connery and a more understated Bond make Never Say Never Again a watchable retread
Never Say Never Again is the Bond movie that proves you can teach an old dog new tricks. Sean Connery’s return to the role is like a fine wine that only gets better with age. Sure, it’s a retread of Thunderball, but who cares when you have Connery’s grave stylishness and pleasing sense of irony? It’s a shame they didn’t take more risks, but hey, it’s still superb entertainment. Plus, it’s Bond, James Bond.
Production Company(ies)
Charles Chaplin Productions,
Distributor
NA
Release Type
Theatrical
Filming Location(s)
Malta
MPAA / Certificate
PG
Year of Release
1983
-
Color:Color
-
Sound mix:70 mm 6-Track
-
Aspect ratio:2.39 : 1
-
Runtime:NA
-
Language(s):English, French, Spanish, Arabic
-
Country of origin:United States
-
Release date:Release Date (Streaming): Mar 24, 2009
Genre(s)
Action
Keyword(s)
starring Sean Connery, Klaus Maria Brandauer, Barbara Carrera, Max von Sydow, Kim Basinger, Bernie Casey, Edward Fox, directed by Irvin Kershner, written by Lorenzo Semple Jr., produced by Jack Schwartzman, action, PG, James Bond, espionage, nuclear missiles, SPECTRE, British Intelligence, Sean Connery as James Bond, Klaus Maria Brandauer as Maximilian Largo, Barbara Carrera as Fatima Blush, Max von Sydow as Ernst Stavro Blofeld, Kim Basinger as Domino Petachi, Bernie Casey as Felix Leiter, reviewed by Gary Arnold, Janet Maslin, William Thomas, Dave Kehr, Richard Schickel, Variety Staff, Eddie Harrison, Matt Brunson, Jake Tropila, Mike Massie, Richard Holliss, John Brosnan
Worldwide gross: $55,432,841
Worldwide gross (inflation-adjusted): $169,622,148
Worldwide gross ranking (inflation-adjusted): 784
Worldwide tickets sold (est.): 18,497,508
US/Canada gross: $55,432,841
US/Canada gross (inflation-adjusted): $169,622,148
US/Canada gross ranking (inflation-adjusted): 450
US/Canada opening weekend: $10,958,157
US/Canada opening weekend (inflation-adjusted): $33,531,497
US/Canada opening weekend ranking (inflation-adjusted): 395
Budget and Earnings Details
Production budget (est.): $36,000,000
Production budget (inflation-adjusted): $110,158,477
Production budget ranking: 345
Marketing and distribution budget (inflation-adjusted est.): $59,320,340
Box office net earnings to date (inflation-adjusted est.): $143,331
ROI to date (est.): 0%
ROI ranking: 1,395
Klaus Maria Brandauer – Maximilian Largo
Barbara Carrera – Fatima Blush
Max von Sydow – Ernst Stavro Blofeld
Kim Basinger – Domino Petachi
Bernie Casey – Felix Leiter
Director(s)
Irvin Kershner
Writer(s)
Lorenzo Semple Jr.
Producer(s)
Jack Schwartzman
Film Festivals
Awards & Nominations
1 win & 3 nominations
Academy Awards
All Critics (54) | Top Critics (10) | Fresh (38) | Rotten (16)
Never Say Never Again is the best acted Bond picture ever made, because it clearly surpasses any predecessors in the area of inventive and clever character delineation.
September 9, 2015
Gary Arnold
Washington Post
TOP CRITIC
In Never Say Never Again, the formula is broadened to accommodate an older, seasoned man of much greater stature, and Mr. Connery expertly fills the bill.
October 23, 2012
Janet Maslin
New York Times
TOP CRITIC
[Connery] does at least handle the whole charade, a retread of Thunderball, with a pleasing sense of irony as he reacquaints himself with old adversary Blofeld (Von Sydow) and thwarts SPECTRE’s plans.
October 13, 2008 | Rating: 3/5
William Thomas
Empire Magazine
TOP CRITIC
Without absolute conviction, no action film can survive: if there’s no belief, there’s no danger.
October 13, 2008
Dave Kehr
Chicago Reader
TOP CRITIC
It is good to see Connery’s grave stylishness in this role again. It makes Bond’s cynicism and opportunism seem the product of genuine worldliness (and world weariness) as opposed to Roger Moore’s mere twirpishness.
October 13, 2008
Richard Schickel
TIME Magazine
TOP CRITIC
After a 12-year hiatus, Sean Connery is back in action as James Bond. The new entry marks something of a retreat from the far-fetched technology of many of the later Bonds in favor of intrigue and romance.
October 13, 2008
Variety Staff
Variety
TOP CRITIC
Never Say Never Again does have some points of interest, and is certainly no worse that some of the later Moore efforts
April 30, 2022 | Rating: 3/5
Eddie Harrison
film-authority.com
This is basically Thunderball under a new moniker. It bests its predecessor in most regards.
September 25, 2021 | Rating: 3/4
Matt Brunson
Film Frenzy
The film stands up well on its own, and there’s the added value of Connery, gifted with one last go at the role that catapulted him to superstardom.
July 16, 2021
Jake Tropila
Film Inquiry
It may be Bond, but without the use of the gun barrel graphics, the booming theme music, and the opening title silhouettes of nude figures, it just doesn’t feel the same.
September 6, 2020 | Rating: 2/10
Mike Massie
Gone With The Twins
Adding together a marvellous array of sophistication, comedy and action. Never Say Never Again is superb entertainment.
June 29, 2020
Richard Holliss
Starburst
Overall I liked Never Say Never Again but it fell far short of the movie it could have been. The makers should have been more adventurous instead of simply trying to beat Broccoli at his own game.
June 29, 2020
John Brosnan
Starburst…
Plot
S.P.E.C.T.R.E. Agents under the command of Ernst Blofeld infiltrate a U.S. Air Force base situated in the U.K. and steal two Tomahawk cruise missiles. When N.A.T.O. is held ransom, the British re-activate their “00” Agents and send James Bond to recapture the warheads and kill Blofeld.
Trivia
Goofs / Tidbits
Fresh Kernels notes that Sean Connery returns as James Bond in Never Say Never Again, marking his last go at the role that catapulted him to superstardom.
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60%
Cruising (1980)
60%RT Audience Score: 49%
Awards & Nominations: 5 nominations
Cruising glides along confidently thanks to filmmaking craft and Al Pacino’s committed performance, but this hot-button thriller struggles to engage its subject matter sensitively or justify its brutality
Cruising is a movie that’s been around for a while, and it seems like everyone has an opinion on it. Some people think it’s a work of art, while others think it’s ugly and mean. Personally, I think it’s a bit of both. The movie is definitely not for everyone, but if you’re into giallo and want to see a snapshot of queer nightlife in New York City before the AIDS epidemic, then it’s worth checking out. Just be prepared for some laughable loopholes and sluggish, repetitive scenes. Overall, I’d give it a solid 3 out of 5 stars.
Production Company(ies)
Carolco Pictures, Pacific Western Lightstorm Entertainment,
Distributor
United Artists
Release Type
Theatrical
Filming Location(s)
Hotel St. James, 109 West 45th Street, Manhattan, New York City, New York, USA
MPAA / Certificate
R
Year of Release
1980
-
Color:Color
-
Sound mix:Mono
-
Aspect ratio:1.85 : 1
-
Runtime:1h 46m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Feb 8, 1980 Wide
Release Date (Streaming): Sep 18, 2007
Genre(s)
Lgbtq+
Keyword(s)
starring Al Pacino, Paul Sorvino, Karen Allen, Richard Cox, Don Scardino, Joe Spinell, directed by William Friedkin, written by William Friedkin, Gerald Walker, LGBTQ+, thriller, New York City, gay clubs, murder, detective, S&M, subculture, homophobia, brutality, psychopath, violence, committed performance, filmmaking craft, box office performance, budget, reviewed by Anton Bitel, Charles Champlin, Bruce McCabe, Roger Ebert, Frank Rich, Dave Kehr, Philip Shehadi, Tom Huhn, Jason Shawhan, Marina Hirsch, MPAA rating R, produced by Jerry Weintraub, United Artists, aspect ratio Flat (1.85:1)
Worldwide gross: $19,814,523
Worldwide gross (inflation-adjusted): $74,469,697
Worldwide gross ranking (inflation-adjusted): 1,163
Worldwide tickets sold (est.): 8,121,014
US/Canada gross: $19,784,223
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): $11,000,000
Production budget (inflation-adjusted): $41,341,730
Production budget ranking: 934
Marketing and distribution budget (inflation-adjusted est.): $22,262,522
Box office net earnings to date (inflation-adjusted est.): $10,865,445
ROI to date (est.): 17%
ROI ranking: 1,308
Paul Sorvino – Capt. Edelson
Karen Allen – Nancy Gates
Richard Cox – Stuart Richards
Don Scardino – Ted Bailey
Joe Spinell – Patrolman DiSimone
Director(s)
William Friedkin
Writer(s)
William Friedkin, Gerald Walker
Producer(s)
Jerry Weintraub
Film Festivals
Awards & Nominations
5 nominations
Academy Awards
All Critics (58) | Top Critics (15) | Fresh (29) | Rotten (29)
Here Steve’s ‘undercover’ status serves as a metaphor for his closetedness (and vice versa) – while murder is committed at the behest of an internalised paternal voice of authority that regards homosexuality as a guilt that must be bloodily expunged.
August 19, 2019
Anton Bitel
Little White Lies
TOP CRITIC
The principal complaint, artistically, about Cruising is that it is not very clear at the rudimentary level of exposition of character and event. The problem… is in a script that never seems sure enough what it wants to say or prove.
April 29, 2019
Charles Champlin
Los Angeles Times
TOP CRITIC
William Friedkin’s Cruising is a work of art.
April 27, 2018
Bruce McCabe
Boston Globe
TOP CRITIC
What we’re left with is a movie without the courage to declare itself.
June 9, 2014 | Rating: 2.5/4
Roger Ebert
Chicago Sun-Times
TOP CRITIC
This detective melodrama has something to offend almost everyone.
June 9, 2014
Frank Rich
TIME Magazine
TOP CRITIC
What’s left is the framework for a graphic, brutal, sickening film, without the violent effects that might have made sense (however illegitimate) out of the conception.
June 9, 2014
Dave Kehr
Chicago Reader
TOP CRITIC
I don’t think it poses the massive threat to gay lives and sanity some writers have anticipated. But Cruising [is] part of a larger picture: its homophobia does not stand alone in the history of American cinema, and that’s where the greatest danger lies.
May 24, 2022
Philip Shehadi
Gay Community News (Boston)
The film is ugly and mean, but art is fundamentally a search for the truth, and when the vision starts to become unpalatable, is it suddenly right for us to complain?
May 12, 2022
Tom Huhn
Washington Blade
At its best, this William Friedkin effort is an American giallo and a document of a community just before HIV/AIDS came along and demolished it.
September 10, 2021
Jason Shawhan
Nashville Scene
…sluggish and disastrously repetitive…
June 12, 2021 | Rating: 2/4
David Nusair
Reel Film Reviews
Cruising is rife with laughable loopholes.
February 3, 2021
Marina Hirsch
Berkeley Barb
A fascinating entry in Friedkin’s oeuvre that works best when it’s immersed in New York City’s queer nightlife and less so when it gets bogged down in dull police shenanigans.
December 30, 2020 | Rating: 3.5/5
Trace Thurman
Horror Queers Podcast…
Plot
A serial killer brutally slays and dismembers several gay men in New York’s S&M and leather districts. The young police officer Steve Burns is sent undercover onto the streets as decoy for the murderer. Working almost completely isolated from his department, he has to learn and practice the complex rules and signals of this little society. While barely seeing his girlfriend Nancy anymore, the work starts changing him.
Trivia
Goofs / Tidbits
The film stars Al Pacino as Detective Steve Burns.
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60%
Moonraker (1979)
60%RT Audience Score: 43%
Awards & Nominations: Nominated for 1 Oscar
1 win & 6 nominations total
Featuring one of the series’ more ludicrous plots but outfitted with primo gadgets and spectacular sets, Moonraker is both silly and entertaining
Moonraker is like a space-themed carnival ride that you can’t help but enjoy. Sure, it’s a bit silly and over-the-top, but that’s what makes it so fun. The gadgets are cool, the stunts are impressive, and the sets are out of this world (literally). Plus, who doesn’t love a good Jaws appearance? It may not be the best Bond movie out there, but it’s definitely worth a watch for some lighthearted entertainment.
Production Company(ies)
Les Films, du Cru Film4 Orange Studio
Distributor
United Artists, MGM/UA Home Entertainment Inc., CBS/Fox
Release Type
Theatrical
Filming Location(s)
Château de Guermantes, Seine-et- Marne, France
MPAA / Certificate
PG
Year of Release
1979
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:2.39 : 1
-
Runtime:2h 6m
-
Language(s):English, Italian, Portuguese
-
Country of origin:United States
-
Release date:Release Date (Theaters): Jun 29, 1979 Wide
Release Date (Streaming): Dec 12, 2006
Genre(s)
Action
Keyword(s)
starring Roger Moore, Lois Chiles, Michael Lonsdale, Richard Kiel, Corinne Clery, Bernard Lee, directed by Lewis Gilbert, written by Ian Fleming, Christopher Wood, action, PG, James Bond, gadgets, space, CIA, industrialist, global genocide, hijacking, American space shuttle, life-or-death struggle, power-mad, spectacular sets, reviewed by Gary Arnold, Variety Staff, Frank Rich, Ian Nathan, Dave Kehr, Chris Auty, Tom Huhn, Matt Brunson, Alistair Lawrence, Jake Tropila, Mike Massie, Kelechi Ehenulo, PG-rated, spy adventure, sound mix, magnetic stereo 6 track, Dolby Stereo, surround, aspect ratio, scope (2.35:1), United Artists, MGM/UA Home Entertainment Inc., CBS/Fox, produced by Albert R Broccoli
Worldwide gross: $210,308,099
Worldwide gross (inflation-adjusted): $914,569,597
Worldwide gross ranking (inflation-adjusted): 113
Worldwide tickets sold (est.): 99,734,961
US/Canada gross: $70,308,099
US/Canada gross (inflation-adjusted): $305,749,755
US/Canada gross ranking (inflation-adjusted): 184
US/Canada opening weekend: $7,108,344
US/Canada opening weekend (inflation-adjusted): $30,912,149
US/Canada opening weekend ranking (inflation-adjusted): 441
Budget and Earnings Details
Production budget (est.): $34,000,000
Production budget (inflation-adjusted): $147,856,247
Production budget ranking: 224
Marketing and distribution budget (inflation-adjusted est.): $79,620,589
Box office net earnings to date (inflation-adjusted est.): $687,092,760
ROI to date (est.): 302%
ROI ranking: 459
Lois Chiles – Dr. Holly Goodhead
Michaël Lonsdale – Hugo Drax
Richard Kiel – Jaws
Corinne Clery – Corinne Dufour
Bernard Lee – M
Director(s)
Lewis Gilbert
Writer(s)
Ian Fleming, Christopher Wood
Producer(s)
Albert R. Broccoli
Film Festivals
Awards & Nominations
Nominated for 1 Oscar
1 win & 6 nominations total
Academy Awards
Oscar Nominees
All Critics (54) | Top Critics (11) | Fresh (32) | Rotten (22)
Moonraker, the newest James Bond spectacle, is a cheerful, splashy entertainment. The curators of the Bond museum do not surpass themselves with this exhibition, the 11th in the series, but they haven’t fallen down on the job either.
October 6, 2015
Gary Arnold
Washington Post
TOP CRITIC
Christopher Wood’s script takes the characters exactly where they always go in a James Bond pic and the only question is whether the stunts and gadgets will live up to expectations. They do.
October 13, 2008
Variety Staff
Variety
TOP CRITIC
Broccoli just keeps piling on the goodies: lush Ken Adam sets, gadgetry and gams galore, super stunts and effects.
October 13, 2008
Frank Rich
TIME Magazine
TOP CRITIC
Bond meets Star Wars in one of the series’ sillier outings.
October 13, 2008 | Rating: 2/5
Ian Nathan
Empire Magazine
TOP CRITIC
Lewis Gilbert directed, but the real auteur of the series is production designer Ken Adam, whose spectacular chrome and plastic sets define Bond’s world and technological ethic.
October 13, 2008
Dave Kehr
Chicago Reader
TOP CRITIC
The space-age plot is spread dangerously thin, the fights all tend to slapstick, and the wanton destruction has become rather too predictable. But it’s held together by likeable performances.
June 24, 2006
Chris Auty
Time Out
TOP CRITIC
Moonraker has the same trappings as the earlier movies, but little of the spirit.
May 20, 2022
Tom Huhn
Washington Blade
Yes, the final half-hour is utterly ridiculous, but the earthbound portion has much to recommend it.
September 25, 2021 | Rating: 3/4
Matt Brunson
Film Frenzy
Vintage Bond has violence, innuendo, sexism, and peril.
December 4, 2020 | Rating: 3/5
Alistair Lawrence
Common Sense Media
Frequently entertaining and grandiloquent in equal measure, Moonraker’s overblown excess is a total joy.
October 3, 2020
Jake Tropila
Film Inquiry
For the majority of the time, Bond and Goodhead seem quite pleased with their skills – and face very little serious adversity, even when regularly cornered by Jaws.
August 30, 2020 | Rating: 4/10
Mike Massie
Gone With The Twins
Bond in space – that is all.
July 16, 2020 | Rating: 2/5
Kelechi Ehenulo
Confessions From A Geek Mind…
Plot
James Bond is back for another mission and this time, he is blasting off into space. A spaceship travelling through space is mysteriously hijacked and Bond must work quickly to find out who was behind it all. He starts with the rockets creators, Drax Industries and the man behind the organization, Hugo Drax. On his journey he ends up meeting Dr. Holly Goodhead and encounters the metal-toothed Jaws once again.
Trivia
Goofs / Tidbits
There is no goofy or funny or odd comment about the film Moonraker on Fresh Kernels.
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