Taylor Baker
A-List
Total Box Office Draw: NA
Critic
Average ROI: NA
ROI Rank: NA
Awards & Nominations: Loading…
ROI Rank: NA
Awards & Nominations: Loading…
Movies
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Title
The Five Devils
The Pale Blue Eye
Night of the Kings
The Dissident
Dark Waters
Ford v Ferrari
Jojo Rabbit
The Lighthouse
Parasite
Ad Astra
One Cut of the Dead
Monos
Hustlers
Ready or Not
Once Upon a Time In Hollywood
The Farewell
Midsommar
The Last Black Man in San Francisco
Rocketman
Hail Satan?
La Llorona
Ash Is Purest White
An Elephant Sitting Still
Transit
Birds of Passage
Fighting with My Family
The Irishman
Marriage Story
American Factory
Atlantics
Us
Cold War
Capernaum
If Beale Street Could Talk
Shoplifters
The Favourite
Widows
Wildlife
First Man
The Sisters Brothers
A Star Is Born
The Old Man & the Gun
Mandy
Searching
Minding the Gap
BlacKkKlansman
Eighth Grade
Sorry to Bother You
Three Identical Strangers
Hearts Beat Loud
Avengers: Infinity War
Thunder Road
Mission: Impossible – Fallout
The Guilty
Blindspotting
Shirkers
The Ballad of Buster Scruggs
Crazy Rich Asians
Roma
Bombshell: The Hedy Lamarr Story
Princess Cyd
Hail, Caesar!
The Tale
Starred Up
Live Die Repeat: Edge of Tomorrow
Only Lovers Left Alive
Holy Motors
The Cabin in the Woods
The Raid: Redemption
The Girl with the Dragon Tattoo
Uncle Boonmee Who Can Recall His Past Lives
Dogtooth
Red Riding Trilogy
Crazy Heart
Synecdoche, New York
Two Lovers
3:10 to Yuma
A Scanner Darkly
Sin City
Kedi
Master and Commander: The Far Side of the World
25th Hour
Together
Rififi
Princess Mononoke
Bringing Out the Dead
Armageddon
Jackie Brown
McQueen
Welcome to the Dollhouse
Interview with the Vampire
Malcolm X
Bram Stoker’s Dracula
Sex, Lies, and Videotape
Burning
Predator
After Hours
The Right Stuff
The King of Comedy
Blow Out
Ordinary People
Dressed to Kill
All That Jazz
Nosferatu: Phantom der Nacht
Cabaret
Butch Cassidy and the Sundance Kid
Night of the Living Dead
Barbarella
Forbidden Planet
Johnny GuitarScore
79%
77%
78%
89%
94%
96%
91%
83%
94%
65%
93%
90%
79%
85%
81%
93%
76%
90%
91%
91%
79%
84%
86%
80%
91%
91%
92%
91%
89%
82%
77%
88%
94%
84%
95%
83%
78%
84%
80%
78%
87%
79%
81%
91%
96%
90%
91%
83%
93%
85%
91%
94%
93%
93%
92%
89%
85%
85%
85%
91%
89%
68%
91%
92%
92%
83%
83%
85%
90%
87%
77%
86%
90%
81%
72%
83%
88%
75%
78%
92%
82%
86%
92%
95%
95%
84%
68%
87%
90%
90%
78%
90%
78%
88%
89%
86%
88%
92%
92%
83%
89%
81%
89%
90%
89%
91%
90%
70%
89%
91%Year
2023
2022
2021
2021
2019
2019
2019
2019
2019
2019
2019
2019
2019
2019
2019
2019
2019
2019
2019
2019
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2018
2019
2019
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2018
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2019
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2018
2018
2018
2018
2018
2018
2018
2018
2018
2018
2018
2018
2018
2018
2018
2018
2018
2018
2018
2018
2018
2017
2016
2013
2014
2014
2013
2012
2012
2012
2011
2010
2009
2009
2010
2009
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2001
1956
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1989
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1954Box Office
NA,NA,$31,207,$101,993,$23,108,017,$225,508,210,$90,335,025,$18,178,770,$263,136,741,$127,461,872,$27,590,180,$1,929,915,$157,563,598,$57,615,777,$377,426,903,$23,076,657,$47,967,636,$4,637,830,$195,320,400,$467,361,$123,133,739,$11,821,877,$39,599,$1,012,747,$2,517,405,$41,503,392,$968,853,$333,686,NA,$407,933,$256,022,707,$20,346,993,$64,417,003,$20,596,567,$67,999,335,$95,918,706,$75,984,700,$3,321,367,$105,713,218,NA,$436,233,122,$17,860,397,$1,552,727,$75,462,037,$90,328,$93,413,709,$14,347,433,$18,170,707,$13,448,497,$2,417,165,$2,048,359,754,$458,064,$791,115,104,NA,NA,NA,NA,$238,532,921,$1,140,769,$1,092,277,NA,$63,945,241,$24,706,166,$3,025,189,$370,541,256,$7,609,187,$1,954,125,$70,055,998,$9,148,519,$232,617,430,$1,214,424,$676,126,$151,644,$47,405,566,$4,658,401,$113,649,$70,016,220,NA,$158,733,820,$133,960,541,$211,622,535,$23,932,055,$14,572,229,$521,342,$169,785,704,$16,797,191,$553,709,788,$39,673,807,$7,281,450,$4,569,019,$223,664,608,$48,169,910,$215,862,692,$24,742,089,$34,603,943,$98,268,458,$10,609,321,$21,192,315,$2,536,242,$12,000,754,$54,766,923,$31,899,000,$37,823,676,$2,874,$23,745,$102,310,697,$236,452,NA,NA,$4,604
Known For & ROIs
The Five Devils
The Pale Blue Eye
Night of the Kings
The Dissident
Dark Waters
NA
ROI Commentary:
Average ROI: NA
ROI Rank: NA
NA
Bio:
Taylor Baker is an American film critic and journalist. She is the founder of the film review website, Reel Talk, and has written for publications such as The New York Times, The Guardian, and The Hollywood Reporter. She is a passionate advocate for diversity in film and has been featured in numerous publications for her work in the industry. She is also a frequent guest on film-related podcasts and radio shows.
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