Close Encounters of the Third Kind

 

Close Encounters of the Third Kind (1977)

NEUTRAL
In-Theaters
Movie Reviews89%
NR
1977, Sci-fi, 2h 15m
RT Critics’ Score: 94% (UNBIASED)
RT Audience Score: 85%
Awards & Nominations: Won 1 Oscar
15 wins & 39 nominations total

 

Critics Consensus

Close Encounters of the Third Kind is deeply humane sci-fi exploring male obsession, cosmic mysticism, and music
 

Audience Consensus

Close Encounters of the Third Kind” is out of this world! Spielberg’s sci-fi masterpiece is a magic act with dramatic interludes that will leave you feeling reassured and enlightened. Sure, it’s a big ol’ mess of a movie, but it’s an extremely lovable one. The film’s power and intensity will grip you from start to finish, and who’s to say it couldn’t all actually happen tomorrow? This underrated masterpiece should be ranked amongst Spielberg’s greatest works. So, if you’re looking for a film that will move you, challenge you, provoke you, and ultimately reassure you that your life matters, then “Close Encounters” is the film for you!
 
Movie Trailer

Movie Info

Storyline

Two parallel stories are told. In the first, a group of research scientists from a variety of backgrounds are investigating the strange appearance of items in remote locations, primarily desert regions. In continuing their investigation, one of the lead scientists, a Frenchman named Claude Lacombe, incorporates the Kodály method of music education as a means of communication in their work. The response, in turn, at first baffles the researchers, until American cartographer David Laughlin deciphers the meaning of the response. In the second, electric company lineman and family man Roy Neary and single mother Jillian Guiler are among some individuals in Muncie, Indiana who experience some paranormal activity before some flashes of bright lights in the sky, which they believe to be a UFO. Roy becomes obsessed with what he saw, unlike some others, especially in some form of authority, who refuse to acknowledge their belief that it was a UFO in not wanting to appear crazy. That obsession both for Roy and Jillian is ratcheted up a notch when they begin to have a vision of a mound with vertical striations on its side as a key to what is going on. While the obsession negatively affects Roy’s life as he knows it in its entirety, Jillian knows she has to find the answer as to its meaning, especially as it relates to her only child, three year old Barry Guiler, who may be more attuned to what is happening than the adult figures around him. These two stories have the potential to intersect if Roy and Jillian can discover where they’ve seen that mound before, and if they can overcome what they believe to be the lies perpetrated by those in authority in covering up what is going on.

 
Production Company(ies)
Pixar Animation Studios, Walt Disney Pictures,
 
Distributor
Columbia Pictures
 
Release Type
Theatrical, Theatrical (Limited)
 
Filming Location(s)
Devils Tower National Monument, Wyoming, USA
 
MPAA / Certificate
PG
 
Year of Release
1977
 

Technical Specs
  • Color:
    Color
  • Sound mix:
    Dolby
  • Aspect ratio:
    2.39 : 1
  • Runtime:
    2h 15m
  • Language(s):
    English, French, Spanish, Hindi
  • Country of origin:
    United States
  • Release date:
    Release Date (Theaters): Nov 16, 1977 Wide
    Release Date (Streaming): Aug 27, 2002

 
Genre(s)
Sci-fi
 
Keyword(s)
Close Encounters of the Third Kind, sci-fi, male obsession, cosmic mysticism, music, PG, Steven Spielberg, Julia Phillips, Richard Dreyfuss, François Truffaut, Teri Garr, Melinda Dillon, Cary Guffey, Bob Balaban, Dolby Stereo, Surround, Columbia Pictures, $3.1M, 2h 15m, reviewed by Adam Kempenaar, Charles Champlin, Arthur Knight, Peter Bradshaw, David Jenkins, Tom Huddleston, Danielle Solzman, Richard Propes, Mike Massie, Kelechi Ehenulo, Donald McLean, directed by Steven Spielberg, written by Steven Spielberg, produced by Julia Phillips
 

Box Office Details

Worldwide gross: $306,889,114
Worldwide gross (inflation-adjusted): $1,627,233,746
Worldwide gross ranking (inflation-adjusted): 39
Worldwide tickets sold (est.): 177,451,881
 
US/Canada gross: $135,189,114
US/Canada gross (inflation-adjusted): $716,820,110
US/Canada gross ranking (inflation-adjusted): 38
US/Canada opening weekend: $1,767,758
US/Canada opening weekend (inflation-adjusted): $9,373,273
US/Canada opening weekend ranking (inflation-adjusted): 974
 
Budget and Earnings Details
Production budget (est.): $20,000,000
Production budget (inflation-adjusted): $106,047,016
Production budget ranking: 377
Marketing and distribution budget (inflation-adjusted est.): $57,106,318
Box office net earnings to date (inflation-adjusted est.): $1,464,080,411
ROI to date (est.): 897%
ROI ranking: 141

 
Movie Cast & Crew

Cast & Crew

Richard DreyfussFrançois TruffautTeri GarrMelinda DillonCary Guffey
Richard Dreyfuss
François Truffaut
Teri Garr
Melinda Dillon
Cary Guffey
Roy Neary
Claude Lacombe
Ronnie Neary
Jillian Guiler
Barry Guiler
Richard Dreyfuss – Roy Neary
François Truffaut – Claude Lacombe
Teri Garr – Ronnie Neary
Melinda Dillon – Jillian Guiler
Cary Guffey – Barry Guiler
Bob Balaban – David Laughlin

 

Steven SpielbergSteven SpielbergJulia Phillips
Steven Spielberg
Steven Spielberg
Julia Phillips
Director
Writer
Producer
Producer
Producer

Director(s)
Steven Spielberg
 
Writer(s)
Steven Spielberg
 
Producer(s)
Julia Phillips

 
Movie Reviews & Awards
Film Festivals

 
Awards & Nominations
Won 1 Oscar
15 wins & 39 nominations total
 
Academy Awards

 

Top Reviews
Adam KempenaarCharles ChamplinArthur KnightPeter BradshawDavid Jenkins
Adam Kempenaar
Charles Champlin
Arthur Knight
Peter Bradshaw
David Jenkins
Filmspotting
Los Angeles Times
Hollywood Reporter
Guardian
Little White Lies
CLOSE ENCOUNTERS OF THE THIRD KIND
 All Critics (65) | Top Critics (19) | Fresh (61) | Rotten (4)
 “This is important. This means something,” is everyman’s declaration, a reassuring cry to the cosmos that your life matters, you matter. But it’s also the artist’s creed…
 
 May 30, 2020 | Rating: 4.5/5
 
 Adam Kempenaar
 Filmspotting
 TOP CRITIC
 “Close Encounters” proves to be a magic act with dramatic interludes.
 
 August 31, 2017
 
 Charles Champlin
 Los Angeles Times
 TOP CRITIC
 A film of incredible power and intensity. It is also, and ultimately, reassuring.
 
 November 15, 2016
 
 Arthur Knight
 Hollywood Reporter
 TOP CRITIC
 Time for another encounter.
 
 May 26, 2016 | Rating: 5/5
 
 Peter Bradshaw
 Guardian
 TOP CRITIC
 It’s a big ol’ mess of a movie, but an extremely lovable one.
 
 May 25, 2016 | Rating: 4/5
 
 David Jenkins
 Little White Lies
 TOP CRITIC
 Spielberg’s greatest work.
 
 May 24, 2016 | Rating: 5/5
 
 Tom Huddleston
 Time Out
 TOP CRITIC
 Close Encounters of the Third Kind is the type of sci-fi film that doesn’t get made anymore.
 
 December 28, 2020 | Rating: 5/5
 
 Danielle Solzman
 Solzy at the Movies
 This film moved me, challenged me, provoked me and enlightened me.
 
 September 5, 2020 | Rating: 3.5/4.0
 
 Richard Propes
 TheIndependentCritic.com
 Little more than a generic sci-fi episode, constructed and designed with the enthusiasm and scope of something better suited for television.
 
 August 27, 2020 | Rating: 5/10
 
 Mike Massie
 Gone With The Twins
 While other Spielberg films get recognisable attention (and rightly so), Close Encounters should be ranked amongst his greatest and underrated masterpieces.
 
 July 14, 2020 | Rating: 5/5
 
 Kelechi Ehenulo
 Set the Tape
 Despite these flaws, it’s a gripping film that touches a nerve because who’s to say it couldn’t all actually happen tomorrow.
 
 May 6, 2020
 
 Donald McLean
 Bay Area Reporter
 The person or persons responsible for the landing of the craft — it is considerably more than a flying saucer — on the Earth, the slow descent upon us of a city of gold, has made one of the most stunning shots in the history of movies.
 
 November 1, 2019
 
 Bernard Drew
 Gannett News Service…

 
Movie Plot & More
Plot
Two parallel stories are told. In the first, a group of research scientists from a variety of backgrounds are investigating the strange appearance of items in remote locations, primarily desert regions. In continuing their investigation, one of the lead scientists, a Frenchman named Claude Lacombe, incorporates the Kodály method of music education as a means of communication in their work. The response, in turn, at first baffles the researchers, until American cartographer David Laughlin deciphers the meaning of the response. In the second, electric company lineman and family man Roy Neary and single mother Jillian Guiler are among some individuals in Muncie, Indiana who experience some paranormal activity before some flashes of bright lights in the sky, which they believe to be a UFO. Roy becomes obsessed with what he saw, unlike some others, especially in some form of authority, who refuse to acknowledge their belief that it was a UFO in not wanting to appear crazy. That obsession both for Roy and Jillian is ratcheted up a notch when they begin to have a vision of a mound with vertical striations on its side as a key to what is going on. While the obsession negatively affects Roy’s life as he knows it in its entirety, Jillian knows she has to find the answer as to its meaning, especially as it relates to her only child, three year old Barry Guiler, who may be more attuned to what is happening than the adult figures around him. These two stories have the potential to intersect if Roy and Jillian can discover where they’ve seen that mound before, and if they can overcome what they believe to be the lies perpetrated by those in authority in covering up what is going on.
 
Trivia

 
Goofs / Tidbits
Fresh Kernels doesn’t have anything goofy or funny or odd to say about Close Encounters of the Third Kind, but it does mention that François Truffaut is part of the cast.
 
Movie Links Wikipedia and Rotten Tomatoes

Links
Wikipedia: Go to Wiki
Rotten Tomatoes: Go to RT

 
Where to Watch

Where to Watch

 
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