Production Company(ies)
Toho Company,
 
Distributor
Paramount Pictures
 
Release Type
Theatrical
 
Filming Location(s)

 
MPAA / Certificate
Rated PG-13 for sequences of intense action, and some strong language
 
Year of Release
1986
 

 
Genre(s)
Action/Adventure
 
Keyword(s)
starring Tom Cruise, Kelly McGillis, Anthony Edwards, Val Kilmer, Tom Skerritt, Michael Ironside, directed by Tony Scott, written by Jim Cash, Jack Epps Jr., action, adventure, box office performance, budget, reviewed by Adam Nayman, James Berardinelli, Harper Barnes, Duane Byrge, Kathleen Carroll, Paul Attanasio, Rosa Parra, Cory Woodroof, Jason Shawhan, Carey-Ann Pawsey, Fico Cangiano, Yasser Medina, PG, Top Gun Naval Fighter Weapons School, elite flying skills, fighter pilot, reckless attitude, cocky demeanor, aerial footage, expert eye for action, non-adolescent viewers, characters, competition, attention, flight instructor, Jerry Bruckheimer, Don Simpson, Surround, DTS, Dolby Atmos, Dolby Digital, Dolby Stereo, Scope (2.35:1), Lt Pete “Maverick” Mitchell, Charlotte “Charlie” Blackwood, Lt Nick “Goose” Bradshaw, Lt Tom “Iceman” Kazanski, Cmdr Mike “Viper” Metcalf, Lt Cmdr Rick “Jester” Heatherly
 

Cast & Crew

Tom Cruise

Kelly McGillis

Anthony Edwards

Val Kilmer

Tom Skerritt

Lt. Pete “Maverick” Mitchell

Charlotte “Charlie” Blackwood

Lt. Nick “Goose” Bradshaw

Lt. Tom “Iceman” Kazanski

Cmdr. Mike “Viper” Metcalf

Tom Cruise – Lt. Pete “Maverick” Mitchell
Kelly McGillis – Charlotte “Charlie” Blackwood
Anthony Edwards – Lt. Nick “Goose” Bradshaw
Val Kilmer – Lt. Tom “Iceman” Kazanski
Tom Skerritt – Cmdr. Mike “Viper” Metcalf
Michael Ironside – Lt. Cmdr. Rick “Jester” Heatherly

 

Tony Scott

Jim Cash

Jerry Bruckheimer

Don Simpson

Director

Writer

Producer

Producer

Producer

Director(s)
Tony Scott
 
Writer(s)
Jim Cash, Jack Epps Jr.
 
Producer(s)
Jerry Bruckheimer, Don Simpson

 

Film Festivals

 
Awards & Nominations
NA
 
Academy Awards
Oscar Best Achievement in Music Written for Motion Pictures Winners, Oscar Nominees, Oscar Original Song Winners, Oscar Winners
 

Top Reviews

Adam Nayman

James Berardinelli

Harper Barnes

Duane Byrge

Kathleen Carroll

The Ringer

ReelViews

St. Louis Post-Dispatch

Hollywood Reporter

New York Daily News

TOP GUN
 All Critics (74) | Top Critics (17) | Fresh (43) | Rotten (31)
 Stupid brilliance…
 
 May 27, 2022
 
 Adam Nayman
 The Ringer
 TOP CRITIC
 Embraces masculine tropes to create a patchwork narrative that is almost laughably bad but whose fetishization of high-tech hardware makes the cheesiness of the story seem irrelevant.
 
 May 26, 2022 | Rating: 2/4
 
 James Berardinelli
 ReelViews
 TOP CRITIC
 If you like airplane movies, Top Gun is about one-third of a dazzler, and the rest is at least watchable.
 
 November 3, 2021
 
 Harper Barnes
 St. Louis Post-Dispatch
 TOP CRITIC
 The film’s intensity mirrors the competitive and wild personalities of the pilots themselves. In this arena, the casting is on-target.
 
 May 16, 2019
 
 Duane Byrge
 Hollywood Reporter
 TOP CRITIC
 … “Top Gun” is terribly monotonous.
 
 February 9, 2018
 
 Kathleen Carroll
 New York Daily News
 TOP CRITIC
 The movie, in short, hits its emotional marks, but it does so with such insistence that it feels less like real life than an object lesson in the architecture of the blockbuster.
 
 January 4, 2018
 
 Paul Attanasio
 Washington Post
 TOP CRITIC
 Memorable soundtrack and an overall premise that still holds today. A film that works towards a general audience thanks to its action sequences.
 
 July 2, 2022 | Rating: 3.5/5
 
 Rosa Parra
 Latinx Lens
 As the kids say, “it’s a vibe.”
 
 June 2, 2022
 
 Cory Woodroof
 615 Film
 It feeds on nostalgia for something that never existed, a beautiful shell concealing profound and utter emptiness at its heart.
 
 June 2, 2022
 
 Jason Shawhan
 Nashville Scene
 Most critics will hate this film, but the public loved it and they are truly whose opinion counts.
 
 May 29, 2022 | Rating: 3/5
 
 Carey-Ann Pawsey
 Orca Sound
 An action classic in its own right, Top Gun not only entertains with its innovating aerial sequences, but also helped start Tom Cruise’s ascent into stardom. [Full review in Spanish]
 
 May 27, 2022 | Rating: 3/5
 
 Fico Cangiano
 CineXpress Podcast
 Far from some air combat sequences redolent of a recruitment commercial, its test flight crashes into the most predictable terrain of action clichés and not even Tom Cruise’s pilot maneuvers can get it out of the routine. [Full review in Spanish]
 
 May 23, 2022 | Rating: 5/10
 
 Yasser Medina
 Cinemaficionados…

 

Plot
When hotshot fighter pilot Maverick is sent to the Top Gun Naval Fighter Weapons School, his reckless attitude and cocky demeanor put him at odds with the other pilots, especially the cool and collected Iceman, while also fighting for the attention of his beautiful flight instructor.
 
Trivia

 
Goofs / Tidbits
One critic describes Top Gun as “embracing masculine tropes to create a patchwork narrative that is almost laughably bad but whose fetishization of high-tech hardware makes the cheesiness of the story seem irrelevant.”
 

 
Tony-Scott.jpg

 
Production Company(ies)
Nero-Film AG,
 
Distributor
NA
 
Release Type
Theatrical, Theatrical (Limited)
 
Filming Location(s)
Greystone Park & Mansion – 905 Loma Vista Drive, Beverly Hills, California, USA
 
MPAA / Certificate
PG
 
Year of Release
1984
 

 
Genre(s)
Comedy
 
Keyword(s)
starring Steve Martin, Lily Tomlin, Victoria Tennant, Madolyn Smith Osborne, Richard Libertini, Dana Elcar, Peggy Feury, Selma Diamond, Eric Christmas, Gailard Sartain, Neva Patterson, Michael Ensign, Jason Bernard, Nan Martin, Basil Hoffman, David Byrd, Kenneth Kimmins, John Cromwell, Phil Rubenstein, directed by Carl Reiner, written by Phil Alden Robinson, produced by Stephen Friedman, comedy, body-swap, high-concept, farce, box office performance, budget, PG rating, reviewed by Tim Pulleine, Geoff Brown, Nigel Andrews, Richard Corliss, Variety Staff, Chris Peachment, Dennis Schwartz, John Bemrose, David Nusair, Scot Haller, David Sterritt, Rob Vaux, reviewed by 41 critics, 85% Tomatometer, 67% audience score
 

Cast & Crew

Steve Martin

Roger Cobb

Lily Tomlin

Edwina Cutwater

Victoria Tennant

Roger Cobb

Edwina Cutwater

Terry Hoskins

Peggy Schuyler

Prahka Lasa

Steve Martin – Roger Cobb
Lily Tomlin – Edwina Cutwater
Victoria Tennant – Terry Hoskins
Madolyn Smith Osborne – Peggy Schuyler
Richard Libertini – Prahka Lasa
Dana Elcar – Burton Schuyler

 

Carl Reiner

Phil Alden Robinson

Stephen Friedman

Director

Writer

Producer

Producer

Producer

Director(s)
Carl Reiner
 
Writer(s)
Phil Alden Robinson
 
Producer(s)
Stephen Friedman

 

Film Festivals

 
Awards & Nominations
2 wins & 2 nominations
 
Academy Awards

Top Reviews

Tim Pulleine

Geoff Brown

Nigel Andrews

Richard Corliss

Variety Staff

Guardian

Times (UK)

Financial Times

TIME Magazine

Variety

ALL OF ME
 All Critics (41) | Top Critics (11) | Fresh (35) | Rotten (6)
 Once the body-snare joke is under way, however, invention tends to flag and much of the ensuing humour explores the realms of fairly obvious smut — brightly enough managed, though, if yon have a weakness for that.
 
 January 22, 2020
 
 Tim Pulleine
 Guardian
 TOP CRITIC
 At first the film is content to play the situation for raucous laughs, trading on the embarrassment of two sexes sharing the same body. But, once the parties start experiencing finer feelings, the film finally becomes too awkward for comfort.
 
 January 22, 2020
 
 Geoff Brown
 Times (UK)
 TOP CRITIC
 Most of the film is about as funny as falling off a cliff while trying to solve a crossword puzzle.
 
 January 22, 2020
 
 Nigel Andrews
 Financial Times
 TOP CRITIC
 Martin vaults to the top of the class with his brazen, precise performance. This one goes in the time capsule.
 
 February 2, 2009
 
 Richard Corliss
 TIME Magazine
 TOP CRITIC
 Patently ridiculous, but acceptable because of the charm of the characters.
 
 February 2, 2009
 
 Variety Staff
 Variety
 TOP CRITIC
 Martin is his usual combination of flat cynicism and crazed childishness, indulging in some inspired Jerry Lewis-like clowning with his arms and legs hopelessly out of synch.
 
 June 24, 2006
 
 Chris Peachment
 Time Out
 TOP CRITIC
 An absurd fantasy comedy, based on a dumb premise.
 
 August 3, 2020 | Rating: C
 
 Dennis Schwartz
 Dennis Schwartz Movie Reviews
 Martin is hilarious as the man who has to cope with a suddenly split identity.
 
 January 23, 2020
 
 John Bemrose
 Maclean’s Magazine
 …a decidedly out-there premise that’s employed to watchable yet far-from-memorable effect by filmmaker Carl Reiner…
 
 August 26, 2019 | Rating: 2.5/4
 
 David Nusair
 Reel Film Reviews
 All of Me shows a fine appreciation for the little weirdnesses of life, and with comedies in short supply, it may provide the best shenanigans of the season.
 
 March 9, 2015
 
 Scot Haller
 People Magazine
 It’s a ridiculous story, and the screenplay stuffs it with low jokes and bathroom humor. Yet a number of scenes are sly as well as silly, and director Carl Reiner knows when to inject a little pathos for a change of pace.
 
 March 9, 2015
 
 David Sterritt
 Christian Science Monitor
 His manic thrashing actually hides a very measured and deliberate performance. We can see the twin halves of his body struggling to work in sync, turning a simple walk to the bathroom into a piece of comedic gold.
 
 October 24, 2014 | Rating: A
 
 Rob Vaux
 Mania.com…

 

Plot
Having just turned thirty-eight, Angeleno Roger Cobb is at a crossroads in his life. From a humble background, he is competent at his job as a lawyer at Burton Schuyler’s prestigious firm, but is unsatisfied working on behalf of rich people and the problems of the one percent. Although he would rather eke out a life as a musician if he could, he would be more satisfied as a lawyer if he made partner and got better cases. While Roger always bringing his dog Bix to the office does not instill much confidence for Burton in Roger as partner material, Roger seriously dating Burton’s daughter, Peggy Schuyler, may give him a path to partner, especially if he and Peggy get married. In the latest of those unsatisfying work tasks, he is asked by extremely wealthy client, single Edwina Cutwater, to make a change to her will. Edwina, a selfish middle aged woman who has never done a nice thing in her life, has always been sickly, and as such has not really enjoyed what life she has had despite her wealth. On her deathbed, Edwina now wants to deed her entire estate to Terry Hoskins, the beautiful adult daughter of her stableman, Fred Hoskins. The reason: Edwina plans to use the services of Tibetan swami Prahka Lasa to transfer her soul into Terry’s body, Terry, in putting her wild past behind her, agreeing for her own soul to float into the ethers. In being in Terry’s healthy body, Edwina, after her own body has given out, wants to enjoy what her money has not been able to buy for herself. Little does Edwina know that even if Terry did believe in the the swami’s powers, Terry has no intention of giving up her body to Edwina, Terry planning to live the high life with Edwina’s money after Edwina’s death. Even after Edwina does die, she and Roger become more connected in body and soul, they, while needing to adjust to their time together, may get a better perspective of their respective lives.
 
Trivia

 
Goofs / Tidbits
“Martin is hilarious as the man who has to cope with a suddenly split identity.” – Dennis Schwartz, Dennis Schwartz Movie Reviews
 

 
Carl-Reiner.jpg

INTERNATIONAL
DISTRIBUTOR:
Paramount Global Distribution Group :
Dan Cohen (III):
+1-323-575-5400
 
Genre(s)
Crime, Drama, Police, Police Drama, Psychological, Relationship Drama, Suspense, Thriller
 
Keyword(s)
Crime TV Drama, Limited/Event Series TV Drama, Police Drama TV Drama, Psychological TV Drama, Suspense TV Drama, Thriller, TV Shows Starring Jack Alcott, TV Shows Starring Clancy Brown, TV Shows Starring Michael C. Hall, TV Shows Starring Julia Jones, TV Shows Starring David Magidoff, TV Shows Starring Alano Miller, TV Shows Starring Johnny Sequoyah, Showtime Networks Shows, TV Shows from United States, English Language, Female Producer, LGBTQ+ Producer, Latin/Hispanic Director, Latin/Hispanic Producer, 2+ Ethnicity Lead Cast, Female Writer
 

 

Awards & Nominations
NA
 

Synopsis (Warning: Spoilers!)

Links
 

(Click to Visit)
 

(Click to Visit)
 
Wikipedia: Go to Wiki
Rotten Tomatoes: Go to RT

Streaming Platforms
Paramount, Showtime
 
Stream Now

(Click to Watch)

 

Coming soon…
 

 
Production Company(ies)

 
Distributor
NA
 
Release Type
Theatrical
 
Filming Location(s)
Reiserovo castle, Samobor, Croatia
 
MPAA / Certificate
R
 
Year of Release
1983
 

 
Genre(s)
Drama
 
Keyword(s)
starring Meryl Streep, Kevin Kline, Peter MacNicol, Josef Sommer, Rita Karin, Stephen Newman, directed by Alan J Pakula, written by Alan J Pakula, drama, box office performance, budget, reviewed by Bob Thomas, Stanley Kauffmann, Keith Phipps, James Berardinelli, Variety Staff, Dave Kehr, Marvin Hamlisch, Nestor Almendros, Holocaust survivor, postwar period drama, emotional, powerful, tragic, poignant, character-driven, slow-paced, nuanced, intense, disturbing, heartbreaking, captivating, enthralling, sobering, literate, gifted, awe-inspiring, Oscar-winning performance, human instabilities, great secrets
 

Cast & Crew

Meryl Streep

Kevin Kline

Peter MacNicol

Josef Sommer

Rita Karin

Sophie

Nathan

Stingo

Narrator

Yetta

Meryl Streep – Sophie
Kevin Kline – Nathan
Peter MacNicol – Stingo
Josef Sommer – Narrator
Rita Karin – Yetta
Stephen Newman – Larry

 

Alan J. Pakula

Alan J. Pakula

Alan J. Pakula

Keith Barish

Director

Writer

Producer

Producer

Producer

Director(s)
Alan J. Pakula
 
Writer(s)
Alan J. Pakula
 
Producer(s)
Alan J. Pakula, Keith Barish

 

Film Festivals

 
Awards & Nominations
Won 1 Oscar
13 wins & 12 nominations total
 
Academy Awards
Oscar Nominees, Oscar Winners
 

Top Reviews

Bob Thomas

Stanley Kauffmann

Keith Phipps

James Berardinelli

Variety Staff

Associated Press

The New Republic

The Dissolve

ReelViews

Variety

SOPHIE’S CHOICE
 All Critics (41) | Top Critics (10) | Fresh (32) | Rotten (9)
 Sophie’s Choice is a rare film, literate, deeply moving and gifted with an absolutely awe-inspiring performance by Meryl Streep.
 
 November 12, 2018
 
 Bob Thomas
 Associated Press
 TOP CRITIC
 In other ways the film is just as unsatisfactory as the book, because it’s inseparably strapped to basic flaws. The story has no center, no protagonist. To whom does the action of the novel happen?
 
 January 9, 2018
 
 Stanley Kauffmann
 The New Republic
 TOP CRITIC
 The way Streep inhabits Sophie, and brings her history to life whether she’s explicitly talking about the past or carrying herself across the room with wounded grace, can’t help but make parts of the rest of the film seem smaller by comparison.
 
 April 29, 2014 | Rating: 3.5/5
 
 Keith Phipps
 The Dissolve
 TOP CRITIC
 Without Streep, Sophie’s Choice would have been a very good motion picture. With her, it attains greatness.
 
 April 30, 2009 | Rating: 4/4
 
 James Berardinelli
 ReelViews
 TOP CRITIC
 Astoundingly tedious.
 
 June 26, 2007
 
 Variety Staff
 Variety
 TOP CRITIC
 The picture is completely devoid of cinematic interest, adopting instead a tiresome theatrical aesthetic in which showy monologues are filmed in interminable, usually ill-chosen long takes.
 
 June 26, 2007
 
 Dave Kehr
 Chicago Reader
 TOP CRITIC
 It’s both crushing and triumphant.
 
 September 7, 2020 | Rating: 9/10
 
 Mike Massie
 Gone With The Twins
 For all the significance of the revelations about Sophie’s past, it is the interaction between the three central characters that gives the story its strength.
 
 July 13, 2020 | Rating: 4/5
 
 David Parkinson
 Radio Times
 The film is tentative when the story demands voice. Sophie’s Choice, no matter how disturbing, remains muted.
 
 July 13, 2020
 
 Leonard Klady
 Winnipeg Free Press
 Streep and Kline, embodying their characters in a way that goes beyond performing, obliterate the excesses on their straight and stirring journey to the heart.
 
 June 17, 2020
 
 People Staff
 People Magazine
 The amazing intimacy Pakula creates with the audience ultimately makes Sophie’s Choice the best film of the year.
 
 June 17, 2020
 
 Lawrence O’Toole
 Maclean’s Magazine
 Whatever the film’s weaknesses are, it is, albeit unsurprisingly, saved by Streep.
 
 June 17, 2020 | Rating: 6/10
 
 John Oursler
 PopMatters…

 

Plot
Sophie is the survivor of Nazi concentration camps, who has found a reason to live with Nathan, a sparkling if unsteady American Jew obsessed with the Holocaust. They befriend Stingo, the movie’s narrator, a young American writer new to New York City. But the happiness of Sophie and Nathan is endangered by her ghosts and his obsessions.
 
Trivia

 
Goofs / Tidbits
Meryl Streep’s performance in Sophie’s Choice is described as “astonishingly impeccable” and “transformative” by Fresh Kernels.
 

 
Alan-J.-Pakula.jpg

 
Production Company(ies)
Columbia Pictures, Marvel Entertainment
 
Distributor
Criterion Collection, Universal Pictures
 
Release Type
Theatrical
 
Filming Location(s)
6 Wellington Street West, Toronto, Ontario, Canada
 
MPAA / Certificate
R
 
Year of Release
1983
 

 
Genre(s)
Horror
 
Keyword(s)
starring James Woods, Deborah Harry, Sonja Smits, Peter Dvorsky, Leslie Carlson, Jack Creley, directed by David Cronenberg, written by David Cronenberg, horror, box office performance, budget, reviewed by Gary Arnold, Variety Staff, Dave Kehr, Chris Peachment, Janet Maslin, Michael Thomson, Brian Eggert, David Nusair, Sergio Benítez, Asher Luberto, C.H Newell, Sean Fennessey, produced by Claude Héroux, R rating, technology, entertainment, politics, trashy TV channel, new programming, viewers, Videodrome, TV show, gratuitous torture, punishment, potential hit, girlfriend, audition, truth, graphic violence, fake, president, audience, visual effects, deep-web, YouTube, screen addiction, media, brain tumors, explicit/graphic entertainment
 

Cast & Crew

James Woods

Deborah Harry

Sonja Smits

Peter Dvorsky

Leslie Carlson

Max Renn

Nicki Brand

Bianca O’Blivion

Harlan

Barry Convex

James Woods – Max Renn
Deborah Harry – Nicki Brand
Sonja Smits – Bianca O’Blivion
Peter Dvorsky – Harlan
Leslie Carlson – Barry Convex
Jack Creley – Brian O’Blivion

 

David Cronenberg

David Cronenberg

Claude Héroux

Director

Writer

Producer

Producer

Producer

Director(s)
David Cronenberg
 
Writer(s)
David Cronenberg
 
Producer(s)
Claude Héroux

 

Film Festivals

 
Awards & Nominations
3 wins & 7 nominations
 
Academy Awards

Top Reviews

Gary Arnold

Variety Staff

Dave Kehr

Chris Peachment

Janet Maslin

Washington Post

Variety

Chicago Reader

Time Out

New York Times

VIDEODROME
 All Critics (52) | Top Critics (6) | Fresh (41) | Rotten (11)
 Simultaneously stupefying and boring, Videodrome is too extreme a blunder to survive exposure to a justifiably disillusioned horror-movie public.
 
 August 4, 2015
 
 Gary Arnold
 Washington Post
 TOP CRITIC
 Film is dotted with video jargon and ideology which proves more fascinating than distancing. And Cronenberg amplifies the freaky situation with a series of stunning visual effects.
 
 June 6, 2007
 
 Variety Staff
 Variety
 TOP CRITIC
 Never coherent and frequently pretentious, the film remains an audacious attempt to place obsessive personal images before a popular audience — a kind of Kenneth Anger version of Star Wars.
 
 June 6, 2007
 
 Dave Kehr
 Chicago Reader
 TOP CRITIC
 There are distinct signs of strain in the plot convolutions, not least in the spectator’s loss of faith over indiscriminate and cheating use of hallucination; what certainly survives is Cronenberg’s wholesale disgust with the world in general.
 
 January 26, 2006
 
 Chris Peachment
 Time Out
 TOP CRITIC
 Though Videodrome finally grows grotesque and a little confused, it begins very well and sustains its cleverness for a long while.
 
 August 30, 2004 | Rating: 3.5/5
 
 Janet Maslin
 New York Times
 TOP CRITIC
 On a line starting with quality and ending with incompetence.
 
 April 17, 2001 | Rating: 2/5
 
 Michael Thomson
 BBC.com
 TOP CRITIC
 Films like this rouse powerful reactions to their extreme metaphors and violent imagery; but then, there has never been a film quite like this one.
 
 March 18, 2022 | Rating: 4/4
 
 Brian Eggert
 Deep Focus Review
 …a decidedly oddball premise that’s employed to initially intriguing yet ultimately interminable effect…
 
 December 18, 2020 | Rating: 2/4
 
 David Nusair
 Reel Film Reviews
 Everything in ‘Videodrome’ calls for the viewer seduced by the film’s proposal to irretrievably surrender to its overwhelming visual personality. [Full Review in Spanish]
 
 April 24, 2020
 
 Sergio Benítez
 Espinof
 “Videodrome” is a radical look at the deep-web, YouTube, screen addiction and the increasingly violent state of movies at a time when such subjects weren’t up for cultural debate.
 
 June 11, 2019
 
 Asher Luberto
 culturevulture.net
 Videodrome shows us a world of our making should we continue a dangerous relationship with media, its various mediums, the images it puts into our brains.
 
 May 6, 2019 | Rating: 5/5
 
 C.H. Newell
 Father Son Holy Gore
 It’s hard to overstate how premonitory David Cronenberg’s masterpiece turned out to be.
 
 March 4, 2019
 
 Sean Fennessey
 The Ringer…

 

Plot
Max Renn is the President of Channel 83 Civic-TV, a small television station on the UHF dial. He defends his programming of largely X-rated shows – which depict graphic sex and extreme violence – as a pure matter of economic survival as a small station. Behind closed doors in specific company, he would admit that he enjoys such programming, but as President will stay away from associated activities that may be dangerous for him in its purchase. His current girlfriend, radio personality Nicki Brand, who he met on a television talk show, is sexually aroused by light mutilation on her person, that despite or because her radio show is like an open air crisis hotline. On that same talk show, the other guest via video feed was Professor Brian O’Blivion – solely his stage name – who believes that television and video broadcasts will one day overtake the world as reality, which may make Max’s programming in combination more dangerous. In Max’s search for the next big thing in like programming already on Channel 83, Harlan, his pirater who scans satellite signals, illegally obtains a satellite feed of something called Videodrome, which depicts continual sexualized torture and murder with no storyline of which to speak. The background behind Videodrome is unknown, but believing it is that big thing for which he is looking, Max is determined to find the producers so that he can purchase it for his station. He is concerned for Nicki if she goes ahead against his warnings in wanting to appear on Videodrome, however it does not lessen his desire to purchase it. If Max in turn does not heed the warning of Masha, one of his long time show suppliers, based on what little she discovers about it, Max may discover that Videodrome is just the next but destructive step in O’Blivion’s prognostication.
 
Trivia

 
Goofs / Tidbits
Fresh Kernels praises James Woods’ strong performance in Videodrome.
 

 
David-Cronenberg.jpg