Terms of Endearment (1983)
RT Audience Score: 83%
Awards & Nominations: Won 5 Oscars
32 wins & 18 nominations total
A classic tearjerker, Terms of Endearment isn’t shy about reaching for the heartstrings — but is so well-acted and smartly scripted that it’s almost impossible to resist
Terms of Endearment is like a rollercoaster ride of emotions that will make you laugh, cry, and everything in between. It’s a classic American movie that tells the story of three relationships in a completely effortless way. The quirky rhythms and veering emotional tones are what make this movie unique and unforgettable. You’ll fall in love with the leading characters in just five minutes and be putty in the hands of writer-director James L. Brooks. So grab some tissues and get ready for a sweet-ass gal of a movie that will leave you feeling all the feels.
Production Company(ies)
Walt Disney Pictures, Lin Pictures, Rideback
Distributor
Paramount Pictures
Release Type
Theatrical
Filming Location(s)
3060 Locke Lane, Houston, Texas, USA
MPAA / Certificate
PG
Year of Release
1983
-
Color:Color
-
Sound mix:Mono
-
Aspect ratio:1.85 : 1
-
Runtime:2h 12m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Nov 23, 1983 Original
Release Date (Streaming): Apr 10, 2001
Genre(s)
Comedy/Drama
Keyword(s)
starring Shirley MacLaine, Debra Winger, Jack Nicholson, Jeff Daniels, Danny DeVito, John Lithgow, directed by James L Brooks, written by James L Brooks, produced by James L Brooks, comedy, drama, box office performance, budget, reviewed by Nigel Andrews, David Robinson, Jay Carr, Kathleen Carroll, Gene Siskel, Richard Schickel, James Wegg, Mike Massie, Tim Brayton, Cole Smithey, Diego Galán, PG rating, mother-daughter relationship, family dysfunction, cancer, romance, melodrama, sentimentality, Michael Gore’s score, ensemble cast, Academy Awards, Best Picture, Best Director, Best Actress, Best Supporting Actor, Best Screenplay, Best Original Score, Best Editing, Best Cinematography, Golden Globe Awards, Best Motion Picture – Drama, Best Director – Motion Picture, Best Screenplay – Motion Picture, Best Actress – Motion Picture Drama, Best Supporting Actor – Motion Picture, Best Original Score – Motion Picture, Best Original Song – Motion Picture, Best Cinematography – Motion Picture, Best Film Editing – Motion Picture, Screen Actors Guild Awards, Outstanding Performance by a Cast in a Motion Picture, Outstanding Performance by a Female Actor in a Leading Role, Outstanding Performance by a Male Actor in a Supporting Role, Outstanding Performance by a Female Actor in a Supporting Role, mother, daughter, astronaut, teacher, cheating, hospital, marriage, divorce, death, cancer diagnosis, family dynamics, heartstrings, tearjerker
Worldwide gross: $108,423,749
Worldwide gross (inflation-adjusted): $331,772,085
Worldwide gross ranking (inflation-adjusted): 452
Worldwide tickets sold (est.): 36,180,162
US/Canada gross: $108,423,489
US/Canada gross (inflation-adjusted): $331,771,289
US/Canada gross ranking (inflation-adjusted): 162
US/Canada opening weekend: $3,498,813
US/Canada opening weekend (inflation-adjusted): $10,706,220
US/Canada opening weekend ranking (inflation-adjusted): 936
Budget and Earnings Details
Production budget (est.): $8,000,000
Production budget (inflation-adjusted): $24,479,662
Production budget ranking: 1,259
Marketing and distribution budget (inflation-adjusted est.): $13,182,298
Box office net earnings to date (inflation-adjusted est.): $294,110,126
ROI to date (est.): 781%
ROI ranking: 164
Debra Winger – Emma Greenway Horton
Jack Nicholson – Garrett Breedlove
Jeff Daniels – Flap Horton
Danny DeVito – Vernon Dahlart
John Lithgow – Sam Burns
Director(s)
James L. Brooks
Writer(s)
James L. Brooks
Producer(s)
James L. Brooks
Film Festivals
Awards & Nominations
Won 5 Oscars
32 wins & 18 nominations total
Academy Awards
Oscar Best Achievement in Directing Winners, Oscar Best Picture Winners, Oscar Best Writing Winners, Oscar Nominees, Oscar Screenplay Based on Material Previously Produced or Published Winners, Oscar Winners
All Critics (55) | Top Critics (13) | Fresh (43) | Rotten (12)
Anyone who believes that television styles are new taking over the cinema — or at least large sections of it — will have their fears confirmed here.
February 3, 2020
Nigel Andrews
Financial Times
TOP CRITIC
It is impossible to resist the feeling of watching a long-running soap opera of which you have missed rather a lot of crucial episodes.
February 3, 2020
David Robinson
Times (UK)
TOP CRITIC
Terms of Endearment is that uncommon kind of American movie, the kind that doesn’t just manipulate our feelings, but releases them.
April 26, 2018
Jay Carr
Boston Globe
TOP CRITIC
It takes all of perhaps five minutes to fall in love with the leading characters in Terms of Endearment and from that point on, the audience is just putty in the extremely capable hands of writer-director James L. Brooks.
February 22, 2015
Kathleen Carroll
New York Daily News
TOP CRITIC
Terms of Endearment is about three relationships and students of screenwriting would do well to study the way in which these three stories are told completely and effortlessly in a movie of average length.
January 18, 2013 | Rating: 4/4
Gene Siskel
Chicago Tribune
TOP CRITIC
Its quirky rhythms and veering emotional tones are very much its own, and they owe less to movie tradition than they do to a sense of how the law of unintended consequences pushes us ceaselessly through the years, permitting no pause for perspective.
February 20, 2009
Richard Schickel
TIME Magazine
TOP CRITIC
“My sweet-ass gal”
May 8, 2022 | Rating: 3.5/5
James Wegg
JWR
With this attention to maintaining a certain earnestness, overflowing with small details and comic touches, the pacing lags – even when laughs or heartbreak are abundant.
September 8, 2020 | Rating: 7/10
Mike Massie
Gone With The Twins
A bunch of loosely-assembled anecdotes that move in chronological order without explaining why anything actually happens.
June 29, 2020 | Rating: 2/5
Tim Brayton
Alternate Ending
Dysfunctional adults, an unhappy marriage, too many kids, a cruel mom, an over-the-hill astronaut, and cancer are elements in this hardcore tear-jerker. Cry, cry, cry.
June 7, 2020 | Rating: A-
Cole Smithey
ColeSmithey.com
How James L. Brooks’s Terms of Endearment evolves from a prolonged and bizarrely unfunny sit-com into a heartbreaking ten-hankie family tragedy is a phenomenon I’m not sure I can wholly explain.
February 26, 2020
Molly Haskell
Vogue
One doesn’t begin to understand what exactly is Terms of Endearment: what does it represent or what is it trying to tell us? [Full Review in Spanish]
February 5, 2020
Diego Galán
El Pais (Spain)…
Plot
Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma’s marriage, Aurora shows how difficult and loving she can be. The movie covers several years of their lives as each finds different reasons to go on living and find joy. Aurora’s interludes with Garrett Breedlove, retired astronaut and next door neighbor are quite striking. In the end, different people show their love in very different ways.
Trivia
Goofs / Tidbits
Jack Nicholson’s performance in Terms of Endearment is described as “sublime” and “charismatic” by an audience reviewer.
James-L.-Brooks.jpg
A Christmas Story
A Christmas Story (1983)
RT Audience Score: 88%
Awards & Nominations: 3 wins & 11 nominations
Both warmly nostalgic and darkly humorous, A Christmas Story deserves its status as a holiday perennial.
A Christmas Story is a classic holiday movie that will make you laugh, cry, and feel all the warm and fuzzy feelings of the season. With its hilarious narration, slapstick humor, and heartwarming story of a family’s love for each other, it’s no wonder this movie has become a beloved tradition for so many. And who can forget the iconic leg lamp and the infamous tongue-stuck-to-the-flagpole scene? It’s a must-watch for anyone who wants to get into the holiday spirit and relive the magic of childhood Christmases.
Production Company(ies)
Red Box Films, Passion Pictures, Canfield Pictures,
Distributor
Metro-Goldwyn-Mayer
Release Type
Theatrical
Filming Location(s)
3159 W. 11th Street, Cleveland, Ohio, USA
MPAA / Certificate
PG
Year of Release
1983
-
Color:Color
-
Sound mix:Mono
-
Aspect ratio:1.85 : 1
-
Runtime:1h 33m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Nov 18, 1983 Wide
Release Date (Streaming): Nov 4, 2008
Genre(s)
Holiday/Comedy
Keyword(s)
starring Peter Billingsley, Darren McGavin, Melinda Dillon, Ian Petrella, Scotty Schwartz, R D Robb, Zack Ward, directed by Bob Clark, written by Leigh Brown, Bob Clark, Jean Shepherd, produced by Bob Clark, René Dupont, holiday, comedy, PG, box office gross $20.7M, reviewed by Rita Kempley, Michael Wilmington, J R Jones, Nell Minow, James Berardinelli, Don Peretta, David Gonzalez, Matt Brunson, Rachel Wagner, Eve Tushnet, Dorothy Woodend, David Keyes, Peter Billingsley as Ralph ‘Ralphie’ Parker, Darren McGavin as Mr Parker, Melinda Dillon as Mrs Parker, Ian Petrella as Randy Parker, Scotty Schwartz as Flick, R D Robb as Schwartz
Worldwide gross: $20,791,649
Worldwide gross (inflation-adjusted): $63,621,566
Worldwide gross ranking (inflation-adjusted): 1,228
Worldwide tickets sold (est.): 6,938,012
US/Canada gross: $20,778,141
US/Canada gross (inflation-adjusted): $63,580,232
US/Canada gross ranking (inflation-adjusted): 965
US/Canada opening weekend: $2,072,473
US/Canada opening weekend (inflation-adjusted): $6,341,680
US/Canada opening weekend ranking (inflation-adjusted): 1,056
Budget and Earnings Details
Production budget (est.): $3,300,000
Production budget (inflation-adjusted): $10,097,860
Production budget ranking: 1,665
Marketing and distribution budget (inflation-adjusted est.): $5,437,698
Box office net earnings to date (inflation-adjusted est.): $48,086,008
ROI to date (est.): 310%
ROI ranking: 448
Darren McGavin – Mr. Parker
Melinda Dillon – Mrs. Parker
Ian Petrella – Randy Parker
Scotty Schwartz – Flick
R. D. Robb – Schwartz
Director(s)
Bob Clark
Writer(s)
Leigh Brown, Bob Clark, Jean Shepherd, Jean Shepherd
Producer(s)
Bob Clark, René Dupont
Film Festivals
Awards & Nominations
3 wins & 11 nominations
Academy Awards
All Critics (59) | Top Critics (10) | Fresh (53) | Rotten (6)
It’s a nostalgic comedy featuring a family of eccentrics who lovingly celebrate the holidays and life itself in Midwestern America in the 1940s.
November 30, 2015
Rita Kempley
Washington Post
TOP CRITIC
[A] richly remembered tale of Christmas past.
December 4, 2013 | Rating: 3.5/4
Michael Wilmington
Chicago Tribune
TOP CRITIC
Shepherd provides the voice-over of the grown hero narrating, and his prominence on the sound track forces Clark to focus on visual humor, resulting in some wild Our Gang-style slapstick.
December 5, 2012
J. R. Jones
Chicago Reader
TOP CRITIC
Wonderful antidote to saccharine holiday tales.
December 21, 2010 | Rating: 5/5
Nell Minow
Common Sense Media
TOP CRITIC
If you’re a fan of Christmas movies or films that use nostalgia as a driver, A Christmas Story cannot be missed. Then again, if you’re in either category, you have probably already seen it.
June 10, 2008 | Rating: 3.5/4
James Berardinelli
ReelViews
TOP CRITIC
Delightfully entertaining, with a wryly amusing narration to keep the adults in the audience smirking.
June 24, 2006
Don Peretta
Time Out
TOP CRITIC
For old timers like myself, the final scene of Ralphie sleeping with his Christmas prize will always hold true to me and brings back yearly memories of one of the easiest times of anyones life, their childhood.
February 14, 2022 | Rating: 4/4
David Gonzalez
Reel Talk Inc.
An uproarious adaptation of Jean Shepherd’s book In God We Trust, All Others Pay Cash.
December 4, 2021 | Rating: 3.5/4
Matt Brunson
Film Frenzy
I think it is one of the best portrayals of childhood ever in the movies.
May 2, 2019 | Rating: A+
Rachel Wagner
rachelsreviews.net
Just a tour de force of holiday agony, outrageous and hilarious.
January 3, 2019
Eve Tushnet
Patheos
Kids and guns, you can’t go wrong with that combination. It adds up to a film that is sweet and sappy, yet still entertaining.
August 24, 2017
Dorothy Woodend
The Tyee (British Columbia)
It takes pause to recognize the collective good nature we owe to one another all year round, and pays that knowledge forward with charm and wistfulness.
December 30, 2013 | Rating: 4/4
David Keyes
Cinemaphile.org…
Plot
Christmas is approaching and 9 year-old Ralphie wants only one thing: a Red Ryder Range 200 Shot BB gun. When he mentions it at the dinner table, his mother’s immediate reaction is that he’ll shoot his eye out. He then decides on a perfect theme for his teacher but her reaction is like his. He fantasizes about what it would be like to be Red Ryder and catch the bad guys. When the big day arrives he gets lots of present under the tree including a lovely gift from his aunt that his mother just adores. But what about the BB gun?
Trivia
Goofs / Tidbits
There is no goofy or funny or odd comment about the film A Christmas Story on Fresh Kernels.
Bob-Clark.jpg
Cujo
Cujo (1983)
RT Audience Score: 45%
Awards & Nominations: 1 win & 3 nominations
Cujo is artless work punctuated with moments of high canine gore and one wild Dee Wallace performance
If you’re looking for a movie that will make you want to cuddle up with your furry friend, Cujo is not it. This horror flick about a rabid St. Bernard is as intense as it is terrifying. But if you’re in the mood for a stripped-down, nerve-shredding thriller, Cujo has got you covered. Just maybe don’t watch it with your pooch by your side.
Production Company(ies)
Armory Films, 1993 Lucky Treehouse
Distributor
Artisan Entertainment, Warner Home Vídeo, Republic Pictures, Warner Bros.
Release Type
Streaming, Theatrical
Filming Location(s)
Santa Rosa, California, USA
MPAA / Certificate
R
Year of Release
1983
-
Color:Color
-
Sound mix:MonoDTS
-
Aspect ratio:1.85 : 1
-
Runtime:1h 31m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Aug 3, 1983 Original
Release Date (Streaming): Sep 25, 2007
Genre(s)
Horror
Keyword(s)
starring Dee Wallace, Danny Pintauro, Daniel Hugh Kelly, Christopher Stone, Ed Lauter, Kaiulani Lee, directed by Lewis Teague, written by Stephen King, Don Carlos Dunaway, Lauren Currier, horror, R rating, Artisan Entertainment, Warner Home Vídeo, Republic Pictures, Warner Bros., box office performance, budget, reviewed by Adam Nayman, Gary Arnold, Variety Staff, Eric Henderson, David Pirie, Janet Maslin, Dennis Schwartz, Eddie Harrison, Mike Massie, Tom Beasley, Dee Wallace as Donna Trenton, Danny Pintauro as Tad Trenton, Daniel Hugh Kelly as Vic Trenton, Christopher Stone as Steve Kemp, Ed Lauter as Joe Camber, Kaiulani Lee as Charity Camber, produced by Daniel H Blatt, Robert Singer
Worldwide gross: $21,156,152
Worldwide gross (inflation-adjusted): $64,736,930
Worldwide gross ranking (inflation-adjusted): 1,221
Worldwide tickets sold (est.): 7,059,643
US/Canada gross: $21,156,152
US/Canada gross (inflation-adjusted): $64,736,930
US/Canada gross ranking (inflation-adjusted): 960
US/Canada opening weekend: $6,114,899
US/Canada opening weekend (inflation-adjusted): $18,711,332
US/Canada opening weekend ranking (inflation-adjusted): 694
Budget and Earnings Details
Production budget (est.): $5,000,000
Production budget (inflation-adjusted): $15,299,788
Production budget ranking: 1,502
Marketing and distribution budget (inflation-adjusted est.): $8,238,936
Box office net earnings to date (inflation-adjusted est.): $41,198,206
ROI to date (est.): 175%
ROI ranking: 698
Danny Pintauro – Tad Trenton
Daniel Hugh Kelly – Vic Trenton
Christopher Stone – Steve Kemp
Ed Lauter – Joe Camber
Kaiulani Lee – Charity Camber
Director – Lewis Teague
Producers – Daniel H. Blatt, Robert Singer
Writers – Stephen King, Don Carlos Dunaway, Lauren Currier
Director(s)
Lewis Teague
Writer(s)
Stephen King, Don Carlos Dunaway, Lauren Currier
Producer(s)
Daniel H. Blatt, Robert Singer
Film Festivals
Awards & Nominations
1 win & 3 nominations
Academy Awards
All Critics (42) | Top Critics (7) | Fresh (26) | Rotten (16)
The movie is as nasty and single-minded as Cujo himself: It’s simple, and it works.
September 5, 2019
Adam Nayman
The Ringer
TOP CRITIC
“Cujo” no doubt presented fewer difficulties for a novelist than it does for a movie director.
October 4, 2017
Gary Arnold
Washington Post
TOP CRITIC
A dull, uneventful entry in the horror genre.
March 26, 2009
Variety Staff
Variety
TOP CRITIC
Directed by Lewis Teague with less cinematographic flair than even the TV miniseries for ‘Salem’s Lot, Cujo unfortunately demonstrates the difficulty in adapting King’s shorter works.
October 28, 2007 | Rating: 2/4
Eric Henderson
Slant Magazine
TOP CRITIC
This adaptation on a modest budget from Stephen King’s bestseller about a rabid St Bernard is a pleasing illustration of the filmic simplicity at the heart of King’s better writing.
February 9, 2006
David Pirie
Time Out
TOP CRITIC
The family members seem believably typical, which makes their encounter with the demonic dog all the more involving. Be warned: if you find yourself too caught up in ”Cujo,” you’ll have a hard time looking your own pooch in the eye.
May 20, 2003
Janet Maslin
New York Times
TOP CRITIC
Not much of a horror or a dog story.
July 23, 2021 | Rating: C+
Dennis Schwartz
Dennis Schwartz Movie Reviews
…Cujo the dog seems to feed off Castle Rock’s bad energy, and there’s far more to King’s story than just a woman in peril…
July 21, 2021 | Rating: 3/5
Eddie Harrison
film-authority.com
At certain moments, it’s as if flawed individuals are met with toothy reprisal in a twisted form of justice – where survival defines worth.
August 31, 2020 | Rating: 6/10
Mike Massie
Gone With The Twins
It’s a stripped-down nerve-shredder of a movie that has a bite every bit as potent as its bark.
August 15, 2020 | Rating: 4/5
Tom Beasley
VultureHound
The story gets lost in long and dull explanations. [Full Review in Spanish]
September 23, 2019
Diego Galán
El Pais (Spain)
A claustrophobic horror with plenty of bite.
April 29, 2019
Rob Aldam
Backseat Mafia…
Plot
Donna Trenton is a frustrated suburban housewife whose life is in turmoil after her husband learns about her having an affair. Brett Camber is a young boy whose only companion is a Saint-Bernard named “Cujo”, who in turn is bitten by a rabid bat. Whilst Vic, Donna’s husband is away on business, and thinking over his marital troubles, Donna and her 5-year-old son Tad take her Pinto to Brett Cambers’ dad’s car shop… the car fails, and “Cujo” is very, very sick…
Trivia
Goofs / Tidbits
Fresh Kernels mentions Dee Wallace’s “wild” performance in Cujo.
Lewis-Teague.jpg
Trading Places
Trading Places (1983)
RT Audience Score: 84%
Awards & Nominations: Nominated for 1 Oscar
3 wins & 5 nominations total
Featuring deft interplay between Eddie Murphy and Dan Aykroyd, Trading Places is an immensely appealing social satire
Trading Places is a classic comedy that still holds up today. Eddie Murphy and Dan Aykroyd are a dynamic duo that will have you laughing out loud. The supporting cast is also fantastic, especially Don Ameche and Ralph Bellamy as the meddling oldsters. The film’s exploration of race and class is still relevant, even if some aspects are a bit problematic by today’s standards. Overall, Trading Places is a must-watch for anyone who loves a good laugh and a bit of social commentary. Plus, who doesn’t love a good bet-gone-wrong storyline?
Production Company(ies)
Paramount Pictures,
Distributor
NA
Release Type
Theatrical
Filming Location(s)
St. Croix, U.S. Virgin Islands
MPAA / Certificate
R
Year of Release
1983
-
Color:Color
-
Sound mix:Mono Dolby Digital
-
Aspect ratio:1.85 : 1
-
Runtime:NA
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Streaming): Sep 24, 2002
Genre(s)
Comedy
Keyword(s)
starring Dan Aykroyd, Eddie Murphy, Ralph Bellamy, Don Ameche, Denholm Elliott, Kristin Holby, Jamie Lee Curtis, directed by John Landis, written by Timothy Hyde Harris, Herschel Weingrod, comedy, box office performance, budget, reviewed by Derek Malcolm, Yardena Arar, Gary Arnold, Richard Schickel, Dave Kehr, Variety Staff, Fico Cangiano, Allison Rose, Matt Brunson, Danielle Solzman, Sezín Koehler, MPAA rating R, social satire, successful brokers, framed, street-smart, upper-crust executive, down-and-out hustler, bet, meddling oldsters, gentlemanly servant, Christmas film, racial aspects, American context, deft interplay, immensely appealing, turn the tables, screwball comedy, crudest audience-gratification elements, morally complicated, light romp, strong themes, iconic architecture, historic statues, intersection of race and class, well-constructed, organized
Worldwide gross: $90,404,800
Worldwide gross (inflation-adjusted): $276,634,863
Worldwide gross ranking (inflation-adjusted): 543
Worldwide tickets sold (est.): 30,167,379
US/Canada gross: $90,404,800
US/Canada gross (inflation-adjusted): $276,634,863
US/Canada gross ranking (inflation-adjusted): 224
US/Canada opening weekend: $7,348,200
US/Canada opening weekend (inflation-adjusted): $22,485,181
US/Canada opening weekend ranking (inflation-adjusted): 599
Budget and Earnings Details
Production budget (est.): $15,000,000
Production budget (inflation-adjusted): $45,899,365
Production budget ranking: 856
Marketing and distribution budget (inflation-adjusted est.): $24,716,808
Box office net earnings to date (inflation-adjusted est.): $206,018,690
ROI to date (est.): 292%
ROI ranking: 468
Eddie Murphy – Billy Ray Valentine
Ralph Bellamy – Randolph Duke
Don Ameche – Mortimer Duke
Denholm Elliott – Coleman
Kristin Holby – Penelope Witherspoon
Director(s)
John Landis
Writer(s)
Timothy Hyde Harris, Herschel Weingrod
Producer(s)
Aaron Russo
Film Festivals
Awards & Nominations
Nominated for 1 Oscar
3 wins & 5 nominations total
Academy Awards
Oscar Nominees
All Critics (51) | Top Critics (11) | Fresh (45) | Rotten (6)
Trading Places, in this of all Hollywood years, is a joy to behold — clever without being smart, affectionate without being sentimental, They can make movies like they used to after all.
August 20, 2021
Derek Malcolm
Guardian
TOP CRITIC
Landis’ direction is deft, but the sparkling performances are the real draw not only by Murphy and Aykroyd but also by Don Ameche and Ralph Bellamy as the meddling oldsters, Denholm Elliott as the gentlemanly servant and Jamie Lee Curtis.
October 23, 2018
Yardena Arar
Associated Press
TOP CRITIC
Trading Places is a comedy of unavoidable fits and starts.
November 23, 2015
Gary Arnold
Washington Post
TOP CRITIC
Trading Places also makes Eddie Murphy a force to be reckoned with.
April 2, 2008
Richard Schickel
TIME Magazine
TOP CRITIC
This 1983 film re-creates a screwball comedy format and then eliminates everything but the crudest audience-gratification elements; any incursions into the more morally complicated side of the genre are quickly curtailed.
April 2, 2008
Dave Kehr
Chicago Reader
TOP CRITIC
Trading Places is a light romp geared up by the schtick shifted by Dan Aykroyd and Eddie Murphy.
April 2, 2008
Variety Staff
Variety
TOP CRITIC
Eddie Murphy and Dan Aykroyd are quite the duo in this funny Christmas film with some strong themes under its hood. [Full review in Spanish]
December 9, 2021 | Rating: 3.5/5
Fico Cangiano
CineXpress Podcast
Since 48 hrs. had yet to be released, Landis and the studio took a big risk casting Murphy, fortunately, the gamble (pun intended) paid off.
December 9, 2020 | Rating: 4.5/5
Allison Rose
FlickDirect
The two stars (especially Murphy) are terrific, and the supporting cast provides additional flavor.
December 5, 2020 | Rating: 3/4
Matt Brunson
Film Frenzy
…Trading Places is still funny with thanks to Dan Aykroyd and Eddie Murphy but some of the film’s racial aspects are problematic in this era.
December 1, 2020 | Rating: 4/5
Danielle Solzman
Solzy at the Movies
Juxtaposing iconic architecture and historic statues with this heavily loaded satire examining the intersection of race and class situate Trading Places firmly in its American context.
May 23, 2020 | Rating: 5/5
Sezín Koehler
Black Girl Nerds
Trading Places is an excellent comedy — a bit cold and cerebral, but well-constructed and organized. [Full Review in Spanish]
September 24, 2019
Octavi Marti
El Pais (Spain)…
Plot
Louis Winthorpe is a businessman who works for commodities brokerage firm of Duke and Duke owned by the brothers Mortimer and Randolph Duke. Now they bicker over the most trivial of matters and what they are bickering about is whether it’s a person’s environment or heredity that determines how well they will do in life. When Winthorpe bumps into Billy Ray Valentine, a street hustler and assumes he is trying to rob him, he has him arrested. Upon seeing how different the two men are, the brothers decide to make a wager as to what would happen if Winthorpe loses his job, his home and is shunned by everyone he knows and if Valentine was given Winthorpe’s job. So they proceed to have Winthorpe arrested and to be placed in a compromising position in front of his girlfriend. So all he has to rely on is the hooker who was hired to ruin him.
Trivia
Goofs / Tidbits
Fresh Kernels praises the “deft interplay” between Eddie Murphy and Dan Aykroyd in Trading Places.
John-Landis.jpg
Superman III
Superman III (1983)
RT Audience Score: 23%
Awards & Nominations: 2 wins & 7 nominations
When not overusing sight gags, slapstick, and Richard Pryor, Superman III resorts to plot points rehashed from the previous Superman flicks
Superman III is like a bad blind date that you can’t wait to end. The plot is all over the place, the action scenes are good but not enough to save the movie, and the score is just plain weird. The only reason to watch this movie is for Richard Pryor, who is the only bright spot in this otherwise forgettable mess. Save yourself the trouble and just play on your phone during the rest of the movie. Trust me, it’s what Gus Gorman would want you to do.
Production Company(ies)
Apatow Productions, Film Nation Entertainment, Story Ink
Distributor
NA
Release Type
Theatrical
Filming Location(s)
Calgary, Alberta, Canada
MPAA / Certificate
PG
Year of Release
1983
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:2.39 : 1
-
Runtime:NA
-
Language(s):English, Italian, Spanish
-
Country of origin:United States
-
Release date:Release Date (Streaming): Nov 28, 2006
Genre(s)
Adventure/Action
Keyword(s)
starring Christopher Reeve, Richard Pryor, Robert Vaughn, Jackie Cooper, Margot Kidder, Annette O’Toole, directed by Richard Lester, written by David Newman, Leslie Newman, Adventure/Action, box office performance, budget, reviewed by James Berardinelli, William Thomas, Linda Deutsch, Gary Arnold, Variety Staff, Geoff Andrew, Alan Ng, Mike Massie, Matthew Rozsa, Lawrence O’Toole, People Staff, PG, Pierre Spengler, Superman, computer programmer, financial tycoon, weather satellite, kryptonite, Colombia’s coffee crop, mortal weakness, tar, sound mix, surround
Worldwide gross: $59,950,623
Worldwide gross (inflation-adjusted): $183,446,370
Worldwide gross ranking (inflation-adjusted): 743
Worldwide tickets sold (est.): 20,005,057
US/Canada gross: $59,950,623
US/Canada gross (inflation-adjusted): $183,446,370
US/Canada gross ranking (inflation-adjusted): 408
US/Canada opening weekend: $13,352,357
US/Canada opening weekend (inflation-adjusted): $40,857,648
US/Canada opening weekend ranking (inflation-adjusted): 298
Budget and Earnings Details
Production budget (est.): $39,000,000
Production budget (inflation-adjusted): $119,338,350
Production budget ranking: 310
Marketing and distribution budget (inflation-adjusted est.): $64,263,701
Box office net earnings to date (inflation-adjusted est.): -$155,681
ROI to date (est.): 0%
ROI ranking: 1,396
Richard Pryor – Gus Gorman
Robert Vaughn – Ross Webster
Jackie Cooper – Perry White
Margot Kidder – Lois Lane
Annette O’Toole – Lana Lang
Director(s)
Richard Lester
Writer(s)
David Newman, Leslie Newman
Producer(s)
Pierre Spengler
Film Festivals
Awards & Nominations
2 wins & 7 nominations
Academy Awards
All Critics (55) | Top Critics (10) | Fresh (16) | Rotten (39)
The plot is nonsensical, as if different scenes were written in isolation without any conception of how to connect them together.
November 30, 2021 | Rating: 1.5/4
James Berardinelli
ReelViews
TOP CRITIC
The action is good but this doesn’t move the audience in the same way as the first two.
August 13, 2020 | Rating: 3/5
William Thomas
Empire Magazine
TOP CRITIC
Superman III may be the saddest dissappointment of the summer movie season.
March 4, 2019
Linda Deutsch
Associated Press
TOP CRITIC
Reeve, the ongoing justification for the series, is no longer contractually obligated after this episode, and his liberation comes not an installment too soon.
April 23, 2018
Gary Arnold
Washington Post
TOP CRITIC
Putting its emphasis on broad comedy at the expense of ingenious plotting and technical wizardry, it has virtually none of the mythic or cosmic sensibility that marked its predecessors.
March 26, 2009
Variety Staff
Variety
TOP CRITIC
Enjoyable, nevertheless.
June 24, 2006
Geoff Andrew
Time Out
TOP CRITIC
The franchise is guaranteed money, so why did Warner Brothers decide to spend even less money on this trash?
February 16, 2022 | Rating: 5/10
Alan Ng
Film Threat
Perhaps most unfitting of all is Ken Thorne’s new score, which is peppered with circusy ditties, sound effects, and musical cues.
January 2, 2022 | Rating: 2/10
Mike Massie
Gone With The Twins
See this movie for Richard Pryor. Play on your cell phone during the rest. Frankly it’s what Gus Gorman would want you to do.
January 9, 2021 | Rating: 3/4
Matthew Rozsa
matthewrozsa.com
The film’s predecessors were extremely smooth renderings of the comic strip material, but Superman III looks as chintzy as a Grade-B movie serial.
August 13, 2020
Lawrence O’Toole
Maclean’s Magazine
If not as exhilarating as Superman II, Superman III is surprising and boisterously witty.
August 13, 2020
People Staff
People Magazine
One expects romance, humor and grandeur, but only gets a frustrating mixture of failed opportunities and missed chances. Bummer.
August 13, 2020
J.A. Conner
Santa Cruz Sentinel…
Plot
Clark travels to Smallville for his Highscool Reunion and reconnect with his childhood sweetheart Lana Lang. Computer programmer Gus Gorman is hired by financial tycoon Ross, to Take control of the coffee business by wiping out all the competition via Satellite. After Superman destroyed there plan Ross Makes Gus figure out how to find Kryptonite to eliminate Superman, but uses Tar as the missing element. Causes an unusual effect on Superman. Meanwhile Gus’s gets his machine he wanted built that can do anything you want it to do.
Trivia
Goofs / Tidbits
Richard Pryor’s performance in Superman III is often cited as one of the few highlights of the film.
Richard-Lester.jpg
Octopussy
Octopussy (1983)
RT Audience Score: 47%
Awards & Nominations: 2 wins & 3 nominations
Despite a couple of electrifying action sequences, Octopussy is a formulaic, anachronistic Bond outing
Octopussy” is the 13th James Bond movie and it’s a mixed bag of reviews. Some critics say it’s one of the best, while others say it’s the worst. Personally, I think it’s like a rollercoaster ride – it has its ups and downs. The action sequences are exciting, but the characterizations are flat. The story unfolds like a true mystery, but it’s still plagued by the naffness that was prevalent in the Bond series around the time of Moore. Overall, it’s an easy film to hate, but it works perfectly as a piece of entertainment. Just don’t expect it to be the best Bond movie ever made.
Production Company(ies)
AOI Promotion Fuji Television, Network GAGA.
Distributor
CBS/Fox, MGM/UA Home Entertainment Inc.
Release Type
Theatrical
Filming Location(s)
Monsoon Palace, Udaipur, Rajasthan, India
MPAA / Certificate
PG
Year of Release
1983
-
Color:Color
-
Sound mix:Dolby Surround 7.1
-
Aspect ratio:2.39 : 1
-
Runtime:2h 10m
-
Language(s):English, Russian, German, Spanish, Hindi
-
Country of origin:United States
-
Release date:Release Date (Theaters): Jun 10, 1983 Wide
Release Date (Streaming): Sep 4, 2007
Genre(s)
Action
Keyword(s)
starring Roger Moore, Maud Adams, Louis Jourdan, Kristina Wayborn, Kabir Bedi, Steven Berkoff, directed by John Glen, written by Ian Fleming, George MacDonald Fraser, Richard Maibaum, Michael G Wilson, action, PG, James Bond, spy, thriller, formulaic, anachronistic, box office performance, budget, reviewed by Bob Thomas, Gary Arnold, Dave Kehr, Variety Staff, Richard Corliss, Ian Nathan, Matt Brunson, Jake Tropila, Mike Massie, Kelechi Ehenulo, PJ Nabarro, David Hogan, producer Albert R Broccoli, MPAA rating, CBS/Fox, MGM/UA Home Entertainment Inc., Magnetic Stereo 6 Track, Dolby Stereo, Surround, Scope (2.35:1), James Bond 007, India, Germany, jewelry smugglers, Soviet General Orlov, gadgetmeister Q, tongue and cheek, nuclear weapon, female antagonist, lead female villain, mystery, realistic focus, animal spectacles, Tarzan noise, clown, gorilla outfit, revenge, nightmarish scheme, entrancing beauty, military plot, palaces of India, speeding circus train, mid-air battle, high-flying jet, Agent 007
Worldwide gross: $67,917,094
Worldwide gross (inflation-adjusted): $207,751,602
Worldwide gross ranking (inflation-adjusted): 670
Worldwide tickets sold (est.): 22,655,573
US/Canada gross: $67,893,619
US/Canada gross (inflation-adjusted): $207,751,602
US/Canada gross ranking (inflation-adjusted): 330
US/Canada opening weekend: $8,902,564
US/Canada opening weekend (inflation-adjusted): $27,241,469
US/Canada opening weekend ranking (inflation-adjusted): 506
Budget and Earnings Details
Production budget (est.): $27,500,000
Production budget (inflation-adjusted): $84,148,837
Production budget ranking: 497
Marketing and distribution budget (inflation-adjusted est.): $45,314,148
Box office net earnings to date (inflation-adjusted est.): $78,288,617
ROI to date (est.): 60%
ROI ranking: 1,098
Maud Adams – Octopussy
Louis Jourdan – Kamal
Kristina Wayborn – Magda
Kabir Bedi – Gobinda
Steven Berkoff – Orlov
Director – John Glen
Producer – Albert R. Broccoli
Writers – Ian Fleming, George MacDonald Fraser, Richard Maibaum, Michael G. Wilson
Director(s)
John Glen
Writer(s)
Ian Fleming, George MacDonald Fraser, Richard Maibaum, Michael G. Wilson
Producer(s)
Albert R. Broccoli
Film Festivals
Awards & Nominations
2 wins & 3 nominations
Academy Awards
All Critics (49) | Top Critics (10) | Fresh (21) | Rotten (28)
“Octopussy” is the 13th of the James Bond movies, and it is one of the best.
October 17, 2018
Bob Thomas
Associated Press
TOP CRITIC
It’s a pleasure to report that the James Bond company is confidently back on the beam.
October 6, 2015
Gary Arnold
Washington Post
TOP CRITIC
Glen’s willingness to give the action sequences a certain weight and seriousness produces some genuinely exciting moments, yet his work is everywhere undermined by the flatness of the characterizations and the uncertain architecture of the plot.
October 13, 2008
Dave Kehr
Chicago Reader
TOP CRITIC
Film’s high points are the spectaccular aerial stuntwork marking both the pre-credits teaser and extremely dangerous-looking climax.
October 13, 2008
Variety Staff
Variety
TOP CRITIC
Bond had degenerated into a male model, and something of a genial anachronism.
October 13, 2008
Richard Corliss
TIME Magazine
TOP CRITIC
One for the die hards. The saving grace here is a knowing sense of humour so lacking in its predecessor, For Your Eyes Only.
October 13, 2008 | Rating: 3/5
Ian Nathan
Empire Magazine
TOP CRITIC
I’ve seen the Bond movies countless times over the decades, and this title above all is the one that fluctuates the most from one viewing to the next.
September 25, 2021 | Rating: 3/4
Matt Brunson
Film Frenzy
It’s an easy film to hate (and often paints a big target on its back encouraging you to do so), but it works perfectly as a piece of entertainment, where the good ultimately outweighs the bad.
October 14, 2020
Jake Tropila
Film Inquiry
For the first time in the series, the story unfolds like a true mystery, instead of merely having some eccentric billionaire devising a plot to take over the world.
September 6, 2020 | Rating: 7/10
Mike Massie
Gone With The Twins
Out of all the Roger Moore films as Bond, this one is easily the worse for me.
July 16, 2020 | Rating: 2/5
Kelechi Ehenulo
Confessions From A Geek Mind
The naffness that was prevalent in the Bond series around the time of Moore still abounds here.
October 31, 2019 | Rating: 2/5
PJ Nabarro
Patrick Nabarro
The very worst Roger Moore Bond Film, and one to avoid unless you really have to watch every single film in a marathon, like myself, sadly…
January 27, 2019 | Rating: 1/5
David Hogan
hoganreviews.co.uk…
Plot
James Bond’s next mission sends him to the circus. A British Agent was murdered and found holding onto a priceless Fabergé egg. Kamal Kahn buys the egg at an auction, but Bond becomes suspicious when Kahn meets up with Russian General Orlov. Bond soon finds out that Kahn’s and Orlov’s plan is to blow-up a nuclear device on a U.S. Air Force Base. Bond teams up with a circus group, which are headed by the beautiful Octopussy, who is also close friend of Kahn.
Trivia
Goofs / Tidbits
There is no goofy or funny comment about the film Octopussy on Fresh Kernels.
John-Glen.jpg
National Lampoons Vacation
National Lampoon’s Vacation (1983)
RT Audience Score: 85%
Awards & Nominations: NA
Blessed by a brilliantly befuddled star turn from Chevy Chase, National Lampoon’s Vacation is one of the more consistent — and thoroughly quotable — screwball comedies of the 1980s
National Lampoon’s Vacation is a classic comedy that will have you laughing from start to finish. The Griswold family’s disastrous road trip is a hilarious journey that will make you grateful for your own family vacations. Chevy Chase’s comedic timing and zaniness are the perfect addition to this cross-country adventure. While the screenplay may be meandering at times, the film still manages to find humor in everyday situations. Overall, National Lampoon’s Vacation is a must-watch for anyone in need of a good laugh.
Production Company(ies)
ARTE Ariel Films, Arsam International,
Distributor
Warner Bros.
Release Type
Theatrical
Filming Location(s)
Six Flags Magic Mountain – 26101 Magic Mountain Parkway, Valencia, California, USA
MPAA / Certificate
R
Year of Release
1983
-
Color:Color
-
Sound mix:Mono
-
Aspect ratio:1.85 : 1
-
Runtime:1h 38m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Jul 29, 1983 Wide
Release Date (Streaming): Aug 19, 2003
Genre(s)
Comedy/Adventure
Keyword(s)
National Lampoon’s Vacation, Chevy Chase, Beverly D’Angelo, Harold Ramis, John Hughes, R, Comedy, Adventure, Warner Bros., Matty Simmons, Mono, Flat, 1983, Box Office, Critic Reviews, MPAA Rating, Produced by, Reviewed by, Directed by, Written by, Road Trip, Family Vacation, Walley World, Griswold Family, Eugene Levy, Christie Brinkley, John Candy, Satire, Holiday Road, Dancin’ Across the U.S.A
Worldwide gross: $61,418,063
Worldwide gross (inflation-adjusted): $187,936,674
Worldwide gross ranking (inflation-adjusted): 733
Worldwide tickets sold (est.): 20,494,730
US/Canada gross: $61,418,063
US/Canada gross (inflation-adjusted): $187,936,674
US/Canada gross ranking (inflation-adjusted): 393
US/Canada opening weekend: $8,333,358
US/Canada opening weekend (inflation-adjusted): $25,499,723
US/Canada opening weekend ranking (inflation-adjusted): 535
Budget and Earnings Details
Production budget (est.): $15,000,000
Production budget (inflation-adjusted): $45,899,365
Production budget ranking: 856
Marketing and distribution budget (inflation-adjusted est.): $24,716,808
Box office net earnings to date (inflation-adjusted est.): $117,320,501
ROI to date (est.): 166%
ROI ranking: 725
Beverly D’Angelo – Ellen Griswold
Christie Brinkley – The Girl in the Ferrari
Anthony Michael Hall – Russell “Rusty” Griswold
Imogene Coca – Aunt Edna
Randy Quaid – Cousin Eddie
Director(s)
Harold Ramis
Writer(s)
John Hughes
Producer(s)
Matty Simmons
Film Festivals
Awards & Nominations
NA
Academy Awards
All Critics (45) | Top Critics (5) | Fresh (42) | Rotten (3)
Half-baked but occasionally hilarious, National Lampoon’s Vacation gets a reasonable amount of mileage out of depicting the disaster-prone journey of a “typical” family of four, the Griswolds of suburban Chicago.
June 24, 2015
Gary Arnold
Washington Post
TOP CRITIC
National Lampoon’s Vacation is an enjoyable trip through familiar comedy landscapes.
May 7, 2008
Variety Staff
Variety
TOP CRITIC
Despite plenty of gross-out gags and dumb slapstick bits, the careful viewer can occasionally detect some acrid and original satire in this 1983 film.
May 7, 2008
Dave Kehr
Chicago Reader
TOP CRITIC
The result is not so much a comedy about American values as a 2,500 mile skid on a banana skin. The visual gags come thick and fast, and are about as subtly signposted as the exit markers on a freeway.
June 24, 2006
Richard Rayner
Time Out
TOP CRITIC
The result is a confident humor and throwaway style that helps sustain the laughs — of which there are quite a few.
August 30, 2004
Janet Maslin
New York Times
TOP CRITIC
…Hughes and Ramis make a decent fist of finding humour in everyday situations…
August 27, 2021 | Rating: 3/5
Eddie Harrison
film-authority.com
It’s a pleasant diversion with a few memorable bits and a likable cast, but true comic invention is hard to locate in the meandering screenplay by the late John Hughes.
August 1, 2015 | Rating: 2.5/4
Matt Brunson
Creative Loafing
Director Harold Ramis, who went on to make Groundhog Day, keeps the silliness coming at a fast and furious pace.
August 24, 2014 | Rating: 3/5
Jo Berry
Radio Times
Thanks largely to Chevy Chase’s zaniness and comic timing this is a very funny movie.
August 2, 2013
Ralph Novak
People Magazine
The humor in Vacation also taps into something beyond the trials and travails of a road trip gone wrong.
July 31, 2013 | Rating: B+
Rob Vaux
Mania.com
National Lampoon’s Vacation is a comedic cross-country adventure like no other, thanks to Chevy Chase and the rest of the Griswold family.
May 31, 2013 | Rating: 3/5
Jeremy Lebens
We Got This Covered
The Griswolds are a national treasure.
May 25, 2013 | Rating: 9 out of 10
Fred Topel
CraveOnline…
Plot
Having it all planned down to the last detail, the American, well-meaning paterfamilias, Clark Griswold, and his supportive wife, Ellen, take their two teenage children, Rusty and Audrey, on a cross-country trip from the suburbs of Chicago, all the way to sunny California’s Walley World amusement park. However, anything that can go wrong will go wrong, and before long, Ellen’s cousin, Catherine, and her husband, Eddie, enter the picture, and Clark is on the verge of blowing a gasket. Now, Roy Walley’s wonderful park seems so far away, and even though the prospect of a clandestine meeting with the alluring blonde in a fast, 1981 Ferrari 308 GTSi sounds tempting, Clark must do the right thing, and find the promised land. How hard can it be to have the perfect vacation?
Trivia
Goofs / Tidbits
No goofy or funny or odd comments were found in the Fresh Kernels database for National Lampoon’s Vacation.
Harold-Ramis.jpg
The Way Down God Greed and the Cult of Gwen Shamblin
The Way Down: God, Greed, and the Cult of Gwen Shamblin
RT Audience Score:
HBO Max, Hulu
Year of Release
2021
Technical Specs
Color: NA
Sound mix: NA
Aspect ratio: NA
Language(s): English
Country of origin: United States
Original premiere:
Newest season premiere:
Genre(s)
Cult, Drama, Faith/Religious, True Story/Event, War
Keyword(s)
Cult Digital Drama, Faith/Religious Digital Drama, Limited/Event Series Digital Drama, True Story/Event, Campfire, Movies from United States, English Language, LGBTQ Lead Cast, Female Producer, Female Writer, Female Showrunner, LGBTQ Producer, 2+ Ethnicity Producer
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Marina Zenovich
Zenovich
Director
Executive Producer
Ross M. Dinerstein Dinerstein
Luke Dillon
Chrissy Teigen Teigen
Nile Cappello
Producer
Director(s)
Writer(s)
Executive(s)
NA
Awards & Nominations
NA
Synopsis (Warning: Spoilers!)
Coming soon…
WarGames
WarGames (War Games) (1983)
RT Audience Score: 76%
Awards & Nominations: Nominated for 3 Oscars
4 wins & 14 nominations total
Part delightfully tense techno-thriller, part refreshingly unpatronizing teen drama, WarGames is one of the more inventive — and genuinely suspenseful — Cold War movies of the 1980s
Review 1: “The acting in this movie was superb. The characters were well-developed and the plot was engaging. I was on the edge of my seat the entire time.”
Review 2: “I loved the cinematography in this film. The shots were beautifully composed and the use of color was stunning. It was like watching a work of art come to life.”
Review 3: “The soundtrack for this movie was incredible. The music perfectly captured the mood of each scene and added an extra layer of emotion to the story.”
New Review: “Holy cow, this movie was a rollercoaster ride of emotions! The acting was so good, I felt like I was right there with the characters. And don’t even get me started on the cinematography – it was like watching a painting come to life! But the real MVP was the soundtrack. I mean, I was tapping my foot and humming along the whole time. Overall, this movie was a masterpiece and I can’t wait to watch it again (and again and again).
Production Company(ies)
Distributor
Metro-Goldwyn-Mayer Distributing Corp., MGM/UA Home Entertainment Inc.
Release Type
Filming Location(s)
Mount Vernon, Washington, USA
MPAA / Certificate
PG
Year of Release
1983
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:1.85 : 1
-
Runtime:1h 53m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Jun 3, 1983 Original
Release Date (Streaming): Jan 25, 2001
Genre(s)
Action/Drama
Keyword(s)
starring Matthew Broderick, Ally Sheedy, directed by John Badham, written by Lawrence Lasker, Walter F Parkes, techno-thriller, Cold War, suspenseful, inventive, PG, box office performance, budget, reviewed by critics, produced by Harold Schneider, action, drama, English, Metro-Goldwyn-Mayer Distributing Corp., MGM/UA Home Entertainment Inc., Surround, Global Thermonuclear War, military supercomputer, nuclear arsenal, World War III, hacking, video games, simulated threat, Soviet Union, authorities, alert, high school student, girlfriend, tension, unpatronizing teen drama, critic reviews
Worldwide gross: $79,567,667
Worldwide gross (inflation-adjusted): $243,473,695
Worldwide gross ranking (inflation-adjusted): 594
Worldwide tickets sold (est.): 26,551,112
US/Canada gross: $79,567,667
US/Canada gross (inflation-adjusted): $243,473,695
US/Canada gross ranking (inflation-adjusted): 270
US/Canada opening weekend: $6,227,804
US/Canada opening weekend (inflation-adjusted): $19,056,817
US/Canada opening weekend ranking (inflation-adjusted): 682
Budget and Earnings Details
Production budget (est.): $12,000,000
Production budget (inflation-adjusted): $36,719,492
Production budget ranking: 1,018
Marketing and distribution budget (inflation-adjusted est.): $19,773,447
Box office net earnings to date (inflation-adjusted est.): $186,980,756
ROI to date (est.): 331%
ROI ranking: 422
Ally Sheedy – Jennifer Mack
John Wood – Dr. Stephen Falken
Dabney Coleman – McKittrick
Barry Corbin – General Beringer
Juanin Clay – Pat Healy
Kent Williams – Cabot
Dennis Lipscomb – Watson
Joe Dorsey – Col. Joe Conley
Irving Metzman – Richter
Michael Ensign – Beringer’s Aide
William Bogert – Mr. Lightman
Susan Davis – Mrs. Lightman
James Tolkan – Nigan
David Clover – Paul Richter
Drew Snyder – Ayers
John Spencer – Capt. Jerry Lawson
Rosanna Huffman – Janet Gilmore
Jesse Goins – Airman
Erik Stern – Airman
Gary Bisig – Airman
Jason Bernard – Sergeant
Alan Blumenfeld – Mr. Liggett
Maury Chaykin – Jim Sting
David Caruso – USAF Sergeant
Castulo Guerra – Corporal
Michael Madsen – Steve Phelps
Eddie Deezen – Malvin
Art LaFleur – Guard
Stack Pierce – Sergeant
Stephen Lee – Sergeant
John Garber – Sergeant
Michael Adams – Sergeant
Director – John Badham
Producer – Harold Schneider
Writer – Lawrence Lasker, Walter F. Parkes
Composer – Arthur B. Rubinstein
Editor – Tom Rolf
Cinematographer – William A. Fraker
Production Designer – Angelo P. Graham
Art Director – William J. Cassidy
Set Decorator – Jerry Wunderlich
Costume Designer – Betsy Cox
Makeup Artist – Michael Hancock
Special Effects – Michael Lantieri
Stunt Coordinator – Buddy Joe Hooker
Assistant Director – David Sosna
Casting Director – Wallis Nicita
Director(s)
John Badham
Writer(s)
Lawrence Lasker, Walter F. Parkes
Producer(s)
Harold Schneider
Film Festivals
Awards & Nominations
Nominated for 3 Oscars
4 wins & 14 nominations total
Academy Awards
Plot
A young computer whiz kid accidentally connects into a top secret super-computer which has complete control over the U.S. nuclear arsenal. It challenges him to a game between America and Russia, and he innocently starts the countdown to World War 3. Can he convince the computer he wanted to play a game and not the real thing ?
Trivia
Goofs / Tidbits
Ally Sheedy, who plays David’s girlfriend in the film, was originally auditioning for a smaller role but impressed the filmmakers so much that they gave her the larger part.
John-Badham.jpg
Twilight Zone The Movie
Twilight Zone: The Movie (1983)
RT Audience Score: 55%
Awards & Nominations: 1 win & 8 nominations
The Twilight Zone: The Movie suffers from the typical anthology-film highs and lows; thankfully, the former outnumber the latter
Twilight Zone: The Movie is like trying to mix oil and water, it just doesn’t work. The four short stories are unbalanced and the effort put in by each director is lacking. However, Joe Dante’s segment stands out as the only one that doesn’t feel like a rehash of the original series. Overall, it’s a film that’s stuck in the past and fails to capture the spirit of the iconic TV show. Stick to the original series and leave this movie in the fifth dimension.
Production Company(ies)
M K2 Productions, C E D Productions, France 3 Cinéma
Distributor
NA
Release Type
Theatrical
Filming Location(s)
Carlitos Way – 15238 Victory Boulevard, Van Nuys, Los Angeles, California, USA
MPAA / Certificate
PG
Year of Release
1983
-
Color:Color
-
Sound mix:Dolby Stereo
-
Aspect ratio:1.85 : 1
-
Runtime:NA
-
Language(s):English, French, German, Vietnamese
-
Country of origin:United States
-
Release date:Release Date (Streaming): Oct 9, 2007
Genre(s)
Sci-fi
Keyword(s)
Twilight Zone: The Movie, PG, Sci-fi, 1h 42m, directed by John Landis, Steven Spielberg, Joe Dante, George Miller, starring Vic Morrow, John Lithgow, Kathleen Quinlan, Scatman Crothers, Bill Quinn, Selma Diamond, written by John Landis, George Clayton Johnson, Richard Matheson, Jerome Bixby, MPAA rating, box office performance, budget, reviewed by Ed Siegel, Michael Blowen, Variety Staff, Roger Ebert, Vincent Canby, Dave Kehr, Mike Massie, Sergio Benítez, Diego Galán, Stephen Schiff, Simon Miraudo, anthology film, supernatural, TV show, short stories, racist, World War II, retirement home, teacher, boy, panicky plane passenger, gremlins, subtle storytelling, Wagner opera, Debussy sonata, horror, action pictures, Aesop-on-Mars, black-and-white, 1983
Worldwide gross: $29,450,919
Worldwide gross (inflation-adjusted): $90,118,566
Worldwide gross ranking (inflation-adjusted): 1,071
Worldwide tickets sold (est.): 9,827,543
US/Canada gross: $29,450,919
US/Canada gross (inflation-adjusted): $90,118,566
US/Canada gross ranking (inflation-adjusted): 804
US/Canada opening weekend: $6,614,366
US/Canada opening weekend (inflation-adjusted): $20,239,680
US/Canada opening weekend ranking (inflation-adjusted): 652
Budget and Earnings Details
Production budget (est.): $10,000,000
Production budget (inflation-adjusted): $30,599,577
Production budget ranking: 1,145
Marketing and distribution budget (inflation-adjusted est.): $16,477,872
Box office net earnings to date (inflation-adjusted est.): $43,041,117
ROI to date (est.): 91%
ROI ranking: 971
John Lithgow – John Valentine
Kathleen Quinlan – Helen Foley
Scatman Crothers – Mr. Bloom
Bill Quinn – Mr. Leo Conroy
Selma Diamond – Mrs. Weinstein
Director(s)
John Landis, Steven Spielberg, Joe Dante, George Miller
Writer(s)
NA
Producer(s)
NA
Film Festivals
Awards & Nominations
1 win & 8 nominations
Academy Awards
All Critics (40) | Top Critics (7) | Fresh (23) | Rotten (17)
Twilight Zone: The Movie fails because it tries to blend the spirit of the TV show into a medium whose spirit has evolved away from subtle storytelling. The result is like trying to merge a Wagner opera with a Debussy sonata.
May 2, 2018
Ed Siegel
Boston Globe
TOP CRITIC
The problem is not only that the film is divided into four short stories but that each director only gives us a 25% effort.
May 2, 2018
Michael Blowen
Boston Globe
TOP CRITIC
Plays much like a traditional vaudeville card, what with its tantalizing teaser opening followed by three sketches of increasing quality, all building up to a socko headline act.
May 18, 2008
Variety Staff
Variety
TOP CRITIC
The surprising thing is, the two superstar directors are thoroughly routed by two less-known directors whose previous credits have been horror and action pictures.
October 23, 2004 | Rating: 2/4
Roger Ebert
Chicago Sun-Times
TOP CRITIC
…a flabby, mini-minded behemoth…
August 30, 2004 | Rating: 2/5
Vincent Canby
New York Times
TOP CRITIC
Miller [leaves] no doubt that he was the finest stylist to emerge in the early 80s, with a sense of narrative rhythm linked to visual development that is wholly original and ravishing.
January 1, 2000
Dave Kehr
Chicago Reader
TOP CRITIC
As with any anthology film, some episodes are better than others.
September 8, 2020 | Rating: 6/10
Mike Massie
Gone With The Twins
A selection that is clearly unbalanced and ends up splitting the film into two very different halves. [Full Review in Spanish]
April 28, 2020
Sergio Benítez
Espinof
These four short films are definitely only jokes. [Full Review in Spanish]
September 5, 2019
Diego Galán
El Pais (Spain)
Almost nothing in [Joe Dante’s] energetic segment has the sodden Aesop-on-Mars aura of the Serling oeuvre: it’s the only one you don’t feel you’ve already seen — in black-and-white, twenty years ago, for FREE.
May 30, 2019
Stephen Schiff
Vanity Fair
Only one thing about Twilight Zone: The Movie still haunts us today, and it wasn’t intentional.
October 14, 2013 | Rating: 2/5
Simon Miraudo
Quickflix
Where does it land? A fifth dimension beyond that known to most films. The middle ground between wowing & worthless, between so great & so what, and it lies between the pits of recklessly fatal hubris and the very summit of spirited genre filmmaking.
August 29, 2013 | Rating: 3.5/5
Nick Rogers
The Film Yap…
Plot
Prologue: a driver has a big surprise with his passenger. Segment 1 (“Time Out”): a bigot hates Jews, Black and Asians. One day he will live in World War II, be hunted down by the KKK and get attacked in the Vietnam War and feel the effects of his hatred. Segment 2 (“Kick the Can”): In a nursing home, the elder inhabitants learn that their minds can keep them young. Segment 3 (“It’s a Good Life”): a traveler hits a boy in a bicycle with her car and takes the boy home. Soon she learns that the powerful boy brought her home indeed. Segment 4 (“Nightmare at 20,000 feet”): a writer is scared to fly and soon he sees a monstrous creature destroying the airplane engines during a stormy night.
Trivia
Goofs / Tidbits
John Lithgow plays a panicky plane passenger who sees gremlins attacking his flight in Twilight Zone: The Movie.
John-Landis.jpg