National Gallery

 

National Gallery (2014)

UNKNOWN
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Movie Reviews84%
NR
2014, Documentary, 3h 0m
RT Critics’ Score: 95% (BIAS DETECTED)
RT Audience Score: 71%
Awards & Nominations: 1 win & 9 nominations

 

Critics Consensus

Frederick Wiseman’s National Gallery is a stunning work that captures the essence of one of the world’s most prestigious art institutions. Wiseman’s fly-on-the-wall style is the perfect approach to cut through the surface of pretence that dominates any major institution’s vision of itself. The lack of a unifying theme may hold the documentary back from becoming truly excellent, but the film’s most fascinating moments pay tribute to the gallery’s technical prowess and craftsmanship. National Gallery is a snooty version of those BBC fly-on-the-wall series such as Airport, but it engages the mind and saturates the senses, making it less exhausting than a visit to the actual gallery. Wiseman’s simple Terence-like interest in what other human beings do and how they do it is more than enough to make this documentary a must-watch for art enthusiasts and documentary lovers alike.
 

Audience Consensus

National Gallery is like a fancy version of those reality TV shows where they follow people around and you get to see what they do all day. Except instead of following around some random person, you get to see what goes on behind the scenes at a major art institution. It’s pretty cool to see all the technical stuff that goes into preserving and displaying art, and it’s definitely less tiring than actually going to the gallery in person. Plus, you don’t have to worry about accidentally bumping into a priceless painting and getting kicked out.
 
Movie Trailer

Movie Info

Storyline

National Gallery is a documentary that follows the education programs, scholars, scientists, and curators who work and enjoy the National Gallery in London.

 
Production Company(ies)
Universal Pictures, Wing Nut Films, Big Primate Pictures,
 
Distributor
NA
 
Release Type
Theatrical, Theatrical (Limited)
 
Filming Location(s)
National Gallery, Trafalgar Square, St James’s, London, England, UK
 
MPAA / Certificate
Not Rated
 
Year of Release
2014
 

Technical Specs
  • Color:
    Color
  • Sound mix:
    Dolby
  • Aspect ratio:
    1.85 : 1
  • Runtime:
    NA
  • Language(s):
    English
  • Country of origin:
    United States
  • Release date:
    NA

 
Genre(s)
Documentary
 
Keyword(s)
documentary, National Gallery, Frederick Wiseman, Pierre-Olivier Bardet, Nicholas Penny, Larry Keith, Luke Syson, Dawson Carr, Ashok Roy, David Jaffe, education programs, scholars, scientists, curators, London, art, paintings, institutions, fly-on-the-wall, observational, technical prowess, craftsmanship, self-expression, storytelling, insightful observation, box office, gross USA, budget, reviewed by Isabel Stevens, Alexandra Heller-Nicholas, Nicole Armour, Jake Wilson, Matthew Lickona, Michael Atkinson, David Walsh, C.J Prince, Charles Mudede, Kiva Reardon, Peter Labuza, MPAA rating, producer, directed by, written by, starring
 

Box Office Details

Worldwide gross: $354,971
Worldwide gross (inflation-adjusted): $443,624
Worldwide gross ranking (inflation-adjusted): 2,764
Worldwide tickets sold (est.): 48,378
 
US/Canada gross: $253,941
US/Canada gross (inflation-adjusted): $317,362
US/Canada gross ranking (inflation-adjusted): 2,445
US/Canada opening weekend: $10,049
US/Canada opening weekend (inflation-adjusted): $12,559
US/Canada opening weekend ranking (inflation-adjusted): 2,658
 
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA

 
Movie Cast & Crew

Cast & Crew

Nicholas PennyLarry KeithLuke SysonDawson CarrAshok Roy
Nicholas Penny
Larry Keith
Luke Syson
Dawson Carr
Ashok Roy
Nicholas Penny
Larry Keith
Luke Syson
Dawson Carr
Ashok Roy
Nicholas Penny – self
Larry Keith – self
Luke Syson – self
Dawson Carr – self
Ashok Roy – self
David Jaffe – self
Pierre-Olivier Bardet – producer
Frederick Wiseman – director, producer

 

Frederick WisemanNAPierre-Olivier BardetFrederick Wiseman
Frederick Wiseman
NA
Pierre-Olivier Bardet
Frederick Wiseman
Director
Writer
Producer
Producer
Producer

Director(s)
Frederick Wiseman
 
Writer(s)
NA
 
Producer(s)
Pierre-Olivier Bardet, Frederick Wiseman

 
Movie Reviews & Awards
Film Festivals
Cannes, Toronto
 
Awards & Nominations
1 win & 9 nominations
 
Academy Awards

 

Top Reviews
Isabel StevensAlexandra Heller-NicholasNicole ArmourJake WilsonMatthew Lickona
Isabel Stevens
Alexandra Heller-Nicholas
Nicole Armour
Jake Wilson
Matthew Lickona
Sight & Sound
The Blue Lenses
Film Comment Magazine
Sydney Morning Herald
San Diego Reader
NATIONAL GALLERY
 All Critics (66) | Top Critics (39) | Fresh (63) | Rotten (3)
 Some of the film’s most fascinating moments pay tribute to the gallery’s technical prowess and craftsmanship.
 
 August 27, 2018
 
 Isabel Stevens
 Sight & Sound
 TOP CRITIC
 Wiseman’s fly-on-the-wall style is the perfect formal approach to cut through the surface of pretence that dominates any kind of major institution’s vision of itself, and it is this fascination with institutions that has marked Wiseman’s lengthy career.
 
 August 25, 2018
 
 Alexandra Heller-Nicholas
 The Blue Lenses
 TOP CRITIC
 The film upholds the belief that the commonalities of self-expression, storytelling, and insightful observation reverberate through time.
 
 August 3, 2015
 
 Nicole Armour
 Film Comment Magazine
 TOP CRITIC
 To say Frederick Wiseman makes observational documentaries is like saying Alfred Hitchcock made thrillers — accurate, but not the heart of the matter.
 
 March 6, 2015 | Rating: 4/5
 
 Jake Wilson
 Sydney Morning Herald
 TOP CRITIC
 At three hours, the result is long, but perhaps less exhausting than a visit to the actual gallery, because of how thoroughly the mind is engaged even as the senses are saturated.
 
 February 5, 2015 | Rating: 4/5
 
 Matthew Lickona
 San Diego Reader
 TOP CRITIC
 We’re used to documentaries having a pedagogical or activist itinerary, but Wiseman’s have become fastidiously unpedantic — his simple Terence-like interest in what other human beings do and how they do it is more than enough.
 
 February 4, 2015
 
 Michael Atkinson
 Sight & Sound
 TOP CRITIC
 …a stunning work…
 
 July 8, 2020
 
 David Walsh
 World Socialist Web Site
 The lack of something unifying everything together thematically holds National Gallery back from becoming something truly excellent.
 
 June 8, 2019 | Rating: 7.5/10
 
 C.J. Prince
 Way Too Indie
 There is no explanation for this documentary, no obvious goals, nor a narrator to guide us. We just watch and listen. Also, National Gallery is Wiseman’s most beautiful documentary since La Danse,
 
 August 28, 2018
 
 Charles Mudede
 The Stranger (Seattle, WA)
 Wiseman does what he does best: creates a holistic sense of a place as an organic habitat rather than a mere organization.
 
 September 30, 2017
 
 Kiva Reardon
 Cinema Scope
 As National Gallery/ will show, paintings can communicate many things to many different people, and this latest institution makes for a unique look at the role of art in public life.
 
 June 6, 2016 | Rating: B
 
 Peter Labuza
 The Film Stage
 National Gallery is a snooty version of those BBC fly-on-the -wall series such as Airport.
 
 December 22, 2015 | Rating: 1/5
 
 Grant Rollings
 The Sun (UK)…

 
Movie Plot & More
Plot
National Gallery is a documentary that follows the education programs, scholars, scientists, and curators who work and enjoy the National Gallery in London.
 
Trivia

 
Goofs / Tidbits
National Gallery is a documentary film directed by Frederick Wiseman, featuring various scholars, scientists, and curators who work at the National Gallery in London.
 
Movie Links Wikipedia and Rotten Tomatoes

Links
Wikipedia: Go to Wiki
Rotten Tomatoes: Go to RT

 
Where to Watch

 
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