The Humans (2021)
RT Audience Score:
Awards & Nominations: 1 win & 5 nominations
The Humans takes its Tony-winning source material from stage to screen without sacrificing the essence of writer-director Stephen Karam’s dysfunctional drama.
The Humans” is a movie that will make you feel like you need a hug from your mom after watching it. The dysfunctional family dynamic is so relatable that it’s almost scary. The cast is amazing, especially Richard Jenkins and Jayne Houdyshell, who steal the show. The sound design and setting make it feel like a horror movie, but it’s really just a family drama that will leave you feeling a little bit hopeless about the human condition. Overall, it’s a great movie to watch if you want to feel a little bit sad and a little bit scared at the same time.
Production Company(ies)
Brooksfilms
Distributor
A24
Release Type
Theatrical, Theatrical (Limited)
Filming Location(s)
MPAA / Certificate
Rated R for some sexual material and language
Year of Release
2021
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:1.85 : 1
-
Runtime:1h 48m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Nov 24, 2021 Limited
Release Date (Streaming): Nov 24, 2021
Genre(s)
Holiday
Keyword(s)
starring Richard Jenkins, Amy Schumer, Steven Yeun, Jayne Houdyshell, Beanie Feldstein, June Squibb, directed by Stephen Karam, written by Stephen Karam, Holiday, dysfunctional family, Thanksgiving, lower Manhattan, family drama, Tony Award-winning play, A24, R-rated, Stephen Karam as producer, Louise Lovegrove as producer, $1-5 million budget, reviewed by Kevin Maher, Wendy Ide, Tara Brady, Peter Bradshaw, Alex Godfrey, Leslie Felperin, Dan Bayer, Bill Chambers, Louisa Moore, Matthew Turner, David Gonzalez, horror, body horror, decay, building, characters, box office performance, limited release, streaming release, English language
Worldwide gross: $19,251
Worldwide gross (inflation-adjusted): $20,938
Worldwide gross ranking (inflation-adjusted): 3,121
Worldwide tickets sold (est.): 2,283
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Amy Schumer – Aimee
Steven Yeun – Richard
Jayne Houdyshell – Deirdre Blake
Beanie Feldstein – Brigid
June Squibb – Momo
Stephen Karam – Producer, Writer, Director
Louise Lovegrove – Producer
Director(s)
Stephen Karam
Writer(s)
Stephen Karam
Producer(s)
Stephen Karam, Louise Lovegrove
Film Festivals
Toronto
Awards & Nominations
1 win & 5 nominations
Academy Awards
All Critics (129) | Top Critics (44) | Fresh (119) | Rotten (10)
This is more than just a nihilistic revamp of Home for the Holidays. It’s bleaker than that, more forensic in its analysis of innate human hopelessness.
January 2, 2022 | Rating: 4/5
Kevin Maher
Times (UK)
TOP CRITIC
The casting is… first-rate, with Richard Jenkins and a wounded, garrulous Jayne Houdyshell the standouts.
January 2, 2022 | Rating: 3/5
Wendy Ide
Observer (UK)
TOP CRITIC
The ensemble remains electrifying against the damp.
December 31, 2021 | Rating: 5/5
Tara Brady
Irish Times
TOP CRITIC
The result is like an expressionist horror by Polanski.
December 30, 2021 | Rating: 4/5
Peter Bradshaw
Guardian
TOP CRITIC
There’s palpable dread throughout this stagey but nevertheless evocative whirlwind of dysfunction.
December 30, 2021 | Rating: 4/5
Alex Godfrey
Empire Magazine
TOP CRITIC
[Writer-director Stephen Karam’s] dialogue — overlapping, percussive, ultimately musical — is as exquisitely observed as it is immaculately performed by this cracking cast. It’s as if Samuel Beckett had written a sitcom.
December 30, 2021 | Rating: 4/5
Leslie Felperin
Financial Times
TOP CRITIC
Far braver and more effective than most films even try to be, and for something that looks on its face to be a conventional family drama, that is cause for celebration.
May 10, 2022 | Rating: 8/10
Dan Bayer
Next Best Picture
Tempting to say it’s elevated horror so lofty you’ll need a telescope–which is almost literally true of The Humans itself.
March 3, 2022 | Rating: 2.5/4
Bill Chambers
Film Freak Central
Its the subtext here thats so complex, especially as each individual person navigates the unspoken tension and validates their place in the familial social structure.
March 2, 2022
Louisa Moore
Screen Zealots
Ostensibly an emotionally engaging family-gathering-for-the-holidays drama, complete with the traditional secrets and lies, but the script, setting and sound design make it more chilling than any recent horror movie.
February 25, 2022 | Rating: 4.5/5
Matthew Turner
VODzilla.co
In an era where horror films tend to leave folks unsatisfied, The Humans follows in The Fathers footsteps in creating an atmospheric feel that will leave viewers unsettled and haunted.
February 18, 2022 | Rating: 3.5/4
David Gonzalez
Reel Talk Inc.
While there are various undeniable good ideas and Jayne Houdyshell truly is stunning, it is a film that lacks the craft or thought to do these ideas or efforts justice.
February 15, 2022 | Rating: B
Carson Timar
ButteredPopcorn…
Plot
A family gathers for Thanksgiving in their daughter’s Manhattan apartment, but as darkness falls and strange things start to happen, their deepest fears are revealed in the piercingly funny and haunting drama, The Humans.
Trivia
Goofs / Tidbits
The ensemble cast of The Humans is described as “electrifying” by one critic.
Stephen-Karam.jpg
87%
Saint Frances (2020)
RT Audience Score: 75%
Awards & Nominations: 11 wins & 17 nominations
Saint Frances approaches an array of weighty issues with empathy, humor, and grace — and marks star and writer Kelly O’Sullivan as a tremendous talent to watch
Saint Frances” is the perfect movie for anyone who wants to laugh, cry, and feel all the feels. It’s a coming-of-age story that’s not just for teenagers, but for anyone who’s ever felt lost or unsure of themselves. The characters are relatable and lovable, and the story is both heartwarming and heartbreaking. Plus, it’s set in Chicago, so you know it’s got that big city charm. Don’t miss out on this gem of a movie!
Production Company(ies)
Horizon Pictures,
Distributor
Oscilloscope Laboratories
Release Type
Theatrical, Theatrical (Limited)
Filming Location(s)
Country Kitchen, Highland Park, Illinois, USA
MPAA / Certificate
Year of Release
2020
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:1.85 : 1
-
Runtime:1h 46m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Feb 28, 2020 Limited
Release Date (Streaming): May 3, 2020
Genre(s)
Comedy/Drama
Keyword(s)
starring Kelly O’Sullivan, William Drain, Laura T Fisher, Mary Beth Fisher, Meighan Gerachis, Francis Guinan, directed by Alex Thompson, written by Kelly O’Sullivan, Comedy, Drama, box office performance, budget, reviewed by Will Gompertz, Michael Phillips, Clarisse Loughrey, Tim Robey, Donald Clarke, Charlotte O’Sullivan, Ayeen Forootan, Olly Richards, Charlotte Harrison, Katherine McLaughlin, Robert Roten, produced by James Choi, MPAA rating, abortion, deadbeat nanny, friendship, 6-year-old, Chicago, female-centric, menstruation, nonjudgmental, Ramona Edith Williams, weighty issues, empathy, humor, grace, tremendous talent
Worldwide gross: $59,257
Worldwide gross (inflation-adjusted): $67,622
Worldwide gross ranking (inflation-adjusted): 3,062
Worldwide tickets sold (est.): 7,374
US/Canada gross: $44,330
US/Canada gross (inflation-adjusted): $50,588
US/Canada gross ranking (inflation-adjusted): 2,754
US/Canada opening weekend: $14,298
US/Canada opening weekend (inflation-adjusted): $16,316
US/Canada opening weekend ranking (inflation-adjusted): 2,580
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
William Drain – Librarian
Laura T. Fisher – Donna
Mary Beth Fisher – Carol
Meighan Gerachis – Nurse tech
Francis Guinan – Dennis
Director(s)
Alex Thompson
Writer(s)
Kelly O’Sullivan
Producer(s)
James Choi
Film Festivals
South by Southwest
Awards & Nominations
11 wins & 17 nominations
Academy Awards
All Critics (102) | Top Critics (33) | Fresh (101) | Rotten (1)
Saint Frances is smart and original and anti-sensationalist. It is also a very good film, which speaks to you but never shouts.
February 5, 2021 | Rating: 4/5
Will Gompertz
BBC.com
TOP CRITIC
I do wish “Saint Frances” indulged in or two fewer getting-to-know-you montages. But I say that about most every movie that comes along, even the good ones.
February 5, 2021 | Rating: 3/4
Michael Phillips
Chicago Tribune
TOP CRITIC
[Kelly] O’Sullivan’s screenplay, much like her performance, is sweet without ever turning sickly. Alex Thompson’s direction, in turn, carefully matches her tone.
December 9, 2020 | Rating: 4/5
Clarisse Loughrey
Independent (UK)
TOP CRITIC
Like all the best films about fumbling your way through to deeper self-understanding, Saint Frances doesn’t feel too programmed, and leaves a lot of mess on the table.
November 22, 2020 | Rating: 4/5
Tim Robey
Daily Telegraph (UK)
TOP CRITIC
Loosely structured, but satisfactory in its narrative shape, the picture deftly escorts us through the embarrassments and dilemmas of everyday life in a hipper part of Chicago.
August 14, 2020 | Rating: 4/5
Donald Clarke
Irish Times
TOP CRITIC
You could also describe it as the missing link between Bridesmaids and Roma.
July 27, 2020 | Rating: 5/5
Charlotte O’Sullivan
London Evening Standard
TOP CRITIC
Thompson’s filmmaking sticks to the safe and familiar territory of a lo-fi indie, never pushing its aesthetic to places that might challenge the viewer like its subject matter does.
June 5, 2021
Ayeen Forootan
In Review Online
2020’s best coming of age drama.
April 29, 2021 | Rating: 4/5
Olly Richards
NME
An unlikely friendship forms between Bridget and Frances, and it’s such a joy to follow. An immensely likeable and utterly charming watch.
April 3, 2021
Charlotte Harrison
Charlotte Sometimes Goes to the Movies
This funny, heart-wrenching and gorgeously shot tale of a 30-something woman finding herself exudes warmth, kindness and humour.
March 13, 2021 | Rating: 10/10
Katherine McLaughlin
VODzilla.co
I don’t recall the last time I saw so many strong female characters in a film who all shared so many emotionally powerful scenes together.
March 8, 2021 | Rating: B
Robert Roten
Laramie Movie Scope
Talking about awkward things without shame is what this film endorses – and does well.
February 5, 2021 | Rating: 4/5
Markie Robson-Scott
The Arts Desk…
Plot
After an abortion, a struggling nanny forms an unlikely bond with the 6-year-old girl she’s hired to watch in the comedy-drama film “Saint Frances.”
Trivia
Goofs / Tidbits
There is no goofy or funny or odd comment about the film in the Fresh Kernels database.
Alex-Thompson.jpg
87%
His House (2020)
RT Audience Score: 74%
Awards & Nominations: Won 1 BAFTA Award
8 wins & 37 nominations total
Featuring genuine scares through every corridor, His House is a terrifying look at the specters of the refugee experience and a stunning feature debut for Remi Weekes
His House is a horror movie that will make you want to sleep with the lights on. It’s not just your typical haunted house story, it’s a film that tackles heavy themes like grief, guilt, and the refugee crisis. The tension is palpable, and the twist will leave you reeling. Director Remi Weekes has a bright future ahead of him, and I can’t wait to see what he does next. If you’re a fan of horror, this is a must-watch. Just don’t blame me if you have nightmares afterwards.
Production Company(ies)
Distributor
NA
Release Type
Streaming, Streaming (Netflix)
Filming Location(s)
MPAA / Certificate
TV-14
Year of Release
2020
-
Color:Color
-
Sound mix:Dolby Digital
-
Aspect ratio:2.39:1
-
Runtime:NA
-
Language(s):
-
Country of origin:United Kingdom
-
Release date:Release Date (Streaming): Oct 30, 2020
Genre(s)
Horror
Keyword(s)
starring Wunmi Mosaku, Sope Dirisu, Matt Smith, Cornell John, Emily Taaffe, Bradley Banton, directed by Remi Weekes, written by Remi Weekes, horror, box office performance, budget, reviewed by Meagan Navarro, Tim Grierson, Robert Daniels, Adam Nayman, Roxana Hadadi, Valerie Complex, Josh Parham, Fernanda Solórzano, Jason Shawhan, DarkSkyLady, Nicolás Delgadillo, MPAA rating, producer Aidan Elliott, refugee experience, haunted house, specters, evil lurking, war-torn South Sudan, English town, grief, guilt, assimilation, refugee crisis, nerve-jangler, fresh voice, hard-earned ambivalence, unnerving tension, socio-political commentary, character study, visual frights
Worldwide gross: NA
Worldwide gross (inflation-adjusted): NA
Worldwide gross ranking (inflation-adjusted): NA
Worldwide tickets sold (est.): NA
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Sope Dirisu – Bol
Matt Smith – Mark
Cornell John – The Witch
Emily Taaffe – Dr. Hayes
Bradley Banton – Phillip
Director(s)
Remi Weekes
Writer(s)
Remi Weekes
Producer(s)
Aidan Elliott
Film Festivals
Sundance
Awards & Nominations
Won 1 BAFTA Award
8 wins & 37 nominations total
Academy Awards
All Critics (120) | Top Critics (31) | Fresh (120)
It’s a strong debut by Weekes and nails the essential part of a horror movie: the horror.
February 2, 2021 | Rating: 3.5/5
Meagan Navarro
Bloody Disgusting
TOP CRITIC
The film has much to say about grief, guilt, assimilation and the on-going refugee crisis. And on top of all that, it’s also a nifty nerve-jangler.
February 2, 2021
Tim Grierson
Screen International
TOP CRITIC
His House is a terrifying debut that breathes a fresh voice into the haunted-house subgenre.
February 2, 2021
Robert Daniels
Polygon
TOP CRITIC
The twist, when it comes, feels simultaneously inevitable and devastating, while the coda accesses a hard-earned ambivalence about what it means to make a house a home…
January 27, 2021
Adam Nayman
The Ringer
TOP CRITIC
“Your life is not yours. You stole it,” whispers one of the figures tormenting the pair, and that self-doubt is perhaps the most unsettling aspect of all. His House is top-tier horror.
December 7, 2020
Roxana Hadadi
Pajiba
TOP CRITIC
The third act stifles the narrative ever so slightly, which prevents this good movie from becoming a great one.
November 25, 2020 | Rating: 3.5/5
Valerie Complex
Den of Geek
TOP CRITIC
There’s no doubt that director Remi Weekes has a talent for effectively building unnerving tension, and the suspense is naturally crafted through the general atmosphere and tone.
June 5, 2022 | Rating: 7/10
Josh Parham
Next Best Picture
A very interesting and original reworking of this subgenre. [Full review in Spanish]
October 21, 2021
Fernanda Solórzano
Letras Libres
Educational, profoundly scary and an experience that delights in taking unexpected routes, this film is one of those debut features that makes you want to keep track of everything a director does from here on out.
September 10, 2021
Jason Shawhan
Nashville Scene
It’s a film that shows the horror of being a refugee, with the guilt of the past and the fear of losing oneself when we are forced to assimilate into a new world and culture.
July 2, 2021
DarkSkyLady
Nightmarish Conjurings
Well-written, superbly directed and acted, and most of all, pretty damn scary.
June 26, 2021 | Rating: 4 / 5
Nicolás Delgadillo
Discussing Film
A multi-layered British-set haunted house film that skillfully weaves socio-political commentary, an engrossing character study, and unnerving visual frights …
June 8, 2021
Mel Valentin
That Shelf…
Plot
A refugee couple struggles to adjust to their new life in an English town after making a harrowing escape from war-torn South Sudan, only to discover an evil lurking beneath the surface in “His House.”
Trivia
Goofs / Tidbits
Matt Smith, who plays Mark in the film, is best known for his role as the Eleventh Doctor in the popular British TV series Doctor Who.
Remi-Weekes.jpg
87%
Booksmart (2019)
RT Audience Score: 77%
Awards & Nominations: Nominated for 1 BAFTA Award
29 wins & 61 nominations total
Fast-paced, funny, and fresh, Booksmart does the seemingly impossible by adding a smart new spin to the coming-of-age comedy
Booksmart is the ultimate teen comedy that will make you laugh, cry, and reminisce about your own high school days. Olivia Wilde’s directorial debut is a masterpiece that perfectly captures the essence of teenage life. The film is raunchy, witty, and heartwarming all at the same time. The chemistry between the two leads is electric, and their performances are nothing short of brilliant. Booksmart is a must-watch for anyone who has ever been a teenager, and a reminder that labels are just that – labels. So, grab some popcorn, sit back, and enjoy the ride.
Production Company(ies)
Lama Films, United King Films, Rabinovich Film Fund, Cinema Project
Distributor
Annapurna Pictures
Release Type
Theatrical, Theatrical (Wide)
Filming Location(s)
Los Angeles, California, USA
MPAA / Certificate
Rated R for strong sexual content and language throughout, drug use and drinking – all involving teens
Year of Release
2019
-
Color:Color
-
Sound mix:Dolby Digital
-
Aspect ratio:2.39 : 1
-
Runtime:1h 42m
-
Language(s):English, Mandarin, Spanish
-
Country of origin:United States
-
Release date:Release Date (Theaters): May 24, 2019 Wide
Release Date (Streaming): Aug 20, 2019
Genre(s)
Comedy/Lgbtq+
Keyword(s)
starring Kaitlyn Dever, Beanie Feldstein, Jessica Williams, Jason Sudeikis, Lisa Kudrow, Will Forte, directed by Olivia Wilde, written by Katie Silberman, Emily Halpern, Sarah Haskins, Susanna Fogel, comedy, LGBTQ+, box office performance, budget, reviewed by Aline Dolinh, Rachel Vorona Cote, Kevin Maher, Robert Daniels, Christy Lemire, Wenlei Ma, Brian Eggert, David Gonzalez, Matt Neal, Lonita Cook, Nicholas Oon, produced by Megan Ellison, Jessica Elbaum, Katie Silberman, Chelsea Barnard, David Distenfeld, R rating, high school, graduation, coming-of-age, friendship, party, first sexual encounter, academic overachievers, missed opportunities, chaotic adventure, book smarts, special moments, teenage years, determined, cramming, fun, fast-paced, funny, fresh, smart new spin
Worldwide gross: $24,959,607
Worldwide gross (inflation-adjusted): $28,839,691
Worldwide gross ranking (inflation-adjusted): 1,557
Worldwide tickets sold (est.): 3,145,004
US/Canada gross: $22,680,962
US/Canada gross (inflation-adjusted): $26,206,821
US/Canada gross ranking (inflation-adjusted): 1,319
US/Canada opening weekend: $6,933,620
US/Canada opening weekend (inflation-adjusted): $8,011,483
US/Canada opening weekend ranking (inflation-adjusted): 1,013
Budget and Earnings Details
Production budget (est.): $6,000,000
Production budget (inflation-adjusted): $6,932,727
Production budget ranking: 1,807
Marketing and distribution budget (inflation-adjusted est.): $3,733,274
Box office net earnings to date (inflation-adjusted est.): $18,173,690
ROI to date (est.): 170%
ROI ranking: 712
Beanie Feldstein – Molly
Jessica Williams – Miss Fine
Jason Sudeikis – Principal Brown
Lisa Kudrow – Charmaine
Will Forte – Doug
Megan Ellison – Producer
Jessica Elbaum – Producer
Katie Silberman – Producer, Writer
Chelsea Barnard – Producer
David Distenfeld – Producer
Olivia Wilde – Director
Katie Silberman – Writer
Emily Halpern – Writer
Sarah Haskins – Writer
Susanna Fogel – Writer
Director(s)
Olivia Wilde
Writer(s)
Katie Silberman, Emily Halpern, Sarah Haskins, Susanna Fogel
Producer(s)
Megan Ellison, Jessica Elbaum, Katie Silberman, Chelsea Barnard, David Distenfeld
Film Festivals
South by Southwest
Awards & Nominations
Nominated for 1 BAFTA Award
29 wins & 61 nominations total
Academy Awards
All Critics (380) | Top Critics (85) | Fresh (366) | Rotten (14)
Though it really shouldn’t be at this point in time, it’s exhilarating to see a film centered on teenage girls… Yet to champion the film as a universal reflection of teenage girldom rather than a highly specific fantasy also does it a disservice.
March 13, 2021
Aline Dolinh
Bitch Media
TOP CRITIC
With elegant clarity, Booksmart demonstrates how certain experiences can feel colossal and of walloping import even when we know we’re waiting for something else-something we can’t possibly fathom.
March 12, 2021
Rachel Vorona Cote
Bitch Media
TOP CRITIC
…witty, raucous, perfectly played and eventually packs an emotional wallop.
December 16, 2019 | Rating: 4/5
Kevin Maher
Times (UK)
TOP CRITIC
Booksmart is a loving and endearing piece of filmmaking – wickedly funny and adventurous – and a jaw dropping directorial debut from Wilde.
December 16, 2019 | Rating: 3.5/4
Robert Daniels
812filmreviews
TOP CRITIC
It’s raunchy and kind of gross at times, but there is such heart, sweetness, and honesty about high school.
September 30, 2019
Christy Lemire
FilmWeek (KPCC – NPR Los Angeles)
TOP CRITIC
It sounds like such a cliche but you will literally laugh and cry, and flash back to your own teenage days with fondness, not horror.
August 6, 2019 | Rating: 4.5/5
Wenlei Ma
News.com.au
TOP CRITIC
Although Booksmart doesn’t break new ground or redefine the genre of teen comedies, its treatment of the material resonates enough that Generation Z will undoubtedly cling to the movie for years to come.
March 3, 2022 | Rating: 3/4
Brian Eggert
Deep Focus Review
Along with great directorial choices, the films two great performances provide tons of chemistry and a lot of laughs and should be the start of cinephiles gaining anticipation for any film directed by Olivia Wilde.
February 18, 2022 | Rating: 3.5/4
David Gonzalez
Reel Talk Inc.
Wilde’s taken a classic coming-of-age chassis, updated it, chucked on a few mod-cons, and given it a very fresh paint job, and the resulting ride is fast and fun.
February 1, 2022 | Rating: 4/5
Matt Neal
ABC Radio (Australia)
It’s a lot more meaty and soulful than you’d anticipate.
September 29, 2021
Lonita Cook
KCTV5 News at 9
While being an excellent example of the power of friendship, Booksmart is also a warning to viewers that labels are dangerous.
September 5, 2021
Nicholas Oon
Maximum Hype (YouTube)
There’s something innately hilarious about watching the “good kids” losing themselves in bad behaviour.
September 1, 2021 | Rating: 5/5
Ben Turner
The Pink Lens…
Plot
On the eve of their high-school graduation, two academic superstars and best friends realize they should have worked less and played more. Determined not to fall short of their peers, the girls try to cram four years of fun into one night.
Trivia
Goofs / Tidbits
No goofy or funny or odd comments were found in the Fresh Kernels database for Booksmart.
Olivia-Wilde.jpg
87%
Men in Black (1997)
RT Audience Score: 79%
Awards & Nominations: 9 nominations
Thanks to a smart script, spectacular set pieces, and charismatic performances from its leads, Men in Black is an entirely satisfying summer blockbuster hit
Men in Black” is out of this world! The combination of humor, special effects, and charismatic performances by Will Smith and Tommy Lee Jones make this movie a must-see. Plus, who doesn’t love a good alien conspiracy played for laughs? The movie’s runtime is just right, so you won’t be checking your watch. And let’s not forget about those Rick Baker alien effects – they’re out of this world! So grab your neuralyzer and get ready for a sharp, sci-fi crowdpleaser that’s just damn fun.
Production Company(ies)
Warner Bros., 5000 Broadway Productions, Likely Story
Distributor
Columbia Pictures
Release Type
Filming Location(s)
Castello Aragonese, Ischia, Naples, Italy
MPAA / Certificate
Rated PG-13 for sci-fi action, some language and suggestive material.
Year of Release
2019
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:NA
-
Runtime:1h 38m
-
Language(s):English, French, Chinese
-
Country of origin:United States
-
Release date:Release Date (Theaters): Jul 4, 1997 Wide
Release Date (Streaming): May 13, 2003
Genre(s)
Action/Comedy
Keyword(s)
Worldwide gross: $253,890,701
Worldwide gross (inflation-adjusted): $293,359,163
Worldwide gross ranking (inflation-adjusted): 512
Worldwide tickets sold (est.): 31,991,185
US/Canada gross: $80,001,807
US/Canada gross (inflation-adjusted): $92,438,451
US/Canada gross ranking (inflation-adjusted): 791
US/Canada opening weekend: $30,035,838
US/Canada opening weekend (inflation-adjusted): $34,705,045
US/Canada opening weekend ranking (inflation-adjusted): 376
Budget and Earnings Details
Production budget (est.): $110,000,000
Production budget (inflation-adjusted): $127,099,999
Production budget ranking: 285
Marketing and distribution budget (inflation-adjusted est.): $68,443,350
Box office net earnings to date (inflation-adjusted est.): $97,815,814
ROI to date (est.): 50%
ROI ranking: 1,150
Will Smith – Officer James Darrel Edwards III, MiB Agent J (Jay)
Linda Fiorentino – Deputy Medical Examiner Laurel Weaver, M.D., MiB Agent L (Elle)
Vincent D’Onofrio – Edgar, Edgar Bug
Rip Torn – MiB Chief Z (Zed)
Tony Shalhoub – Jeebs
Director(s)
Barry Sonnenfeld
Writer(s)
Lowell Cunningham, Ed Solomon
Producer(s)
Laurie MacDonald, Walter F. Parkes
Film Festivals
Awards & Nominations
9 nominations
Academy Awards
All Critics (91) | Top Critics (30) | Fresh (84) | Rotten (7)
A terrifically entertaining combination of alien conspiracy fears played for laughs and French Connection-meets-Ghostbusters thrills… Men in Black is so much fun one is actually mildly disappointed when it ends after an economically short 98 minutes.
July 2, 2019
David Hunter
Hollywood Reporter
TOP CRITIC
Men in Black is the wryest, sharpest, most entertaining special effects film in recent memory, a simultaneous participant and mocking parody of the more-bang-for-your-buck behemoth genre.
August 12, 2014
Paul Tatara
CNN.com
TOP CRITIC
Men In Black deserves credit for supplementing its special effects with a breezy script and genuinely charismatic performances by Will Smith and Tommy Lee Jones.
August 12, 2014
Stephen Thompson
AV Club
TOP CRITIC
Its attitude is poised somewhere between the deadpan ghoulishness of the Coen brothers and a Letterman-like sense of the absurdity of life in New York’s rich ethnic stew.
August 2, 2013
Dave Kehr
New York Daily News
TOP CRITIC
Men in Black is moderately amusing, well-constructed and mercifully short, but it fails to deliver on the zaniness of its first half.
July 31, 2013 | Rating: 2.5/4
John Hartl
Seattle Times
TOP CRITIC
There’s a playfulness, here, that you don’t often find in a special-effect flick.
April 14, 2013 | Rating: 4/5
Jay Boyar
Orlando Sentinel
TOP CRITIC
A sharp, sci-fi crowdpleaser.
April 18, 2022 | Rating: 4/5
James Croot
Stuff.co.nz
‘Men in Black’ is just damn fun. The cast is perfect, Rick Bakers alien effects are chefs kiss, and the movie’s runtime makes sure the film doesnt overstay its welcome.
April 8, 2022 | Rating: 5/5
Wayne Broadway
Black Girl Nerds
Choosing to go the route of puppets and primarily practical effects, the film’s look remains striking, even after years of advancing computer graphics.
September 14, 2020 | Rating: 9/10
Mike Massie
Gone With The Twins
The gremlins and the gadgets are the real stars of this show.
May 12, 2020 | Rating: 3/5
Leigh Paatsch
Herald Sun (Australia)
In addition to being uniquely and necessarily a creature of the second half of the 1990s, quite possibly the best popcorn movie of that half-decade.
June 27, 2019 | Rating: 3.5/5
Tim Brayton
Alternate Ending
Men in Black is the rare breed of a sci-fi blockbuster that film audiences don’t really get the opportunity to see anymore in theaters.
June 11, 2019 | Rating: 5/5
Danielle Solzman
Solzy at the Movies…
Plot
After an eye-opening encounter of the third kind, the secret MiB organisation’s newest recruit, Agent M, finds herself under the wing of the heroic Agent H in cosmopolitan London, when a shape-shifting duo of intergalactic assassins executes an alien aristocrat. Now, with a devastating super-weapon of mass destruction hidden somewhere on Earth, the Men in Black will leave no stone unturned to retrieve it. However, heavy clouds of mistrust and a scent of betrayal envelop the once-incorruptible agency. Is there a well-placed mole in their midst?
Trivia
Goofs / Tidbits
There is no goofy or funny or odd comment about the film Men in Black on Fresh Kernels.
Barry-Sonnenfeld.jpg
87%
The Last Man On The Moon (2016)
RT Audience Score: 78%
Awards & Nominations: NA
The Last Man on the Moon takes a justifiably reverent look at a largely unexplored chapter in the history of American space exploration — and a side of astronaut’s lives that’s rarely considered
The Last Man on the Moon is a documentary that will make you feel like you’re floating in space with Gene Cernan himself. It’s a fascinating look at the human side of space exploration, and Cernan’s stories will have you on the edge of your seat. Plus, who doesn’t love a good yarn about nearly dying on a mission or the politics behind being chosen for a crew? It’s a must-watch for anyone who’s ever dreamed of going to the moon (or just loves a good space story).
Production Company(ies)
Sony Pictures, Classics Radical Media, Sen Art Films,
Distributor
Mark Stewart Productions
Release Type
Theatrical, Theatrical (Limited)
Filming Location(s)
Buenos Aires, Federal District, Argentina
MPAA / Certificate
Rated R for language throughout, violence and some sexuality/nudity
Year of Release
2019
-
Color:Color
-
Sound mix:Dolby Digital
-
Aspect ratio:2.39:1
-
Runtime:1h 35m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Feb 26, 2016 Limited
Release Date (Streaming): Feb 26, 2017
Genre(s)
Keyword(s)
documentary, adventure, biography, Eugene Cernan, Thomas P Stafford, Alan Bean, Martha Chaffee, Charles Duke, Richard Gordon, directed by Mark Craig, written by Eugene Cernan and Mark Craig, produced by Gareth Dodds and Patrick Mark, reviewed by David Jenkins, Kevin Maher, Henry Barnes, Andrew Lowry, Tom Huddleston, Dylan Kickham, Josh Goller, David Brake, Morgan Rojas, Richard Edwards, Amber Wilkinson, Renee Schonfeld, box office gross of $30.9K, MPAA rating, American space exploration, astronaut, moon mission, spaceflight, history, human costs, Apollo era, Gemini 9 mission, Apollo 10 crew, sacrifices, last man on the moon, unexplored chapter, astronaut’s lives, space exploration, space travel, space race, NASA, space program, space documentary, space adventure, space biography, space history, space mission, space technology, space science, space engineering, spaceflight history, spaceflight technology, spaceflight engineering, spaceflight science, spaceflight documentary, spaceflight adventure, spaceflight biography, spaceflight mission, spaceflight program, spaceflight race, spaceflight NASA, spaceflight exploration, spaceflight astronaut, spaceflight moon mission, spaceflight human costs, spaceflight sacrifices, spaceflight last man on the moon
Worldwide gross: $12,047
Worldwide gross (inflation-adjusted): $13,920
Worldwide gross ranking (inflation-adjusted): 3,131
Worldwide tickets sold (est.): 1,518
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Thomas P. Stafford – self
Alan Bean – self
Martha Chaffee – self
Charles Duke – self
Richard Gordon – self
Director – Mark Craig
Producers – Gareth Dodds, Patrick Mark
Writers – Eugene Cernan, Mark Craig
Director(s)
Mark Craig
Writer(s)
Eugene Cernan, Mark Craig
Producer(s)
Gareth Dodds, Patrick Mark
Film Festivals
South by Southwest
Awards & Nominations
NA
Academy Awards
All Critics (47) | Top Critics (20) | Fresh (44) | Rotten (3)
A biographical tale that captures more than just the story.
April 10, 2016 | Rating: 3/5
David Jenkins
Little White Lies
TOP CRITIC
The Last Man on the Moon is a compelling, artful and fantastically straight-faced documentary portrait of the now 82-year-old Eugene Cernan.
April 7, 2016 | Rating: 4/5
Kevin Maher
Times (UK)
TOP CRITIC
Craig’s film deals with the fallout of the era – and how the returning heroes kept their feet on the ground – but he can’t help but get swept up in the romance of the effort.
April 7, 2016 | Rating: 3/5
Henry Barnes
Guardian
TOP CRITIC
Given the wealth of footage available, you can’t really go wrong with docs on the Apollo era – and yet amongst all that, Cernan is compellingly frank about the human costs of spaceflight.
April 7, 2016 | Rating: 4/5
Andrew Lowry
Empire Magazine
TOP CRITIC
Tales of remarkable men in extraordinary times.
April 4, 2016 | Rating: 3/5
Tom Huddleston
Time Out
TOP CRITIC
Cernan knows how to spin a great yarn, and if you do zone out for a moment, he can quickly reel you back in with the time he nearly died on his Gemini 9 mission or the surprisingly fierce politics behind his being chosen for the Apollo 10 crew.
March 4, 2016
Dylan Kickham
Entertainment Weekly
TOP CRITIC
The Last Man on the Moon covers a lot of ground.
July 20, 2019 | Rating: 3/5
Josh Goller
Spectrum Culture
You know the history of the Apollo missions, but if a man who’s been on the moon is telling you the story, you listen.
April 4, 2019 | Rating: 4/5
David Brake
One Room With A View
[The Last Man on the Moon] is humbling, poignant, hard-hitting, and emotionally charged, on top of being aesthetically rich and visually beautiful.
August 6, 2018
Morgan Rojas
Cinemacy
Beyond the history, stunning archive footage and talking heads, the film gets deep into Cernan’s mind to reveal the sacrifices the Apollo guys – and their families – made to ensure they had the right stuff.
January 2, 2017 | Rating: 4/5
Richard Edwards
Total Film
Funny, thoughtful and self-aware, [Gene Cernan] is a wonderful raconteur with a fabulous turn of phrase.
August 7, 2016 | Rating: 4/5
Amber Wilkinson
Eye for Film
Awe-inspiring, insightful docu spotlights American astronaut
July 12, 2016 | Rating: 4/5
Renee Schonfeld
Common Sense Media…
Plot
Tov Matheson is a war veteran with post traumatic stress disorder who perceives that the end of the world is coming. After establishing a relationship with a dubious Messiah, he leaves his normal life to begin the construction of a shelter underground and trains himself, in an extreme way, at the cost of everything in his life. When he also believes the Messiah, something extraordinary happens.
Trivia
Goofs / Tidbits
The Last Man on the Moon features astronaut Eugene Cernan discussing his two missions to the moon and the sacrifices he made to achieve them.
Mark-Craig.jpg
87%
Border (Gräns) (2018)
RT Audience Score: 76%
Awards & Nominations: Nominated for 1 Oscar
19 wins & 30 nominations total
Thrilling, unpredictable, and brilliantly acted, Border (Gräns) offers a singular treat to genre fans looking for something different
Border is a movie that will make you question everything you thought you knew about love, identity, and compost heaps. With a story that’s part fairy tale, part sci-fi, and all preposterous, this film delivers a deliciously strange and writhing experience that you won’t soon forget. And if you’re looking for something that’s both rewarding and marvelously disturbing, then Border is the movie for you. So grab some popcorn, settle in, and get ready to see something that you ain’t never seen before, folks.
Production Company(ies)
Columbia Pictures, Relativity Media, Scott Rudin Productions,
Distributor
Neon
Release Type
Theatrical, Theatrical (Limited)
Filming Location(s)
Kapellskär, Norrtälje, Sweden
MPAA / Certificate
Rated R for some sexual content, graphic nudity, a bloody violent image, and language
Year of Release
2018
-
Color:Color
-
Sound mix:Dolby Digital
-
Aspect ratio:2.39 : 1
-
Runtime:1h 48m
-
Language(s):Swedish, English
-
Country of origin:Denmark, Sweden
-
Release date:Release Date (Theaters): Oct 26, 2018 Limited
Release Date (Streaming): Feb 22, 2019
Genre(s)
Fantasy/Horror
Keyword(s)
starring Eva Melander, Eero Milonoff, Viktor Åkerblom-Nilsson, Matti Boustedt, Jörgen Thorsson, Andreas Kundler, directed by Ali Abbasi, written by Ali Abbasi, Isabella Eklöf, John Ajvide Lindqvist, Fantasy, Horror, Romance, R rating, Nina Bisgaard, Peter Gustafsson, Petra Jönsson produced by, $771.9K box office, Dolby Digital sound mix, Scope (2.35:1) aspect ratio, reviewed by Ben Sachs, Wendy Ide, Donald Clarke, Kevin Maher, Peter Bradshaw, Nigel Andrews, Nathan Mattise, Jason Adams, Guillem Martinez Oya, Richard Propes, Gisela Savdie, actor makeup, Swedish language, customs officer, sense of smell, attraction, identity, morality, gender, David Cronenberg, fairytales, myth, sci-fi, surreal, nudity, sexuality, makeup and hairstyling, Academy Awards, fable, Jonathan Glazer, Scarlett Johansson, ERASERHEAD, THE EMERALD FOREST, Manson-esque cult leader, bizarre, shocking, phenomenal, tons of incredible makeup
Worldwide gross: $2,177,678
Worldwide gross (inflation-adjusted): $2,562,634
Worldwide gross ranking (inflation-adjusted): 2,348
Worldwide tickets sold (est.): 279,458
US/Canada gross: $771,930
US/Canada gross (inflation-adjusted): $908,387
US/Canada gross ranking (inflation-adjusted): 2,211
US/Canada opening weekend: $73,700
US/Canada opening weekend (inflation-adjusted): $86,728
US/Canada opening weekend ranking (inflation-adjusted): 1,993
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Eero Milonoff – Vore
Viktor Åkerblom-Nilsson – Ulf
Matti Boustedt – Tomas
Jörgen Thorsson – Roland
Andreas Kundler – Robert
Nina Bisgaard – Producer
Peter Gustafsson – Producer
Petra Jönsson – Producer
Ali Abbasi – Director, Writer
Isabella Eklöf – Writer
John Ajvide Lindqvist – Writer
Director(s)
Ali Abbasi
Writer(s)
Ali Abbasi, Isabella Eklöf, John Ajvide Lindqvist
Producer(s)
Nina Bisgaard, Peter Gustafsson, Petra Jönsson
Film Festivals
Cannes, Telluride, Toronto
Awards & Nominations
Nominated for 1 Oscar
19 wins & 30 nominations total
Academy Awards
Oscar Nominees
All Critics (129) | Top Critics (33) | Fresh (125) | Rotten (4)
I found this compelling as I watched it, though I don’t feel I gained much from the experience.
February 29, 2020
Ben Sachs
Chicago Reader
TOP CRITIC
Like a mating between the mind of David Cronenberg and something that crawled out of a compost heap.
March 10, 2019 | Rating: 4/5
Wendy Ide
Observer (UK)
TOP CRITIC
The film huddles closely around a personality whose courage and determination invite great empathy.
March 8, 2019 | Rating: 5/5
Donald Clarke
Irish Times
TOP CRITIC
There are bits of everything in here: gender studies, fairytales, myth and sci-fi. It’s profoundly preposterous, but delivered at all times with a deliciously straight face.
March 8, 2019 | Rating: 4/5
Kevin Maher
Times (UK)
TOP CRITIC
The strangeness in this film writhes like bacteria.
March 7, 2019 | Rating: 4/5
Peter Bradshaw
Guardian
TOP CRITIC
Here is a story that upturns all the usual questions, never mind the traditional or notional answers.
March 6, 2019 | Rating: 5/5
Nigel Andrews
Financial Times
TOP CRITIC
The mysteries of Border reveal themselves slowly from here, but each one ratchets up the film’s stakes in a delightful manner.
July 28, 2021
Nathan Mattise
Ars Technica
You ain’t never seen nothing like it, folks. Hell you ain’t never thought anything like it.
July 2, 2021
Jason Adams
My New Plaid Pants
A great film with a great script that question if it is necessary the social reproduction of our societies. [Full review in Spanish]
November 9, 2020 | Rating: 4/5
Guillem Martinez Oya
Cinematismo
Border is without question one of the most rewarding cinematic experiences of 2018 and a film you absolutely, unequivocally will not forget about in the near future.
September 4, 2020 | Rating: 4.0/4.0
Richard Propes
TheIndependentCritic.com
Unique format, out of the ordinary, and marvelously disturbing [Full Review in Spanish]
September 1, 2020
Gisela Savdie
El Heraldo
This is fantasy romance with a snarl of misanthropy and more bite than a vampire school reunion. It needs to be seen.
August 16, 2020 | Rating: 4/5
Tom Beasley
Flickering Myth…
Plot
Tina, who has grotesque, almost animal-like physical features, has always felt self-conscious about her looks. Regardless, she has: a live-in boyfriend, Roland, a dog trainer, at her isolated house in the woods, although they have never had sex, and Tina’s father, who is in the early stages of Alzheimer’s, believing he is solely using her; the unconditional love and support of her father; a small group of friends; and the admiration of her bosses and coworkers in her job as a customs agent at the Ferry terminal, as she is literally able to “smell” human emotions, especially guilt and fear. It is using that innate ability that she stops a seemingly straight-laced person entering the country, he who was found to be carrying a memory card containing child pornography. As such, her immediate supervisor, Agneta, places her on a small investigative unit to discover the producers of this material. Tina is surprised when she is found to be incorrect about another person going through customs, Vore, an entomologist who, like her, possesses those similar grotesque, almost animal-like physical features, he who is found not to be carrying anything incriminating. In Vore and Tina’s multiple encounters at customs, the two begin a friendship, Tina, for the first time, believing she having found a kindred spirit. As Tina learns more and more about Vore, the more she learns about herself. As more and more information comes to light, Tina has to decide whether to abandon the life she has known in its entirety for the future that Vore offers her, that future which may go against what she has always believed to be the good about being human.
Trivia
Goofs / Tidbits
The makeup department’s work in Border is praised as “great” by an audience reviewer.
Ali-Abbasi.jpg
87%
RBG (2018)
RT Audience Score: 78%
Awards & Nominations: Nominated for 2 Oscars
13 wins & 51 nominations total
RBG might be preaching to the choir of viewers who admire Supreme Court Justice Ruth Bader Ginsberg, but it does so effectively
RBG is a documentary that will make you want to hit the gym and become a Supreme Court judge. Okay, maybe not the latter, but you’ll definitely be inspired by the life and work of Ruth Bader Ginsburg. This film is a must-watch for anyone who wants to learn more about the Notorious RBG and her impact on America. Plus, you’ll get to see her impressive workout routine that will make you feel like a couch potato. So, grab some popcorn and get ready to be amazed by this tiny, fierce intellectual powerhouse.
Production Company(ies)
Distributor
Magnolia Pictures
Release Type
Theatrical, Theatrical (Wide)
Filming Location(s)
MPAA / Certificate
Rated PG for some thematic elements and language
Year of Release
2018
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:1.78 : 1
-
Runtime:1h 37m
-
Language(s):English, Italian, German, French
-
Country of origin:United States
-
Release date:Release Date (Theaters): May 25, 2018 Wide
Release Date (Streaming): Aug 5, 2018
Genre(s)
Documentary
Keyword(s)
starring Ruth Bader Ginsburg, Gloria Steinem, Nina Totenberg, Brenda Feigen, Ted Olson, Frank Chi, directed by Betsy West, Julie Cohen, written by Betsy West, Julie Cohen, documentary, PG, Magnolia Pictures, box office gross $14.0M, legal battles, women’s rights, Supreme Court Justice, gym workouts, cancer survivor, Harvard Law School, law review, Kate McKinnon, SNL, fashion sense, workout inspiration, social media, American hero, gender equality, Bill Clinton, Antonin Scalia, landmark cases, paralegal sorority girl, RBG merchandise
Worldwide gross: $14,475,292
Worldwide gross (inflation-adjusted): $17,034,144
Worldwide gross ranking (inflation-adjusted): 1,768
Worldwide tickets sold (est.): 1,857,595
US/Canada gross: $14,051,361
US/Canada gross (inflation-adjusted): $16,535,273
US/Canada gross ranking (inflation-adjusted): 1,468
US/Canada opening weekend: $578,470
US/Canada opening weekend (inflation-adjusted): $680,728
US/Canada opening weekend ranking (inflation-adjusted): 1,328
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Gloria Steinem – Self
Nina Totenberg – Self
Brenda Feigen – Self
Ted Olson – Self
Frank Chi – Self
Director(s)
Betsy West, Julie Cohen
Writer(s)
NA
Producer(s)
Betsy West, Julie Cohen
Film Festivals
Awards & Nominations
Nominated for 2 Oscars
13 wins & 51 nominations total
Academy Awards
All Critics (181) | Top Critics (53) | Fresh (168) | Rotten (13)
Even fans of the tiny, fierce intellectual powerhouse that is Justice Ruth Bader Ginsburg will be surprised by this utterly engaging documentary.
October 12, 2021
Nell Minow
AWFJ Women on Film
TOP CRITIC
An eye-opener on many fronts — not least when it comes to the kind of gym workouts the octogenarian cancer-survivor undertook to keep herself fit for work as a US Supreme Court judge.
September 30, 2020
Brad Newsome
Sydney Morning Herald
TOP CRITIC
A total snooze.
January 16, 2019
Robbie Collin
Kermode & Mayo’s Film Review
TOP CRITIC
Feminism is not a fad, and the Notorious RBG continues to be in the fight for the long haul.
January 8, 2019
Bedatri D. Choudhury
Bitch Media
TOP CRITIC
Her determination and self-belief are inspiring. She’s convinced she still has much to offer. Only a cruel fool would disagree.
January 6, 2019 | Rating: 5/5
Charlotte O’Sullivan
London Evening Standard
TOP CRITIC
This solid documentary approaches its subject… with much the same calm eloquence that Bader Ginsburg has brought to her judgments over her career.
January 6, 2019 | Rating: 3/5
Wendy Ide
Observer (UK)
TOP CRITIC
[A] superb biodoc about Supreme Court Justice Ruth Bader Ginsburg…
October 12, 2021
Jennifer Merin
AWFJ Women on Film
All of these details add up to present a rich, intelligent portrait of a woman whose impact on America will be felt long after her lace collar is retired.
October 12, 2021
Betsy Bozdech
AWFJ Women on Film
RBG a hagiography, a puff piece. It’s a well put together one but it’s still nothing more. Ginsburg is an inspiring figure but this movie is only for the already inspired.
December 10, 2020
David Bax
Battleship Pretension
I could tell you here all about the amazing work she did, for men and women, and how she blazed the trail for so many people – but I think you should watch this instead and bask in her glory.
October 8, 2020
Charlotte Harrison
Charlotte Sometimes Goes to the Movies
This doc, by filmmakers Julie Cohen and Betsy West, takes a straight-up approach after an opener of a litany of male bluster tagging Ginsburg as an “evil” and “bad” woman, with one such retort from our sitting prez.
October 3, 2020 | Rating: 3/4
Tom Meek
Cambridge Day
It’s sort of bland the way co-directors Julie Cohen and Betsy West conduct this presentation…
October 2, 2020 | Rating: 3/5
Filipe Freitas
Always Good Movies…
Plot
At the age of 84, U.S. Supreme Court Justice Ruth Bader Ginsburg has developed a breathtaking legal legacy while becoming an unexpected pop culture icon. But without a definitive Ginsburg biography, the unique personal journey of this diminutive, quiet warrior’s rise to the nation’s highest court has been largely unknown, even to some of her biggest fans – until now. RBG is a revelatory documentary exploring Ginsburg’s exceptional life and career from Betsy West and Julie Cohen, and co-produced by Storyville Films and CNN Films.
Trivia
Goofs / Tidbits
The documentary features interviews with Ruth Bader Ginsburg, Gloria Steinem, Nina Totenberg, Brenda Feigen, Ted Olson, and Frank Chi.
Betsy-West.jpg
87%
Drug War (2013)
RT Audience Score: 77%
Awards & Nominations: 10 wins & 28 nominations
A taut, solidly constructed action thriller with uncommon intelligence, Drug War delivers exhilarating set pieces without skimping on sophisticated filmmaking
Drug War is a wild ride that will have you on the edge of your seat. While some critics may question the ethics of the film’s subject matter, there’s no denying that Johnnie To knows how to deliver a thrilling crime story. The action is intense and the set pieces are fantastic, making for a damn solid piece of action craftsmanship. Plus, the messy, inconvenient realism adds an extra layer of excitement. If you’re a fan of To’s work, you can’t miss this one. And if you’re new to his style, Drug War is an excellent introduction to a truly great director.
Production Company(ies)
Universal Pictures, Studio Canal, Sidney Kimmel Entertainment,
Distributor
Variance Films
Release Type
Streaming, Theatrical, Theatrical (Limited)
Filming Location(s)
South Korea
MPAA / Certificate
Not Rated
Year of Release
2018
-
Color:Color
-
Sound mix:Dolby Digital
-
Aspect ratio:2.35 : 1
-
Runtime:1h 45m
-
Language(s):Korean
-
Country of origin:Hong Kong
-
Release date:Release Date (Theaters): Jul 26, 2013 Limited
Release Date (Streaming): Oct 15, 2013
Genre(s)
Action
Keyword(s)
starring Louis Koo, Honglei Sun, Huang Yi, Li Jing, Michelle Ye Xuan, Siu-Fai Cheung, directed by Johnnie To, written by Ryker Chan, Ka-Fai Wai, Nai-Hoi Yau, Xi Yu, action, drug war, police, crime, thriller, death penalty, meth lab, drug lord, former associates, intelligence, filmmaking, box office, budget, reviewed by Steve Erickson, Tom Russo, Ben Sachs, G Allen Johnson, Tirdad Derakhshani, Tom Keogh, Grant Watson, Ard Vijn, Mattie Lucas, Nicholas Bell, CJ Prince, Sarah Gopaul, R MPAA rating, produced by Johnnie To, Ka-Fai Wai
Worldwide gross: $39,047,153
Worldwide gross (inflation-adjusted): $45,949,665
Worldwide gross ranking (inflation-adjusted): 1,377
Worldwide tickets sold (est.): 5,010,869
US/Canada gross: $365,639
US/Canada gross (inflation-adjusted): $430,274
US/Canada gross ranking (inflation-adjusted): 2,364
US/Canada opening weekend: $146,630
US/Canada opening weekend (inflation-adjusted): $172,550
US/Canada opening weekend ranking (inflation-adjusted): 1,721
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Honglei Sun – Zhang Lei
Huang Yi – Yang Xiaobei
Li Jing – Junior Dumb
Michelle Ye Xuan – Sal
Siu-Fai Cheung – Su
Director(s)
Johnnie To
Writer(s)
Ryker Chan, Ka-Fai Wai, Nai-Hoi Yau, Xi Yu
Producer(s)
Johnnie To, Ka-Fai Wai
Film Festivals
Awards & Nominations
10 wins & 28 nominations
Academy Awards
All Critics (54) | Top Critics (21) | Fresh (51) | Rotten (3)
Not only does the film never question the ethics of a war on drugs in which dealers and manufacturers are subject to the death penalty, it appears to enthusiastically endorse it.
November 4, 2013
Steve Erickson
Film Comment Magazine
TOP CRITIC
Another inkling of the style limitations perhaps most responsible for To’s lower visibility stateside compared with, say, his countrymen John Woo and Wong Kar-wai.
October 17, 2013 | Rating: 2/4
Tom Russo
Boston Globe
TOP CRITIC
Few other working filmmakers display this degree of visual sophistication and old-school craftsmanship.
August 15, 2013
Ben Sachs
Chicago Reader
TOP CRITIC
As always, To delivers fantastic set pieces …
August 15, 2013 | Rating: 4/4
G. Allen Johnson
San Francisco Chronicle
TOP CRITIC
Drug War is a deeply intelligent, exhilarating and eminently satisfying adult crime story, one of the best thrillers you’re likely to see this year.
August 15, 2013 | Rating: 3.5/4
Tirdad Derakhshani
Philadelphia Inquirer
TOP CRITIC
An intense and constantly surprising crime story in which destiny seems to fold in on itself …
August 8, 2013 | Rating: 3.5/4
Tom Keogh
Seattle Times
TOP CRITIC
The action is regularly punctuated by moments of messy, inconvenient realism.
October 13, 2020 | Rating: 9/10
Grant Watson
Fiction Machine
Not every last little thing may work in Johnnie To’s new crime thriller, but the vast majority of it clicks together as a damn solid piece of action craftsmanship, anchored by two good leads.
January 13, 2020
Ard Vijn
ScreenAnarchy
To is a born storyteller, and his work here is nothing short of astonishing. Drug War is a great film
August 7, 2019 | Rating: 3.5/4
Mattie Lucas
From the Front Row
An elegantly paced thriller that effectively avoids dependence on cliché.
July 24, 2019
Nicholas Bell
IONCINEMA.com
For fans of To Drug War can’t be missed, and for people new to his style it’s an excellent way to get introduced to a truly great director.
June 29, 2019 | Rating: 7.9/10
C.J. Prince
Way Too Indie
Drug War, is yet another feat of fantastic storytelling brought to the screen.
October 26, 2018
Sarah Gopaul
Digital Journal…
Plot
A police detective determined to catch the unseen boss of Asia’s biggest drug cartel joins hands with a revenge-thirsty member of the gang.
Trivia
Goofs / Tidbits
Louis Koo delivers a standout performance as the meth manufacturer turned informant in Drug War.
Johnnie-To.jpg
87%
Outside In (2018)
RT Audience Score: 76%
Awards & Nominations: 2 wins & 2 nominations
Brilliantly brought to life by tenderly empathetic performances from Jay Duplass and Edie Falco, Outside In tells a sobering — yet thoroughly absorbing — story
Outside In is a heartwarming and emotional film that will leave you rooting for the characters until the very end. Edie Falco delivers a stunning performance that will make you feel all the feels, while Jay Duplass brings a nuanced and watchable presence to the screen. Director Lynn Shelton strikes a perfect balance between bittersweet and hopeful, capturing the unpredictable and sometimes dangerous liaison between two admirable people trying to do the right thing. It’s a transition that many women go through, and it’s tenderly and wisely handled in this film. Overall, Outside In is a must-watch for anyone who loves a good drama with heart.
Production Company(ies)
Soudaine Compagnie Pandora Filmproduktion, Arte France Cinéma
Distributor
The Orchard
Release Type
Streaming, Streaming (Netflix), Theatrical, Theatrical (Limited)
Filming Location(s)
Granite Falls, Washington, USA
MPAA / Certificate
Not Rated
Year of Release
2018
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Color:Color
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Sound mix:Dolby
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Aspect ratio:1.85 : 1
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Runtime:1h 49m
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Language(s):English
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Country of origin:United States
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Release date:Release Date (Theaters): Mar 30, 2018 Limited
Release Date (Streaming): Apr 3, 2018
Genre(s)
Drama
Keyword(s)
starring Jay Duplass, Edie Falco, Kaitlyn Dever, Ben Schwartz, directed by Lynn Shelton, written by Lynn Shelton, Jay Duplass, drama, box office performance, budget, reviewed by Nell Minow, J.R Jones, Kimberley Jones, Andrew Whalen, Moira MacDonald, Bob Mondello, Anne Brodie, Cate Marquis, Sandie Angulo Chen, Jennifer Merin, MaryAnn Johanson, Nikki Baughan, ex-convict, small town, high school teacher, private equity, growth strategy, value creation, Stax Chicago, strategy consultant, expanding team, MPAA rating, The Orchard, Mel Eslyn, Lacey Leavitt, producer
Worldwide gross: $68,492
Worldwide gross (inflation-adjusted): $80,600
Worldwide gross ranking (inflation-adjusted): 3,046
Worldwide tickets sold (est.): 8,789
US/Canada gross: $68,492
US/Canada gross (inflation-adjusted): $80,600
US/Canada gross ranking (inflation-adjusted): 2,687
US/Canada opening weekend: $14,136
US/Canada opening weekend (inflation-adjusted): $16,635
US/Canada opening weekend ranking (inflation-adjusted): 2,573
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Edie Falco – Carol
Kaitlyn Dever – Hildy
Ben Schwartz – Ted
Lynn Shelton – Director, Screenwriter
Director(s)
Lynn Shelton
Writer(s)
Lynn Shelton, Jay Duplass
Producer(s)
Mel Eslyn, Lacey Leavitt
Film Festivals
South by Southwest, Toronto
Awards & Nominations
2 wins & 2 nominations
Academy Awards
All Critics (49) | Top Critics (21) | Fresh (47) | Rotten (2)
Edie Falco gives her most vulnerable and nuanced performance…
November 30, 2021
Nell Minow
AWFJ Women on Film
TOP CRITIC
Lynn Shelton wrote and directed two superior indie comedies, Humpday (2009) and Your Sister’s Sister (2011)… Now she’s back with an engrossing drama about love and circumstance, and there isn’t a false note from start to finish.
March 27, 2020
J. R. Jones
Chicago Reader
TOP CRITIC
What keeps Outside In interesting throughout is the nuanced work of its so very watchable leads – especially Duplass, who spent the first half of his career behind the camera writing, directing, and producing film and TV with his brother Mark.
May 24, 2018 | Rating: 3/5
Kimberley Jones
Austin Chronicle
TOP CRITIC
Director Lynn Shelton brings a high empathic bar to Outside In, then dares the audience to clear it.
April 5, 2018
Andrew Whalen
Newsweek
TOP CRITIC
The power of these performances is that you leave thinking that Chris and Carol are out there, somewhere, and you wish them well.
April 4, 2018 | Rating: 3.5/4
Moira MacDonald
Seattle Times
TOP CRITIC
[Lynn Shelton’s] actors are always natural and unaffected, but in [Edie] Falco and [Jay] Duplass, she’s found interpreters who seem to breathe her characters.
April 2, 2018
Bob Mondello
NPR
TOP CRITIC
Lynn Shelton’s sobering look at a young man struggling to survive following twenty years in prison is full of compassion.
November 30, 2021
Anne Brodie
AWFJ Women on Film
Edie Falco is outstanding in this film, creating a memorable character of remarkable warmth and solid values.
November 30, 2021
Cate Marquis
AWFJ Women on Film
Shelton’s films are usually more comedic, but this one’s bittersweet but hopeful tone works quite beautifully.
November 30, 2021
Sandie Angulo Chen
AWFJ Women on Film
Shelton and ensemble capture all the nuances of this unpredictable and sometimes dangerous liaison between two admirable people who are trying their very best to do the right thing.
November 30, 2021
Jennifer Merin
AWFJ Women on Film
A transition that many women go through, and one that is even less represented onscreen. And it’s tenderly and wisely handled.
November 30, 2021
MaryAnn Johanson
AWFJ Women on Film
Shelton has created a film that finds dramatic power and emotional resonance in the smallest, most seemingly mundane of moments.
November 30, 2021
Nikki Baughan
AWFJ Women on Film…
Plot
An ex-con struggling to readjust to life in his small town forms an intense bond with his former high school teacher.
Trivia
Goofs / Tidbits
Edie Falco gives a “vulnerable and nuanced performance” in Outside In, according to Fresh Kernels.
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