Efter brylluppet (After the Wedding) (2006)
RT Audience Score: 63%
Awards & Nominations: Nominated for 1 Oscar
9 wins & 17 nominations total
The cast brings After the Wedding’s melodramatic script to life, creating a movie that is emotionally raw and satisfying
After the Wedding is like a fancy dinner party where everyone is dressed to the nines and the food is exquisite, but there’s an underlying tension that makes you wonder if someone is going to throw a plate. The movie is beautifully shot and the performances are top-notch, but it’s not exactly a feel-good romp. Still, if you’re in the mood for some heavy drama and a few tears, this one is worth checking out. Just maybe don’t watch it right after a breakup or on a first date.
Production Company(ies)
Road Movies Filmproduktion, Argos Films, Westdeutscher Rundfunk
Distributor
NA
Release Type
Filming Location(s)
Mumbai, Maharashtra, India
MPAA / Certificate
Rated R for some language and a scene of sexuality
Year of Release
2007
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Color:Color
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Sound mix:Dolby SR Dolby Digital
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Aspect ratio:1.85 : 1
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Runtime:NA
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Language(s):Danish, Swedish, English, Hindi
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Country of origin:United States
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Release date:Release Date (Streaming): Jul 10, 2007
Genre(s)
Drama
Keyword(s)
starring Mads Mikkelsen, Rolf Lassgård, Sidse Babett Knudsen, Stine Fischer Christensen, Christian Tafdrup, Mona Malm, directed by Susanne Bier, written by Anders Thomas Jensen, drama, $1.5M box office, reviewed by Joumane Chahine, Josh Rosenblatt, Roger Moore, Jonathan F Richards, Eleanor Ringel Cater, Robert Denerstein, Debbie Lynn Elias, Harvey S Karten, Heather Huntington, Jean-François Vandeuren, Enrique Buchichio, Peter Calder, emotional, melodramatic, India, Denmark, street children, orphanage, businessman, wedding, dilemma, tragedy, Northern European restraint, Ingmar Bergman, human drama, mature, festival program, Dolby SRD, rated R, some language, a scene of sexuality, Sisse Graum Jørgensen produced
Worldwide gross: $11,632,723
Worldwide gross (inflation-adjusted): $16,664,666
Worldwide gross ranking (inflation-adjusted): 1,779
Worldwide tickets sold (est.): 1,817,303
US/Canada gross: $1,534,584
US/Canada gross (inflation-adjusted): $2,198,396
US/Canada gross ranking (inflation-adjusted): 2,013
US/Canada opening weekend: $47,311
US/Canada opening weekend (inflation-adjusted): $67,776
US/Canada opening weekend ranking (inflation-adjusted): 2,094
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Rolf Lassgård – Jørgen
Sidse Babett Knudsen – Helene
Stine Fischer Christensen – Anna
Christian Tafdrup – Christian
Mona Malm – Farmor (Grandmother)
Susanne Bier – Director
Sisse Graum Jørgensen – Producer
Anders Thomas Jensen – Writer
Director(s)
Susanne Bier
Writer(s)
Anders Thomas Jensen
Producer(s)
Sisse Graum Jørgensen
Film Festivals
Awards & Nominations
Nominated for 1 Oscar
9 wins & 17 nominations total
Academy Awards
All Critics (105) | Top Critics (42) | Fresh (92) | Rotten (13)
There’s nothing quite as devastating as tragedy treated with sharp and precise Northern European restraint.
November 19, 2013
Joumane Chahine
Film Comment Magazine
TOP CRITIC
Bier [is] the latest in a long line of filmmakers who have mastered the art of making movies about people we can all thank God we’re not.
June 2, 2007 | Rating: 3.5/5
Josh Rosenblatt
Austin Chronicle
TOP CRITIC
Lovely, dense and surprising.
May 31, 2007 | Rating: 5/5
Roger Moore
Orlando Sentinel
TOP CRITIC
One of the more interesting themes of this movie is the question of which is more important to a cause, the man or the money.
May 28, 2007
Jonathan F. Richards
Film.com
TOP CRITIC
Yes, they throw more than rice at this Wedding, but it’s all in service of an astutely observed and sometimes shattering human drama.
May 10, 2007 | Rating: B+
Eleanor Ringel Cater
Atlanta Journal-Constitution
TOP CRITIC
Bier’s not timid about tossing any number of volatile ingredients into an already-simmering pot.
May 4, 2007 | Rating: B
Robert Denerstein
Denver Rocky Mountain News
TOP CRITIC
Reminiscent of Ingmar Bergman with its substantive style, AFTER THE WEDDING provides a focused perspective of life.
November 6, 2019
Debbie Lynn Elias
Behind The Lens
Takes aim at the rich one percent though the movie is not as entertaining as the Danish version.
August 4, 2019 | Rating: B-
Harvey S. Karten
Shockya.com
As a critic, I don’t always have the luxury of choosing everything I see. And a lucky thing, too, because director Susanne Bier’s After the Wedding is making a strong argument that my instincts about Danish cinema are wrong wrong wrong.
August 21, 2008 | Rating: 8/10
Heather Huntington
ReelzChannel.com
Une oeuvre aussi sincère que les intentions de ses protagonistes qui épate par l’efficacité d’une mise en scènes dont les rouages se veulent entièrement au service du discours
August 20, 2008 | Rating: 7/10
Jean-François Vandeuren
Panorama
Un buen ejemplo de cómo se puede hacer una película madura y atrapante con el mismo argumento base de una telenovela mexicana.
March 19, 2008 | Rating: 3/5
Enrique Buchichio
Uruguay Total
A top-notch piece of work by a director whose richly authentic dramas are regular inclusions in festival programmes.
January 25, 2008 | Rating: 4/5
Peter Calder
New Zealand Herald…
Plot
Jacob Pederson lives in shanty surroundings in Bombay, India, and assists in the running of Anand Orphanage and School. He had attempted a number of projects to assist orphans, including child prostitutes – all quite in vain. He has adopted a young male orphan, Pramod, and takes special care of him. With growing pressure on the facilities, which is on the verge bankruptcy, the orphanage receives an offer of funding from wealthy Danish citizen, Jörgen, which may put an end to its problems. In order to obtain the money, Jacob must travel to Copenhagen, meet with Jörgen, get financial assistance, and be back to celebrate Pramod’s 8th birthday. He sets forth, is received by Christian Refner, an employee and future son-in-law of Jörgen. Jacob is shown all possible courtesy and even housed in a posh apartment. He subsequently meets with Jörgen, shows him video-tapes and submits that a few Kroner could really save several lives which would otherwise succumb to minor illnesses and infections. Jorgen views the videos, but does not display much interest. He invites Jacob to attend his daughter’s wedding. Jacob does attend the ceremony, is introduced to Helene, Jorgen’s wife; the bride, Anna; and Jorgen’s twins – Martin and Morten. After the wedding ceremony, Christian makes a speech. Quite unconventionally, Anna also decides to make a speech – it is this speech that will shatter Jacob’s world, slowly make him realize that this invitation to Copenhagen was a ploy to not only ensnare him but also prevent him from returning to India.
Trivia
Goofs / Tidbits
Nothing to add here about After the Wedding.
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