Back to the Future (1985)
RT Audience Score: 94%
Awards & Nominations: Won 1 Oscar
22 wins & 25 nominations total
Inventive, funny, and breathlessly constructed, Back to the Future is a rousing time-travel adventure with an unforgettable spirit.
If you’re looking for a movie that’ll take you on a wild ride through time, then Back to the Future is the flick for you! This movie is so clever and hilarious, you’ll be laughing and gasping in equal measure. The plot is so well-crafted, you’ll be on the edge of your seat the whole time. And the characters? They’re unforgettable! Marty McFly and Doc Brown are the ultimate dynamic duo, and you’ll be rooting for them every step of the way. So if you want a movie that’s inventive, funny, and just plain awesome, then hop in your DeLorean and head Back to the Future!
Production Company(ies)
Universal Pictures, Amblin Entertainment, U-Drive Productions,
Distributor
Universal Pictures
Release Type
Streaming, Theatrical
Filming Location(s)
Whittier High School – 12417 E. Philadelphia Street, Whittier, California, USA
MPAA / Certificate
PG
Year of Release
1985
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:NA
-
Runtime:1h 56m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Jul 3, 1985 Original
Release Date (Streaming): Aug 17, 2010
Genre(s)
Comedy/Fantasy
Keyword(s)
starring Michael J Fox, Christopher Lloyd, Crispin Glover, Lea Thompson, Wendie Jo Sperber, Marc McClure, directed by Robert Zemeckis, written by Robert Zemeckis, Bob Gale, comedy, fantasy, adventure, PG rating, box office gross $247.0K, reviewed by Joseph Gelmis, Lou Lumenick, Derek Malcolm, Tom Huddleston, Kathleen Carroll, Paul Attanasio, Cory Woodroof, Danielle Solzman, Wayne Broadway, Allison Rose, Mike Massie, Ghostbusters, Beetlejuice, Raiders of the Lost Ark, Superman: The Movie, Field of Dreams, time travel, DeLorean, 1980s, small-town California, scientist, experiment, Marty McFly, Doc Brown, parents, love, existence, Universal Pictures, Bob Gale, Neil Canton, surround sound
Worldwide gross: $383,336,762
Worldwide gross (inflation-adjusted): $1,082,732,716
Worldwide gross ranking (inflation-adjusted): 86
Worldwide tickets sold (est.): 118,073,360
US/Canada gross: $212,836,762
US/Canada gross (inflation-adjusted): $601,156,341
US/Canada gross ranking (inflation-adjusted): 52
US/Canada opening weekend: $11,152,500
US/Canada opening weekend (inflation-adjusted): $31,500,179
US/Canada opening weekend ranking (inflation-adjusted): 432
Budget and Earnings Details
Production budget (est.): $19,000,000
Production budget (inflation-adjusted): $53,665,402
Production budget ranking: 745
Marketing and distribution budget (inflation-adjusted est.): $28,898,819
Box office net earnings to date (inflation-adjusted est.): $1,000,168,494
ROI to date (est.): 1,211%
ROI ranking: 100
Christopher Lloyd – Dr. Emmett Brown
Crispin Glover – George McFly
Lea Thompson – Lorraine Baines McFly
Wendie Jo Sperber – Linda McFly
Marc McClure – Dave McFly
Director(s)
Robert Zemeckis
Writer(s)
Robert Zemeckis, Bob Gale
Producer(s)
Bob Gale, Neil Canton
Film Festivals
Awards & Nominations
Won 1 Oscar
22 wins & 25 nominations total
Academy Awards
Oscar Best Achievement in Sound Editing Winners, Oscar Nominees, Oscar Winners
All Critics (86) | Top Critics (30) | Fresh (83) | Rotten (3)
“Back to the Future” is the best comic-strip movie I’ve seen this year. It’s well-made, lighthearted and is exactly the right length to give you excitement and laughs and a few surprises, and then it’s over, leaving you feeling good.
June 26, 2020 | Rating: 4/4
Joseph Gelmis
Newsday
TOP CRITIC
Zemeckis and Gale have cannily chosen the time periods, which are funny as much for their similarities (political and materalistic) as their contrasts (music, fashions, language).
October 21, 2015 | Rating: 4/4
Lou Lumenick
New York Post
TOP CRITIC
Though it is hardly one of the greater flights of cinematic imagination to be seen since science fantasy reared its head as mass appeal material again, it would be virtually impossible not to enjoy it in some way or another.
October 21, 2015
Derek Malcolm
Guardian
TOP CRITIC
Every bit as classy, clever and cockle-warming as it was 30 years ago.
October 20, 2015 | Rating: 5/5
Tom Huddleston
Time Out
TOP CRITIC
Kids and parents alike are gonna dig this wonderful fantasy.
July 7, 2015 | Rating: 3.5/4
Kathleen Carroll
New York Daily News
TOP CRITIC
Zemeckis and Gale have given the movie a core of feeling that makes real claims on us. For all its comedy, Back to the Future is about a kid coming to terms with his parents’ inadequacies, a moment familiar to everyone, and the fulcrum in growing up.
June 23, 2015
Paul Attanasio
Washington Post
TOP CRITIC
The weightlessness of Back to the Future is part of its singular charm. Marty McFly and Doc Brown’s time-traveling adventure is one of our great movies because of the way it loves its characters, its story and the infinite possibilities of its universe.
June 28, 2022
Cory Woodroof
Williamson Home Page
Back to the Future is the very definition of a summer blockbuster and the adventure-comedy is one of the best films ever made.
June 3, 2022 | Rating: 5/5
Danielle Solzman
Solzy at the Movies
It is perfectly 80s with its soundtrack, its fashion, and its gratuitous use of s-bombs in a PG-rated film. I imagine itll be hard for anyone who enjoys fun and mirth not to have a good time watching this movie.
March 1, 2022 | Rating: 5/5
Wayne Broadway
Black Girl Nerds
Fox, who was doing double duty while making the first film (he was still working on his sitcom, Family Ties at the same time) was the perfect Marty.
October 19, 2020 | Rating: 5/5
Allison Rose
FlickDirect
By far one of the most competent time travel movies ever made, addressing even the most common loopholes and pitfalls.
August 31, 2020 | Rating: 10/10
Mike Massie
Gone With The Twins
It is the perfect package of entertainment, drama, comedy, excitement, and heart, wrapped up in special effects that still look convincing.
August 4, 2020
Allen Almachar
The MacGuffin…
Plot
Marty McFly, a typical American teenager of the Eighties, is accidentally sent back to 1955 in a plutonium-powered DeLorean “time machine” invented by a slightly mad scientist. During his often hysterical, always amazing trip back in time, Marty must make certain his teenage parents-to-be meet and fall in love – so he can get back to the future.
Trivia
Goofs / Tidbits
No goofy or funny or odd comments were found on Fresh Kernels about the film Back to the Future.
Robert-Zemeckis.jpg
The Goonies
The Goonies (1985)
RT Audience Score: 91%
Awards & Nominations: 3 wins & 6 nominations
The Goonies is an energetic, sometimes noisy mix of Spielbergian sentiment and funhouse tricks that will appeal to kids and nostalgic adults alike
The Goonies” is like a treasure hunt for the whole family, with a group of misfit kids on a wild adventure to find a pirate’s treasure. It’s got everything from booby traps to a giant octopus, and even a loveable monster named Sloth. This movie is a classic for a reason, and it’s sure to bring out the inner child in everyone who watches it. So grab some popcorn and get ready to join the Goonies gang on their quest for riches and glory!
Production Company(ies)
Element Pictures, A24, Film4
Distributor
Warner Bros. Pictures
Release Type
Theatrical, Theatrical (Wide)
Filming Location(s)
Cannon Beach, Oregon, USA
MPAA / Certificate
PG
Year of Release
1985
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:2.39 : 1
-
Runtime:1h 51m
-
Language(s):English, Spanish, Cantonese, Italian
-
Country of origin:United States
-
Release date:Release Date (Theaters): Jun 7, 1985 Wide
Release Date (Streaming): May 3, 2005
Genre(s)
Adventure/Comedy
Keyword(s)
starring Sean Astin, Josh Brolin, Jeff Cohen, Corey Feldman, Kerri Green, Martha Plimpton, directed by Richard Donner, written by Steven Spielberg, Chris Columbus, Adventure, Comedy, PG, box office performance, budget, reviewed by Jay Boyar, Gene Siskel, Richard Corliss, Kevin Maher, Peter Bradshaw, Kathleen Carroll, Bill Chambers, Brian Eggert, Mike Massie, Allison Rose, Jordi Batlle Caminal, produced by Harvey Bernhard, Richard Donner, Warner Bros Pictures, treasure map, bad guys, kids in peril, Indiana Jones, Spielbergian sentiment, funhouse tricks, nostalgic adults, energetic, sometimes noisy, all-American innocence, hyperactive, peril-packed, heartwarming adventure, grand, booby traps, eighties magic, friendship, family viewing
Worldwide gross: $64,499,270
Worldwide gross (inflation-adjusted): $182,177,857
Worldwide gross ranking (inflation-adjusted): 744
Worldwide tickets sold (est.): 19,866,724
US/Canada gross: $63,711,145
US/Canada gross (inflation-adjusted): $179,951,802
US/Canada gross ranking (inflation-adjusted): 417
US/Canada opening weekend: $9,105,913
US/Canada opening weekend (inflation-adjusted): $25,719,605
US/Canada opening weekend ranking (inflation-adjusted): 532
Budget and Earnings Details
Production budget (est.): $19,000,000
Production budget (inflation-adjusted): $53,665,402
Production budget ranking: 745
Marketing and distribution budget (inflation-adjusted est.): $28,898,819
Box office net earnings to date (inflation-adjusted est.): $99,613,635
ROI to date (est.): 121%
ROI ranking: 853
Josh Brolin – Brandon “Brand” Walsh
Jeff Cohen – Lawrence “Chunk” Cohen
Corey Feldman – Clark “Mouth” Devereaux
Kerri Green – Andrea “Andy” Carmichael
Martha Plimpton – Stefanie “Stef” Steinbrenner
Director – Richard Donner
Producers – Harvey Bernhard, Richard Donner
Writers – Steven Spielberg, Chris Columbus
Director(s)
Richard Donner
Writer(s)
Steven Spielberg, Chris Columbus
Producer(s)
Harvey Bernhard, Richard Donner
Film Festivals
Awards & Nominations
3 wins & 6 nominations
Academy Awards
All Critics (62) | Top Critics (13) | Fresh (47) | Rotten (15)
You’re reminded of what it was like, as a child, to trust in wishing wells and, without thinking very much about it, switch from walking along to skipping.
April 6, 2020
Jay Boyar
Orlando Sentinel
TOP CRITIC
A funny juvenile windup toy about kids in perilous, comic book situations.
April 6, 2020 | Rating: 3/4
Gene Siskel
Chicago Tribune
TOP CRITIC
The Goonies is as hip, sassy and innocent as its seven teenage heroes.
April 6, 2020
Richard Corliss
TIME Magazine
TOP CRITIC
Original and sometimes bizarre, this is a timely reminder of what “kids’ movies” can deliver in an era almost defined by superhero flicks and Disney franchise reboots.
April 6, 2020 | Rating: 4/5
Kevin Maher
Times (UK)
TOP CRITIC
The Goonies has a rich and indomitable air of all-American innocence…
April 18, 2019 | Rating: 4/5
Peter Bradshaw
Guardian
TOP CRITIC
“The Goonies” is the kind of hyperactive peril-packed movie young audiences can’t resist.
June 6, 2016 | Rating: 3/4
Kathleen Carroll
New York Daily News
TOP CRITIC
I summed up the experience on Letterboxd as “like being buried alive in the ball pit at Chuck E. Cheese,” which was equally true no matter where I started from; The Goonies is just so screamy.
March 3, 2022 | Rating: 1/4
Bill Chambers
Film Freak Central
It’s a movie so omnipresent that the experience of watching it proves secondary to its irremovable place of our culture.
February 18, 2022 | Rating: 3/4
Brian Eggert
Deep Focus Review
In many ways, the film resembles a younger take on the adventures of Indiana Jones.
September 6, 2020 | Rating: 9/10
Mike Massie
Gone With The Twins
The Goonies may have been released three and a half decades ago but it stands the test of time.
September 1, 2020 | Rating: 4/5
Allison Rose
FlickDirect
Although mostly aimed at younger audiences, Donner’s direction is dynamic. [Full Review in Spanish]
April 6, 2020
Jordi Batlle Caminal
El Pais (Spain)
Despite its moments of blandness, the movie works and is a good lab where young Hollywood stars emerge. [Full Review in Spanish]
April 6, 2020 | Rating: 3/5
Fotogramas Staff
Fotogramas…
Plot
Mikey and his friends have always wanted to go on an adventure. One night they are all in Mikey’s attic and Mikey stumbles across an old map. Mikey has always wanted to know if One-eyed Willy ever was a real person and now he might. They set off and later realize that they have to go through the evil Mama Fratelli’s restaurant to get to a secret passage to the caves. As they try to get into the caves Mama Fratelli catches Chunk and he is left behind. He then meets Sloth one of Mama Fratelli’s sons with a messed up face. He befriends Sloth. Meanwhile Mama Fratelli and her sons are trying to get to the treasure too. Will the kids make it there before Mama Fratelli does? Will Chuck ever get out of her basement?
Trivia
Goofs / Tidbits
No goofy or funny or odd comments were found in the Fresh Kernels database for The Goonies.
Richard-Donner.jpg
Mad Max Beyond Thunderdome
Mad Max Beyond Thunderdome (1985)
RT Audience Score: 49%
Awards & Nominations: 1 win & 8 nominations
Beyond Thunderdome deepens the Mad Max character without sacrificing the amazing vehicle choreography and stunts that made the originals memorable
Mad Max Beyond Thunderdome is like a rollercoaster ride that starts off slow and preachy, but then picks up speed and delivers some thrilling action sequences. Tina Turner steals the show with her powerhouse presence, and the film’s visuals are grandiose and imaginative. It may not be the best of the Mad Max trilogy, but it’s still a fun and entertaining watch. Plus, who doesn’t love a good fist-to-groin contest?
Production Company(ies)
New Regency Productions, The Wolper Organization Warner Bros.,
Distributor
Warner Bros. Pictures
Release Type
Theatrical
Filming Location(s)
Desierto de Tabernas, Almería, Andalucía, Spain
MPAA / Certificate
PG-13
Year of Release
1985
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:2.39 : 1
-
Runtime:1h 46m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Jul 1, 1985 Wide
Release Date (Streaming): Aug 15, 2000
Genre(s)
Action
Keyword(s)
starring Mel Gibson, Tina Turner, Angelo Rossitto, Bruce Spence, Frank Thring, Paul Larsson, directed by George Miller, George Ogilvie, written by Terry Hayes, George Miller, action, PG-13, box office performance, budget, reviewed by Paul Attanasio, Gene Siskel, Michael Wilmington, Peter Travers, Jay Boyar, Richard Schickel, Brian Eggert, Eddie Harrison, Mike Massie, Aaron Neuwirth, Zaki Hasan, Tim Brayton, producer George Miller, MPAA rating, Mad Max, gladiator, desert, feral orphans, vehicle choreography, stunts, evil town, Aunty Entity, The Master, The Collector, The Blaster, Jedediah the Pilot, The Prey: Legend of Karnoctus, Moon, 66 Questions, Dreaming Walls: Inside the Chelsea Hotel, Dangerous Liaisons, Warriors on the Field, Fair Play
Worldwide gross: $36,230,219
Worldwide gross (inflation-adjusted): $102,332,068
Worldwide gross ranking (inflation-adjusted): 1,004
Worldwide tickets sold (est.): 11,159,440
US/Canada gross: $36,230,219
US/Canada gross (inflation-adjusted): $102,332,068
US/Canada gross ranking (inflation-adjusted): 735
US/Canada opening weekend: $7,283,714
US/Canada opening weekend (inflation-adjusted): $20,572,813
US/Canada opening weekend ranking (inflation-adjusted): 640
Budget and Earnings Details
Production budget (est.): $10,000,000
Production budget (inflation-adjusted): $28,244,949
Production budget ranking: 1,181
Marketing and distribution budget (inflation-adjusted est.): $15,209,905
Box office net earnings to date (inflation-adjusted est.): $58,877,214
ROI to date (est.): 135%
ROI ranking: 808
Tina Turner – Aunty Entity
Angelo Rossitto – The Master
Bruce Spence – Jedediah the Pilot
Frank Thring – The Collector
Paul Larsson – The Blaster
Director(s)
George Miller, George Ogilvie
Writer(s)
Terry Hayes, George Miller
Producer(s)
George Miller
Film Festivals
Awards & Nominations
1 win & 8 nominations
Academy Awards
All Critics (53) | Top Critics (14) | Fresh (43) | Rotten (10)
It’s comic books in a Cuisinart, all costumes and cute monikers and no story, a sort of case history of just what’s wrong with sequelitis.
January 4, 2018
Paul Attanasio
Washington Post
TOP CRITIC
This middle portion of the picture becomes dangerously preachy, but just before we and Max are bored, director Miller returns Max to his roots, a screaming chase sequence through a desertlike Australian landscape.
May 13, 2015 | Rating: 3.5/4
Gene Siskel
Chicago Tribune
TOP CRITIC
Beyond Thunderdome is the third in George Miller’s Mad Max series, and it closes the trilogy like a lightning blast followed by the ominous, resonant drone of thunder.
May 13, 2015
Michael Wilmington
Los Angeles Times
TOP CRITIC
There is something to get excited about in this third chapter of the Mad Max series: the powerhouse presence of Tina Turner.
May 13, 2015
Peter Travers
People Magazine
TOP CRITIC
Mad Max Beyond Thunderdome isn’t a bad movie. It has entertaining sections, decent performances and more than a few provocative images. But it also has a major shortcoming: It’s too darned sane.
May 13, 2015
Jay Boyar
Orlando Sentinel
TOP CRITIC
An astonishing display of virtuoso cinema that is destined to take its place among the most vivid and freshly imagined fist-to-groin contests in the medium’s history.
August 25, 2008
Richard Schickel
TIME Magazine
TOP CRITIC
While Miller explores his individual tonal shifts in his three disparate acts, he uses a visual sense and grandiosity that had become the mainstream—a blockbuster method popularized by Spielberg and George Lucas.
June 21, 2022 | Rating: 3/4
Brian Eggert
Deep Focus Review
…it’s a watchable, big budget lo-fi, sci-fi spectacle, but something of an unnecessary pit-stop in the development of Max Rockatansky, and a boring hero we could all probably do without right now…
June 9, 2022 | Rating: 3/5
Eddie Harrison
film-authority.com
The suspense is still effective and the climactic railroad chase at the conclusion handsomely echoes the other outrageous stunts of the trilogy.
September 6, 2020 | Rating: 6/10
Mike Massie
Gone With The Twins
This is a wild, imaginative action film that truly shows what the power of cinema can accomplish in even the direst of situations.
May 1, 2020 | Rating: 8/10
Aaron Neuwirth
We Live Entertainment
In a sense, it’s sort of the Return of the Jedi of the Mad Max series: It’s solid, it’s engaging, but yeah, it’s also a kind of a step down from the previous two
November 9, 2018
Zaki Hasan
Sequart
It’s hard not to wonder why Beyond Thunderdome isn’t better.
May 17, 2015 | Rating: 6/10
Tim Brayton
Antagony & Ecstasy…
Plot
Left for dead in the unforgiving deserts of post-nuclear Australia, after defeating Lord Humungus’ barbarian horde of bikers in The Road Warrior (1981), the former officer of the tough Main Force Patrol, Max Rockatansky, happens upon Bartertown: the remote market-town outpost in the middle of the dry Wasteland, and the realm of the autocratic Queen Aunty Entity. There, a lethal challenge awaits Max, who, in return for his freedom and provisions, must engage in a bloody match to the death with the grotesque symbiotic being, the Master/Blaster. However, an unforeseen complication after the brutal fight in the stronghold’s combat arena, The Thunderdome, will banish, once more, Max into the vast wilderness, only to discover the peaceful haven of The Lost Tribe: a community of marooned children who survive on their own, waiting for the arrival of the legendary Captain Walker. Is “Mad” Max, indeed, their saviour? Can he overthrow Bartertown’s ruthless tyrant?
Trivia
Goofs / Tidbits
Tina Turner’s performance as the villainous Aunty Entity is a standout in Mad Max Beyond Thunderdome.
George-Miller.jpg
Rambo First Blood Part II
Rambo: First Blood Part II (1985)
RT Audience Score: 60%
Awards & Nominations: Nominated for 1 Oscar
5 wins & 5 nominations total
First Blood Part II offers enough mayhem to satisfy genre fans, but remains a regressive sequel that turns its once-compelling protagonist into just another muscled action berserker
Rambo: First Blood Part II is the kind of movie that’s so over-the-top, you can’t help but love it. Sure, the plot is a bit ridiculous and the action scenes are completely implausible, but who cares when you have Sylvester Stallone flexing his muscles and blowing things up left and right? It’s like a Saturday afternoon serial on steroids, and it’s impossible not to get caught up in the sheer ridiculousness of it all. Plus, the doggy cliches are just the cherry on top of this glorious trash heap of a movie.
Production Company(ies)
Dreamworks Pictures, Paramount Pictures, Amblin Entertainment,
Distributor
Artisan Entertainment, Image Entertainment Inc., TriStar Pictures
Release Type
Theatrical
Filming Location(s)
Acapulco, Guerrero, Mexico
MPAA / Certificate
R
Year of Release
1985
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:2.35 : 1
-
Runtime:1h 35m
-
Language(s):English, Vietnamese, Russian
-
Country of origin:United States
-
Release date:Release Date (Theaters): May 24, 1985 Wide
Release Date (Streaming): Nov 23, 2004
Genre(s)
Action/Adventure
Keyword(s)
starring Sylvester Stallone, Richard Crenna, Julia Nickson, Charles Napier, Steven Berkoff, Martin Kove, directed by George P Cosmatos, written by Kevin Jarre, Sylvester Stallone, James Cameron, action, adventure, R-rated, box office gross $150.2M, reviewed by Ian Nathan, Gene Siskel, Stanley Kauffmann, Radheyan Simonpillai, Variety Staff, Keith Uhlich, Eleanor O’Sullivan, Mike Massie, Matt Brunson, David Elliott, Adrian Massanet, PTSD, Vietnam War, American prisoners of war, reconnaissance, martial arts, explosions, gunfire, rescue mission, betrayal, revenge, love, anti-communism, 80s action hero, presidential pardon, covert mission, missing Vietnam POWs, failed reintegration of Vietnam vets, extreme action sequences, warlike setting, sad and satisfying ending, Artisan Entertainment, Image Entertainment Inc., TriStar Pictures, Surround, Stereo, Dolby SR
Worldwide gross: $300,400,432
Worldwide gross (inflation-adjusted): $848,479,477
Worldwide gross ranking (inflation-adjusted): 133
Worldwide tickets sold (est.): 92,527,751
US/Canada gross: $150,415,432
US/Canada gross (inflation-adjusted): $424,847,615
US/Canada gross ranking (inflation-adjusted): 102
US/Canada opening weekend: $20,176,217
US/Canada opening weekend (inflation-adjusted): $56,987,621
US/Canada opening weekend ranking (inflation-adjusted): 192
Budget and Earnings Details
Production budget (est.): $44,000,000
Production budget (inflation-adjusted): $124,277,774
Production budget ranking: 297
Marketing and distribution budget (inflation-adjusted est.): $66,923,581
Box office net earnings to date (inflation-adjusted est.): $657,278,122
ROI to date (est.): 344%
ROI ranking: 406
Richard Crenna – Col. Samuel Trautman
Julia Nickson – Co Bao
Charles Napier – Marshall Murdock
Steven Berkoff – Lt. Col. Podovsky
Martin Kove – Ericson
Director(s)
George P. Cosmatos
Writer(s)
Kevin Jarre, Sylvester Stallone, James Cameron
Producer(s)
Buzz Feitshans
Film Festivals
Awards & Nominations
Nominated for 1 Oscar
5 wins & 5 nominations total
Academy Awards
Oscar Nominees
All Critics (43) | Top Critics (9) | Fresh (14) | Rotten (29)
Reappraisal is not due.
April 17, 2019 | Rating: 2/5
Ian Nathan
Empire Magazine
TOP CRITIC
So powerful and intoxicating is this kind of movie hero that when we see him operating in a flaw-riddled movie like ”Rambo” we realize that heroic action can override almost any script.
April 17, 2019 | Rating: 3/4
Gene Siskel
Chicago Tribune
TOP CRITIC
In credibility, the action is as ludicrous as old Saturday-afternoon serials; in execution, the skills help it to skate over the incredibilities.
April 11, 2016
Stanley Kauffmann
The New Republic
TOP CRITIC
What makes this icon so significant is how wholly he was embraced by the Reagan era. After all, it only seems natural to respond to B-movie action stars when your president was one as well.
June 7, 2010 | Rating: 51/100
Radheyan Simonpillai
AskMen.com
TOP CRITIC
This overwrought sequel to the popular First Blood (1982) is one mounting fireball.
March 26, 2009
Variety Staff
Variety
TOP CRITIC
Rambo’s significant beefcake factor is so pronounced in First Blood: Part II that it practically begs to be taken as queer-baiting camp.
June 14, 2008
Keith Uhlich
UGO
TOP CRITIC
Mountains, mud, mutilation and mortars can’t keep Rambo down, but a heavyhanded plot, unrelenting violence and a screeching soundtrack deliver pummeling blows to viewers.
August 13, 2021
Eleanor O’Sullivan
Asbury Park Press (NJ)
Though it sacrifices the original film’s brooding style and moral complexities for nonstop action, this second chapter manages to remain surprisingly entertaining.
September 7, 2020 | Rating: 5/10
Mike Massie
Gone With The Twins
A tedious action yarn.
September 22, 2019 | Rating: 2/4
Matt Brunson
Film Frenzy
From its whip ’em up music to its doggy cliches, the movie is a rubbish pile. Even the vaunted action scenes… don’t show fresh verve or tactical flair. They’re just stunts with big price tags.
July 19, 2019
David Elliott
Copley News Service
Stallone, an often terribly misused actor, embroiders a very physical role, very demanding, emanating fear and pain at the same time, something more difficult to do than it seems. [Full Review in Spanish]
April 17, 2019
Adrian Massanet
Espinof
The result is entertaining if implausible as Stallone flexes his muscles for some cartoon-like heroics, rescuing American prisoners in Vietnam but discovering that he’s considered as expendable as the men he’s trying to save.
April 17, 2019 | Rating: 3/5
Tom Hutchinson
Radio Times…
Plot
Only a few years after the all-out guerrilla war in First Blood (1982), John Rambo’s former commanding officer, Colonel Sam Trautman, pulls him out of jail, only to send him back to a place he swore never to return: the impenetrable jungles of Vietnam. Entrusted with the dangerous task of collecting evidence that American POWs are still being held captive, Rambo agrees to infiltrate the unknown zone, and before long, he finds himself double-crossed, marooned behind the enemy lines. Once, John fought for his country. Now, the government has left him for dead in a Soviet-infested land. Can Rambo fulfil his suicide mission? Will he deliver his lethal justice?
Trivia
Goofs / Tidbits
There is no goofy or funny or odd comment about the film Rambo: First Blood Part II on Fresh Kernels.
George-P.-Cosmatos.jpg
Fantasia
Fantasia (1940)
RT Audience Score: 83%
Awards & Nominations: 8 wins & 1 nomination
A landmark in animation (and a huge influence on the medium of music video), Disney’s Fantasia is a relentlessly inventive blend of the classics with phantasmagorical images
Fantasia is like a wild ride through a kaleidoscope of music and animation. It’s like if Disney took acid and decided to make a movie. But in a good way. The visuals are stunning and the music is top-notch. It’s definitely not your typical Disney movie, but that’s what makes it so special. Plus, who doesn’t love dancing hippos?
Production Company(ies)
Warner Bros. Pictures, Endeavor Content One Community
Distributor
Walt Disney
Release Type
Theatrical
Filming Location(s)
Stage 1, Walt Disney Studios, 500 South Buena Vista Street, Burbank, California, USA
MPAA / Certificate
G
Year of Release
1941
-
Color:Color
-
Sound mix:3 Channel Stereo
-
Aspect ratio:1.37 : 1
-
Runtime:2h 0m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Nov 13, 1940 Limited
Release Date (Streaming): Feb 20, 2007
Genre(s)
Fantasy
Keyword(s)
Fantasia, G, 1940, Fantasy, 2h 0m, Walt Disney, James Algar, Samuel Armstrong, Ford Beebe, Norman Ferguson, Jim Handley, T Hee, Wilfred Jackson, Hamilton Luske, Bill Roberts, Paul Satterfield, Joe Grant, Dick Huemer, Lee Blair, Elmer Plummer, Phil Dike, Sylvia Moberly-Holland, Norman Wright, Deems Taylor, Leopold Stokowski, Walt Disney, Julietta Novis, James MacDonald, Philadelphia Orchestra, landmark, animation, classical music, Mickey Mouse, hand-drawn animation, experimental, music, imagination, nature scenes, animals, fairy tale creatures, commercial success, artistic success, Philadelphia Orchestra, Leopold Stowkowski, eight segments, fantastic imagery, top horror movies, MCU movies, Netflix series, renewed TV shows, cancelled TV shows, horror movies, TV premiere dates, worst horror movies, critic reviews, audience reviews
Worldwide gross: $76,411,819
Worldwide gross (inflation-adjusted): $1,862,651,525
Worldwide gross ranking (inflation-adjusted): 22
Worldwide tickets sold (est.): 203,124,485
US/Canada gross: $76,408,097
US/Canada gross (inflation-adjusted): $1,862,560,796
US/Canada gross ranking (inflation-adjusted): 4
US/Canada opening weekend: $980,798
US/Canada opening weekend (inflation-adjusted): $23,908,407
US/Canada opening weekend ranking (inflation-adjusted): 562
Budget and Earnings Details
Production budget (est.): $2,280,000
Production budget (inflation-adjusted): $55,578,385
Production budget ranking: 722
Marketing and distribution budget (inflation-adjusted est.): $29,928,960
Box office net earnings to date (inflation-adjusted est.): $1,777,144,180
ROI to date (est.): 2,078%
ROI ranking: 47
Leopold Stokowski – Music Performer
Walt Disney – Mickey Mouse (Voice)
Julietta Novis – Music Performer
James MacDonald – Music Performer
Philadelphia Orchestra – Music Performer
Director(s)
James Algar, Samuel Armstrong, Ford Beebe, Norman Ferguson, Jim Handley, T. Hee, Wilfred Jackson, Hamilton Luske, Bill Roberts, Paul Satterfield
Writer(s)
Joe Grant, Dick Huemer, Lee Blair, Elmer Plummer, Phil Dike, Sylvia Moberly-Holland, Norman Wright
Producer(s)
Walt Disney
Film Festivals
Awards & Nominations
8 wins & 1 nomination
Academy Awards
All Critics (56) | Top Critics (12) | Fresh (53) | Rotten (3)
Disney’s abstractions are no more imaginative than Fischinger’s or Len Lye’s, though he can be wittier than they.
July 17, 2020
Guardian Staff
Guardian
TOP CRITIC
The film will be as controversial as is all new art conception. But its entertainment value is Immense and unquestionable.
May 2, 2020
SMH Staff
Sydney Morning Herald
TOP CRITIC
The words most used to describe “Fantasia,” besides the conventional “beautiful” and “wonderful” were “path-breaking” and “courageous.” The phrase “courageous beyond belief” would be even more accurate.
January 18, 2013
Edwin Schallert
Los Angeles Times
TOP CRITIC
There is something in Fantasia for every taste.
August 31, 2008
John C. Flinn Sr.
Variety
TOP CRITIC
The concept and some of the episodes are tainted with kitsch, but there’s no other animated film with its scope and ambition.
March 3, 2008
Dave Kehr
Chicago Reader
TOP CRITIC
Fantasia is simply terrific — as terrific as anything that has ever happened on a screen.
May 20, 2003 | Rating: 5/5
Bosley Crowther
New York Times
TOP CRITIC
There is a charm in many of the images created by the vivid imaginations of Mr. Disney and his fellow workers which is without equal in previous motion pictures.
January 5, 2021
Martin Quigley Jr.
Motion Picture Herald (Exhibitors Herald)
The arrangement of music alone is inspiring, but it’s the seamless combination with traditionally animated mini stories that sets it apart.
August 5, 2020 | Rating: 10/10
Mike Massie
Gone With The Twins
Fantasia is a strange hybrid that only represents the creator’s delusions of grandeur. [Full Review in Spanish]
July 23, 2019
Antonio Lara
El Pais (Spain)
I admire Walt Disney so much for making such bold films.
May 9, 2019 | Rating: A+
Rachel Wagner
rachelsreviews.net
the films in the Disney Vault are brilliant pieces of work that need to be seen in the best visual presentation possible
December 9, 2013 | Rating: 4/5
Kevin Carr
7M Pictures
I belong to those who had no need of that kind of entertainment, being content with seeing pictures and hearing music.
November 27, 2012
Franz Hoellering
The Nation…
Plot
Being the first of is kind, Fantasia is a cinematic musical experience that combines Western classical music with stunning visual animation from Walt Disney and his team of animators. Segments include “Ave Maria,” “The Nutcracker Suite,” “Night on Bald Mountain, and “The Sorcerer’s Apprentice,” with an appearance by Mickey Mouse. Conducted by Leopold Stokowski with the Philadelphia Orchestra.
Trivia
Goofs / Tidbits
No goofy or funny or odd comments were found in the Fresh Kernels database for Fantasia.
The Pact
The Pact
RT Audience Score:
Starring: Rakie Ayola, Lisa Palfrey, Elizabeth Berrington, Lloyd Everitt, Mali Ann Rees
Year of Release
2021
Technical Specs
Color: Color
Sound mix: Stereo
Aspect ratio: 16:9 HD
Language(s): English
Country of origin: United States
Original premiere:
Newest season premiere:
Genre(s)
Black Stories, Drama, Medical, Medical Drama, War
Keyword(s)
Black Stories TV Drama, Medical Drama TV Drama, Procedural Drama, CBS Studios Shows, TV Shows from United States, English Language, Black Writer, Black Producer, Female Producer
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Rakie Ayola
Ayola
Christine
Lisa Palfrey Palfrey
Beth
Elizabeth Berrington Berrington
Kate
Lloyd Everitt Everitt
Will
Mali Ann Rees
Megan
Aaron Anthony
Jamie
Director(s)
Writer(s)
Executive(s)
NA
Awards & Nominations
NA
Synopsis (Warning: Spoilers!)
Coming soon…
Scratch
Scratch (2002)
RT Audience Score: 93%
Awards & Nominations: NA
Whether you know anything about turntablism or not, Scratch makes for fun and informative viewing.
If you’re looking for a documentary that’s as funky and fresh as the music it covers, Scratch is the one for you. With vintage footage and interviews with the biggest names in the game, Scratch is a must-see for anyone who’s ever been curious about the art of scratching. Sure, some of the subjects can go off on a tangent, but that just adds to the charm of this lively and informative film. So grab your headphones and get ready to scratch that itch for some serious beats.
Production Company(ies)
Producers Sales Organization R S L Entertainment, Moviecorp V III
Distributor
Palm Pictures
Release Type
Filming Location(s)
Toronto, Ontario, Canada
MPAA / Certificate
R
Year of Release
1985
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:1.85 : 1
-
Runtime:1h 30m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Feb 15, 2002 Original
Release Date (Streaming): Aug 13, 2002
Genre(s)
Documentary
Keyword(s)
documentary, turntablism, hip-hop, scratch, DJ, vinyl, South Bronx, San Francisco, beats, breaks, battles, Brad Blondheim, Ernest Meza, Bonner Bellew, Doug Pray, Afrika Bambaataa, Yoga Frog, Mix Master Mike, DJ Q-Bert, DJ Shadow, Grand Wizard Theodore, R rating, $291.0K box office, Surround sound, Dolby SR, Dolby Digital, Dolby A, Dolby Stereo, Flat aspect ratio, reviewed by Peter Travers, Ray Conlogue, Laura Bushell, Robert K Elder, Chris Vognar, Dan DeLuca, Mark Halverson, Betsy Bozdech, Emanuel Levy, Philip Martin, Chris Gore, Cynthia Fuchs, starring Afrika Bambaataa, Yoga Frog, Mix Master Mike, DJ Q-Bert, DJ Shadow, Grand Wizard Theodore, directed by Doug Pray, Bonner Bellew, written by Bonner Bellew, produced by Brad Blondheim, Ernest Meza, MPAA rating R, 1h 30m runtime
Worldwide gross: $1,839,623
Worldwide gross (inflation-adjusted): $5,196,006
Worldwide gross ranking (inflation-adjusted): 2,165
Worldwide tickets sold (est.): 566,631
US/Canada gross: $1,839,623
US/Canada gross (inflation-adjusted): $5,196,006
US/Canada gross ranking (inflation-adjusted): 1,798
US/Canada opening weekend: $1,114,635
US/Canada opening weekend (inflation-adjusted): $3,148,281
US/Canada opening weekend ranking (inflation-adjusted): 1,157
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Yoga Frog – Self
Mix Master Mike – Self
DJ Q-Bert – Self
DJ Shadow – Self
Grand Wizard Theodore – Self
Director(s)
Doug Pray, Bonner Bellew
Writer(s)
Bonner Bellew
Producer(s)
Brad Blondheim, Ernest Meza
Film Festivals
Awards & Nominations
NA
Academy Awards
All Critics (47) | Top Critics (18) | Fresh (44) | Rotten (3)
August 14, 2007 | Rating: 0/4
Peter Travers
Rolling Stone
TOP CRITIC
Engaging documentary.
October 11, 2002 | Rating: 3/4
Ray Conlogue
Globe and Mail
TOP CRITIC
Pray has really done his subject justice.
September 3, 2002 | Rating: 4/5
Laura Bushell
BBC.com
TOP CRITIC
Pray’s subjects can wander off into arcane Dennis Miller-esque rants, but he manages to hit the high points and most of the major personalities.
July 20, 2002 | Rating: 3/4
Robert K. Elder
Chicago Tribune
TOP CRITIC
It’s all stitched together with energy, intelligence and verve, enhanced by a surplus of vintage archive footage.
May 30, 2002 | Rating: A-
Chris Vognar
Dallas Morning News
TOP CRITIC
Illuminating if overly talky documentary.
May 16, 2002 | Rating: 3/4
Dan DeLuca
Philadelphia Inquirer
TOP CRITIC
August 7, 2008 | Rating: 4/5
Mark Halverson
Sacramento News & Review
A film not unlike the music it celebrates: Vibrant, eclectic, loud, rhythmic, and powerful.
November 9, 2006 | Rating: 3/4
Betsy Bozdech
DVDJournal.com
August 4, 2005 | Rating: 2/5
Emanuel Levy
EmanuelLevy.Com
March 9, 2005 | Rating: 3/5
Philip Martin
Arkansas Democrat-Gazette
See Scratch for the history, see Scratch for the music, see Scratch for a lesson in scratching, but, most of all, see it for the passion.
January 16, 2003 | Rating: 4/5
Chris Gore
Film Threat
Even as it pays earnest homage to turntablists and beat jugglers, old schoolers and current innovators, Scratch is great fun, full of the kind of energy it’s documenting.
September 13, 2002
Cynthia Fuchs
Nitrate Online…
Plot
A small “Dance-ercize” studio fights for its existence against the unscrupulous owner of a rival club. The conflict boils down to a “Dance Marathon” to settle the score.
Trivia
Goofs / Tidbits
Scratch features appearances from hip-hop legends like Afrika Bambaataa, DJ Shadow, and Grand Wizard Theodore.
Doug-Pray.jpg
The Breakfast Club
The Breakfast Club (1985)
RT Audience Score: 92%
Awards & Nominations: 4 wins
The Breakfast Club is a warm, insightful, and very funny look into the inner lives of teenagers.
The Breakfast Club” is like a time capsule of the 80s, complete with big hair, shoulder pads, and teenage angst. John Hughes really knew how to capture the essence of adolescence, and the cast of young actors brought their A-game to this classic film. Sure, some of the situations may be a bit cheesy, but it’s all part of the charm. And who can forget that iconic fist-pumping scene? It’s a must-watch for anyone who wants to relive their high school days (or just wants to see Molly Ringwald in all her 80s glory).
Production Company(ies)
Anonymous Content
Distributor
MCA/Universal Pictures [us]
Release Type
Theatrical, Theatrical (Limited)
Filming Location(s)
Maine North High School – 9511 Harrison Street, Des Plaines, Illinois, USA
MPAA / Certificate
R
Year of Release
1985
-
Color:Color
-
Sound mix:Mono Dolby Digital
-
Aspect ratio:1.85 : 1
-
Runtime:1h 32m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Feb 15, 1985 Original
Release Date (Streaming): Sep 16, 2008
Genre(s)
Comedy/Drama
Keyword(s)
starring Emilio Estevez, Molly Ringwald, Judd Nelson, Ally Sheedy, Anthony Michael Hall, Paul Gleason, John Kapelos, directed by John Hughes, written by John Hughes, comedy, drama, R rating, box office performance, budget, reviewed by David Denby, Paul Attanasio, Kathleen Carroll, David An
Worldwide gross: $51,525,171
Worldwide gross (inflation-adjusted): $145,532,581
Worldwide gross ranking (inflation-adjusted): 849
Worldwide tickets sold (est.): 15,870,510
US/Canada gross: $45,875,171
US/Canada gross (inflation-adjusted): $129,574,185
US/Canada gross ranking (inflation-adjusted): 591
US/Canada opening weekend: $5,107,599
US/Canada opening weekend (inflation-adjusted): $14,426,387
US/Canada opening weekend ranking (inflation-adjusted): 811
Budget and Earnings Details
Production budget (est.): $1,000,000
Production budget (inflation-adjusted): $2,824,495
Production budget ranking: 1,986
Marketing and distribution budget (inflation-adjusted est.): $1,520,990
Box office net earnings to date (inflation-adjusted est.): $141,187,096
ROI to date (est.): 3,249%
ROI ranking: 32
Molly Ringwald – Claire Standish
Judd Nelson – John Bender
Paul Gleason – Principal Richard Vernon
Anthony Michael Hall – Brian Ralph Johnson
John Kapelos – Carl, the Janitor
Director(s)
John Hughes
Writer(s)
John Hughes
Producer(s)
Ned Tanen, John Hughes
Film Festivals
Awards & Nominations
4 wins
Academy Awards
All Critics (64) | Top Critics (18) | Fresh (57) | Rotten (7)
[Hughes] understands adolescents as well as anyone who has ever made movies about them, and he has a fluent way with young actors. In this picture, his dramatic ideas may be cheesy, but Hughes still manages to create some excitement and laughs.
January 2, 2020
David Denby
New York Magazine/Vulture
TOP CRITIC
Taking place almost entirely in one room, “The Breakfast Club” is the kind of movie — and the kind of play — that’s hardly seen anymore. And good riddance.
January 4, 2018
Paul Attanasio
Washington Post
TOP CRITIC
Hughes has a wonderful knack for communicating the feelings of teenagers, as well as an obvious rapport with his exceptional cast – who deserve top grades.
February 13, 2016 | Rating: 3/4
Kathleen Carroll
New York Daily News
TOP CRITIC
Hughes may deserve more plaudits as a social worker than a filmmaker, but you have to admit his hokey situation plays. The reason is the five terrific young actors, who bring more conviction to these parts than they perhaps deserve.
November 9, 2015
David Ansen
Newsweek
TOP CRITIC
Nothing really changes. You hear nothing you haven’t heard before. But you know that for them it is happening for the first time, and they deserve compassion. I’m not sure that’s a good enough reason to see “The Breakfast Club.”
March 23, 2015 | Rating: 2/4
Joseph Gelmis
Newsday
TOP CRITIC
Rarely have on-screen teens felt this authentic. They bluster, bicker and trade horrible insults (whence the film’s R rating), then suddenly expose their most guarded feelings.
March 23, 2015 | Rating: 4/4
Rafer Guzman
Newsday
TOP CRITIC
The late John Hughes’ finest hour (he didn’t have many, despite a prolific output), The Breakfast Club was the best of the so-called “Brat Pack” features as well as a seminal film for many who came of age in the 1980s.
September 18, 2021 | Rating: 3.5/4
Matt Brunson
Film Frenzy
Hughes once again sensationally captures the feel of adolescent rebellion and nonconformity with both timeless severity and laugh-out-loud dialogue.
August 31, 2020 | Rating: 9/10
Mike Massie
Gone With The Twins
It’s an exceptional film that has not suffered damage over the years. It feels as fresh as it felt decades ago. [Full review in Spanish].
June 2, 2020 | Rating: 4/4
Federico Furzan
Cinelipsis
…impressively (and consistently) engrossing…
October 20, 2019 | Rating: 4/4
David Nusair
Reel Film Reviews
The film is an extraordinarily well-blended mix of humor, heartbreak, and anger as each character displays a pantheon of raw emotions.
July 4, 2019
Jennifer Lind-Westbrook
Culturess
A superb film, an all-time classic, and an all-time favourite of many a film lover.
April 11, 2018 | Rating: 9/10
Andrew Pollard
Starburst…
Plot
Beyond being in the same class at Shermer High School in Shermer, Illinois, Claire Standish, Andrew Clark, John Bender, Brian Johnson and Allison Reynolds have little in common, and with the exception of Claire and Andrew, do not associate with each other in school. In the simplest and in their own terms, Claire is a princess, Andrew an athlete, John a criminal, Brian a brain, and Allison a basket case. But one other thing they do have in common is a nine hour detention in the school library together on Saturday, March 24, 1984, under the direction of Mr. Vernon, supervising from his office across the hall. Each is required to write a minimum one thousand word essay during that time about who they think they are. At the beginning of those nine hours, each, if they were indeed planning on writing that essay, would probably write something close to what the world sees of them, and what they have been brainwashed into believing of themselves. But based on their adventures during that nine hours, they may come to a different opinion of themselves and the other four.
Trivia
Goofs / Tidbits
Judd Nelson’s portrayal of John Bender was so convincing that he was almost not cast in the film due to concerns about his behavior on set.
John-Hughes.jpg
Lost in America 1985
Lost in America (1985)
RT Audience Score: 77%
Awards & Nominations: NA
Lost in America, the 1985 comedy film directed by and starring Albert Brooks, has received mixed reviews from critics. While some have praised Brooks’ originality and sharp writing, others have criticized the lack of humor and action in the film. However, it’s hard to deny the film’s universal themes of greed, hedonism, and panic, which make it relatable and funny. The standout scene featuring a hilarious turn by director Garry Marshall is a testament to Brooks’ comedic genius. Overall, Lost in America is a well-directed and effortlessly entertaining satire of the Reagan era that cautions us to be careful what we wish for.
Lost in America is a classic comedy that will have you laughing from start to finish. While the script may not be perfect, the witty writing and sharp humor make up for any shortcomings. The performances by Albert Brooks and Julie Hagerty are solid, but the real standout is director Garry Marshall in a hilarious cameo. This film is a cautionary tale about the dangers of chasing the American Dream, but it’s also a reminder to never take life too seriously. So sit back, relax, and get ready to get lost in the laughs.
Production Company(ies)
LGBTQ Stories, Social, Topical
Distributor
NA
Release Type
Theatrical, Theatrical (Limited)
Filming Location(s)
United States
MPAA / Certificate
NR
Year of Release
1985
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:NA
-
Runtime:1h 31m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Feb 8, 1985 Limited
Release Date (Streaming): Apr 3, 2001
Genre(s)
Comedy
Keyword(s)
starring Albert Brooks, Julie Hagerty, Michael Greene, Tom Tarpey, Garry Marshall, Maggie Roswell, directed by Albert Brooks, written by Albert Brooks and Monica Johnson, comedy, box office performance, budget, reviewed by Neil Jillett, Bob Thomas, Kirk Ellis, Jason Bailey, Nick Schager, Roger Ebert, Brian Eggert, MPAA rating R, Marty Katz produced, Marty Katz Productions and The Geffen Company production co, road trip, satire, American culture, Las Vegas, Winnebago, cross-country, advertising job, liquidate assets, roulette wheel, misguided, suburban life, neurotic, yuppies, satire on American fantasy, cultural jabs, leaving it all behind, finding oneself, Easy Rider, National Lampoon’s Vacation, satire on greed, hedonism, panic
Worldwide gross: $10,179,000
Worldwide gross (inflation-adjusted): NA
Worldwide gross ranking (inflation-adjusted): NA
Worldwide tickets sold (est.): NA
US/Canada gross: $10,179,000
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): $5,000,000
Production budget (inflation-adjusted): $14,996,648
Production budget ranking: 1,518
Marketing and distribution budget (inflation-adjusted est.): $8,075,695
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Julie Hagerty – Linda Howard
Michael Greene – Paul Dunn
Tom Tarpey – Brad Tooley
Garry Marshall – Casino Manager
Maggie Roswell – Patty
Director – Albert Brooks
Producer – Marty Katz
Production Company – Marty Katz Productions, The Geffen Company
Director(s)
Albert Brooks
Writer(s)
NA
Producer(s)
NA
Film Festivals
Awards & Nominations
NA
Academy Awards
All Critics (39) | Top Critics (6) | Fresh (37) | Rotten (2)
The script is rarely funny and often far too talkative, and the small amount of action is flat-footed. Brooks and his co-star, Julie Hagerty, do not show enough sparkle in their acting to make up for these deficiencies.
April 4, 2022
Neil Jillett
The Age (Australia)
TOP CRITIC
Brooks, who wrote the script with Monica Johnson, is a highly original comedic spirit.
October 22, 2018
Bob Thomas
Associated Press
TOP CRITIC
Too often, things are simply too painfully accurate to be particularly funny. Still, it’s hard to fault Brooks’ resolutely adult intelligence, and Lost in America – almost in spite of itself, really – is easily his most consistently amusing work to date.
March 19, 2018
Kirk Ellis
Hollywood Reporter
TOP CRITIC
It’s an endlessly funny and often uncomfortable piece of work, featuring some of the sharpest, deftest writing Brooks and frequent collaborator Monica Johnson ever crafted.
August 6, 2017
Jason Bailey
Flavorwire
TOP CRITIC
An amusingly bumpy ride.
May 4, 2005 | Rating: B
Nick Schager
Lessons of Darkness
TOP CRITIC
Lost in America is being called a yuppie comedy, but it’s really about the much more universal subjects of greed, hedonism and panic. What makes it so funny is how much we can identify with it.
October 23, 2004 | Rating: 4/4
Roger Ebert
Chicago Sun-Times
TOP CRITIC
Lost in America is unquestionably Brooks’ funniest, most cynical, yet most insightful film, and the height of his wincing scenarios about disenchanted creatives.
February 14, 2022 | Rating: 4/4
Brian Eggert
Deep Focus Review
There’s a fantastic scene featuring a hilarious turn by director Garry Marshall.
November 1, 2021 | Rating: 3.5/4
Matt Brunson
Film Frenzy
Cautions us to be careful what we wish for.
March 29, 2021
Rob Aldam
Backseat Mafia
…a solid piece of work…
March 17, 2021 | Rating: 3/4
David Nusair
Reel Film Reviews
Brooks’ Lost in America is a well-directed and effortlessly entertaining satire of the Reagan era.
September 8, 2020 | Rating: 4/5
Nicholas Bell
IONCINEMA.com
Even when sizable blunders burst into unimaginable proportions, it’s difficult to be mad at these personas; they’re funny when they bicker and charming when they reconnect.
September 6, 2020 | Rating: 7/10
Mike Massie
Gone With The Twins…
Plot
A yuppie couple quits their jobs and sets out on a cross-country road trip to find themselves and discover America, but their idealized notion of the American experience is shattered when they lose their savings in Las Vegas in the comedy film “Lost in America.”
Trivia
Goofs / Tidbits
There is no goofy or funny or odd comment about the film Signed in on Fresh Kernels.
Albert-Brooks.jpg
Witness
Witness (1985)
RT Audience Score: 84%
Awards & Nominations: NA
A wonderfully entertaining thriller within an unusual setting, with Harrison Ford delivering a surprisingly emotive and sympathetic performance
Witness is a thrilling crime drama that will keep you on the edge of your seat. Harrison Ford delivers an outstanding performance, and the chemistry between him, Kelly McGillis, and Lukas Haas is palpable. The film’s direction and cinematography are top-notch, capturing the beauty of the Amish countryside and the tension of the city. While there are a few moments of violence, Witness is a must-watch for anyone who loves a good thriller. Plus, who doesn’t love a movie with a cute little boy and a barn-raising scene?
Production Company(ies)
Mass Distraction Media, Radical Media, Vulcan Productions,
Distributor
Paramount Pictures
Release Type
Filming Location(s)
MPAA / Certificate
TV-14
Year of Release
1985
-
Color:Color
-
Sound mix:Stereo
-
Aspect ratio:16:9 HD
-
Runtime:1h 52m
-
Language(s):
-
Country of origin:United States
-
Release date:Release Date (Theaters): Feb 8, 1985 Wide
Release Date (Streaming): Jun 29, 1999
Genre(s)
Crime/Drama
Keyword(s)
starring Harrison Ford, Kelly McGillis, Alexander Godunov, Josef Sommer, Lukas Haas, Jan Rubes, Danny Glover, directed by Peter Weir, written by Pamela Wallace, Earl W Wallace, William Kelley, crime, drama, box office performance, budget, reviewed by Ed Potton, Nick Roddick, Paul Attanasio, Pauline Kael, Dave Kehr, Variety Staff, Mike Massie, Rachel Wagner, Matt Brunson, S Jhoanna Robledo, Matthew Pejkovic, produced by Edward S Feldman, MPAA rating R, Amish, police corruption, witness protection, romance, thriller, police officer, narcotics lieutenant, police chief, Amish culture, tradition, police detective, farm, secluded community, suspenseful climax, fish-out-of-water tale, Harrison Ford’s best performance, unique storyline, deceptively amiable, bucolic romance, respectful look, Harrison Ford’s only Best Actor Oscar nomination, beautifully shot feature, effective as a cop thriller, chronicle of the rural Amish subculture, Harrison Ford’s emotive and sympathetic performance, police corruption scandal, Amish farm, farmer’s daughter, plain local variety farm boys, homemade sandwich, satisfying treat of a film
Worldwide gross: $68,706,993
Worldwide gross (inflation-adjusted): NA
Worldwide gross ranking (inflation-adjusted): NA
Worldwide tickets sold (est.): NA
US/Canada gross: $68,706,993
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Kelly McGillis – Rachel Lapp
Alexander Godunov – Daniel Hochleitner
Josef Sommer – Chief Paul Schaeffer
Lukas Haas – Samuel Lapp
Jan Rubes – Eli Lapp
Director(s)
Peter Weir
Writer(s)
Pamela Wallace, Earl W. Wallace, William Kelley
Producer(s)
Edward S. Feldman
Film Festivals
Awards & Nominations
NA
Academy Awards
All Critics (42) | Top Critics (13) | Fresh (39) | Rotten (3)
… striking thriller.
April 6, 2020 | Rating: 4/5
Ed Potton
Times (UK)
TOP CRITIC
The film allows us, in the company of Book, to take a sort of holiday from our normal concerns, to visit other values en touriste , drawing the strengths from a strange and alien tradition without really immersing ourselves in it.
March 24, 2020
Nick Roddick
Sight & Sound
TOP CRITIC
What saves “Witness” is its cast, and Weir’s artistry in orchestrating and modulating their performances.
January 4, 2018
Paul Attanasio
Washington Post
TOP CRITIC
Weir, an Australian filming in this country for the first time, has succumbed to blandness.
January 14, 2013
Pauline Kael
New Yorker
TOP CRITIC
A moderately effective, highly affected thriller.
January 14, 2013
Dave Kehr
Chicago Reader
TOP CRITIC
Witness warms up as the attraction builds between Ford, McGillis and Haas — all performing excellently through this portion.
July 6, 2010
Variety Staff
Variety
TOP CRITIC
The actors are all convincing, given the attention and scripting necessary to craft a strikingly different tale of law enforcement and the consequences of their interactions.
September 8, 2020 | Rating: 9/10
Mike Massie
Gone With The Twins
A pretty good crime thriller.
April 12, 2019 | Rating: B
Rachel Wagner
rachelsreviews.net
Peter Weir’s exceptionally fine Witness finds Harrison Ford earning his first (and, so far, only) Best Actor Oscar nomination.
October 17, 2015 | Rating: 3.5/4
Matt Brunson
Creative Loafing
Taut drama has just a few moments of intense violence.
July 2, 2013 | Rating: 4/5
S. Jhoanna Robledo
Common Sense Media
Proves to be an entertaining cop thriller of rich character and assured direction.
July 6, 2010 | Rating: 4/5
Matthew Pejkovic
Matt’s Movie Reviews
Harrison Ford renders one of his best dramatic performances, for which he won his sole Oscar nomination, in Peter Weir’s beautifully shot feature, which is effective as a cop thriller as well as a chronicle of the rural Amish subculture.
February 5, 2009 | Rating: A-
Emanuel Levy
EmanuelLevy.Com…
Plot
After witnessing a murder, a young Amish boy and his mother seek protection from a police officer who uncovers evidence of police corruption and must flee to the Amish countryside where they begin a cautious romance.
Trivia
Goofs / Tidbits
Harrison Ford delivers a surprisingly emotive and sympathetic performance.
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