What Ever Happened to Baby Jane? (1962)
93%RT Audience Score: 91%
Awards & Nominations: Won 1 Oscar
5 wins & 11 nominations total
What Ever Happened to Baby Jane? combines powerhouse acting, rich atmosphere, and absorbing melodrama in service of a taut thriller with thought-provoking subtext.
What Ever Happened To Baby Jane? is a classic horror movie that will leave you on the edge of your seat. Bette Davis and Joan Crawford deliver virtuoso performances that will make you both searing and poignant. The film is gorgeously atmospheric, and the soundtrack is mordantly trying to break into Hooray for Hollywood. It’s a marathon of high-impact Grand Dame acting that offers commentary on aging, sisterhood, and show business, all remaining worthy of discussion today. Plus, who doesn’t love a good camp-Gothic bitchfight? This movie is vastly entertaining and unforgettable.
Production Company(ies)
Toho Company,
Distributor
Warner Bros., Warner Home Vídeo
Release Type
Theatrical
Filming Location(s)
172 South McCadden Place, Hancock Park, Los Angeles, California, USA
MPAA / Certificate
Passed
Year of Release
1962
-
Color:Color
Black and White -
Sound mix:Dolby
-
Aspect ratio:1.85 : 1
-
Runtime:2h 12m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Oct 31, 1962 Wide
Release Date (Streaming): May 30, 2006
Genre(s)
Horror
Keyword(s)
What Ever Happened to Baby Jane?, horror, Bette Davis, Joan Crawford, Robert Aldrich, Lukas Heller, Henry Farrell, Warner Bros., Warner Home Vídeo, Mono, Flat (1.37:1), Miss Baby Jane Hudson, Miss Blanche Hudson, Mr Edwin Flagg, Mrs Dehlia Flagg, Mrs Bates, Elvira Stitt, powerhouse acting, rich atmosphere, absorbing melodrama, taut thriller, thought-provoking subtext, Hitchcock vein, virtuoso performances, searing, poignant, lurid melodrama, hate, revenge, murder, dark, suspenseful, intense, thrilling, darkly comic, Gothic, bitchfight, vivid, barnstorming, decaying flesh, Hooray for Hollywood, camp shock levels, frightening, commentary on aging, sisterhood, show business, gorgeously atmospheric, marathon of high-impact Grand Dame acting, psychological, physical torture, fallen star, jealousy, guilt, comeback, torture-porn, Misery, courageous, ugly, self-delusions, complex, difficult to stomach
Worldwide gross: NA
Worldwide gross (inflation-adjusted): NA
Worldwide gross ranking (inflation-adjusted): NA
Worldwide tickets sold (est.): NA
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Joan Crawford – Miss Blanche Hudson
Victor Buono – Mr. Edwin Flagg
Marjorie Bennett – Mrs. Dehlia Flagg
Anna Lee – Mrs. Bates
Maidie Norman – Elvira Stitt
Director(s)
Robert Aldrich
Writer(s)
Lukas Heller, Henry Farrell
Producer(s)
Robert Aldrich
Film Festivals
Awards & Nominations
Won 1 Oscar
5 wins & 11 nominations total
Academy Awards
All Critics (50) | Top Critics (12) | Fresh (46) | Rotten (4)
A lurid melodrama of hate, revenge and murder, a high-class horror film, in the Hitchcock vein, with virtuoso performances from Bette Davis and Joan Crawford, and moments both searing and poignant.
March 5, 2017
James Powers
Hollywood Reporter
TOP CRITIC
What so often gets lost about ‘Baby Jane’ is that it’s a real thriller, dark, suspenseful, and intense.
March 3, 2017
Jason Bailey
Flavorwire
TOP CRITIC
There are plenty of thrills and no shortage of suspense in this darkly comic horror film.
December 13, 2012 | Rating: 3/5
Andrew Schenker
Little White Lies
TOP CRITIC
Remains fascinatingly warped: an extended study in decaying flesh, set to a score mordantly trying to break into Hooray for Hollywood.
December 13, 2012 | Rating: 4/5
Mike McCahill
Guardian
TOP CRITIC
The ultimate camp-Gothic bitchfight. Vastly entertaining.
December 13, 2012 | Rating: 5/5
Tim Robey
Daily Telegraph (UK)
TOP CRITIC
It’s still vivid, barnstorming stuff.
September 24, 2007 | Rating: 3/5
Peter Bradshaw
Guardian
TOP CRITIC
Its descent into chaotic madness is exquisite, although it’s overlong in the process, going into a considerable amount of detail for its depiction of escalating insanity.
August 27, 2020 | Rating: 8/10
Mike Massie
Gone With The Twins
Bette Davis is unforgettable in classic horror movie.
April 18, 2017 | Rating: 5/5
Brian Costello
Common Sense Media
What Ever Happened To Baby Jane offers commentary on aging, sisterhood, and show business, all remaining worthy of discussion today.
April 3, 2017
Spencer Coile
Film Inquiry
Gorgeously atmospheric in both the visuals and the soundtrack, and it’s a marathon of high-impact Grand Dame acting.
August 2, 2014 | Rating: 8/10
Tim Brayton
Antagony & Ecstasy
[A] frightening, darkly comic picture …
December 16, 2012
Philip French
Observer (UK)
The on-screen fireworks were reportedly fuelled by off-screen hatred, but the chemistry between the stars is unquestionably hair-raising and upped the Gothic stakes to camp shock levels.
December 14, 2012 | Rating: 5/5
Alan Jones
Radio Times…
Plot
In a tale that almost redefines sibling rivalry, faded actresses Blanche and ‘Baby’ Jane Hudson live together. Jane was by far the most famous when she performed with their father in vaudeville but as they got older, it was Blanche who became the finer actress, which Jane still resents. Blanche is now confined to a wheelchair and Jane is firmly in control. As time goes by, Jane exercises greater and greater control over her sister, intercepting her letters and ensuring that few if anyone from the outside has any contact with her. As Jane slowly loses her mind, she torments her sister going to ever greater extremes.
Trivia
Goofs / Tidbits
Bette Davis and Joan Crawford’s real-life feud added an extra layer of tension to their on-screen performances in What Ever Happened to Baby Jane?
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Last Year at Marienbad
Last Year at Marienbad (L’année dernière à Marienbad) (1961)
87%RT Audience Score:
Awards & Nominations: NA
Review 1: “This movie was terrible. The acting was bad, the plot was boring, and the special effects were laughable. I wouldn’t recommend it to anyone.”
Review 2: “I found this cinematic endeavor to be a most lamentable experience. The thespian performances were lackluster, the narrative was insipid, and the visual effects were so preposterous as to elicit mirth rather than awe. I cannot in good conscience suggest this film to any discerning viewer.”
Review 3: “This movie was a complete waste of time. The acting was wooden, the story was predictable, and the special effects were subpar. Save yourself the trouble and skip this one.”
Review 4: “Alas, this motion picture proved to be a most egregious squandering of one’s precious time. The histrionic displays were as stiff as a board, the plot was as foreseeable as the sunrise, and the visual effects were as unimpressive as a child’s finger painting. I implore you, dear reader, to abstain from this cinematic atrocity.”
New Review: “As I sat in the theater, I was struck by the overwhelming sense of ennui that permeated the room. The thespian performances were as flat as a pancake, the narrative was as trite as a Hallmark card, and the visual effects were as convincing as a politician’s promises. It was as if the filmmakers had taken a paint-by-numbers approach to creating this cinematic disaster. I cannot in good conscience recommend this film to anyone with an iota of taste or discernment. Save your time and money, and opt for a more stimulating activity, such as watching paint dry or grass grow.
Review 1: “The food was delicious and the service was great. I highly recommend this restaurant to anyone looking for a nice night out.”
Review 2: “I had a fantastic time at this restaurant! The food was so good, I wanted to lick the plate clean. The service was top-notch, and the atmosphere was perfect for a romantic date or a fun night out with friends. I would definitely recommend this place to anyone looking for a delicious meal and a great time!”
Review 3: “This restaurant is a hidden gem! The food was absolutely amazing, and the service was outstanding. I felt like a VIP the entire time I was there. The ambiance was cozy and intimate, making it the perfect spot for a romantic dinner or a special occasion. I can’t wait to come back and try more of their delicious dishes!”
New Review: “Holy moly, this restaurant is the real deal! The food was so good, I almost shed a tear. The service was on point, and the vibe was just right. Whether you’re looking for a romantic night out or a fun time with friends, this place has got you covered. I’m already planning my next visit, and I’m drooling just thinking about it. Do yourself a favor and check it out ASAP!
Production Company(ies)
CNN Films, Manny O Productions, Sunset Pictures,
Distributor
NA
Release Type
Theatrical, Theatrical (Limited)
Filming Location(s)
Nymphenburg Palace, Munich, Bavaria, Germany
MPAA / Certificate
Not Rated
Year of Release
1962
-
Color:Color
Black and White -
Sound mix:Mono
-
Aspect ratio:2.35 : 1
-
Runtime:NA
-
Language(s):French
-
Country of origin:France, Italy
-
Release date:NA
Genre(s)
Keyword(s)
action, adventure, thriller, espionage, spy, James Bond, MI6, Daniel Craig, Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Léa Seydoux, Christoph Waltz, Monica Bellucci, Dave Bautista, directed by Sam Mendes, written by John Logan, Neal Purvis, Robert Wade, produced by Michael G Wilson, Barbara Broccoli, music by Thomas Newman, cinematography by Hoyte van Hoytema, edited by Lee Smith, production design by Dennis Gassner, budget of $245 million, box office performance of $1.109 billion, reviewed by Roger Ebert, Fresh Kernels score of 63%, MPAA rating of PG-13, car chases, explosions, gadgets, exotic locations, high stakes, intense action, thrilling plot twists, iconic franchise
Worldwide gross: $220,009
Worldwide gross (inflation-adjusted): $2,446,612
Worldwide gross ranking (inflation-adjusted): 2,363
Worldwide tickets sold (est.): 266,806
US/Canada gross: $207,917
US/Canada gross (inflation-adjusted): $2,312,143
US/Canada gross ranking (inflation-adjusted): 1,999
US/Canada opening weekend: $15,485
US/Canada opening weekend (inflation-adjusted): $172,201
US/Canada opening weekend ranking (inflation-adjusted): 1,722
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Stanley Kubrick
Writers:
Stanley Kubrick – screenplay
Diane Johnson – screenplay
Stephen King – novel
Cast:
Jack Nicholson – Jack Torrance
Shelley Duvall – Wendy Torrance
Danny Lloyd – Danny Torrance
Scatman Crothers – Dick Hallorann
Barry Nelson – Stuart Ullman
Philip Stone – Delbert Grady
Joe Turkel – Lloyd the Bartender
Anne Jackson – Doctor
Tony Burton – Larry Durkin
Lia Beldam – Young Woman in Bath
Billie Gibson – Old Woman in Bath
Barry Dennen – Bill Watson
David Baxt – Forest Ranger #1
Manning Redwood – Forest Ranger #2
Cinematography:
John Alcott
Music:
Wendy Carlos, Rachel Elkind
Production Design:
Roy Walker
Art Direction:
Leslie Tomkins
Set Decoration:
Vernon Dixon
Costume Design:
Milena Canonero
Makeup Department:
Tom Smith – makeup artist
Dick Smith – makeup artist
Production Management:
Douglas Twiddy – production manager
Second Unit Director or Assistant Director:
Brian W. Cook – assistant director
Art Department:
Peter Voysey – assistant art director
Sound Department:
Gordon K. McCallum – sound mixer
Bill Nicholson – sound editor
Special Effects by:
Roy Arbogast – special effects
Visual Effects by:
Douglas Trumbull – special photographic effects
Stunts:
Bill Weston – stunts
Camera and Electrical Department:
Kelvin Pike – camera operator
Costume and Wardrobe Department:
Betty Adamson – wardrobe supervisor
Editorial Department:
Ray Lovejoy – supervising editor
Location Management:
Jan Harlan – location manager
Music Department:
Jack Nitzsche – music consultant
Transportation Department:
Eddie Frewin – transportation captain
Director(s)
NA
Writer(s)
NA
Producer(s)
NA
Film Festivals
Awards & Nominations
NA
Academy Awards
Plot
At a weekend gathering, a man tries to convince a woman that they had met there and spent some time together the previous year. The woman has no recollection whatsoever of having met this man and is convinced that he is just making all of this up. The more the man talks about their activities the previous year however, the more convincing he becomes. The question remains however – did they meet previously or not?
Trivia
Goofs / Tidbits
NA
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I Am
I Am
89%RT Audience Score:
Year of Release
2019
Technical Specs
Color: Color
Sound mix: NA
Aspect ratio: NA
Language(s):
Country of origin:
Original premiere:
Newest season premiere:
Genre(s)
Animation, Documentary, Music
Keyword(s)
Psychology, Movies Directed by Tom Shadyac, Shady Acres Entertainment Movie, Movies from 2011, Movies from the 2010s, Low Budget Movie, English Language
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
NA
Director(s)
Tom Shadyac
Writer(s)
Executive(s)
NA
Awards & Nominations
NA
Synopsis (Warning: Spoilers!)
Stream Now
(Click to Watch)
Coming soon…
LAvventura
L’Avventura (1960)
87%RT Audience Score:
Awards & Nominations: NA
Review 1: “This movie was terrible. The acting was bad, the plot was boring, and the special effects were laughable. I wouldn’t recommend it to anyone.”
Review 2: “I found this cinematic endeavor to be a most lamentable experience. The thespian performances were lackluster, the narrative was insipid, and the visual effects were so preposterous as to elicit mirth rather than awe. I cannot in good conscience suggest this film to any discerning viewer.”
Review 3: “This movie was a complete waste of time. The acting was wooden, the story was predictable, and the special effects were subpar. Save yourself the trouble and skip this one.”
Review 4: “Alas, this motion picture proved to be a most egregious squandering of one’s precious time. The histrionic displays were as stiff as a board, the plot was as foreseeable as the sunrise, and the visual effects were as unimpressive as a child’s finger painting. I implore you, dear reader, to abstain from this cinematic atrocity.”
New Review: “As I sat in the theater, I was struck by the overwhelming sense of ennui that permeated the room. The thespian performances were as flat as a pancake, the narrative was as trite as a Hallmark card, and the visual effects were as convincing as a politician’s promises. It was as if the filmmakers had taken a paint-by-numbers approach to creating this cinematic disaster. I cannot in good conscience recommend this film to anyone with an iota of taste or discernment. Save your time and money, and opt for a more stimulating form of entertainment, such as watching paint dry or grass grow.
Review 1: “The acting in this movie was superb. The characters were well-developed and the plot was engaging. I was on the edge of my seat the entire time.”
Review 2: “I loved the cinematography in this film. The shots were beautifully composed and the use of color was stunning. It was like watching a work of art come to life.”
Review 3: “The soundtrack for this movie was incredible. The music perfectly captured the mood of each scene and added an extra layer of emotion to the story.”
New Review: “Holy cow, this movie was a rollercoaster ride of emotions! The acting was so good, I felt like I was right there with the characters. And don’t even get me started on the cinematography – it was like watching a painting come to life! But the real MVP was the soundtrack. I mean, I was tapping my foot and humming along the whole time. Overall, this movie was a masterpiece and I can’t wait to watch it again (and again and again).
Production Company(ies)
Atticus Group Vision Quest Productions,
Distributor
NA
Release Type
Filming Location(s)
Basiluzzo Island, Aeolian Islands, Messina, Sicily, Italy
MPAA / Certificate
Not Rated
Year of Release
1961
-
Color:Color
Black and White -
Sound mix:Mono
-
Aspect ratio:1.85 : 1
-
Runtime:NA
-
Language(s):Italian, English, Greek
-
Country of origin:United States
-
Release date:NA
Genre(s)
Keyword(s)
starring Tom Hanks, directed by Robert Zemeckis, written by William Broyles Jr., drama, adventure, survival, plane crash, island, FedEx, volleyball, friendship, love, hope, courage, determination, Wilson, Chuck Noland, Helen Hunt, Nick Searcy, Chris Noth, Lari White, David Allen Brooks, Paul Sanchez, Peter von Berg, Dmitri S Boudrine, François Duhamel, Alan Silvestri, produced by Tom Hanks, MPAA rating PG-13, box office success, budget, reviewed by Roger Ebert, reviewed by Fresh Kernels, reviewed by Metacritic, Academy Awards, Golden Globe Awards, BAFTA Awards, Screen Actors Guild Awards, American Film Institute, National Board of Review, Critics’ Choice Movie Awards, Satellite Awards, Visual Effects Society Awards, Writers Guild of America Awards, Producers Guild of America Awards, Directors Guild of America Awards
Worldwide gross: $2,606
Worldwide gross (inflation-adjusted): $29,331
Worldwide gross ranking (inflation-adjusted): 3,109
Worldwide tickets sold (est.): 3,199
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Director(s)
NA
Writer(s)
NA
Producer(s)
NA
Film Festivals
Awards & Nominations
NA
Academy Awards
Plot
A group of rich Italians head out on a yachting trip to a deserted volcanic island in the Mediterranean. When they are about to leave the island, they find that Anna has gone missing. Anna’s boyfriend Sandro and friend Claudia try unsuccessfully to find her. While they are searching, Claudia and Sandro develop an attraction for each other. When they get back to land, they continue the search with no success. Sandro and Claudia proceed to become lovers and all but forget about the missing Anna.
Trivia
Goofs / Tidbits
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The Hustler
The Hustler (1961)
95%RT Audience Score: 93%
Awards & Nominations: Won 2 Oscars
13 wins & 20 nominations total
Paul Newman and Jackie Gleason give iconic performances in this dark, morally complex tale of redemption.
The Hustler” is a classic movie that’s all about pool, booze, and the consequences of the con. Paul Newman gives a great performance as “Fast” Eddie Felson, a cocky pool hustler who’s always looking for his next big score. The movie is a bit slow-paced, but it’s worth it for the amazing cinematography and the wonderful performances from the entire cast. Jackie Gleason is especially great as Minnesota Fats, the reigning pool champion who takes on Eddie in a high-stakes game of pool. If you’re a fan of classic movies or just love a good game of pool, “The Hustler” is definitely worth checking out.
Production Company(ies)
Rossen Films,
Distributor
20th Century Fox, Key Video
Release Type
Theatrical
Filming Location(s)
Edison Studio, New York City, New York, USA
MPAA / Certificate
Not Rated
Year of Release
1961
-
Color:Color
Black and White -
Sound mix:Dolby
-
Aspect ratio:2.35 : 1
-
Runtime:2h 15m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Sep 25, 1961 Wide
Release Date (Streaming): Jun 4, 2002
Genre(s)
Drama
Keyword(s)
starring Paul Newman, Jackie Gleason, George C Scott, Piper Laurie, Myron McCormick, Murray Hamilton, directed by Robert Rossen, written by Sidney Carroll, Robert Rossen, Walter Tevis, drama, box office performance, budget, reviewed by James Powers, Stanley Kauffmann, Nell Minow, Arthur Ryel-Lindsey, Derek Adams, Bosley Crowther, Roger Moore, David Nusair, Manny Farber, Eddie Harrison, Clyde Gilmour, Sean Axmaker, produced by Robert Rossen, MPAA rating, pool, Minnesota Fats, redemption, athlete, internal struggle, morality play, Walter Tevis novel, pool shark, degenerate gambler, character study, anti-hero, Color of Money, tension, showdown, seedy, poolrooms, dingy bars, pool-table heavyweight champion, Paul Newman and Jackie Gleason’s performances, Mono, Scope (2.35:1)
Worldwide gross: NA
Worldwide gross (inflation-adjusted): NA
Worldwide gross ranking (inflation-adjusted): NA
Worldwide tickets sold (est.): NA
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Jackie Gleason – Minnesota Fats
George C. Scott – Bert Gordon
Piper Laurie – Sarah Packard
Myron McCormick – Charlie Burns
Murray Hamilton – JAMES Findley
Robert Rossen – Director, Producer
Sidney Carroll – Writer
Walter Tevis – Writer
Director(s)
Robert Rossen
Writer(s)
Sidney Carroll, Robert Rossen, Walter Tevis
Producer(s)
Robert Rossen
Film Festivals
Awards & Nominations
Won 2 Oscars
13 wins & 20 nominations total
Academy Awards
Oscar Nominees
All Critics (48) | Top Critics (13) | Fresh (46) | Rotten (2)
Newman gives a restrained, modulated performance, an unusual one in that character development is sought and achieved with utilization only of voice, gesture, intensity.
September 25, 2018
James Powers
Hollywood Reporter
TOP CRITIC
Rosen, the co-author, has directed with a sure, economical hand. Newman is first-rate.
January 27, 2016
Stanley Kauffmann
The New Republic
TOP CRITIC
Like a traditional morality play; teens and up.
December 28, 2010 | Rating: 4/5
Nell Minow
Common Sense Media
TOP CRITIC
This is the purest examination of an athlete’s internal struggle ever mounted for the screen.
June 29, 2007 | Rating: 4/4
Arthur Ryel-Lindsey
Slant Magazine
TOP CRITIC
A wonderful hymn to the last true era when men of substance played pool with a vengeance.
June 24, 2006
Derek Adams
Time Out
TOP CRITIC
Under Robert Rossen’s strong direction, its ruthless and odorous account of one young hustler’s eventual emancipation is positive and alive.
May 20, 2003 | Rating: 4/5
Bosley Crowther
New York Times
TOP CRITIC
Not just a memory, it’s a memory of a dream — a seedy and sinister movie of smoke, booze, lies and the consequences of the con, a relic of a less frazzled, pre-“first person shooter” age.
March 20, 2022 | Rating: 3.5/4
Roger Moore
Movie Nation
…fares best as a showcase for stellar performances and first-class cinematography.
December 14, 2021 | Rating: 2.5/4
David Nusair
Reel Film Reviews
The Hustler is cut down to almost nothing by tons of pompous elegance (Paul Newman and male associates), and then intermittently saved by Miss Laurie’s grace on top of inferiority, slackness and a willed driving towards self-destruction.
September 15, 2021
Manny Farber
The New Leader
‘..The Hustler is a sordid, beautiful, wordy, visually austere experience that views all human life with compassion and derision in equal measure…’
April 8, 2021 | Rating: 5/5
Eddie Harrison
film-authority.com
Making one of his rare appearances on the full-size screen, TV funnyman Jackie Gleason is superbly suited to his role as a pool-table heavyweight champion…
November 14, 2019
Clyde Gilmour
Maclean’s Magazine
Paul Newman is cocky poolroom hustler “Fast” Eddie Felson, a swaggering pool shark punk who works his trade in dingy bars and seedy poolrooms, in Robert Rossen’s atmospheric adaptation of the Walter Tevis novel.
January 13, 2017
Sean Axmaker
Seanax.com…
Plot
“Fast” Eddie Felson is a small-time pool hustler with a lot of talent but a self-destructive attitude. His bravado causes him to challenge the legendary “Minnesota Fats” to a high-stakes match, but he loses in a heartbreaking marathon. Now broke and without his long-time manager, Felson faces an uphill battle to regain his confidence and his game. It isn’t until he hits rock bottom that he agrees to join up with ruthless and cutthroat manager Bert Gordon. Gordon agrees to take him on the road to learn the ropes. But Felson soon realizes that making it to the top could cost him his soul, and perhaps his girlfriend. Will he decide that this is too steep a price to pay in time to save himself?
Trivia
Goofs / Tidbits
Jackie Gleason, who plays Minnesota Fats in The Hustler, was actually an accomplished pool player in real life and performed all of his own shots in the film.
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West Side Story
West Side Story (1961)
88%RT Audience Score: 84%
Awards & Nominations: Won 1 Oscar
67 wins & 282 nominations total
Buoyed by Robert Wise’s dazzling direction, Leonard Bernstein’s score, and Stephen Sondheim’s lyrics, West Side Story remains perhaps the most iconic of all the Shakespeare adaptations to visit the big screen
West Side Story is a classic that never gets old, and the critics seem to agree. From the elegant dancing of Rita Moreno to the spine-tingling tempo and eye-dazzling color, this movie has it all. Even the younger generation who are fascinated by “rumbles” will love it. And let’s not forget the performances by Oscar-winners Chakaris and Moreno, which are truly unforgettable. So, if you’re in the mood for a great musical with a tragic romance, West Side Story is the perfect choice. Just be prepared to get swept away by the sheer muchness of it all!
Production Company(ies)
Kudos Film and Television, BBC Films, Serendipity Point Films,
Distributor
United Artists
Release Type
Filming Location(s)
Paterson, New Jersey, USA
MPAA / Certificate
Rated PG-13 for some strong violence, strong language, thematic content, suggestive material and brief smoking.
Year of Release
1961
-
Color:Color
-
Sound mix:Dolby Atmos Dolby Digital Dolby Surround 7.1 IMAX 6-Track
-
Aspect ratio:2.39 : 1
-
Runtime:2h 31m
-
Language(s):English, Spanish
-
Country of origin:United States
-
Release date:Release Date (Theaters): Oct 18, 1961 Wide
Release Date (Streaming): Aug 1, 2006
Genre(s)
Musical
Keyword(s)
West Side Story, musical, Romeo and Juliet, New York, street gangs, Leonard Bernstein, Stephen Sondheim, Robert Wise, Jerome Robbins, Arthur Laurents, Ernest Lehman, Natalie Wood, Richard Beymer, Russ Tamblyn, Rita Moreno, George Chakiris, Simon Oakland, directed by Jerome Robbins and Robert Wise, written by Jerome Robbins, Arthur Laurents, Ernest Lehman, produced by Robert Wise, box office performance, budget, MPAA rating, critic reviews, reviewed by Louis Cook, Marjory Adams, Stanley Kauffmann, George Bourke, Elston Brooks, Mae Tinee, Natalie Wood as Maria, Richard Beymer as Tony, Russ Tamblyn as Riff, George Chakiris as Bernardo, Rita Moreno as Anita, Simon Oakland as Lieutenant Schrank, musical numbers, Romeo and Juliet adaptation, gang violence, love story, dance, singing, choreography, cultural impact, iconic, classic, American Film Institute, Academy Awards, cultural lexicon, stage adaptation, Puerto Rican culture, American culture, racial tensions, social and economic issues, modern retelling, Shakespeare adaptation, 1960s film, United Artists, stereo sound mix, widescreen aspect ratio
Worldwide gross: $76,003,585
Worldwide gross (inflation-adjusted): $82,662,010
Worldwide gross ranking (inflation-adjusted): 1,108
Worldwide tickets sold (est.): 9,014,396
US/Canada gross: $38,530,322
US/Canada gross (inflation-adjusted): $41,905,837
US/Canada gross ranking (inflation-adjusted): 1,145
US/Canada opening weekend: $10,574,618
US/Canada opening weekend (inflation-adjusted): $11,501,026
US/Canada opening weekend ranking (inflation-adjusted): 915
Budget and Earnings Details
Production budget (est.): $100,000,000
Production budget (inflation-adjusted): $108,760,672
Production budget ranking: 354
Marketing and distribution budget (inflation-adjusted est.): $58,567,622
Box office net earnings to date (inflation-adjusted est.): -$84,666,284
ROI to date (est.): -51%
ROI ranking: 1,693
Richard Beymer – Tony
Russ Tamblyn – Riff
George Chakiris – Bernardo
Rita Moreno – Anita
Simon Oakland – Lieutenant Schrank
Jerome Robbins – Director, Writer
Robert Wise – Director, Producer
Arthur Laurents – Writer
Ernest Lehman – Writer
Director(s)
Jerome Robbins, Robert Wise
Writer(s)
Jerome Robbins, Arthur Laurents, Ernest Lehman
Producer(s)
Robert Wise
Film Festivals
Awards & Nominations
Won 1 Oscar
67 wins & 282 nominations total
Academy Awards
All Critics (114) | Top Critics (32) | Fresh (106) | Rotten (8)
One of the lovely things about West Side Story is Rita Moreno, whose acting and dancing are elegant. Chakiris is darkly handsome and effective, and Tamblyn is great on the dancing.
December 2, 2021
Louis Cook
Detroit Free Press
TOP CRITIC
It roars with the hatreds of street battle. It twinkles with joyous motion which turns into fierce agitation as the stresses of misunderstanding speed the players into an uncontrollable maelstrom.
December 2, 2021
Marjory Adams
Boston Globe
TOP CRITIC
It is Robbins’ vision — of city life expressed in stylized movement that sometimes flowers into dance and song — that lifts this picture high.
December 2, 2021
Stanley Kauffmann
The New Republic
TOP CRITIC
In spine-tingling tempo, with eye-dazzling color and ear-teasing music it recites no corny backstage drama but cuts instead a meaty parallel to the Romeo and Juliet tragic romance.
December 2, 2021
George Bourke
Miami Herald
TOP CRITIC
All technicalities were met in flawless fashion and West Side Story emerges more memorable than ever.
December 2, 2021
Elston Brooks
Fort Worth Star-Telegram/DFW.com
TOP CRITIC
It’s a cleverly stylized and dramatized depiction of a bloody story which probably will appeal most to those who like lengthy musicals, and to the younger generation who are fascinated by “rumbles.” Their elders may find it depressing.
December 2, 2021
Mae Tinee
Chicago Tribune
TOP CRITIC
The film version of West Side Story often pops up on Greatest Movie of All Time lists thanks to its unique blending of realism & metaphorical dance and performances by Oscar-winners Chakaris and, in particular, Rita Moreno.
March 20, 2022 | Rating: 4/4
David Reddish
Queerty
R&J American style still packs a punch
December 29, 2021 | Rating: 4/5
James Wegg
JWR
Great example of a kind of cinema extint in Hollywood right now. [Full Review in Spanish].
December 16, 2021 | Rating: 2.5/4
Ernesto Diezmartinez
Letras Libres
It’s easy to get swept away by the sheer muchness of it.
December 13, 2021 | Rating: 3.5/5
Tim Brayton
Alternate Ending
[West Side Story] is at least the best screen musical since On the Town and may not get all the praise it deserves: it is galvanic, technically thrilling, and stylised with a neurotic skill sometimes only just short of genius.
December 2, 2021
Penelope Gilliatt
Observer (UK)
The whole cast shows wonderful vitality and spirit.
December 2, 2021
Janet Graves
Photoplay…
Plot
Manhattan, Upper West Side, 1957. Against the backdrop of the decaying tenements in the San Juan Hill neighbourhood and the constant threat of the wrecking ball, two warring gangs
Trivia
Goofs / Tidbits
Rita Moreno’s performance in West Side Story is described as “wonderfully arresting.”
Jerome-Robbins.jpg
The Power and the Glory
The Power and the Glory (1933)
74%RT Audience Score: 56%
Awards & Nominations: NA
The Power and the Glory is a cinematic masterpiece that showcases the brilliance of director Preston Sturges and the acting prowess of Spencer Tracy. The film’s unique narrative structure, which combines elements of drama and prose fiction, is a testament to Sturges’ innovative approach to filmmaking. Tracy’s performance as Tom Garner is nothing short of exceptional, as he seamlessly transitions between different stages of Garner’s life with ease. The film’s intense dramatic appeal and originality make it a standout among the most distinguished pictures of the year. While it may not be for the masses, The Power and the Glory is a must-see for anyone who appreciates intelligent and thought-provoking cinema.
The Power and the Glory” is a movie that will make you feel all the feels. Tracy’s performance is top-notch, and the dramatic scenes will have you on the edge of your seat. It’s not your typical movie for the masses, but if you’re looking for something different and well-constructed, this is the one for you. Plus, who doesn’t love a good love story mixed with ambition and success? It’s a human and important picture that will leave you thinking long after the credits roll.
Production Company(ies)
Hollywood Pictures,
Distributor
NA
Release Type
Filming Location(s)
New York City, New York, USA
MPAA / Certificate
Year of Release
1961
-
Color:Color
Black and White -
Sound mix:Mono
-
Aspect ratio:1.33 : 1
-
Runtime:NA
-
Language(s):English
-
Country of origin:United States
-
Release date:NA
Genre(s)
Keyword(s)
starring Spencer Tracy, Colleen Moore, Ralph Morgan, directed by William K Howard, written by Preston Sturges, drama, box office performance, budget, reviewed by Ella H McCormick, Robert Randol, Marjory Adams, Kate Cameron, Philip K Scheuer, H.H Niemeyer, Eleanor Barnes, Francisco J Ariza, Edward Cushing, William Troy, Lloyd S Thompson, Jack Moffitt, MPAA rating, industrialist, suicide, labor dispute, tragedy, railroad business, personal triumphs, professional triumphs, flashbacks, accidental employee deaths, stunning revelation, Tom Garner, Sally Garner, Henry
Worldwide gross: NA
Worldwide gross (inflation-adjusted): NA
Worldwide gross ranking (inflation-adjusted): NA
Worldwide tickets sold (est.): NA
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Colleen Moore – Sally Garner
Ralph Morgan – Henry
William K. Howard – Director
Preston Sturges – Writer
Director(s)
William K. Howard
Writer(s)
NA
Producer(s)
NA
Film Festivals
Awards & Nominations
NA
Academy Awards
All Critics (42) | Top Critics (15) | Fresh (36) | Rotten (6)
Mr. Tracy’s gifts for dramatic work, such as he did in the legitimate theater before he began his picture career, are stressed in the role of Garner which he encompasses with splendid effect.
May 13, 2021
Ella H. McCormick
Detroit Free Press
TOP CRITIC
The picture is much better than the average and contains a number of scenes of intense dramatic appeal.
May 13, 2021
Robert Randol
Fort Worth Star-Telegram/DFW.com
TOP CRITIC
The part is difficult — almost thankless — but Tracy is excellent whether he is playing a lovesick boy of 20, an ambitious husband of 30 or a hard and successful business man of 50.
May 13, 2021
Marjory Adams
Boston Globe
TOP CRITIC
Because of its originality, however, and because of the fine acting and direction, The Power and the Glory deserves to be placed among the most distinguished pictures of the year.
May 13, 2021 | Rating: 4/4
Kate Cameron
New York Daily News
TOP CRITIC
In this short space it is impossible to do more than touch on the remembered moments of Tom Garner’s simple biography.
May 13, 2021
Philip K. Scheuer
Los Angeles Times
TOP CRITIC
The Power and the Glory is really worth while but is hardly for the masses.
May 13, 2021
H.H. Niemeyer
St. Louis Post-Dispatch
TOP CRITIC
The Power and the Glory is one of the great pictures of the talkie era.
December 17, 2021
Eleanor Barnes
Illustrated Daily News (Los Angeles)
Apart from its value as a well-directed, well-presented and well-filmed photodrama, photographed, “The Power and the Glory” has the additional appeal of offering something different when it comes to cinematographic continuity. [Full review in Spanish]
May 13, 2021
Francisco J. Ariza
Cine-Mundial
If the producers of The Power and the Glory has been less concerned to exploit a questionable technical novelty they might have made, of the material provided by Mr. Sturges, a fairly interesting drama.
May 13, 2021
Edward Cushing
Brooklyn Daily Eagle
Few pictures have offered so much interest in their sheer construction, which is another and different result of the method. “Narratage,” therefore, opens possibilities to the screen of combining the methods of both the drama and prose fiction.
May 13, 2021
William Troy
The Nation
The Power and the Glory is an interesting contribution to screen technique. It triumphs because it tells an unimportant story in a fascinating manner.
May 13, 2021
Lloyd S. Thompson
San Francisco Examiner
A human and important picture.
May 13, 2021
Jack Moffitt
Kansas City Star…
Plot
A cynical Catholic priest is sent to Mexico to preach. It’s the 1930s and Mexican government sees the church as competition. They send a secret agent to assassinate the priest.
Trivia
Goofs / Tidbits
Fresh Kernels praises Spencer Tracy’s “gifts for dramatic work” in his role as Tom Garner.
William-K.-Howard.jpg
La Dolce Vita
La Dolce Vita (1960)
92%RT Audience Score: 90%
Awards & Nominations: Won 1 Oscar
11 wins & 12 nominations total
Federico Fellini’s La Dolce Vita is a cinematic masterpiece that has stood the test of time. With its flamboyant spectacle, unconventional narrative structure, and striking symbolism, it is a film that continues to captivate audiences today. Fellini’s portrayal of the depravity of contemporary life is both shocking and thought-provoking, and his use of cataloging sins as a method of moving us is nothing short of brilliant. Every frame of this film is like a black and white painting, with images that move within a pattern of interpretation, reminding us that human nature never changes, just the ways in which we can be seduced while living la dolce vita.
La Dolce Vita is a classic film that takes you on a wild ride through the streets of Rome. While some critics may find fault with its grandiose nature or cataloging of sins, I found it to be a hilarious and entertaining look at the high life and the media’s manipulation of it. The scenes of decadence and debauchery may have dated, but that only adds to the film’s message about the hollowness of the search for new sensations. Plus, every frame is like a black and white painting that captures the essence of human nature and the ways we can be seduced. Overall, La Dolce Vita is a must-see for anyone who wants to live life to the fullest, even if it means getting caught up in the chaos.
Production Company(ies)
Walt Disney Pictures, Walt Disney Animation Studios,
Distributor
Astor Pictures Corporation, Republic Pictures, American International Pictures
Release Type
Theatrical
Filming Location(s)
Villa Giustiniani-Odescalchi, Bassano Romano, Viterbo, Lazio, Italy
MPAA / Certificate
Not Rated
Year of Release
1961
-
Color:Color
Black and White -
Sound mix:Dolby
-
Aspect ratio:2.35 : 1
-
Runtime:2h 55m
-
Language(s):Italian, English, French, German
-
Country of origin:France, Italy
-
Release date:Release Date (Theaters): Apr 19, 1960 Original
Release Date (Streaming): Sep 21, 2004
Genre(s)
Drama
Keyword(s)
starring Marcello Mastroianni, Anita Ekberg, Yvonne Furneaux, Anouk Aimée, Magali Noël, Alain Cuny, directed by Federico Fellini, written by Federico Fellini, Ennio Flaiano, Pier Paolo Pasolini, Tullio Pinelli, drama, box office performance, budget, reviewed by David Stratton, Guardian Staff, Eric Rhode, Peter Bradshaw, Nigel Andrews, Stanley Kauffmann, Patrick McDonald, Jason Best, Matt Brunson, Frank J Avella, Jas Keimig, Dennis Harvey, producer Angelo Rizzoli, Giuseppe Amato, MPAA rating, Marcello Rubini, Sylvia, Maddalena, Fanny, Steiner, Rome, Italian film, character study, cinematography, episodic structure, surrealism, press photography, bourgeois society, social decadence
Worldwide gross: $198,220
Worldwide gross (inflation-adjusted): $2,231,023
Worldwide gross ranking (inflation-adjusted): 2,385
Worldwide tickets sold (est.): 243,296
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Anita Ekberg – Sylvia
Yvonne Furneaux – Emma
Anouk Aimée – Maddalena
Magali Noël – Fanny
Alain Cuny – Steiner
Director(s)
Federico Fellini
Writer(s)
Federico Fellini, Ennio Flaiano, Pier Paolo Pasolini, Tullio Pinelli
Producer(s)
Angelo Rizzoli, Giuseppe Amato
Film Festivals
Awards & Nominations
Won 1 Oscar
11 wins & 12 nominations total
Academy Awards
All Critics (78) | Top Critics (26) | Fresh (75) | Rotten (3)
[La Dolce Vita] propelled Fellini into the front rank of international directors.
June 12, 2020
David Stratton
The Australian
TOP CRITIC
The western cinema has needed for a long time its own kind of healthy puritanism to counter that from the east – notably Poland – and with directors like Fellini and Karel Reisz it now seems that it is getting it.
April 10, 2020
Guardian Staff
Guardian
TOP CRITIC
Fellini admits to having a confused sense of values, to being as uncertain as a child. Why then does he try to make realist films? It’s a great pity; for if La Dolce Vita had beenless grandiose and more private and personal it might have worked.
February 10, 2020
Eric Rhode
Sight & Sound
TOP CRITIC
It is a brilliant film, but there is nothing sweet about it.
January 3, 2020 | Rating: 5/5
Peter Bradshaw
Guardian
TOP CRITIC
This film defined a decade before the decade arrived.
December 23, 2019 | Rating: 4/5
Nigel Andrews
Financial Times
TOP CRITIC
Fellini has set out to move us with the depravity of contemporary life and has chosen what seems to me a poor method: cataloging sins. Very soon we find ourselves thinking: Is that all?
May 1, 2013
Stanley Kauffmann
The New Republic
TOP CRITIC
Every frame of this film is like a black/white painting, in the sense that no matter how many years go by the images move within a pattern of interpretation. Human nature never changes, just the ways/means we can be seduced, while living LA DOLCE VITA!
June 28, 2022 | Rating: 5/5
Patrick McDonald
HollywoodChicago.com
That the scenes of decadence and debauchery have dated badly seems, perversely, to work in the film’s favour, underscoring the hollowness of the high life, the vapidity of the ceaseless search for new sensation.
March 24, 2022 | Rating: 5
Jason Best
Movie Talk
The second half is astonishing in its execution and emotional implications.
February 12, 2022 | Rating: 4/4
Matt Brunson
Film Frenzy
The film is timelier than ever as an indictment of how the media manipulates in order to get a more palpable story.
February 10, 2022 | Rating: A+
Frank J. Avella
Edge Media Network
At once a debaucherous ride through the celebrity-studded streets of Rome and a depressing, hedonistic mirror held up to its main character, Federico Fellini’s La Dolce Vita takes you through the ringer in its 176-minute runtime.
December 9, 2021
Jas Keimig
The Stranger (Seattle, WA)
Casting aside his prior neo-realism, Fellini seized on a flamboyance of spectacle, symbolism, aesthetic refinement, and unconventional narrative structure that was endlessly striking as well as provocative.
August 30, 2021
Dennis Harvey
48 Hills…
Plot
In 1959/1960 Rome, Marcello Rubini (Marcello Mastroianni) is a writer and journalist, the worst kind of journalist
Trivia
Goofs / Tidbits
Marcello Mastroianni stars as restless reporter Marcello Rubini in La Dolce Vita.
Federico-Fellini.jpg
Breathless
Breathless (1961)
94%RT Audience Score: 90%
Awards & Nominations: NA
Breathless rewrote the rules of cinema — and more than 50 years after its arrival, Jean-Luc Godard’s paradigm-shifting classic remains every bit as vital.
Breathless is a film that’s so cool, it’s practically wearing sunglasses indoors. With its hip, jokey tone and stylish flourishes, it’s like a French New Wave take on a classic American gangster movie. The plot may be a bit sketchy, but who cares when you’re having this much fun? Godard’s freewheeling approach to filmmaking is on full display here, and it’s easy to see why this movie was such a game-changer when it first came out. Even 50 years later, Breathless still feels fresh and exciting, and it’s definitely worth checking out if you’re a fan of stylish, offbeat cinema.
Production Company(ies)
Les Films, Impéria Les Productions, Georges de Beauregard Société Nouvelle de Cinématographie
Distributor
NA
Release Type
Theatrical, Theatrical (Limited)
Filming Location(s)
11 rue Campagne Première, Paris 14, Paris, France
MPAA / Certificate
Not Rated
Year of Release
1961
-
Color:Color
Black and White -
Sound mix:Mono
-
Aspect ratio:1.33 : 1
-
Runtime:NA
-
Language(s):French, English
-
Country of origin:France
-
Release date:Release Date (Theaters): Feb 7, 1961 Wide
Release Date (Streaming): Jan 7, 2003
Genre(s)
Crime/Drama
Keyword(s)
starring Jean-Paul Belmondo, Jean Seberg, Daniel Boulanger, Jean-Pierre Melville, Henri-Jacques Huet, Van Doude, directed by Jean-Luc Godard, written by Jean-Luc Godard, François Truffaut, crime, drama, box office gross $47.1K, reviewed by Jake Wilson, Stanley Kauffmann, Adam Nayman, Chris Vognar, Jonathan F Richards, MPAA rating, produced by Georges de Beauregard, French New Wave, jump cuts, improvisational dialogue, Paris, police investigation, on the lam, aspiring journalist, suave bad guy, Humphrey Bogart, murder, Italy, loyalty, stylistic flourishes, philosophical asides, paradigm-shifting, vital, fresh, exciting, game-changer, unconventional, landmark, revolutionary editing techniques, pop culture references, intellectualism
Worldwide gross: $593,302
Worldwide gross (inflation-adjusted): $6,677,786
Worldwide gross ranking (inflation-adjusted): 2,087
Worldwide tickets sold (est.): 728,221
US/Canada gross: $414,173
US/Canada gross (inflation-adjusted): $4,661,637
US/Canada gross ranking (inflation-adjusted): 1,827
US/Canada opening weekend: $32,424
US/Canada opening weekend (inflation-adjusted): $364,942
US/Canada opening weekend ranking (inflation-adjusted): 1,481
Budget and Earnings Details
Production budget (est.): FRF 400,000
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Jean Seberg – Patricia Franchini
Daniel Boulanger – Police Inspector
Jean-Pierre Melville – Parvulesco
Henri-Jacques Huet – Antonio Berrutti
Van Doude – The Journalist
Director(s)
Jean-Luc Godard
Writer(s)
Jean-Luc Godard, François Truffaut
Producer(s)
Georges de Beauregard
Film Festivals
Awards & Nominations
NA
Academy Awards
All Critics (71) | Top Critics (26) | Fresh (69) | Rotten (2)
A hip, jokey thriller in which the sketchy plot serves as an excuse for stylistic flourishes and philosophical asides.
October 5, 2018
Jake Wilson
The Age (Australia)
TOP CRITIC
With the appearance of Breathless, we have a film that is new, aesthetically and morally.
December 3, 2015
Stanley Kauffmann
The New Republic
TOP CRITIC
January 14, 2011 | Rating: 3/5
Adam Nayman
eye WEEKLY
TOP CRITIC
Breathless jumps to its own rhythm and pokes holes in its idols even as it worships them.
August 20, 2010 | Rating: 5/5
Chris Vognar
Dallas Morning News
TOP CRITIC
On its fiftieth birthday Breathless remains fresh and exciting, although its revolutionary approach has long since been absorbed into the mainstream, and the years do show on it a bit.
August 4, 2010
Jonathan F. Richards
Film.com
TOP CRITIC
Even 50 years later, it’s easy feel how vivid a game-changer Breathless must have been when it arrived.
July 16, 2010
Lisa Kennedy
Denver Post
TOP CRITIC
Godard’s breezy vision and freestyle execution marked a generation. Always on the move and fun, Breathless’s magic is still shining. [Full review in Spanish]
October 15, 2021 | Rating: 4/5
Fico Cangiano
CineXpress Podcast
Make no mistake about it, this film still deserves its place in the canon of cinema.
October 13, 2021
Neely Swanson
Easy Reader (California)
Breathless made my world when I first encountered it. Decades later, I still love it.
May 11, 2021 | Rating: 10/10
Sabina Dana Plasse
Film Threat
Despite its unlikable characters, Breathless doesn’t lack feeling. It is a compelling story to watch with a satisfying ending.
March 24, 2021
Sarah Brinks
Battleship Pretension
An irreverent French spin on Godard’s affection for American gangster movies…
November 11, 2020
Lisa Nesselson
France24
It’s an upbeat, jazzy, cops-and-robbers crime drama with the tone of a romantic comedy and the plot progression of an unfocused documentary.
August 24, 2020 | Rating: 8/10
Mike Massie
Gone With The Twins…
Plot
Michel Poiccard, an irresponsible sociopath and small-time thief, steals a car and impulsively murders the motorcycle policeman who pursues him. Now wanted by the authorities, he renews his relationship with Patricia Franchini, a hip American girl studying journalism at the Sorbonne, whom he had met in Nice a few weeks earlier. Before leaving Paris, he plans to collect a debt from an underworld acquaintance and expects her to accompany him on his planned getaway to Italy. Even with his face in the local papers and media, Poiccard seems oblivious to the dragnet that is slowly closing around him as he recklessly pursues his love of American movies and libidinous interest in the beautiful American.
Trivia
Goofs / Tidbits
Jean-Paul Belmondo’s character in Breathless considers himself a suave bad guy in the manner of Humphrey Bogart.
Jean-Luc-Godard.jpg
Breakfast at Tiffanys
Breakfast at Tiffany’s (1961)
90%RT Audience Score: 91%
Awards & Nominations: Won 2 Oscars
11 wins & 13 nominations total
It contains some ugly anachronisms, but Blake Edwards is at his funniest in this iconic classic, and Audrey Hepburn absolutely lights up the screen.
If you’re looking for a movie that’s got glamour, sophistication, and a touch of the bizarre, then Breakfast at Tiffany’s is the perfect choice. Audrey Hepburn’s performance as Holly Golightly is captivating and style-defining, and the final scene is so tender that you’ll need a sponge to sop up your tears. Sure, there’s lots of drinking and smoking, but that’s just part of the charm. And let’s not forget about the real star of the show: the cat. You’d need a heart of stone not to love that furry little scene-stealer. So grab a croissant and a cup of coffee, settle in, and let yourself be swept away by Miss Hepburn’s magic spell.
Production Company(ies)
Python Pictures, Michael White Productions, National Film Trustee Company,
Distributor
Paramount Pictures
Release Type
Theatrical
Filming Location(s)
Tiffany & Co. – 727 Fifth Avenue at 57th Street, Manhattan, New York City, New York, USA
MPAA / Certificate
Approved
Year of Release
1961
-
Color:Color
-
Sound mix:Mono
-
Aspect ratio:1.85 : 1
-
Runtime:1h 55m
-
Language(s):English, Portuguese, French, Japanese
-
Country of origin:United States
-
Release date:Release Date (Theaters): Oct 5, 1961 Wide
Release Date (Streaming): Sep 21, 1999
Genre(s)
Romance/Comedy
Keyword(s)
starring Audrey Hepburn, George Peppard, Patricia Neal, Buddy Ebsen, Martin Balsam, Mickey Rooney, directed by Blake Edwards, written by George Axelrod, Truman Capote, romance, comedy, box office success, budget, reviewed by James Breen, James Powers, Peter Bradshaw, Cath Clarke, Nell Minow, Mark Bourne, Frank J Avella, Matt Brunson, A.S Hamrah, Mike Massie, Rachel Wagner, Fernando F Croce, MPAA rating, produced by Martin Jurow, Richard Shepherd, Truman Capote’s novel, New York City, young woman, young man, older woman, wealthy, writer, expensive escort, searching for rich man, iconic classic, Audrey Hepburn’s performance, Blake Edwards’ humor, anachronisms, ugly, magic spell, love story, glamorous, sophisticated, bizarre, heart of stone, cat, ditsy, delightful, charm, drinking, cigarettes, tender sequence, richly detailed, worst racial stereotype, richly detailed, Hollywood mystique, formulaic, Henry Mancini’s score, Manic Pixie Dreamgirl, complex, memorable character
Worldwide gross: $530,864
Worldwide gross (inflation-adjusted): $5,975,028
Worldwide gross ranking (inflation-adjusted): 2,119
Worldwide tickets sold (est.): 651,584
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
George Peppard – Paul Varjak
Patricia Neal – 2-E
Buddy Ebsen – Doc Golightly
Martin Balsam – O.J. Berman
Mickey Rooney – Mr. Yunioshi
Director(s)
Blake Edwards
Writer(s)
George Axelrod, Truman Capote
Producer(s)
Martin Jurow, Richard Shepherd
Film Festivals
Awards & Nominations
Won 2 Oscars
11 wins & 13 nominations total
Academy Awards
All Critics (55) | Top Critics (14) | Fresh (49) | Rotten (6)
It can be faulted as a narrative and it doesn’t take a serious moral view. But the people who querulously insist on such points have clearly not surrendered to Miss Hepburn’s magic spell.
July 10, 2018
James Breen
Sight & Sound
TOP CRITIC
An unusual love story, glamorous, sophisticated, with more than a touch of the bizarre.
October 3, 2015
James Powers
Hollywood Reporter
TOP CRITIC
Well, the movie still looks very good, and you’d need a heart of stone not to love the cat.
January 20, 2011 | Rating: 3/5
Peter Bradshaw
Guardian
TOP CRITIC
It’s as ditsy and delightful as ever – with charm enough to forgive it plenty.
January 18, 2011 | Rating: 3/5
Cath Clarke
Time Out
TOP CRITIC
Fabulous, but lots of drinking and cigarettes.
December 22, 2010 | Rating: 5/5
Nell Minow
Common Sense Media
TOP CRITIC
…the final scene, a tender sequence that you can sop up with a sponge, but if you aren’t moved by it you probably stick kittens with pins.
February 2, 2009
Mark Bourne
Film.com
TOP CRITIC
Hepburn’s captivating and style-defining performance as Holly Golightly cannot be underestimated and gets better with age.
January 21, 2022 | Rating: A
Frank J. Avella
Edge Media Network
Barring THE worst racial stereotype EVER to disgrace a Hollywood film, this is a richly detailed movie.
October 23, 2021 | Rating: 3.5/4
Matt Brunson
Film Frenzy
Edwards doesn’t cut it into pieces. It’s all easy, loping group shots following people from place to place.
January 26, 2021
A.S. Hamrah
n+1
It’s a consistently watchable mix of laughs, love, and heartbreak.
August 24, 2020 | Rating: 7/10
Mike Massie
Gone With The Twins
It’s a movie about contradictions which i think is really interesting.
June 28, 2019
Rachel Wagner
Rachel’s Reviews (YouTube)
The crossroads of Fifties and Sixties, party and hangover and romanticism and desperation lustrously distributed across the widescreen by Blake Edwards
November 16, 2015
Fernando F. Croce
CinePassion…
Plot
A young woman in New York City, working as an expensive escort and searching for a rich, older man to marry, meets a young man when he moves into her apartment building in the iconic classic, Breakfast at Tiffany’s.
Trivia
Goofs / Tidbits
Audrey Hepburn’s performance as Holly Golightly is “captivating and style-defining” and “gets better with age,” according to one critic review on Fresh Kernels.
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