Yasmin Omar

A-List
Total Box Office Draw: NA
Movie Reviews
Critic
Average ROI: NA
ROI Rank: NA
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Movies
  • Title
    Kajillionaire
    Pain and Glory
    The Farewell
    Varda by Agnès
    In Fabric
    Knock Down the House
    If Beale Street Could Talk
    Free Solo
    Support the Girls
    Tully
    Lady Bird
    Girls Trip
    Get Out
    The Diary Of A Teenage Girl
    Tangerine
    Appropriate Behavior
    Boyhood
    Blue Is The Warmest Color
    Frances Ha
    Bridesmaids
    Easy A
    Scott Pilgrim vs. the World
    An Education
    Juno
    Romeo + Juliet
    Heavenly Creatures
    Score
    71%
    94%
    93%
    92%
    72%
    55%
    84%
    96%
    78%
    84%
    89%
    87%
    92%
    85%
    87%
    81%
    89%
    89%
    86%
    85%
    83%
    84%
    84%
    90%
    77%
    86%
    Year
    2020
    2019
    2019
    2019
    2019
    2019
    2018
    2018
    2018
    2018
    2017
    2017
    2017
    2015
    2015
    2015
    2014
    2013
    2013
    2011
    2010
    2010
    2009
    2007
    1996
    1994
    Box Office
    $1,285,775,$37,359,689,$23,076,657,NA,$197,592,NA,$20,596,567,$29,390,279,$139,550,$15,636,462,$78,986,478,$140,552,359,$255,745,157,$1,775,133,$840,099,$123,699,$48,137,666,$19,465,835,$9,058,065,$288,383,523,$75,026,327,$49,421,974,$26,096,852,$232,372,681,$147,554,998,$3,049,135
  •  

    Known For & ROIs
    Kajillionaire-2020.jpgPain-and-Glory-Dolor-y-gloria-2019.jpgThe-Farewell-2019.jpgVarda-by-Agnes.jpgIn-Fabric-2019.jpg
    Kajillionaire
    Pain and Glory
    The Farewell
    Varda by Agnès
    In Fabric
    NA
    ROI Commentary:

    Average ROI: NA
    ROI Rank: NA
     
    NA
     

    Bio:

    Yasmin Omar is a film critic and journalist based in London. She has written for publications such as The Guardian, Sight & Sound, Little White Lies, and The Independent. She is a passionate advocate for diversity in film and has been a vocal critic of the lack of representation of women and people of color in the industry. She is also a regular contributor to the BFI’s Sight & Sound magazine.
     

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Critic