Mini and The Mozzies Native Language Title: Cykelmyggen Og Minibillen
RT Audience Score: 94%
Creator: Peter Jackson
Starring: John Lennon, Paul McCartney, George Harrison, Ringo Starr
Foreign Language
Year of Release
2021
Technical Specs
Color: Color
Sound mix: Dolby Digital, Dolby
Aspect ratio: 1.85 : 1
Language(s):
Country of origin: Denmark
Original premiere:
Newest season premiere:
Genre(s)
Adventure, Animal, Animation, Animation Feature, Music
Keyword(s)
2D Animation Feature Movie, Animal Animation Feature Movie, Foreign Language, Movies Directed by Jannik Hastrup, Movies Directed by Flemming Quist Moller, Movies Written by Flemming Quist Moller, Dansk Tegnefilm Movie, Movies from 2016, Movies from the 2010s, Low Budget Movie, Movies from Denmark, Danish Language, Berlin International Film Festival, Female Producer
Production budget (est.): $2,502,620
Production budget (inflation-adjusted): $2,913,042
Production budget ranking: 49
Marketing and distribution budget (inflation-adjusted est.): $1,568,673
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
John Lennon
Self
Paul McCartney
George Harrison
Ringo Starr
Peter Jackson
Director
Clare Olssen
Producer
Director(s)
Writer(s)
Executive(s)
NA
Awards & Nominations
NA
Synopsis (Warning: Spoilers!)
Coming soon…
Electric Boogaloo The Wild Untold Story of Cannon Films
Electric Boogaloo: The Wild, Untold Story of Cannon Films (2012)
RT Audience Score: 82%
Awards & Nominations: NA
Electric Boogaloo: The Wild, Untold Story of Cannon Films pays tribute to the titular studio with an affectionate look back that’s arguably more entertaining than much of Cannon’s own B-movie product
If you’re looking for a documentary that celebrates the absolute insanity of Cannon Films, then Electric Boogaloo is the perfect choice. From the gratuitous anecdotes to the spectacularly trashy clips, this film will leave you laughing, screaming, and squirming – sometimes all at once. It’s a romp through the insalubrious depths of the straight-to-video bin of your local 1980s video rental establishment, and it’s essential viewing for anyone who grew up knowing that the Cannon logo meant something ‘special’. Sure, it may not be the most structured documentary out there, but who needs structure when you’re having this much fun?
Production Company(ies)
Zazen Produções
Distributor
NA
Release Type
Streaming, Theatrical, Theatrical (Limited)
Filming Location(s)
Los Angeles County, California, USA
MPAA / Certificate
PG
Year of Release
1984
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:NA
-
Runtime:NA
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Streaming): Oct 13, 2015
Genre(s)
Documentary
Keyword(s)
Electric Boogaloo, Cannon Films, documentary, Mark Hartley, Veronica Fury, Brett Ratner, Robert Forster, Sybil Danning, Bo Derek, Tobe Hooper, Molly Ringwald, Mariel Hemingway, Brooke Shields, Olivia d’Abo, Marina Sirtis, R-rated, schlock films, B-movie, rise and fall, clips, interviews, trashy, straight-to-video, 1980s, video rental, Hollywood, bad example, shysters, structure, horror movies, MCU, Netflix, TV shows, anticipated movies, anticipated TV, renewed, cancelled, worst horror movies, critic reviews, audience reviews, Tomatometer, box office, budget, reviewed by
Worldwide gross: $15,101,131
Worldwide gross (inflation-adjusted): $44,221,072
Worldwide gross ranking (inflation-adjusted): 1,393
Worldwide tickets sold (est.): 4,822,363
US/Canada gross: $15,101,131
US/Canada gross (inflation-adjusted): $44,221,072
US/Canada gross ranking (inflation-adjusted): 1,129
US/Canada opening weekend: $2,921,030
US/Canada opening weekend (inflation-adjusted): $8,553,735
US/Canada opening weekend ranking (inflation-adjusted): 998
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Mariel Hemingway – Self
Brooke Shields – Self
Olivia d’Abo – Self
Bo Derek – Self
Marina Sirtis – Self
Mark Hartley – Director, Writer
Veronica Fury – Producer
Brett Ratner – Producer
Director(s)
Mark Hartley
Writer(s)
Mark Hartley
Producer(s)
Veronica Fury, Brett Ratner
Film Festivals
Toronto
Awards & Nominations
NA
Academy Awards
All Critics (48) | Top Critics (14) | Fresh (44) | Rotten (4)
It is, as per usual for Hartley, a giddy, lightning-paced celebration of cheerfully terrible movies.
May 28, 2016
Jason Bailey
Flavorwire
TOP CRITIC
[Director Mark Hartley] has assembled a lively collection of clips and interviews that gives the Cannon story definition and shape, without stinting on the gratuitous anecdotes.
June 11, 2015
Ryan Gilbey
New Statesman
TOP CRITIC
Offers a cornucopia of spectacularly trashy clips that will leave you laughing, screaming and squirming – sometimes all at once.
June 7, 2015 | Rating: 4/5
Mark Kermode
Observer (UK)
TOP CRITIC
What it does offer are some wildly colourful, jaw-dropping anecdotes from their friends and collaborators about their working methods.
June 4, 2015
Geoffrey Macnab
Independent (UK)
TOP CRITIC
Fortunately, in the hands of the documentary film-maker Mark Hartley, the result is a romp through the insalubrious depths of the straight-to-video bin of your local 1980s video rental establishment.
June 4, 2015 | Rating: 3/5
Wendy Ide
Times (UK)
TOP CRITIC
Well, there’s a bizarre fascination to it all.
June 4, 2015 | Rating: 3/5
Peter Bradshaw
Guardian
TOP CRITIC
Electric Boogaloo: The Wild, Untold Story of Cannon Films is essential viewing for those who grew-up in the 1980s, knowing that the Cannon logo meant something ‘special’.
March 21, 2021 | Rating: 4/5
Niall Browne
Movies in Focus
If you’re like me, you grew up on a steady diet of Cannon Films. That iconic logo showing up before a movie was a sign that you were about to experience something, maybe not necessarily something good, but something to behold certainly.
July 5, 2020 | Rating: B
Brent McKnight
The Last Thing I See
Electric Boogaloo is a great in-depth look at one of the strangest studios that was not only churning out films, but filling video store shelves, with a brand of insanity or madness that has yet to be seen since.
May 29, 2020
Dan Tabor
Cinapse
This is a thorough and respectful documentary – Cannon Films undeniably taught Hollywood a lesson through bad example, but whether they were ahead of their time or shysters is left open.
May 10, 2019 | Rating: 4/5
Bertie Archer
One Room With A View
While the documentary’s scattershot approach makes it less examination, more vivid highlight reel, there is no denying Electric Boogaloo’s abiding fodness for its subject matter.
April 5, 2019 | Rating: 4/5
James Luxford
CineVue
It isn’t a bad thing Hartley’s main concern is with having a good time, but there seems to be less attention to detail when it comes to the overall structure.
November 13, 2018
Stephen Saito
Moveable Fest…
Plot
A developer tries to bulldoze a community recreation center. The local breakdancers try to stop it.
Trivia
Goofs / Tidbits
The documentary features interviews with actors such as Robert Forster, Sybil Danning, Bo Derek, and Tobe Hooper.
Mark-Hartley.jpg
The Terminator
The Terminator (1984)
RT Audience Score: 89%
Awards & Nominations: 8 wins & 6 nominations
With its impressive action sequences, taut economic direction, and relentlessly fast pace, it’s clear why The Terminator continues to be an influence on sci-fi and action flicks.
The Terminator is one heck of a movie! The action scenes are so cool, the direction is tight and the pace is faster than a cheetah on Red Bull. It’s no wonder this flick is still inspiring sci-fi and action movies today.
Production Company(ies)
Cinema ’84 Euro Film Funding, Hemdale
Distributor
Metro-Goldwyn-Mayer Distributing Corp., Artisan Entertainment, MGM/UA Home Entertainment Inc.
Release Type
Theatrical
Filming Location(s)
720 S Hill Street, Los Angeles, California, USA
MPAA / Certificate
R
Year of Release
1984
-
Color:Color
-
Sound mix:Mono (original release)
-
Aspect ratio:1.85 : 1
-
Runtime:1h 48m
-
Language(s):English, Spanish
-
Country of origin:United States
-
Release date:Release Date (Theaters): Oct 26, 1984 Original
Release Date (Streaming): Oct 2, 2001
Genre(s)
Action
Keyword(s)
starring Arnold Schwarzenegger, Linda Hamilton, Michael Biehn, Paul Winfield, Lance Henriksen, Rick Rossovich, directed by James Cameron, written by James Cameron, Gale Anne Hurd, action, sci-fi, box office success, budget, reviewed by Michael Blowen, Paul Attanasio, Jason Bailey, Hank Gallo, Kirk Ellis, Peter Bradshaw, Howard Gorman, Mike Massie, Leigh Paatsch, Emmet Asher-Perrin, Sean Chandler, Terminator franchise, artificial intelligence, time travel, cyborg assassin, nuclear holocaust, Skynet, Sarah Connor, Kyle Reese, MPAA rating R, Metro-Goldwyn-Mayer Distributing Corp., Artisan Entertainment, MGM/UA Home Entertainment Inc., Terminator collection, Terminator photos
Worldwide gross: $78,371,200
Worldwide gross (inflation-adjusted): $229,496,620
Worldwide gross ranking (inflation-adjusted): 620
Worldwide tickets sold (est.): 25,026,894
US/Canada gross: $38,371,200
US/Canada gross (inflation-adjusted): $112,363,479
US/Canada gross ranking (inflation-adjusted): 668
US/Canada opening weekend: $4,020,663
US/Canada opening weekend (inflation-adjusted): $11,773,822
US/Canada opening weekend ranking (inflation-adjusted): 905
Budget and Earnings Details
Production budget (est.): $6,400,000
Production budget (inflation-adjusted): $18,741,302
Production budget ranking: 1,396
Marketing and distribution budget (inflation-adjusted est.): $10,092,191
Box office net earnings to date (inflation-adjusted est.): $200,663,126
ROI to date (est.): 696%
ROI ranking: 180
Linda Hamilton – Sarah Connor
Michael Biehn – Kyle Reese
Paul Winfield – Lieutenant Ed Traxler
Lance Henriksen – Detective Vukovich
Rick Rossovich – Matt Buchanan
Show all Cast & Crew
Director(s)
James Cameron
Writer(s)
James Cameron, Gale Anne Hurd
Producer(s)
Gale Anne Hurd
Film Festivals
Awards & Nominations
8 wins & 6 nominations
Academy Awards
All Critics (65) | Top Critics (18) | Fresh (65)
Forget that the premise is silly and the acting second-rate because director James Cameron has the action formula down pat.
April 27, 2018
Michael Blowen
Boston Globe
TOP CRITIC
“The Terminator” brings film violence into the realm of the surreal.
January 4, 2018
Paul Attanasio
Washington Post
TOP CRITIC
Much of Terminator’s greatness is due to its low-budget aesthetic and lo-fi energy; perhaps out of necessity, Cameron’s sense of storytelling has a lean efficiency that both he and the series have long since abandoned.
May 28, 2016
Jason Bailey
Flavorwire
TOP CRITIC
You almost forget the film’s flaws – like the cartoony look of the war-ravaged future. Here, the most absurd excursion is believable and we go along willingly – stopping now and then for a breath or a laugh.
October 26, 2015
Hank Gallo
New York Daily News
TOP CRITIC
The havoc makes for a genuine steel metal trap of a movie that may very well be the best picture of its kind since The Road Warrior.
October 3, 2015
Kirk Ellis
Hollywood Reporter
TOP CRITIC
Getting the extraordinary physical specimen of Arnold Schwarzenegger for the lead was a stroke of genius and a stroke of fortune. Each of his pecs is the size of a bull’s flank.
June 25, 2015 | Rating: 5/5
Peter Bradshaw
Guardian
TOP CRITIC
Although not a horror movie in the strictest sense, the film also introduced us to one of cinema’s most iconic final girls…
June 10, 2021
Howard Gorman
NME
Never has a role been so perfectly sculpted for the Austrian bodybuilder, who possesses a powerful screen presence with little more than his menacing silhouette.
September 8, 2020 | Rating: 9/10
Mike Massie
Gone With The Twins
Though the production design is a bit flimsy at times, both the big ideas at work and director James Cameron’s brilliance as a proactive, inventive filmmaker generate a powerful flow that cannot help but sweep viewers totally away.
May 12, 2020 | Rating: 3.5/5
Leigh Paatsch
Herald Sun (Australia)
Sarah Connor’s origin feels real and grounded in a way that most (super)hero stories never manage. She doesn’t have wealth or fame. She doesn’t get dosed with super juice.
November 25, 2019
Emmet Asher-Perrin
Tor.com
A fantastic blend of horror, action, and sci-fi.
October 2, 2019 | Rating: A
Sean Chandler
Sean Chandler Talks About
Normally, Schwarzenegger’s wooden on-screen presence is laughably bad, but his limited range works perfectly in this role.
July 4, 2019
Jennifer Lind-Westbrook
Culturess…
Plot
In The Terminator, a cyborg assassin travels back in time to 1984 to kill Sarah Connor, but she is protected by Kyle Reese who reveals the coming of Skynet, an artificial intelligence system that will spark a nuclear holocaust.
Trivia
Goofs / Tidbits
The critic reviews for The Terminator praise Arnold Schwarzenegger’s performance as the titular character, with one critic stating that “each of his pecs is the size of a bull’s flank.”
James-Cameron.jpg
Legend
Legend (1985)
RT Audience Score: 73%
Awards & Nominations: Nominated for 1 Oscar
18 wins & 60 nominations total
Not even Ridley Scott’s gorgeously realized set pieces can save Legend from its own tawdry tale — though it may be serviceable for those simply looking for fantasy eye candy
Legend is a movie that’s so bad, it’s almost good. With its thin plot and lack of humor, it’s like a beautiful painting that’s missing a few brushstrokes. But hey, at least it’s visually stunning and a lot more fun than some of those serious movies out there. Plus, it’s got Tom Cruise in it, so that’s something, right? Overall, it’s a disaster, but it’s a disaster that’s worth watching just for the sheer spectacle of it all.
Production Company(ies)
Apple Original Films, Cartoon Saloon Mélusine Productions,
Distributor
Universal Pictures
Release Type
Streaming, Theatrical, Theatrical (Limited)
Filming Location(s)
Fox Studios, Moore Park, Sydney, New South Wales, Australia
MPAA / Certificate
Rated PG-13 for sequences of violence and action, and language
Year of Release
1985
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:NA
-
Runtime:1h 29m
-
Language(s):English, Mandarin
-
Country of origin:United Kingdom
-
Release date:Release Date (Theaters): Jan 16, 1985 Wide
Release Date (Streaming): May 21, 2002
Genre(s)
Fantasy
Keyword(s)
starring Tom Cruise, Mia Sara, Tim Curry, David Bennent, Alice Playten, Billy Barty, directed by Ridley Scott, written by William Hjortsberg, fantasy, box office performance, budget, reviewed by Kevin Thomas, Jay Boyar, Gene Siskel, Tom Shales, Geoff Andrew, Kevin Carr, Allison Rose, Matt Brunson, PG, unicorns, magic swamps, dwarfs, rainbows, Arnon Milchan, produced by Universal Pictures, Magnetic Stereo 6 Track, Surround, Dolby Stereo, Scope (2.35:1)
Worldwide gross: $432,243,292
Worldwide gross (inflation-adjusted): $470,110,710
Worldwide gross ranking (inflation-adjusted): 305
Worldwide tickets sold (est.): 51,266,162
US/Canada gross: $224,543,292
US/Canada gross (inflation-adjusted): $244,214,794
US/Canada gross ranking (inflation-adjusted): 266
US/Canada opening weekend: $75,388,688
US/Canada opening weekend (inflation-adjusted): $81,993,244
US/Canada opening weekend ranking (inflation-adjusted): 105
Budget and Earnings Details
Production budget (est.): $200,000,000
Production budget (inflation-adjusted): $217,521,344
Production budget ranking: 74
Marketing and distribution budget (inflation-adjusted est.): $117,135,244
Box office net earnings to date (inflation-adjusted est.): $135,454,121
ROI to date (est.): 40%
ROI ranking: 1,194
Mia Sara – Princess Lily
Tim Curry – Darkness
David Bennent – Gump
Alice Playten – Blix
Billy Barty – Screwball
Director(s)
Ridley Scott
Writer(s)
William Hjortsberg
Producer(s)
Arnon Milchan
Film Festivals
Toronto
Awards & Nominations
Nominated for 1 Oscar
18 wins & 60 nominations total
Academy Awards
All Critics (43) | Top Critics (9) | Fresh (17) | Rotten (26)
Legend is not without whimsical touches, but it surely could have used more humor and invention.
March 27, 2019
Kevin Thomas
Los Angeles Times
TOP CRITIC
You are caught up in a morality play… the deepest significance of which the makers of this PG movie are apparently betting the adolescents of America will instinctively comprehend.
March 27, 2019
Jay Boyar
Orlando Sentinel
TOP CRITIC
I don’t want to remember any more about Legend than to make sure I include it in my ”worst films of 1986” list and never rent it when it comes out as a video cassette.
March 27, 2019 | Rating: 0.5/4
Gene Siskel
Chicago Tribune
TOP CRITIC
Legend may turn out to be legendary, but not in the way the filmmakers intended.
March 27, 2019
Tom Shales
Washington Post
TOP CRITIC
Legend is a fairytale produced on a grand scale… At the same time, the basic premise is alarmingly thin, a compendium of any number of ancient fairytales.
March 26, 2009
Variety Staff
Variety
TOP CRITIC
Beautifully shot and designed, but in a cloyingly self-conscious manner, the film lacks narrative drive.
June 24, 2006
Geoff Andrew
Time Out
TOP CRITIC
This is a fantasy painting come to life as a movie. If you know anything about fantasy paintings, you’ll also know that most fantasy paintings don’t have a story or plot to them.
October 15, 2021 | Rating: 2.5/4
Kevin Carr
Fat Guys at the Movies
The film has glaring faults that cannot be overlooked so while Arrow does a superb job packaging this release, the movie itself could use a makeover.
October 12, 2021 | Rating: 3.5/5
Allison Rose
FlickDirect
The deficits remain as voluminous and ghastly as ever.
October 9, 2021 | Rating: 2/4
Matt Brunson
Film Frenzy
Legend is a disaster in a lot of ways, but it’s an attractive one that’s a lot more fun than many other serious movies.
March 25, 2020
Jessica Mason
The Mary Sue
It’s all flash and no flesh. But in the hands of a visual director like Scott, sometimes that’s enough.
March 27, 2019
Roger Hurlburt
South Florida Sun-Sentinel
Best known as the movie that was filming at Pinewood when the James Bond stage burned down, this is probably one of the few films on director Ridley Scott’s CV that he would prefer to forget.
March 27, 2019 | Rating: 2/5
Jo Berry
Radio Times…
Plot
Shang-Chi, the master of weaponry-based Kung Fu, is forced to confront his past after being drawn into the Ten Rings organization.
Trivia
Goofs / Tidbits
Fresh Kernels praises Tim Curry’s performance as Darkness, calling it “phenomenal” and his costume “amazing.”
Ridley-Scott.jpg
The Killing Fields
The Killing Fields (1984)
RT Audience Score: 91%
Awards & Nominations: Won 3 Oscars
28 wins & 22 nominations total
Artfully composed, powerfully acted, and fueled by a powerful blend of anger and empathy, The Killing Fields is a career-defining triumph for director Roland Joffé and a masterpiece of cinema.
If you’re looking for a movie that will make you feel all the feels, The Killing Fields is the one for you. It’s got everything: heartbreak, heroism, and even a little bit of humor (okay, maybe not humor, but you gotta find the silver lining somewhere). The performances are top-notch, especially from Haing S. Ngor, who will have you rooting for him from start to finish. And while it’s not exactly a feel-good movie, it’s definitely one that will stick with you long after the credits roll. So grab some tissues and settle in for a wild ride.
Production Company(ies)
Distributor
NA
Release Type
Theatrical
Filming Location(s)
Phuket, Thailand
MPAA / Certificate
R
Year of Release
1985
-
Color:Color
-
Sound mix:Dolby Stereo
-
Aspect ratio:1.85 : 1
-
Runtime:NA
-
Language(s):English, French, Central, Khmer, Russian
-
Country of origin:United States
-
Release date:Release Date (Theaters): Nov 2, 1984 Original
Release Date (Streaming): Jan 7, 2014
Genre(s)
Drama
Keyword(s)
starring Sam Waterston, Haing S Ngor, John Malkovich, Julian Sands, Craig T Nelson, Spalding Gray, directed by Roland Joffé, written by Bruce Robinson, produced by David Puttnam, drama, box office performance, budget, reviewed by Paul Attanasio, Peter Travers, Noel Murray, Richard Schickel, Dave Kehr, MPAA rating R, Cambodia, Khmer Rouge, New York Times, Sydney Schanberg, Dith Pran, Al Rockoff, Major Reeves, U.S Consul, cinematography, editing, original score, emotional resonance, brutality of war, journalists, victims, survivors, escape, tragedy, triumph, career-defining, masterpiece of cinema
Worldwide gross: $34,700,291
Worldwide gross (inflation-adjusted): $98,010,794
Worldwide gross ranking (inflation-adjusted): 1,030
Worldwide tickets sold (est.): 10,688,200
US/Canada gross: $34,700,291
US/Canada gross (inflation-adjusted): $98,010,794
US/Canada gross ranking (inflation-adjusted): 765
US/Canada opening weekend: $32,181
US/Canada opening weekend (inflation-adjusted): $90,895
US/Canada opening weekend ranking (inflation-adjusted): 1,969
Budget and Earnings Details
Production budget (est.): $14,400,000
Production budget (inflation-adjusted): $40,672,726
Production budget ranking: 949
Marketing and distribution budget (inflation-adjusted est.): $21,902,263
Box office net earnings to date (inflation-adjusted est.): $35,435,805
ROI to date (est.): 57%
ROI ranking: 1,116
Haing S. Ngor – Dith Pran
John Malkovich – Alan “Al” Rockoff
Julian Sands – John Swain
Craig T. Nelson – Major Reeves
Spalding Gray – U.S. Consul
Director(s)
Roland Joffé
Writer(s)
NA
Producer(s)
David Puttnam
Film Festivals
Awards & Nominations
Won 3 Oscars
28 wins & 22 nominations total
Academy Awards
Oscar Best Achievement in Cinematography Winners, Oscar Best Achievement in Editing Winners, Oscar Nominees, Oscar Winners
All Critics (43) | Top Critics (12) | Fresh (40) | Rotten (3)
… a visually arresting epic guaranteed to capture the hearts and minds of its audience.
January 4, 2018
Paul Attanasio
Washington Post
TOP CRITIC
If you see no more than one film a year, make this the one for 1984.
September 16, 2015
Peter Travers
People Magazine
TOP CRITIC
Every scene of The Killing Fields (and every participant in its making) is in service of showing how abruptly a seemingly safe and vital individual can have everything essential stripped away.
January 13, 2014 | Rating: 4/5
Noel Murray
The Dissolve
TOP CRITIC
It must be nerve-racking for the producers to offer a tale so lacking in standard melodramatic satisfactions. But the result is worth it, for this is the clearest film statement yet on how the nature of heroism has changed in this totalitarian century.
August 25, 2008
Richard Schickel
TIME Magazine
TOP CRITIC
The screen is swamped by a bathetic, self-preening sententiousness.
April 9, 2008
Dave Kehr
Chicago Reader
TOP CRITIC
The intent and outward trappings are all impressively in place, but at its heart there’s something missing.
April 9, 2008
Variety Staff
Variety
TOP CRITIC
This is one of the quietest “war” movies ever made; yet, it’s an indelible portrait of the excitement, horror, and confusion with which journalists experience war.
February 27, 2020
Molly Haskell
Vogue
Intense, violent movie about brutal Cambodian regime.
May 8, 2018 | Rating: 4/5
Barbara Shulgasser
Common Sense Media
Few feature films have captured a nation’s agony more dramatically than Roland Joff’s The Killing Fields.
September 16, 2015 | Rating: 5/5
Adrian Turner
Radio Times
[A] gripping, intelligent, provocative drama.
September 16, 2015
David Sterritt
Christian Science Monitor
Ngor’s naturalistic and empathic portrayal of his character’s desperate fight for survival is the key to this film’s visceral power.
January 9, 2015 | Rating: 82/100
Dan Jardine
Cinemania
One of the great films from what proved to be a great year for cinema, The Killing Fields hasn’t lost any of its power over the ensuing 30 years.
January 15, 2014 | Rating: 4/4
Matt Brunson
Creative Loafing…
Plot
Sydney Schanberg is a New York Times journalist covering the civil war in Cambodia. Together with the local journalist Dith Pran, they cover some of the tragedy and madness of the war. When the American forces leave, Dith Pran sends his family with them, but stays behind himself to help Schanberg cover the event. As an American, Schanberg won’t have any trouble leaving the country, but the situation is different for Pran; he’s a local, and the Khmer Rouge are moving in.
Trivia
Goofs / Tidbits
Haing S. Ngor won the Academy Award for Best Supporting Actor for his role in The Killing Fields, despite having no prior acting experience.
Roland-Joffé.jpg
Stop Making Sense
Stop Making Sense (1984)
RT Audience Score: 97%
Awards & Nominations: 3 wins & 1 nomination
Stop Making Sense is a cinematic masterpiece that transcends the boundaries of the concert film genre. Jonathan Demme’s direction and David Byrne’s performance are a match made in heaven, resulting in a visually stunning and musically exhilarating experience. The film captures the essence of Talking Heads’ unique sound and style, blending punk, funk, art, and avant-garde into a cohesive and unforgettable performance. Demme’s love for musical performance is evident in every frame, and Byrne’s spiritual presence on stage is nothing short of awe-inspiring. Stop Making Sense is a true celebration of music and art, and a testament to the power of live performance.
Stop Making Sense is the concert film that will make you want to dance like nobody’s watching (even if you’re in your living room). With David Byrne’s magnetic energy and the Talking Heads’ eclectic sound, this movie is a pure joyride from start to finish. It’s no wonder why it’s considered one of the greatest concert films ever made – it’s a perfect blend of artistry, passion, and pure fun. So put on your dancing shoes and get ready to stop making sense!
Production Company(ies)
Talking Heads Arnold Stiefel Company,
Distributor
NA
Release Type
Theatrical
Filming Location(s)
Pantages Theater – 6233 Hollywood Blvd., Hollywood, Los Angeles, California, USA
MPAA / Certificate
Not Rated
Year of Release
1984
-
Color:Color
-
Sound mix:Stereo
-
Aspect ratio:1.85 : 1
-
Runtime:NA
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Streaming): Oct 26, 1999
Genre(s)
Documentary/Music
Keyword(s)
starring David Byrne, directed by Jonathan Demme, written by Talking Heads, documentary, music, box office performance, budget, reviewed by Betsy Sharkey, produced by Gary Goetzman, MPAA rating, Hollywood Pantages Theatre, concert movie, David Byrne, Tina Weymouth, Chris Frantz, Jerry Harrison, backup singers, acoustic guitar, bass, percussion, keyboards, vocals, color, visual wit, energetic, unpredictable, peak Talking Heads, iconic performance, enormous suit, punk, funk, art, avant-garde, postmodernist rock ‘n’ roll, intimate look, brilliant talking head, narrative, bits of invention, passion, celluloid, rock orgy, volcanic power, greatest concert film ever made, spiritual performance, life-affirming joyride, endless love of musical performance, accessible, arty, precise, loopy, urgent, enticingly, perfect
Worldwide gross: $5,108,872
Worldwide gross (inflation-adjusted): $14,960,456
Worldwide gross ranking (inflation-adjusted): 1,818
Worldwide tickets sold (est.): 1,631,456
US/Canada gross: $5,095,592
US/Canada gross (inflation-adjusted): $14,921,567
US/Canada gross ranking (inflation-adjusted): 1,497
US/Canada opening weekend: $41,666
US/Canada opening weekend (inflation-adjusted): $122,012
US/Canada opening weekend ranking (inflation-adjusted): 1,860
Budget and Earnings Details
Production budget (est.): $1,200,000
Production budget (inflation-adjusted): $3,513,994
Production budget ranking: 1,961
Marketing and distribution budget (inflation-adjusted est.): $1,892,286
Box office net earnings to date (inflation-adjusted est.): $9,554,175
ROI to date (est.): 177%
ROI ranking: 695
Alex Weir – Guitar and Vocals
Steven Scales – Percussion
Lynn Mabry – Backing Vocals
Ednah Holt – Backing Vocals
Tina Weymouth – Bass, Percussion and Vocals
Director(s)
Jonathan Demme
Writer(s)
NA
Producer(s)
Gary Goetzman
Film Festivals
Awards & Nominations
3 wins & 1 nomination
Academy Awards
All Critics (40) | Top Critics (10) | Fresh (40)
Talking Heads made for great material, with its revolutionary mash-up of punk, funk, art, avant-garde and other sounds. But what sets “Stop” apart is the intimate look at that brilliant talking head, lead singer David Byrne.
July 16, 2020
Betsy Sharkey
Los Angeles Times
TOP CRITIC
Truly captivating entertainment.
July 16, 2020
Ian Freer
Empire Magazine
TOP CRITIC
It’s a treat for fans (Heads heads?), and a chance for the uninitiated to tune in to the band that has come to personify postmodernist rock ‘n’ roll.
January 2, 2018
Paul Attanasio
Washington Post
TOP CRITIC
Stop Making Sense is a concert film with a narrative, bursting at the seams with bits of invention and passion.
December 22, 2009 | Rating: 3.5/4
Chuck Bowen
Slant Magazine
TOP CRITIC
This movie is pure fun and sheer exuberance transferred onto celluloid and perfectly re-created at the other end. Experiencing what Demme and the Talking Heads have crafted with this motion picture makes perfect sense.
June 10, 2008 | Rating: 4/4
James Berardinelli
ReelViews
TOP CRITIC
A quietly large achievement.
February 9, 2006
Derek Adams
Time Out
TOP CRITIC
A rock orgy of volcanic power, and the greatest concert film ever made.
August 30, 2021 | Rating: 4/4
Matt Brunson
Film Frenzy
It’s Byrne’s spiritual performance that pulls us in and takes us on a life-affirming joyride.
February 8, 2020
Sean Price
The Spool
Stop Making Sense brilliantly represents Demme’s endless love of musical performance and gleeful urgency.
August 21, 2018
Glenn Heath Jr.
San Diego CityBeat
Byrne is the auteur here; Demme is the rare, generous sort of filmmaker who would emphasize that.
May 6, 2017 | Rating: 4/4
Josh Larsen
LarsenOnFilm
Like Talking Heads itself, Jonathan Demme’s landmark 1984 film is accessible and arty. In less skilled hands, it would simply feel alien and cold, not vibrantly and enthrallingly alive.
May 8, 2014 | Rating: 4.5/5
Nick Rogers
The Film Yap
It’s all so precise even as it is totally loopy, and the music pressed up in our face so urgently and enticingly, that the movie is as close to perfect as it gets.
September 1, 2013 | Rating: 10/10
Tim Brayton
Antagony & Ecstasy…
Plot
David Byrne walks onto the stage and does a solo “Psycho Killer.” Jerry Harrison, Tina Weymouth and Chris Frantz join him for two more songs. The crew is busy, still setting up. Then, three more musicians and two back-up singers join the band. Everybody sings, plays, harmonizes, dances, and runs. They change instruments and clothes. Bryne appears in the Big Suit. The backdrop is often black, but sometimes it displays words, images, or children’s drawings. The band cooks for 18 songs, the lyrics are clear, the house rocks. In this concert film, the Talking Heads hardly talk, don’t stop, and always make sense.
Trivia
Goofs / Tidbits
The film features Talking Heads frontman David Byrne in an iconic performance featuring him in an enormous suit.
Jonathan-Demme.jpg
A Nightmare on Elm Street
A Nightmare on Elm Street (1984)
RT Audience Score: 84%
Awards & Nominations: 5 wins & 6 nominations
Wes Craven’s intelligent premise, combined with the horrifying visual appearance of Freddy Krueger, still causes nightmares to this day
A Nightmare on Elm Street is a classic horror movie that will make you want to sleep with the lights on. The suspense and terror build-up is so good that you’ll be invested in every sequence. Plus, Freddy Krueger’s makeup is still awe-inspiring, and his sinisterly unique ideas will make you question your own dreams. But don’t worry, it’s actually kind of fun to be scared out of your wits. Just make sure to check under your bed before you go to sleep.
Production Company(ies)
New Line Cinema, Zupnik Cinema Group II GGR
Distributor
Media Home Entertainment, Image Entertainment Inc., Anchor Bay Entertainment, New Line Home Video [us], New Line Cinema
Release Type
Theatrical, Theatrical (Wide)
Filming Location(s)
1428 N. Genesee Avenue, Hollywood, Los Angeles, California, USA
MPAA / Certificate
R
Year of Release
1984
-
Color:Color
-
Sound mix:Mono
-
Aspect ratio:1.85 : 1
-
Runtime:1h 31m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Nov 9, 1984 Original
Release Date (Streaming): Oct 25, 2005
Genre(s)
Horror
Keyword(s)
starring Robert Englund, Heather Langenkamp, Johnny Depp, John Saxon, Ronee Blakley, Amanda Wyss, Charles Fleischer, directed by Wes Craven, written by Wes Craven, produced by Robert Shaye, horror, R rating, box office gross $57.3M, reviewed by Chris Stuckmann, Paul Attanasio, David Jenkins, Variety Staff, Simon Braund, J.R Jones, Kristy Strouse, Petrana Radulovic, Dan Buffa, Mike Massie, Dennis Schwartz, Freddy Krueger, dreams, slasher film, teenagers, Midwest, midnight mangler, disfigured, Nancy, Glen, mystery, parents, Media Home Entertainment, Image Entertainment Inc., Anchor Bay Entertainment, New Line Home Video [us], New Line Cinema, Mono sound mix
Worldwide gross: $25,685,134
Worldwide gross (inflation-adjusted): $75,214,510
Worldwide gross ranking (inflation-adjusted): 1,155
Worldwide tickets sold (est.): 8,202,237
US/Canada gross: $25,624,448
US/Canada gross (inflation-adjusted): $75,036,802
US/Canada gross ranking (inflation-adjusted): 887
US/Canada opening weekend: $1,271,000
US/Canada opening weekend (inflation-adjusted): $3,721,906
US/Canada opening weekend ranking (inflation-adjusted): 1,141
Budget and Earnings Details
Production budget (est.): $1,800,000
Production budget (inflation-adjusted): $5,270,991
Production budget ranking: 1,870
Marketing and distribution budget (inflation-adjusted est.): $2,838,429
Box office net earnings to date (inflation-adjusted est.): $67,105,090
ROI to date (est.): 827%
ROI ranking: 159
Ronee Blakley – Marge Thompson
Heather Langenkamp – Nancy Thompson
Amanda Wyss – Tina Grey
Johnny Depp – Glen Lantz
Charles Fleischer – Dr. King
Director(s)
Wes Craven
Writer(s)
Wes Craven
Producer(s)
Robert Shaye
Film Festivals
Awards & Nominations
5 wins & 6 nominations
Academy Awards
All Critics (55) | Top Critics (11) | Fresh (52) | Rotten (3)
Great build-up, the suspense and apprehension, getting you invested in a sequence…this movie has that.
November 2, 2018 | Rating: A
Chris Stuckmann
ChrisStuckmann.com
TOP CRITIC
The script is consistently witty, the camera work (by cinematographer Jacques Haitkin) crisp and expressive.
January 2, 2018
Paul Attanasio
Washington Post
TOP CRITIC
A smart, streamlined slasher with plenty under the bonnet.
October 31, 2013 | Rating: 4/5
David Jenkins
Little White Lies
TOP CRITIC
A highly imaginative horror film that provides the requisite shocks to keep fans of the genre happy.
September 21, 2007
Variety Staff
Variety
TOP CRITIC
What makes Freddy truly terrifying, and an inspired invention on Craven’s part, is that he exists not in the real world but in the shadowy realm of dreams.
September 21, 2007 | Rating: 5/5
Simon Braund
Empire Magazine
TOP CRITIC
Craven vitalizes the nightmare sequences with assorted surrealist novelties.
September 21, 2007
J. R. Jones
Chicago Reader
TOP CRITIC
I have no doubt that A Nightmare on Elm Street will continue to hold its coveted place in horror history. With a mix of originality and camp, coming from a genuine fear, it’s a film that can’t be replicated.
October 14, 2021
Kristy Strouse
Wonderfully Weird and Horrifying
It was actually … kind of fun?
March 9, 2021
Petrana Radulovic
Polygon
Can we go to sleep? Is it safe? When filmmakers attack real life phobias and security blankets, horror films hit a peak high.
November 6, 2020
Dan Buffa
KSDK News (St. Louis)
Krueger’s makeup is still awe-inspiring and the onslaught of innovative ideas are sinisterly unique.
September 6, 2020 | Rating: 8/10
Mike Massie
Gone With The Twins
A senseless yet intriguing splatter horror film that was well-received by the public.
October 10, 2019 | Rating: B-
Dennis Schwartz
Dennis Schwartz Movie Reviews
The beginning of Freddy is as solid as it was decades ago. This still makes us scared to fall asleep. [Full review in Spanish]
February 18, 2019 | Rating: 3.5/4
Federico Furzan
Cinelipsis…
Plot
On Elm Street, Nancy Thompson and a group of her friends (comprising Tina Gray, Rod Lane and Glen Lantz) are being tormented by a clawed killer in their dreams named Fred Krueger. Nancy must think quickly, as Fred tries to pick them off one by one. When he has you in your sleep, who is there to save you?
Trivia
Goofs / Tidbits
No goofy or funny or odd comments were found in the Fresh Kernels database for A Nightmare on Elm Street.
Wes-Craven.jpg
Beverly Hills Cop
Beverly Hills Cop (1984)
RT Audience Score: 82%
Awards & Nominations: Nominated for 1 Oscar
4 wins & 5 nominations total
The buddy cop movie continues its evolution unabated with this Eddie Murphy vehicle that’s fast, furious, and funny
Beverly Hills Cop” is a classic action-comedy that still holds up today. Eddie Murphy’s performance as Axel Foley is pure gold, and the chemistry between him and his supporting cast is electric. The film’s mix of humor and heart, along with its thrilling detective story, make it a must-watch for any fan of the genre. Plus, who doesn’t love seeing Murphy take on the staid and glittery world of Beverly Hills? It’s a hilarious and cathartic ride that’s sure to leave you smiling.
Production Company(ies)
Little Monster Films, Itinerant Films, Parkes MacDonald Image Nation
Distributor
Paramount Pictures
Release Type
Theatrical, Theatrical (Wide)
Filming Location(s)
609 E Channel Rd, Santa Monica, California, USA
MPAA / Certificate
R
Year of Release
1984
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:NA
-
Runtime:1h 45m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Dec 5, 1984 Original
Release Date (Streaming): Jan 29, 2002
Genre(s)
Comedy/Action
Keyword(s)
Worldwide gross: $316,360,478
Worldwide gross (inflation-adjusted): $926,407,408
Worldwide gross ranking (inflation-adjusted): 108
Worldwide tickets sold (est.): 101,025,890
US/Canada gross: $234,760,478
US/Canada gross (inflation-adjusted): $687,455,801
US/Canada gross ranking (inflation-adjusted): 41
US/Canada opening weekend: $15,214,805
US/Canada opening weekend (inflation-adjusted): $44,553,947
US/Canada opening weekend ranking (inflation-adjusted): 272
Budget and Earnings Details
Production budget (est.): $13,000,000
Production budget (inflation-adjusted): $38,068,271
Production budget ranking: 997
Marketing and distribution budget (inflation-adjusted est.): $20,499,764
Box office net earnings to date (inflation-adjusted est.): $867,839,374
ROI to date (est.): 1,482%
ROI ranking: 69
Laura Linney – Meryl Burbank, Hannah Gill
Noah Emmerich – Marlon
Natascha McElhone – Lauren, Sylvia
Holland Taylor – Truman’s Mother
Ed Harris – Christof
Director(s)
Martin Brest
Writer(s)
Danilo Bach, Daniel Petrie Jr.
Producer(s)
Jerry Bruckheimer, Don Simpson
Film Festivals
Awards & Nominations
Nominated for 1 Oscar
4 wins & 5 nominations total
Academy Awards
Oscar Nominees
All Critics (54) | Top Critics (8) | Fresh (45) | Rotten (9)
This lickety-split action comedy is distinguished by the wry, character-conscious direction of Martin Brest, who coaxes a silver-bullet performance from star Eddie Murphy that’s practically criminal in its accuracy.
December 5, 2016
Kirk Ellis
Hollywood Reporter
TOP CRITIC
May 12, 2011 | Rating: B
Chris Nashawaty
Entertainment Weekly
TOP CRITIC
Murphy exudes the kind of cheeky, cocky charm that has been missing from the screen since Cagney was a pup, snarling his way out of the ghetto.
June 6, 2009
Richard Schickel
TIME Magazine
TOP CRITIC
It’s one of the few star comedies of the early 80s to allot some humor and personality to the minor characters.
August 7, 2007
Dave Kehr
Chicago Reader
TOP CRITIC
Expectations that Eddie Murphy’s street brand of rebelliousness would devastate staid and glittery Beverly Hills are not entirely met in a film that grows increasingly dramatic.
August 7, 2007
Variety Staff
Variety
TOP CRITIC
Eddie Murphy looks like the latest victim of the Star Magic Syndrome, in which it is assumed that a movie will be a hit simply because it stars an enormously talented person.
October 23, 2004 | Rating: 2.5/4
Roger Ebert
Chicago Sun-Times
TOP CRITIC
‘Beverly Hills Cop’ works as an action movie supported by Eddie Murphys comedic timing and inexhaustible charisma. Reinholds goofy but endearing Det. Rosewood also provides heart and hearty laughs.
March 1, 2022 | Rating: 3.5/5
Wayne Broadway
Black Girl Nerds
It’s a good detective story. It’s got a great bad guy. It’s got a motivated hero… it’s a fun movie that moves… and doesn’t stop.
May 1, 2021 | Rating: 4/4
Kevin Carr
Fat Guys at the Movies
Murphy is a one-man show backed up by his supporting cast – especially Reinhold and Ashton – who allow Murphy the freedom to do what he does best.
December 1, 2020 | Rating: 4.5/5
Allison Rose
FlickDirect
Although Murphy is a one-man-army comedian, the chemistry between Foley, Rosewood, and Taggart truly makes the movie hilarious.
August 31, 2020 | Rating: 9/10
Mike Massie
Gone With The Twins
Pretty funny after all these years. The position of Murphy as an emerging star feels very genuine. [Full review in Spanish].
May 6, 2020 | Rating: 3/4
Federico Furzan
Cinelipsis
…a work of racial subversion that’s both hilarious and cathartic.
February 18, 2020 | Rating: 3.5/4
Josh Larsen
LarsenOnFilm…
Plot
After the murder of his childhood friend, the slick Detroit detective, Axel Foley, heads to sunny Beverly Hills, on a one-man mission to ferret out the killer and bring him to justice. Before long, Axel and his unorthodox methods unearth the lucrative drug operation of the powerful local crime kingpin, Victor Maitland; however, Foley, too, will find himself in deep trouble, as Lieutenant Andrew Bogomil wants him out of town. Now, Axel will have to team up with Detectives, John Taggart, and Billy Rosewood, to shed light on the thick conspiracy, and finish what he has started. Will Foley’s total disregard for proper procedure bear fruit?
Trivia
Goofs / Tidbits
NA
Martin-Brest.jpg
Blade Runner Black Lotus
Blade Runner: Black Lotus
RT Audience Score:
Sola Digital, Verse
Year of Release
2021
Technical Specs
Color: Color
Sound mix: NA
Aspect ratio: NA
Language(s): English
Country of origin: United States
Original premiere: 11/13/2021
Newest season premiere: 11/13/2021
2022-2023 Fall Primetime
Genre(s)
Action, Action/Adventure, Adventure, Animation, Anime
Keyword(s)
Action/Adventure TV Animation, Adult Animation TV Animation, Anime TV Animation, Spinoff, Alcon Television Shows, Crunchyroll Shows, Sola Digital Shows, English Language, Asian Director, Asian Producer, Black Producer, Female Producer, Black Lead Cast, 2+ Ethnicity Lead Cast, Asian Lead Cast, LGBTQ+ Lead Cast, LGBTQ Lead Cast
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
NA
Director(s)
Writer(s)
Executive(s)
NA
Awards & Nominations
NA
Synopsis (Warning: Spoilers!)
Coming soon…
Amadeus
Amadeus (1984)
RT Audience Score: 95%
Awards & Nominations: Won 8 Oscars
43 wins & 15 nominations total
A lavish, entertaining, powerful film about the life and influence, both positive and negative, of one of Western culture’s great artists.
This flick is a total baller! It’s got everything you could want in a movie – drama, humor, and some serious power moves. It’s all about this big shot artist from back in the day and how he made his mark on the world. But it’s not all sunshine and rainbows – there’s some real talk about the good and bad stuff he did. Overall, it’s a total feast for the eyes and ears. You won’t want to miss it!
Production Company(ies)
AMLF The Saul Zaentz Company,
Distributor
Orion Pictures, Warner Home Vídeo
Release Type
Streaming, Theatrical
Filming Location(s)
Barrandov Studios, Prague, Czech Republic
MPAA / Certificate
PG
Year of Release
1984
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:2.39 : 1
-
Runtime:2h 38m
-
Language(s):English, Italian, Latin, German
-
Country of origin:United States
-
Release date:Release Date (Theaters): Nov 13, 1984 Original
Release Date (Streaming): Sep 24, 2002
Genre(s)
Biography
Keyword(s)
Worldwide gross: $52,066,791
Worldwide gross (inflation-adjusted): $152,468,669
Worldwide gross ranking (inflation-adjusted): 828
Worldwide tickets sold (est.): 16,626,900
US/Canada gross: $51,973,029
US/Canada gross (inflation-adjusted): $152,194,103
US/Canada gross ranking (inflation-adjusted): 511
US/Canada opening weekend: $505,276
US/Canada opening weekend (inflation-adjusted): $1,479,614
US/Canada opening weekend ranking (inflation-adjusted): 1,235
Budget and Earnings Details
Production budget (est.): $18,000,000
Production budget (inflation-adjusted): $52,709,913
Production budget ranking: 756
Marketing and distribution budget (inflation-adjusted est.): $28,384,288
Box office net earnings to date (inflation-adjusted est.): $71,374,467
ROI to date (est.): 88%
ROI ranking: 987
F. Murray Abraham – Antonio Salieri
Tom Hulce – Wolfgang Amadeus Mozart
Jeffrey Jones – Emperor Joseph II
Elizabeth Berridge – Constanze Mozart
Simon Callow – Emanuel Schikaneder, Papageno
Roy Dotrice – Leopold Mozart
Director(s)
Milos Forman
Writer(s)
Peter Shaffer
Producer(s)
Saul Zaentz
Film Festivals
Awards & Nominations
Won 8 Oscars
43 wins & 15 nominations total
Academy Awards
Oscar Best Achievement in Art Direction Winners, Oscar Best Achievement in Costume Design Winners, Oscar Best Achievement in Directing Winners, Oscar Best Achievement in Makeup Winners, Oscar Best Achievement in Sound Mixing Winners, Oscar Best Picture Winners, Oscar Best Writing Winners, Oscar Nominees, Oscar Screenplay Based on Material Previously Produced or Published Winners, Oscar Winners
All Critics (103) | Top Critics (30) | Fresh (96) | Rotten (7)
Tom HuIce’s brattish Mozart builds in strength and sensitivity as the film proceeds; F. Murray Abraham’s Salieri impresses immediately.
January 22, 2020
Geoff Brown
Times (UK)
TOP CRITIC
Amadeus isn’t meant to be a biography of the composer’s life, but a bawdy, black fantasy, a fiction based on a few curious facts. Peter Shaffer adapted the screenplay from his own stage play: What was intimate is now opulent.
January 22, 2020
Rita Kempley
Washington Post
TOP CRITIC
A substantial achievement — and graced by an uncommonly distinguished score.
January 22, 2020
Tim Pulleine
Guardian
TOP CRITIC
What starts as an absorbing study of historical characters and situations ends as just another elaborate and over-long Hollywood style costume-piece.
January 22, 2020
Patrick Gibbs
Daily Telegraph (UK)
TOP CRITIC
The skill of Amadeus is in making you sympathize with Salieri, as slimy and despicable as he is, because of his flaws. He appeals to your sense of democracy, even though you know that talent — certainly genius — isn’t parceled out democratically.
April 26, 2018
Bruce McCabe
Boston Globe
TOP CRITIC
[Forman’s] is a genuine adaptation, not only because the play is permitted to stretch its legs beyond the pop-up book confines of a proscenium arch, but because he has leavened its High Art pretensions with a dash of showbiz raciness.
March 3, 2015
Gilbert Adair
Sight & Sound
TOP CRITIC
There is hardly an element here that is not used to absolute perfection, and it is all the more enjoyable when one is able to take in a deeply rich story about the artistic struggles between two complex characters.
May 25, 2022 | Rating: 10/10
Josh Parham
Next Best Picture
As a historical biography, there are few motion pictures that take greater liberties with history; yet as a dramatic piece of cinema, there are few that match its splendors and delight.
March 2, 2022 | Rating: 4/4
Brian Eggert
Deep Focus Review
If film is adrenaline, then Amadeus is three cans of Red Bull and a gigantic slice of extra-chocolate chocolate cake.
February 11, 2022
Cory Woodroof
615 Film
Amadeus is not only one of the best films made about professional jealousy and classical music, it’s also – rather uniquely – a young person’s movie.
November 19, 2020
Andrew Parker
The Gate
…a case study for the theological notion of common grace.
October 8, 2020 | Rating: 3.5/4
Josh Larsen
LarsenOnFilm
From the first few seconds of the film, it’s evident that the music will guide it to cinematic perfection.
August 31, 2020 | Rating: 10/10
Mike Massie
Gone With The Twins…
Plot
Antonio Salieri believes that Wolfgang Amadeus Mozart’s music is divine and miraculous. He wishes he was himself as good a musician as Mozart so that he can praise the Lord through composing. He began his career as a devout man who believes his success and talent as a composer are God’s rewards for his piety. He’s also content as the respected, financially well-off, court composer of Austrian Emperor Joseph II. But he’s shocked to learn that Mozart is such a vulgar creature, and can’t understand why God favored Mozart to be his instrument. Salieri’s envy has made him an enemy of God whose greatness was evident in Mozart. He is ready to take revenge against God and Mozart for his own musical mediocrity.
Trivia
Goofs / Tidbits
NA
Milos-Forman.jpg