The Haunting (1963)
87%RT Audience Score: 82%
Awards & Nominations: NA
Both psychological and supernatural, The Haunting is a chilling character study
The Haunting is a classic horror movie that still manages to scare audiences today. With its elegant cinematography and talented cast, it’s no wonder that it’s still considered a must-watch for horror fans. Plus, it’s way better than that terrible remake. So, if you’re in the mood for a spooky movie night, turn off the lights and settle in for a thrilling ride with The Haunting. Just don’t blame us if you have trouble sleeping afterwards!
Production Company(ies)
Distributor
NA
Release Type
Theatrical
Filming Location(s)
MPAA / Certificate
TV-MA
Year of Release
1963
-
Color:Color
-
Sound mix:Dolby Digital Dolby Atmos
-
Aspect ratio:2.00 : 1
-
Runtime:NA
-
Language(s):
-
Country of origin:United States
-
Release date:Release Date (Streaming): Aug 5, 2003
Genre(s)
Horror
Keyword(s)
starring Julie Harris, Claire Bloom, Richard Johnson, Russ Tamblyn, Lois Maxwell, Fay Compton, directed by Robert Wise, written by Nelson Gidding, horror, box office performance, budget, reviewed by Pauline Kael, Ian Freer, James Powers, Ian Nathan, Variety Staff, Jonathan Rosenbaum, David Reddish, Robin Richards, David Nusair, Janet Graves, J.R Southall, Sarah Boslaugh, produced by Robert Wise, G MPAA rating, haunted mansion, Hill House, psychic phenomena, supernatural, character study, psychological, Eleanor, Theodora, Dr John Markway, Luke Sanderson, Mrs Sanderson, ESP, black and white, widescreen, queer love story, thriller, monsters, blood, internal monologues, disturbed mind, distorted perceptions, parapsychology, cinematography, sound design, special effects, suspense, tension, terror
Worldwide gross: NA
Worldwide gross (inflation-adjusted): NA
Worldwide gross ranking (inflation-adjusted): NA
Worldwide tickets sold (est.): NA
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Claire Bloom – Theodora “Theo”
Richard Johnson – Dr. John Markway
Russ Tamblyn – Luke Sanderson
Lois Maxwell – Grace Markway
Fay Compton – Mrs. Sanderson
Director(s)
Robert Wise
Writer(s)
Nelson Gidding
Producer(s)
Robert Wise
Film Festivals
Awards & Nominations
NA
Academy Awards
All Critics (45) | Top Critics (12) | Fresh (39) | Rotten (6)
An elegantly sinister scare movie, literate and expensive (though basically a traditional ghost story), with those two fine actresses Claire Bloom and Julie Harris.
July 6, 2022
Pauline Kael
New Yorker
TOP CRITIC
Wise brilliantly uses black and white widescreen to strand his characters in odd-shaped rooms or corridors, making the watcher’s eye skitter frantically over the letterbox screen to catch every ingeniously rendered detail.
September 8, 2020 | Rating: 5/5
Ian Freer
Empire Magazine
TOP CRITIC
When The Haunting digs into the internals of its story, summons its spirits and lets them play havoc with cold reason, it has a power and fervor unmatched by any film ghost stories.
November 2, 2018
James Powers
Hollywood Reporter
TOP CRITIC
Properly creepy, unlike like the dodgy remake.
September 25, 2007 | Rating: 4/5
Ian Nathan
Empire Magazine
TOP CRITIC
The artful cinematic strokes of director Robert Wise and staff are not quite enough to override the major shortcomings of Nelson Gidding’s screenplay.
September 25, 2007
Variety Staff
Variety
TOP CRITIC
Pretty effective when it came out; it may be a little stiff in the joints by now, but it’s still a much better scare show than the recent stinker remake.
September 25, 2007
Jonathan Rosenbaum
Chicago Reader
TOP CRITIC
The Haunting endures as a horror classic, albeit one that doesnt quite the credit it deserves as an unusual queer love story. Heres a movie both scary and romantic as Hell.
March 20, 2022 | Rating: 4/4
David Reddish
Queerty
The Haunting is a genuine thriller, directed and acted superbly.
June 29, 2021
Robin Richards
The Ladder
The Haunting eventually moves into a static midsection that grows less and less interesting as time progresses…
January 16, 2021 | Rating: 2/4
David Nusair
Reel Film Reviews
The horror stories filled with monsters and dripping blood are just kid stuff in comparison with this skillfully made thriller.
October 26, 2020
Janet Graves
Photoplay
For the possible overuse of internal monologues and Julie Harris’ overwrought but riveting performance as Eleanor, The Haunting still stands up as a relevant and effective study of both the psychology and parapsychology of its themes.
November 10, 2017 | Rating: 8/10
J.R. Southall
Starburst
…one of the most fascinating aspects of The Haunting is the multiple interpretations available for many events, which might be supernatural, or might be the product of a disturbed mind or distorted perceptions.
February 6, 2017 | Rating: 8/10
Sarah Boslaugh
Playback:stl…
Plot
Explores a group of siblings who, as children, grew up in what would go on to become the most famous haunted house in the country. Now adults, and forced back together in the face of tragedy, the family must finally confront the ghosts of their past, some of which still lurk in their minds while others may actually be stalking the shadows of Hill House.
Trivia
Goofs / Tidbits
The Haunting stars Julie Harris as Eleanor “Nell” Lance and Claire Bloom as Theodora “Theo”.
Robert-Wise.jpg
87%
Dr. No (1962)
87%RT Audience Score: 82%
Awards & Nominations: 4 wins & 4 nominations
Featuring plenty of the humor, action, and escapist thrills the series would become known for, Dr. No kicks off the Bond franchise in style
Dr. No is the OG Bond movie that started it all, and boy, does it show. While it may seem a bit quaint compared to the later films, it’s still a fun ride full of action, espionage, and Sean Connery’s suave charm. Plus, who doesn’t love a good villain with a secret island lair? It’s the perfect movie to kick back with a martini (shaken, not stirred) and enjoy some classic spy movie goodness.
Production Company(ies)
Element Pictures, Film 4 Film Nation Entertainment,
Distributor
United Artists
Release Type
Theatrical
Filming Location(s)
Dunn’s River Falls, Ocho Rios, St. Ann, Jamaica
MPAA / Certificate
PG
Year of Release
1962
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:1.66 : 1
-
Runtime:1h 50m
-
Language(s):English, French
-
Country of origin:United States
-
Release date:Release Date (Theaters): May 8, 1963 Wide
Release Date (Streaming): Sep 4, 2007
Genre(s)
Action/Adventure
Keyword(s)
starring Sean Connery, Ursula Andress, Joseph Wiseman, Jack Lord, Zena Marshall, Eunice Gayson, directed by Terence Young, written by Ian Fleming, Richard Maibaum, Johanna Harwood, produced by Albert R Broccoli, Harry Saltzman, action, adventure, PG, box office performance, budget, reviewed by Dave Kehr, Variety Staff, Bosley Crowther, Nell Minow, Nick Cramp, Kim Newman, Sean T, Kal X A, Mr N, Jeff B, James Bond 007
Worldwide gross: $16,079,357
Worldwide gross (inflation-adjusted): $178,810,610
Worldwide gross ranking (inflation-adjusted): 761
Worldwide tickets sold (est.): 19,499,521
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): $1,000,000
Production budget (inflation-adjusted): $11,120,507
Production budget ranking: 1,623
Marketing and distribution budget (inflation-adjusted est.): $5,988,393
Box office net earnings to date (inflation-adjusted est.): $161,701,709
ROI to date (est.): 945%
ROI ranking: 135
Ursula Andress – Honey Ryder
Joseph Wiseman – Dr. No
Jack Lord – Felix Leiter
Zena Marshall – Miss Taro
Eunice Gayson – Sylvia Trench
Terence Young – Director
Albert R. Broccoli – Producer
Harry Saltzman – Producer
Ian Fleming – Writer
Richard Maibaum – Writer
Johanna Harwood – Writer
Director(s)
Terence Young
Writer(s)
Ian Fleming, Richard Maibaum, Johanna Harwood
Producer(s)
Albert R. Broccoli, Harry Saltzman
Film Festivals
Awards & Nominations
4 wins & 4 nominations
Academy Awards
All Critics (60) | Top Critics (8) | Fresh (57) | Rotten (3)
All of the elements of the formula are there, but in pleasing moderation.
October 13, 2008
Dave Kehr
Chicago Reader
TOP CRITIC
An entertaining piece of tongue-in-cheek action hokum.
March 1, 2007
Variety Staff
Variety
TOP CRITIC
Of course, it’s nonsense — pure, escapist bunk, with Bond, an elegant fellow, played by Sean Connery, doing everything (and everybody) that an idle day-dreamer might like to do.
May 9, 2005
Bosley Crowther
New York Times
TOP CRITIC
October 9, 2003 | Rating: 4/5
Nell Minow
Movie Mom
TOP CRITIC
It is a fine start to a series which has provided the moviegoing public with some cinematic gems.
June 19, 2001 | Rating: 3/5
Nick Cramp
BBC.com
TOP CRITIC
With a debut like this, it’s no wonder that it spawned one of the biggest franchises ever.
January 1, 2000 | Rating: 4/5
Kim Newman
Empire Magazine
TOP CRITIC
The first movie to feature Ian Fleming’s iconic secret agent seems almost quaint when compared to the pictures that followed, but that’s hardly meant as a knock.
September 25, 2021 | Rating: 3.5/4
Matt Brunson
Film Frenzy
It’s like a prototype requiring polishing; and more than twenty subsequent films would keep reshaping and perfecting that template.
August 24, 2020 | Rating: 6/10
Mike Massie
Gone With The Twins
This is the birth of Bond and the beginning of something special.
July 16, 2020 | Rating: 4/5
Kelechi Ehenulo
Confessions From A Geek Mind
Stylish, armed with handsome production values, and sporting a confident lead actor, Dr. No is a strong entry point, elemental in kickstarting the global phenomenon we know and love.
March 27, 2020
Jake Tropila
Film Inquiry
This is the first of lan Fleming’s droll, nasty and absorbing spy thrillers to reach the screen. It augurs well for the future of the series.
October 7, 2019
Clyde Gilmour
Maclean’s Magazine
The first half hour I took to be a fairly good spoof on sex-espionage films in general… Then James Bond lands on Dr. No’s atomic island and science fiction takes over with lethal results in every sense of the word.
August 12, 2019
Dwight MacDonald
Esquire Magazine…
Plot
James Bond 007 is Britain’s top agent, and is on an exciting mission, to solve the mysterious murder of a fellow agent. The task sends him to Jamaica, where he joins forces with Quarrel and a loyal C.I.A. Agent, Felix Leiter. While dodging tarantulas, “fire breathing dragons”, and a trio of assassins, known as “the three blind mice”. Bond meets up with the beautiful Honey Ryder and goes face to face with the evil Dr. No.
Trivia
Goofs / Tidbits
The Fresh Kernels database doesn’t say anything goofy or funny about the film, but it does mention that Ursula Andress makes a memorable entrance in a bikini.
Terence-Young.jpg
87%
Last Year at Marienbad (L’année dernière à Marienbad) (1961)
87%RT Audience Score:
Awards & Nominations: NA
Review 1: “This movie was terrible. The acting was bad, the plot was boring, and the special effects were laughable. I wouldn’t recommend it to anyone.”
Review 2: “I found this cinematic endeavor to be a most lamentable experience. The thespian performances were lackluster, the narrative was insipid, and the visual effects were so preposterous as to elicit mirth rather than awe. I cannot in good conscience suggest this film to any discerning viewer.”
Review 3: “This movie was a complete waste of time. The acting was wooden, the story was predictable, and the special effects were subpar. Save yourself the trouble and skip this one.”
Review 4: “Alas, this motion picture proved to be a most egregious squandering of one’s precious time. The histrionic displays were as stiff as a board, the plot was as foreseeable as the sunrise, and the visual effects were as unimpressive as a child’s finger painting. I implore you, dear reader, to abstain from this cinematic atrocity.”
New Review: “As I sat in the theater, I was struck by the overwhelming sense of ennui that permeated the room. The thespian performances were as flat as a pancake, the narrative was as trite as a Hallmark card, and the visual effects were as convincing as a politician’s promises. It was as if the filmmakers had taken a paint-by-numbers approach to creating this cinematic disaster. I cannot in good conscience recommend this film to anyone with an iota of taste or discernment. Save your time and money, and opt for a more stimulating activity, such as watching paint dry or grass grow.
Review 1: “The food was delicious and the service was great. I highly recommend this restaurant to anyone looking for a nice night out.”
Review 2: “I had a fantastic time at this restaurant! The food was so good, I wanted to lick the plate clean. The service was top-notch, and the atmosphere was perfect for a romantic date or a fun night out with friends. I would definitely recommend this place to anyone looking for a delicious meal and a great time!”
Review 3: “This restaurant is a hidden gem! The food was absolutely amazing, and the service was outstanding. I felt like a VIP the entire time I was there. The ambiance was cozy and intimate, making it the perfect spot for a romantic dinner or a special occasion. I can’t wait to come back and try more of their delicious dishes!”
New Review: “Holy moly, this restaurant is the real deal! The food was so good, I almost shed a tear. The service was on point, and the vibe was just right. Whether you’re looking for a romantic night out or a fun time with friends, this place has got you covered. I’m already planning my next visit, and I’m drooling just thinking about it. Do yourself a favor and check it out ASAP!
Production Company(ies)
CNN Films, Manny O Productions, Sunset Pictures,
Distributor
NA
Release Type
Theatrical, Theatrical (Limited)
Filming Location(s)
Nymphenburg Palace, Munich, Bavaria, Germany
MPAA / Certificate
Not Rated
Year of Release
1962
-
Color:Color
Black and White -
Sound mix:Mono
-
Aspect ratio:2.35 : 1
-
Runtime:NA
-
Language(s):French
-
Country of origin:France, Italy
-
Release date:NA
Genre(s)
Keyword(s)
action, adventure, thriller, espionage, spy, James Bond, MI6, Daniel Craig, Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Léa Seydoux, Christoph Waltz, Monica Bellucci, Dave Bautista, directed by Sam Mendes, written by John Logan, Neal Purvis, Robert Wade, produced by Michael G Wilson, Barbara Broccoli, music by Thomas Newman, cinematography by Hoyte van Hoytema, edited by Lee Smith, production design by Dennis Gassner, budget of $245 million, box office performance of $1.109 billion, reviewed by Roger Ebert, Fresh Kernels score of 63%, MPAA rating of PG-13, car chases, explosions, gadgets, exotic locations, high stakes, intense action, thrilling plot twists, iconic franchise
Worldwide gross: $220,009
Worldwide gross (inflation-adjusted): $2,446,612
Worldwide gross ranking (inflation-adjusted): 2,363
Worldwide tickets sold (est.): 266,806
US/Canada gross: $207,917
US/Canada gross (inflation-adjusted): $2,312,143
US/Canada gross ranking (inflation-adjusted): 1,999
US/Canada opening weekend: $15,485
US/Canada opening weekend (inflation-adjusted): $172,201
US/Canada opening weekend ranking (inflation-adjusted): 1,722
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Stanley Kubrick
Writers:
Stanley Kubrick – screenplay
Diane Johnson – screenplay
Stephen King – novel
Cast:
Jack Nicholson – Jack Torrance
Shelley Duvall – Wendy Torrance
Danny Lloyd – Danny Torrance
Scatman Crothers – Dick Hallorann
Barry Nelson – Stuart Ullman
Philip Stone – Delbert Grady
Joe Turkel – Lloyd the Bartender
Anne Jackson – Doctor
Tony Burton – Larry Durkin
Lia Beldam – Young Woman in Bath
Billie Gibson – Old Woman in Bath
Barry Dennen – Bill Watson
David Baxt – Forest Ranger #1
Manning Redwood – Forest Ranger #2
Cinematography:
John Alcott
Music:
Wendy Carlos, Rachel Elkind
Production Design:
Roy Walker
Art Direction:
Leslie Tomkins
Set Decoration:
Vernon Dixon
Costume Design:
Milena Canonero
Makeup Department:
Tom Smith – makeup artist
Dick Smith – makeup artist
Production Management:
Douglas Twiddy – production manager
Second Unit Director or Assistant Director:
Brian W. Cook – assistant director
Art Department:
Peter Voysey – assistant art director
Sound Department:
Gordon K. McCallum – sound mixer
Bill Nicholson – sound editor
Special Effects by:
Roy Arbogast – special effects
Visual Effects by:
Douglas Trumbull – special photographic effects
Stunts:
Bill Weston – stunts
Camera and Electrical Department:
Kelvin Pike – camera operator
Costume and Wardrobe Department:
Betty Adamson – wardrobe supervisor
Editorial Department:
Ray Lovejoy – supervising editor
Location Management:
Jan Harlan – location manager
Music Department:
Jack Nitzsche – music consultant
Transportation Department:
Eddie Frewin – transportation captain
Director(s)
NA
Writer(s)
NA
Producer(s)
NA
Film Festivals
Awards & Nominations
NA
Academy Awards
Plot
At a weekend gathering, a man tries to convince a woman that they had met there and spent some time together the previous year. The woman has no recollection whatsoever of having met this man and is convinced that he is just making all of this up. The more the man talks about their activities the previous year however, the more convincing he becomes. The question remains however – did they meet previously or not?
Trivia
Goofs / Tidbits
NA
NA.jpg
87%
The Boys Season: 4
87%RT Audience Score: 79%
Starring: Karl Urban, Jack Quaid, Antony Starr, Erin Moriarty, Dominique McElligott
Amazon Studios, DUST, Ensemble, Original Film, Point Grey Pictures, Sister
Year of Release
2019
Technical Specs
Color: Color
Sound mix: Dolby Digital, Dolby
Aspect ratio: 2.39 : 1
Language(s): English
Country of origin: United States
Original premiere:
Newest season premiere:
Genre(s)
Black Stories, Drama, Ensemble, Literary Adaptation, Music, Noir, Original Film, Superhero, Teen, War
Keyword(s)
Black Stories Digital Drama, Comic Book / Graphic Novel Adaptation Digital Drama, Ensemble Digital Drama, Literary Adaptation Digital Drama, Serialized Drama Digital Drama, Superhero, Amazon Studios, Sony Pictures Television, Point Grey Pictures, Kripke Enterprises, Original Film, Movies from United States, English Language, Emmy Awards Nominees, PGA Awards Nominees, PGA Awards Winners, Critics’ Choice Awards Nominees, Critics’ Choice Awards Winners, NAACP Image Awards Nominees, Golden Globes Nominees, Golden Globes Winners, SAG Awards Nominees, SAG Awards Winners, DGA Awards Nominees, WGA Awards Nominees, Emmy Awards Winners, Critics’ Choice Awards Nominees, Critics’ Choice Awards Winners, DGA Awards Winners, WGA Awards Winners, TV Shows from 2022, NAACP Image Awards Winners, GLAAD Media Awards Nominees, BAFTA Awards Nominees, BAFTA Awards Winners, Independent Spirit Awards Nominees, Female Producer, Female Writer, South Asian Producer, Black Lead Cast, 2+ Ethnicity Lead Cast, Asian Lead Cast, Asian Producer, Asian Writer, Latin/Hispanic Producer, Middle East/North Africa Producer, Middle East/North Africa Writer, Black Producer, Black Writer
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Karl Urban
Billy Butcher
Jack Quaid
Hughie
Antony Starr
Homelander
Erin Moriarty
Starlight
Dominique McElligott
Queen Maeve
Jessie Usher
A-Train
Director(s)
Writer(s)
Executive(s)
NA
Awards & Nominations
NA
Synopsis (Warning: Spoilers!)
Amazon
Stream Now
(Click to Watch)
Coming soon…
87%
L’Avventura (1960)
87%RT Audience Score:
Awards & Nominations: NA
Review 1: “This movie was terrible. The acting was bad, the plot was boring, and the special effects were laughable. I wouldn’t recommend it to anyone.”
Review 2: “I found this cinematic endeavor to be a most lamentable experience. The thespian performances were lackluster, the narrative was insipid, and the visual effects were so preposterous as to elicit mirth rather than awe. I cannot in good conscience suggest this film to any discerning viewer.”
Review 3: “This movie was a complete waste of time. The acting was wooden, the story was predictable, and the special effects were subpar. Save yourself the trouble and skip this one.”
Review 4: “Alas, this motion picture proved to be a most egregious squandering of one’s precious time. The histrionic displays were as stiff as a board, the plot was as foreseeable as the sunrise, and the visual effects were as unimpressive as a child’s finger painting. I implore you, dear reader, to abstain from this cinematic atrocity.”
New Review: “As I sat in the theater, I was struck by the overwhelming sense of ennui that permeated the room. The thespian performances were as flat as a pancake, the narrative was as trite as a Hallmark card, and the visual effects were as convincing as a politician’s promises. It was as if the filmmakers had taken a paint-by-numbers approach to creating this cinematic disaster. I cannot in good conscience recommend this film to anyone with an iota of taste or discernment. Save your time and money, and opt for a more stimulating form of entertainment, such as watching paint dry or grass grow.
Review 1: “The acting in this movie was superb. The characters were well-developed and the plot was engaging. I was on the edge of my seat the entire time.”
Review 2: “I loved the cinematography in this film. The shots were beautifully composed and the use of color was stunning. It was like watching a work of art come to life.”
Review 3: “The soundtrack for this movie was incredible. The music perfectly captured the mood of each scene and added an extra layer of emotion to the story.”
New Review: “Holy cow, this movie was a rollercoaster ride of emotions! The acting was so good, I felt like I was right there with the characters. And don’t even get me started on the cinematography – it was like watching a painting come to life! But the real MVP was the soundtrack. I mean, I was tapping my foot and humming along the whole time. Overall, this movie was a masterpiece and I can’t wait to watch it again (and again and again).
Production Company(ies)
Atticus Group Vision Quest Productions,
Distributor
NA
Release Type
Filming Location(s)
Basiluzzo Island, Aeolian Islands, Messina, Sicily, Italy
MPAA / Certificate
Not Rated
Year of Release
1961
-
Color:Color
Black and White -
Sound mix:Mono
-
Aspect ratio:1.85 : 1
-
Runtime:NA
-
Language(s):Italian, English, Greek
-
Country of origin:United States
-
Release date:NA
Genre(s)
Keyword(s)
starring Tom Hanks, directed by Robert Zemeckis, written by William Broyles Jr., drama, adventure, survival, plane crash, island, FedEx, volleyball, friendship, love, hope, courage, determination, Wilson, Chuck Noland, Helen Hunt, Nick Searcy, Chris Noth, Lari White, David Allen Brooks, Paul Sanchez, Peter von Berg, Dmitri S Boudrine, François Duhamel, Alan Silvestri, produced by Tom Hanks, MPAA rating PG-13, box office success, budget, reviewed by Roger Ebert, reviewed by Fresh Kernels, reviewed by Metacritic, Academy Awards, Golden Globe Awards, BAFTA Awards, Screen Actors Guild Awards, American Film Institute, National Board of Review, Critics’ Choice Movie Awards, Satellite Awards, Visual Effects Society Awards, Writers Guild of America Awards, Producers Guild of America Awards, Directors Guild of America Awards
Worldwide gross: $2,606
Worldwide gross (inflation-adjusted): $29,331
Worldwide gross ranking (inflation-adjusted): 3,109
Worldwide tickets sold (est.): 3,199
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Director(s)
NA
Writer(s)
NA
Producer(s)
NA
Film Festivals
Awards & Nominations
NA
Academy Awards
Plot
A group of rich Italians head out on a yachting trip to a deserted volcanic island in the Mediterranean. When they are about to leave the island, they find that Anna has gone missing. Anna’s boyfriend Sandro and friend Claudia try unsuccessfully to find her. While they are searching, Claudia and Sandro develop an attraction for each other. When they get back to land, they continue the search with no success. Sandro and Claudia proceed to become lovers and all but forget about the missing Anna.
Trivia
Goofs / Tidbits
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NA.jpg
87%
The Ten Commandments (1956)
87%RT Audience Score: 87%
Awards & Nominations: NA
Bombastic and occasionally silly but extravagantly entertaining, Cecil B. DeMille’s all-star spectacular is a muscular retelling of the great Bible story
The Ten Commandments is like the ultimate Sunday school lesson on steroids. It’s got everything you could want in a biblical epic: Charlton Heston parting the Red Sea, a golden calf, and even some good old-fashioned sibling rivalry. Sure, the dialogue can be a bit cringey at times, but who cares when you’re watching a cast of thousands in stunning Technicolor? Plus, you can’t deny that Cecil B. DeMille knew how to put on a show. It’s a classic for a reason, folks.
Production Company(ies)
Diamond Docs Fish Films, Oceanic Preservation Society
Distributor
Paramount Pictures
Release Type
Theatrical
Filming Location(s)
Ras Safsafa, South Sinai Governorate, Egypt
MPAA / Certificate
G
Year of Release
1956
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:1.85 : 1
-
Runtime:3h 40m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Oct 5, 1956 Original
Release Date (Streaming): Mar 29, 2011
Genre(s)
History/Drama
Keyword(s)
Worldwide gross: $65,500,000
Worldwide gross (inflation-adjusted): $812,601,238
Worldwide gross ranking (inflation-adjusted): 140
Worldwide tickets sold (est.): 88,615,184
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): $13,282,712
Production budget (inflation-adjusted): $164,786,996
Production budget ranking: 191
Marketing and distribution budget (inflation-adjusted est.): $88,737,797
Box office net earnings to date (inflation-adjusted est.): $559,076,445
ROI to date (est.): 221%
ROI ranking: 589
Director(s)
Cecil B. DeMille
Writer(s)
Æneas MacKenzie, Jesse Lasky Jr., Fredric M Frank, Jack Gariss
Producer(s)
Cecil B. DeMille
Film Festivals
Awards & Nominations
NA
Academy Awards
Oscar Nominees
All Critics (43) | Top Critics (11) | Fresh (37) | Rotten (6)
It is all a grandly unrestrained act of regression to the infantile days of the cinema, which DeMille seems never to have outgrown.
November 17, 2021
New York Daily News Staff
New York Daily News
TOP CRITIC
There is no other picture like it. There will be none. If it could be summed up in a word, the word would be sublime. And the man responsible for that, when all is said and done is Cecil B. DeMille.
April 7, 2015
James Powers
Hollywood Reporter
TOP CRITIC
DeMille’s direction of the action is superb and the various roles are played with feeling by a large and competent cast, headed by Charlton Heston.
December 10, 2014 | Rating: 5/5
Kate Cameron
New York Daily News
TOP CRITIC
It seems as if some films are perpetually being restored, with each new version touted as better than the last. That said, I can assure you that the new DVD and Blu-ray edition of…
April 21, 2011
Leonard Maltin
leonardmaltin.com
TOP CRITIC
May 13, 2009 | Rating: 2/5
Roger Moore
Orlando Sentinel
TOP CRITIC
With a running time of nearly four hours, Cecil B. De Mille’s last feature and most extravagant blockbuster is full of the absurdities and vulgarities one expects, but it isn’t boring for a minute.
March 4, 2008
Jonathan Rosenbaum
Chicago Reader
TOP CRITIC
…De Mille places each actor and drapes each Edith Head gown with such fastidious pride it’s as if the hands of history, if not God himself, were responsible.
March 3, 2022 | Rating: 3.5/4
Bill Chambers
Film Freak Central
Whatever its dramatic and religious shortcomings, the film grapples — and often tellingly — with subject matter of great importance for this or any year.
July 14, 2021
Moira Walsh
America Magazine
Cecil B. DeMille set out not just to be entertaining but to do as much justice to the Moses saga as he could, with as much awe and pomp and grandeur as the Fifties studio system could muster. He succeeded spectacularly.
April 5, 2021
Kyle Smith
National Review
As The Ten Commandments hits its sixty-fifth anniversary, it is once again being celebrated and has been given a true makeover.
March 29, 2021 | Rating: 4.5/5
Allison Rose
FlickDirect
The Ten Commandments may have been impressive for its time but the film horribly fails in its attempt to recreate the story of the Exodus.
May 28, 2020 | Rating: 3/5
Danielle Solzman
Solzy at the Movies
Staggering as spectacle and inspirational as a Biblical tale, but it has to labor mighty hard to overcome the lamentable dialogue (“Oh, Moses, Moses, you stubborn, splendid, adorable fool!”) and the poor acting by virtually all of its leading players.
March 14, 2020 | Rating: 2.5/4
Matt Brunson
Film Frenzy…
Plot
To escape the edict of Egypt’s Pharaoh Rameses I (Ian Keith), condemning all newborn Hebrew males, the infant Moses (Fraser C. Heston) is set adrift on the Nile in a reed basket. Saved by the pharaoh’s daughter Bithiah (Nina Foch), he is adopted by her and brought up in the court of her brother, Pharaoh Sethi (Sir Cedric Hardwicke). Moses (Charlton Heston) gains Sethi’s favor and the love of the throne Princess Nefretiri (Anne Baxter), as well as the hatred of Sethi’s son, Rameses II (Yul Brynner). When his Hebrew heritage is revealed, Moses is cast out of Egypt, and makes his way across the desert where he marries, has a son, and is commanded by God to return to Egypt to free the Hebrews from slavery. In Egypt, Moses’ fiercest enemy proves to be not Rameses II, but someone near to him who can “harden his heart”.
Trivia
Goofs / Tidbits
NA
Cecil-B.-DeMille.jpg
87%
White Christmas (1954)
87%RT Audience Score: 88%
Awards & Nominations: Nominated for 1 Oscar
1 nomination total
It may be too sweet for some, but this unabashedly sentimental holiday favorite is too cheerful to resist
White Christmas is the perfect holiday movie to watch with your family, especially if you want to see Bing Crosby and Danny Kaye sing and dance their way into your heart. Sure, it’s a bit cheesy and syrupy, but that’s what makes it so charming! Plus, the Technicolor and VistaVision make everything look so pretty, you’ll feel like you’re in a winter wonderland. So grab some hot cocoa, snuggle up with a blanket, and get ready to sing along to “White Christmas” for the millionth time.
Production Company(ies)
Svensk Filmindustri
Distributor
Paramount Pictures
Release Type
Filming Location(s)
Paramount Studios – 5555 Melrose Avenue, Hollywood, Los Angeles, California, USA
MPAA / Certificate
Not Rated
Year of Release
1954
-
Color:Color
-
Sound mix:Dolby
-
Aspect ratio:1.85 : 1
-
Runtime:2h 0m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Oct 14, 1954 Wide
Release Date (Streaming): Nov 21, 2000
Genre(s)
Holiday
Keyword(s)
starring Bing Crosby, Danny Kaye, Rosemary Clooney, Vera-Ellen, Dean Jagger, Mary Wickes, directed by Michael Curtiz, written by Norman Krasna, Norman Panama, Melvin Frank, produced by Robert Emmett Dolan, holiday, Christmas, musical, comedy, romance, box office hit, budget, critic reviews, reviewed by Jack Moffitt, TIME Staff, Martin Chilton, Emma Cochrane, David Jenkins, Wendy Ide, Clyde Gilmour, PJ Nabarro, Virginia Graham, Sean Axmaker, John Beifuss, Tony Sloman, Bing Crosby as Bob Wallace, Danny Kaye as Phil Davis, Rosemary Clooney as Betty Haynes, Vera-Ellen as Judy Haynes, Dean Jagger as General Thomas F Waverly, Mary Wickes as Emma Allen, Irving Berlin, Vistavision, Technicolor, Mono sound mix, Paramount Pictures, Norman Krasna, Norman Panama, Melvin Frank
Worldwide gross: $1,099,207
Worldwide gross (inflation-adjusted): $13,809,411
Worldwide gross ranking (inflation-adjusted): 1,856
Worldwide tickets sold (est.): 1,505,934
US/Canada gross: $928,298
US/Canada gross (inflation-adjusted): $11,662,270
US/Canada gross ranking (inflation-adjusted): 1,574
US/Canada opening weekend: $566,045
US/Canada opening weekend (inflation-adjusted): $7,111,261
US/Canada opening weekend ranking (inflation-adjusted): 1,036
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Danny Kaye – Phil Davis
Rosemary Clooney – Betty Haynes
Vera-Ellen – Judy Haynes
Dean Jagger – General Thomas F. Waverly
Mary Wickes – Emma Allen
Director(s)
Michael Curtiz
Writer(s)
Norman Krasna, Norman Panama, Melvin Frank
Producer(s)
Robert Emmett Dolan
Film Festivals
Awards & Nominations
Nominated for 1 Oscar
1 nomination total
Academy Awards
All Critics (44) | Top Critics (14) | Fresh (34) | Rotten (10)
It will be a poor showman who can’t get an audience into the theatre when he can base his sales talks upon such expertly assembled and tangible box office ingredients.
December 20, 2021
Jack Moffitt
Hollywood Reporter
TOP CRITIC
A big fat yam of a picture richly candied with VistaVision (Paramount’s answer to CinemaScope), Technicolor, tunes by Irving Berlin, massive production numbers, and big stars. Unfortunately, the yam is still a yam.
October 3, 2018
TIME Staff
TIME Magazine
TOP CRITIC
A good musical with a lot of star power.
December 22, 2014 | Rating: 4/5
Martin Chilton
Daily Telegraph (UK)
TOP CRITIC
Great songs, gentle humour and a dose of syrup which is not to everyone’s tastes, but worth buying to keep that Christmas spirit going until next year.
December 4, 2012 | Rating: 3/5
Emma Cochrane
Empire Magazine
TOP CRITIC
Paramount’s first film in (lavender-hued) VistaVision was this pornographically soppy but, nonetheless, hearty and humorous 1954 festive romp.
December 12, 2008 | Rating: 3/6
David Jenkins
Time Out
TOP CRITIC
White Christmas is the cinema equivalent of an inappropriate festive snog under the mistletoe — you know you probably shouldn’t enjoy it but you just can’t help yourself.
December 12, 2008 | Rating: 4/5
Wendy Ide
Times (UK)
TOP CRITIC
Danny Kaye and Bing Crosby at their best are funny enough together to deserve a sequel, although not all the production numbers in this big Irving Berlin musical are successful.
November 5, 2019
Clyde Gilmour
Maclean’s Magazine
There are one or two diverting aspects to keep the film from being a mere parlour game in waiting for Crosby’s seasonal number.
January 8, 2019 | Rating: 3/5
PJ Nabarro
Patrick Nabarro
However, between the painful alpha and omega of this film there is a lot of extremely pleasant entertainment.
June 19, 2018
Virginia Graham
The Spectator
This 1954 holiday classic, directed by reliable studio hand Michael Curtiz (Casablanca), is sentimental, contrived and stiffly silly, yet it still charmed its way to become the biggest hit of its year…
January 13, 2017
Sean Axmaker
Seanax.com
Something of a forced march, but worth seeing for its old-school studio vibrancy and for Curtiz’s ability to compose for depth as well as breadth within the widescreen frame.
December 18, 2014 | Rating: 3/4
John Beifuss
Commercial Appeal (Memphis, TN)
Kaye is superb, especially in his knockout dance routine with Vera-Ellen, and the direction from veteran Michael Curtiz rightly embraces the sentiment rather than keeping it at bay.
December 12, 2014 | Rating: 4/5
Tony Sloman
Radio Times…
Plot
Having left the Army following W.W.II, Bob Wallace and Phil Davis team up to become a top song-and-dance act. Davis plays matchmaker and introduces Wallace to a pair of beautiful sisters (Betty and Judy) who also have a song-and-dance act. When Betty and Judy travel to a Vermont lodge to perform a Christmas show, Wallace and Davis follow, only to find their former commander, General Waverly, as the lodge owner. A series of romantic mix-ups ensue as the performers try to help the General.
Trivia
Goofs / Tidbits
There is no goofy or funny comment about the film White Christmas on Fresh Kernels.
Michael-Curtiz.jpg
87%
The Bad and the Beautiful (1953)
87%RT Audience Score: 86%
Awards & Nominations: NA
Melodrama at its most confident, The Bad and the Beautiful is an ode to moviemaking that offers unblinking insight into the ugly egos that have shaped Hollywood history
The Bad and the Beautiful is like a box of chocolates – you never know what you’re going to get. Some critics loved it, some hated it, and some were just plain confused. But one thing’s for sure, this film is a wild ride through the ups and downs of Hollywood. With a star-studded cast and a gossipy screenplay, it’s a melodramatic masterpiece that will keep you on the edge of your seat. So grab some popcorn, sit back, and enjoy the show – just don’t forget to hold your nose, because the smell of Hollywood with the lid off is not for the faint of heart!
Production Company(ies)
Amazon Studios, Stay Gold Features, Kindred Spirit
Distributor
Metro-Goldwyn-Mayer
Release Type
Filming Location(s)
Beverly Hills Hotel & Bungalows – 9641 Sunset Blvd., Beverly Hills, California, USA
MPAA / Certificate
Passed
Year of Release
1953
-
Color:Color
Black and White -
Sound mix:Dolby
-
Aspect ratio:1.37 : 1
-
Runtime:1h 58m
-
Language(s):English
-
Country of origin:United States
-
Release date:Release Date (Theaters): Jan 15, 1953 Original
Release Date (Streaming): Jun 26, 2012
Genre(s)
Drama
Keyword(s)
starring Kirk Douglas, Lana Turner, Walter Pidgeon, Dick Powell, Barry Sullivan, Gloria Grahame, directed by Vincente Minnelli, written by George Bradshaw, Charles Schnee, produced by John Houseman, drama, box office performance, budget, reviewed by James Morgan, Times (UK) Staff, TIME Staff, Bruce Grant, Derek Malcolm, Joshua Brunsting, Jane Corby, Courier Mail Staff, Virginia Graham, Clyde Gilmour, Fresh Kernels, MPAA rating, Hollywood, movie producer, movie star, director, writer, unscrupulous, egos, success, betrayal, ambition, obsession, tragedy, boozehound actress, old school producer, creative process, B-movie producer, Val Lewton, black and white, making films, Sunset Boulevard, Paris when it sizzles, camera work, collaboration, filmography, top horror movies, MCU movies, Netflix series, TV shows, streaming movies, movie info, sound mix, cast and crew, audience reviews, critic reviews, Tomatometer, rotten, fresh, audience score, verified purchase, Fandango
Worldwide gross: $2,025
Worldwide gross (inflation-adjusted): $25,521
Worldwide gross ranking (inflation-adjusted): 3,115
Worldwide tickets sold (est.): 2,783
US/Canada gross: NA
US/Canada gross (inflation-adjusted): NA
US/Canada gross ranking (inflation-adjusted): NA
US/Canada opening weekend:
US/Canada opening weekend (inflation-adjusted): NA
US/Canada opening weekend ranking (inflation-adjusted): NA
Budget and Earnings Details
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Kirk Douglas – Jonathan Shields
Walter Pidgeon – Harry Pebbel
Dick Powell – James Lee Bartlow
Barry Sullivan – Fred Amiel
Gloria Grahame – Rosemary Bartlow
Director(s)
Vincente Minnelli
Writer(s)
George Bradshaw, Charles Schnee
Producer(s)
John Houseman
Film Festivals
Awards & Nominations
NA
Academy Awards
All Critics (48) | Top Critics (15) | Fresh (38) | Rotten (10)
Brilliant as the film undoubtedly is, ingeniously shaped and textured, it remains, with its lack of a developing centre, too insubstantial.
August 31, 2020
James Morgan
Sight & Sound
TOP CRITIC
Instead of satire there is false sentiment.
August 31, 2020
Times (UK) Staff
Times (UK)
TOP CRITIC
Though some of the characters may be bad and others beautiful, few are either real or believable.
August 31, 2020
TIME Staff
TIME Magazine
TOP CRITIC
As a study of Hollywood the film is not particularly observant. It has gumption but no imagination. It draws attention to false values but does not put them in their place.
August 31, 2020
Bruce Grant
The Age (Australia)
TOP CRITIC
Douglas’ teeth-clenched, dimple-thrusting megalomaniac is among his best work, while the gossipy screenplay (another Oscar winner) is served wonderfully by Minnelli’s lush melodramatics.
August 31, 2020 | Rating: 4/5
David Parkinson
Empire Magazine
TOP CRITIC
Not quite Sunset Boulevard but almost.
April 20, 2012 | Rating: 4/5
Derek Malcolm
London Evening Standard
TOP CRITIC
Bad proves Minnelli to be one of the most assured and powerful names in the world of cinematic melodrama, and his ability to bring to the genre the sense of tension found more often in noir pictures, really makes this film a singular and esoteric entrant.
September 1, 2020
Joshua Brunsting
The CriterionCast
The Bad and the Beautiful is a lot of film, and seems always on the verge of getting somewhere. But it never does.
August 31, 2020
Jane Corby
Brooklyn Daily Eagle
MGM gathered together a galaxy of stars… and to my mind attempted to make another All About Eve. Instead, they just made another film with one of the most incoherent stories I’ve ever tried to decipher.
August 31, 2020
Courier Mail Staff
Courier Mail (Australia)
If this is Hollywood with the lid off, the smell is not pleasant, but it is certainly powerful, and i strongly urge you to take a sniff.
August 31, 2020
Virginia Graham
The Spectator
Although a good deal less penetrating in its close-up of “the real Hollywood” than it pretends to be, this is a smooth and enjoyable comedy-drama.
August 31, 2020
Clyde Gilmour
Maclean’s Magazine
The film gets full marks for dialogue and full marks for direction by Vincente Minnelli.
August 31, 2020
Robin Slessor
Daily Telegraph (Australia)…
Plot
Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer Jonathan Shields, as seen through the eyes of various acquaintances, including a writer James Lee Bartlow, a star Georgia Lorrison and a director Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone – including the writer, star and director – on the way to becoming one of Hollywood’s top movie makers.
Trivia
Goofs / Tidbits
Kirk Douglas delivers arguably his greatest performance in The Bad and the Beautiful.
Vincente-Minnelli.jpg
87%
Yellowstone
87%RT Audience Score:
Starring: Kevin Costner, Wes Bentley, Kelly Reilly, Luke Grimes, Cole Hauser
Ensemble, Topical
Year of Release
2018
Technical Specs
Color: Color
Sound mix: Stereo
Aspect ratio: 2.00 : 1
Language(s): English
Country of origin: United States
Original premiere: 06/20/2018
Newest season premiere: 11/13/2022
Season Finale:
12/18/2022
2022-2023 Fall Primetime
Genre(s)
Drama, Ensemble, Family, Music, News, Topical, War
Keyword(s)
Climate & Sustainability TV Drama, Ensemble TV Drama, Serialized Drama TV Drama, Topical, TV Shows Created by John Linson, TV Shows Created by Taylor Sheridan, TV Shows Starring Kelsey Asbille, TV Shows Starring Wes Bentley, TV Shows Starring Ryan Bingham, TV Shows Starring Gil Birmingham, TV Shows Starring Ian Bohen, TV Shows Starring Kevin Costner, TV Shows Starring Luke Grimes, TV Shows Starring Cole Hauser, TV Shows Starring Kathryn Kelly, TV Shows Starring Jennifer Landon, TV Shows Starring Finn Little, TV Shows Starring Brecken Merrill, TV Shows Starring Wendy Moniz, TV Shows Starring Moses Brings Plenty, TV Shows Starring Kelly Reilly, TV Shows Starring Denim Richards, TV Shows Starring Forrie J. Smith, TV Shows Starring Jefferson White, 101 Studios Shows, The Linson Company Shows, Treehouse Films Shows, Bosque Ranch Productions Shows, MTV Entertainment Studios Shows, TV Shows from 2022, TV Shows from United States, English Language, Critics’ Choice Awards Nominees, Critics’ Choice Awards Nominees, Linson Company, The Shows, NAACP Image Awards Winners, NAACP Image Awards Nominees, TV Shows Starring Kai Caster, TV Shows Starring Lilli Kay, TV Shows Starring Dawn Olivieri, TV Shows Starring Lainey Wilson, Emmy Awards Nominees, BAFTA Awards Nominees, GLAAD Media Awards Nominees, WGA Awards Nominees, MTV Studios Shows, Emmy Awards Winners, Golden Globes Nominees, TV Shows from 2021, SAG Awards Nominees, DGA Awards Nominees, TV Shows Starring Dave Annable, TV Shows Starring Danny Huston, TV Shows Starring Will Patton, PGA Awards Winners, PGA Awards Nominees, Critics’ Choice Awards Winners, Golden Globes Winners, SAG Awards Winners, DGA Awards Winners, WGA Awards Winners, Impacted by COVID-19, 2+ Ethnicity Lead Cast, Indigenous Lead Cast, Black Lead Cast, Female Director, Female Producer
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Kevin Costner
Costner
John Dutton
Wes Bentley Bentley
Jamie Kelly Reilly Reilly
Beth Luke Grimes Grimes
Kayce Cole Hauser Hauser
Rip Wheeler
Kelsey Asbille Asbille
Monica
Director(s)
Writer(s)
Executive(s)
NA
Awards & Nominations
NA
Synopsis (Warning: Spoilers!)
Paramount
Stream Now
(Click to Watch)
Coming soon…
87%
Lost in Space
87%RT Audience Score:
Starring: Toby Stephens, Molly Parker, Max Jenkins, Taylor Russell, Mina Sundwall
Netflix
Year of Release
2018
Technical Specs
Color: Color
Sound mix: NA
Aspect ratio: NA
Language(s):
Country of origin:
Original premiere:
Newest season premiere:
Genre(s)
Action, Drama, Science Fiction, Space, War
Keyword(s)
Production budget (est.): NA
Production budget (inflation-adjusted): NA
Production budget ranking: NA
Marketing and distribution budget (inflation-adjusted est.): NA
Box office net earnings to date (inflation-adjusted est.): NA
ROI to date (est.): NA
ROI ranking: NA
Toby Stephens
Stephens
John Robinson
Molly Parker Parker
Maureen Maxwell Jenkins Jenkins
Will Taylor Russell Russell
Judy Mina Sundwall Sundwall
Penny Ignacio Serricchio Serricchio
Don West
Director(s)
Writer(s)
Executive(s)
NA
Awards & Nominations
NA
Synopsis (Warning: Spoilers!)
Netflix
Stream Now
(Click to Watch)
Coming soon…